scholarly journals О летописи поэтовой: Например, Ахматова [How to Tell a Poet’s Life Story: Akhmatova’s Case]

2021 ◽  
Vol 8 ◽  
pp. 178-237
Author(s):  
Roman Timenchik

This article is an attempt to expand the chronology of a poet’s life and works as a genre. It offers not to limit a poet’s biography to poem publication dates, lists of reviews, friendships, or crucial historic events, but to include such marginal texts as rumors, and even dreams—all contributing to the existence of a poet’s name in the semiosphere. KEYWORDS: 20th-Century Russian Literature, Anna Akhmatova (1889—1966), Chronology, History of Literature.

2021 ◽  
Vol 8 ◽  
Author(s):  
Alexandra Pakhomova

The article analyzes War Stories (Voennye rasskazy, 1915) by Mikhail Kuzmin and offers a new interpretation of the book’s pragmatics. Most students of War Stories have not treated this collection in much detail, mainly seeing it as Kuzmin’s unsuccessful attempt to become a part of the mainstream patriotic movement during WWI. Contrary to her predecessors, Alexandra Pakhomova argues this particular book has a definite and consciously motivated authorial strategy. What Kuzmin did in War Stories was an attempt to establish his new literary reputation, and also to create an entirely new genre of short fiction in Russian literature. KEYWORDS: 20th-Century Russian Literature, Mikhail Kuzmin (1972—1936), Voennye rasskazy (1915), Literary Reputation, History of Literature.


2021 ◽  
Vol 8 ◽  
pp. 238-283
Author(s):  
Olga Demidova

This article is an attempt at close reading an extensive ego text (Georgy Adamovich’s letters to Alexander Bacherac of the 1940s – 1972) as a thirty-year-long literary conversation of two Russian émigré writers. Regarding the letters as a single cultural text, and relying on the hermeneutic and semiotic approaches, the article singles out three major layers of the text in question, and analyzes the textual body “inwardly,” i.e. starting from the purely existential-informational upper layer, proceeding to the layer of literary criticism, and finally reaching the layer of literary quotations and cultural allusions used as one of the basic devices forming Adamovich’s epistolary style. Comparing the letters with Adamovich’s famous Literary Conversations (Literaturnye besedy) of the 1920s, the author argues that in his correspondence with Bacherach Adamovich followed the tradition of the Russian friendly literary-philosophical discourse borrowed from the West in the 1800s and developed in the 1820s – 1830s by Alexander Pushkin and his circle. KEYWORDS: 20th-Century Russian Literature, Georgy Adamovich (1892—1972), Alexander Bacherac (1902—1985), Correspondence, History of Literature.


2021 ◽  
Vol 8 ◽  
pp. 80-93
Author(s):  
Olga Proskurova-Timofeeva

This article is an inquiry into the possible origin of the title of Vladimir Nabokov’s second Russian novel King, Queen, Knave (Korol’, dama, valet, 1928). It proves a long-forgotten hypothesis that the title’s likely source is a lesser-known fairy-tale by Hans Christian Andersen, published in several translations into Russian in Berlin and Riga émigré newspapers at the very end of the 1920s. KEYWORDS: 20th-Century Russian Literature, Vladimir Nabokov (1899—1977), Korol’, dama, valet (1928), Hans Christian Andersen (1805—1875), Russian émigré Press, History of Literature.


2021 ◽  
Vol 26 (2) ◽  
pp. 311-316
Author(s):  
Alexey Yu. Ovcharenko

The review article presents various views on the periodization of Russian literature in the 1920s and 1930s and provides arguments in favor of new, refined approaches to the boundaries of the period. Particularly noteworthy are the works of those authors who point to the need for an expanded understanding of the twenties. The concept of the Big Twenties is of particular value in connection with the centenary of the magazine Krasnaya Nov , which made a significant contribution to the literary process of that time.


2021 ◽  
Vol 6 (2) ◽  
pp. 130-136
Author(s):  
Marina Ch. Larionova

The article reviews contents, theoretical grounds, and significance for the contemporary philology of a large-scale work of Ural scholars – The History of Literature of the Ural Region (The 19th Century). In the 1920s, the idea of cultural nests – regional cultural centres, which have their own history and traditions, – was formulated in the works by N. K. Piksanov. The idea was followed and further developed by N. P. Antsiferov, who wrote about an attractive and magnetic power of locus, which organizes the cultural space around itself. That was the beginning of regional literature studies. V.N. Toporov and N. E. Mednis introduced the notions of the urban text, local text, and super-text of the Russian literature, which were accepted by the humanities geography (D.N. Zamyatin). Regional philological studies fitted into the frontier discourse smoothly: space and territory began to be perceived and considered as historical and socio-cultural factors. The reviewed book is the Ural text of the Russian literature incorporating literary and journalistic works about this poly-ethnic macro-region, written by authors biographically and territorially connected with the Large Ural Region; data on bibliography, book publishing and book trade, library management, the history of theatre, etc. The scale of research and the widest coverage of topics and data deserve the highest appraisal and make the work by the Ural colleagues exemplary.


Author(s):  
I. B. Ignatova ◽  
E. N. Legochkina ◽  
A. V. Goncharova

The article deals with intercultural communication in the process of teaching the Russian language. It is currently the strategic policy of modern education. The use of intercultural communication between modern youth and the culture of the past in classrooms of the Russian language and Russian literature is an urgent problem of the modern stage of education development. The implementation of intergenerational intercultural communication in the process of teaching the Russian language and literature in modern Russia presupposes a purposeful appeal to the history of our state, to the history of the Russian literary language, the history of literature and culture. Teaching the Russian language and Russian literature based on the principle of national specificity offers infinite opportunities for educating students.


2021 ◽  
Author(s):  
Alexander Yu. Galushkin

The collection of the most significant scientific papers by Alexander Yu. Galushkin (1960–2014), the last of Viktor Shklovsky’s literary secretaries, the creator of one of the first independent philological journals in Russia “De Visu”, the long-term employee of the IWL RAS, and the head of the Literary Heritage Department, reflects the main areas of his research interests. In addition to articles and publications, the section “From the History of Russian Formalism” includes the extensive work “From Conversations with Viktor Shklovsky”. The section “From the History of Literary Life” contains articles and notes from periodicals that have become inaccessible (the old “Literaturnoe Obozrenie”, the Parisian newspaper “Russkaia Mysl”). The section “From the Documentary Biography of E.I. Zamyatin” presents materials for the book of the same name prepared by A.Yu. Galushkin on the basis of his works on Zamyatin; as an appendix, his PhD thesis “Discussion on B. Pilnyak and E. Zamyatin in the Context of Literary Policy of the Late 1920s — Early 1930s” with author’s corrections and additions is published for the first time. The collection is concluded with the bibliography of A.Yu. Galushkin’s works.


2019 ◽  
Vol 1 (2) ◽  
pp. 242-250
Author(s):  
Hanna Paulouskaya

The review article discusses a book by Giedrė Jankevičiūtė and V. Geetha, Another History of the Children’s Picture Book: From Soviet Lithuania to India (2017). It describes the content of the monograph in the context of studies on picture books, especially those of Russia, Lithuania, and the Soviet Union, on the history of childhood and Russian literature. The main merit of the volume, in the opinion of the reviewer, is the choice of Indian and Lithuanian book art for comparison, which is made from the perspectives of the history of literature, art, societies, and understanding of childhood.


2020 ◽  
pp. 449-472
Author(s):  
Mihail A. Robinson

The article analyzes the methodological views of the academician V. N. Peretz, an outstanding Russian researcher and teacher. Refusing to follow the canons of the cultural-historical school of Russian literary criticism, in his works “From Lectures on the Methodology of the History of Russian Literature” (Kiev, 1914) and “A Brief Essay on the Methodology of the History of Russian Literature” (Petrograd, 1922) the researcher tried to find new approaches to the analysis of literary works. He believed that “the history of literature examines and studies the formal side of the works of verbal creativity, its evolution, leaving the cultural historian to study the content, the ideological side of the monuments of the past as such.” Peretz’s judgments were similar to those adopted by the followers of the OPOYAZ school (The Society for the Study of Poetic Language), and even had a certain influence on the development of formalism at the initial stage. This circumstance was noted by such researchers close to this research community as V. M. Zhirmunsky and its active members like Roman Jakobson. The relationship of Peretz’s theoretical positions with the methods of the Russian formalist school caused criticism from the followers of “Marxist” methodology in the 1920s. In the disputes between the formalists and the “Marxists”, Peretz clearly sympathized with the former believing that they were trying to “resurrect philology.” Peretz himself characterized his “Methodology” as “not Marxist” and had faint hopes for the possibility of its publication, although he continued to work on it. However, he never finished and published the extended version. His “Short Sketch” was reprinted twice abroad before being printed again in his homeland in 2010, 88 years after the first edition.


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