scholarly journals Knowledge and tradition in Clement of Alexandria

2013 ◽  
Vol 24 (2) ◽  
pp. 264-274
Author(s):  
Filip Ivanovic
Keyword(s):  
Intellectual Life ◽  
Short Article ◽  
Clement Of Alexandria ◽  
Allegorical Interpretation ◽  
The Guardian ◽  
The Way

One of the most important exponents of the School of Alexandria, Clement of Alexandria (ca. 150. - ca. 215.) is the author of a famous trilogy, consisting of Protrepticus, Paedagogus, and Stromata, which correspond to the three ways of acting of the Logos, namely to convert the pagans to the true faith, to cure the soul from passions, and to uplift the soul to the methodic and intellectual life of spiritual perfection. Logos thus acts through exhortation, training, and teaching. Clement considers himself to be the guardian of the Apostolic tradition and takes the task of conserving this tradition, which consists of cosmological and theological truths. With that goal in mind, the Alexandrian talks about the relation between pagan philosophy and Christianity, allegorical interpretation of the Scripture, the need of revealing and concealing the knowledge, which, in order to be correctly understood, has to be interpreted in accordance with the tradition. The intention of this short article is to point out these concepts and their connections in the way Clement sees them.

Tolerance: Circles of Inclusion and Exclusion

2018 ◽  
Author(s):  
Lasse Thomassen
Keyword(s):  
Representational Space ◽  
Legal Case ◽  
Religious Clothing ◽  
The Guardian ◽  
State Schools ◽  
The Way

This chapter on the concept and practice of tolerance makes use of the legal case Begum together with three other cases from the same period: X v Y, Playfoot and Watkins-Singh. The chapter analyses the debates about the cases in two broadsheets: The Guardian and The Telegraph. The cases all concerned the rights of schoolgirls in state schools to wear particular kinds of religious clothing and symbols: two different versions of the hijab, a Christian purity ring, and a Sikh bangle. Examining the way tolerance and difference and identity are articulated across the debates about the four cases, I show how lines of inclusion and exclusion are articulated, existing side by side and competing within the same representational space of British multiculturalism.

Clement of Alexandria and the Jews

1998 ◽  
Vol 51 (1) ◽  
pp. 86-98 ◽  
Author(s):  
James Carleton Paget
Keyword(s):  
Ongoing Debate ◽  
Clement Of Alexandria ◽  
Justin Martyr ◽  
The Way

Did Justin Martyr really have a conversation with Trypho the Jew as he states that he did in hisDialogue with Trypho?And even if he did not, does this text, indirectly at least, give evidence of genuine contact between Christians and Jews? When Tertullian in hisAdversus Judaeosreviled Jews for their failure to understand the scriptures in the way he did, was he in fact reviling Jews known to him who actually disagreed with him? Or put another way, do the accusations he makes against Jews give evidence of an ongoing debate with that ancient community?

scholarly journals Hope found, hope lost – eschatological aspects in the interpretations of Israelites’ wilderness wanderings. Two sides of one story: Origen’s 27. Homily on the Book of Numbers and Jerome’s Letter 78

Vox Patrum ◽  
2018 ◽  
Vol 67 ◽  
pp. 727-742
Author(s):  
Marcin Wysocki
Keyword(s):  
Spiritual Growth ◽  
Literary Form ◽  
The Road ◽  
Rich Picture ◽  
Promised Land ◽  
The Future ◽  
On The Road ◽  
Allegorical Interpretation ◽  
Two Sides ◽  
The Way

The writings of Origen and Jerome, which are the source of the article, al­though in a different literary form – a homily and a letter – and written for a diffe­rent purpose and at different times, both are exegesis of the chapter 33 of the Book of Numbers in which the stops of the Israelites in the desert on the road to the Promised Land are described. Both texts are the classic examples of allegorical interpretation of the Scripture. Both authors interpret the 42 “stages” of Israel’s wilderness wanderings above all as God’s roadmap for the spiritual growth of individual believers, but there are present as well eschatological elements in their interpretations. In the presented paper there are shown these eschatological ideas of both authors included in their interpretations of the wandering of the Chosen People on their way to the Promised Land, sources of their interpretations, simi­larities and differences, and the dependence of Jerome on Origen in the interpre­tation of the stages, with the focuse on the idea of realized eschatology, present in Alexandrinian’s work. Origen has presented in his interpretation a very rich picture of the future hope, but Jerome almost nothing mentioned in his letter about hopes of the way towards God after death.

scholarly journals "Kann jemand, der diese Musik gehört hat, […] noch ein schlechter Mensch sein?" – om Wieslers forandring og kunstens påståtte rolle i denne prosessen

Nordlit ◽  
2012 ◽  
Vol 16 (2) ◽  
pp. 35
Author(s):  
Roswitha Skare
Keyword(s):  
East Berlin ◽  
Guardian Angel ◽  
The Guardian ◽  
The Way

The Life of Others (2006) has been a successful film, winning the Oscar for Best Foreign Feature in 2007. It is a film about surveillance, but also about  the lives of artists and writers in East Berlin in the middle of the 1980s, and about what role  literature and art played in the GDR and in the events of autumn 1989. The article focuses on the way the film portrays Wiesler’s transformation from hard-boiled Stasi officer into the guardian angel of his target, and shows how art – both literature and music – plays an important role in this process. 

A "Study of Church in America": Catholicism as Exotic Other in The Damnation of Theron Ware

2006 ◽  
Vol 10 (1) ◽  
pp. 39-58
Author(s):  
Aaron Urbanczyk
Keyword(s):  
New York ◽  
The Novel ◽  
Intellectual Life ◽  
Roman Catholicism ◽  
Old World ◽  
Upstate New York ◽  
Theron Ware ◽  
Damnation Of Theron Ware ◽  
The Way ◽  
The Erotic

AbstractThe Damnation of Theron Ware is the tale of a young Methodist minister's tragic downfall set in rural upstate New York. The inexperienced Reverend Ware finds himself in an environment which triggers his moral, spiritual, and intellectual degeneration. The novel represents Theron's temptations as a complex and organically connected web, at the center of which is Catholicism. "Unreformed" old world Roman Catholicism subsumes under its metaphorical auspices every specific register of transgressive alterity in Theron's imagination (e.g., ethnicity, aesthetics, the intellectual life, the erotic). Theron's romantic imagination radically misperceives Catholicism; it becomes the abyss of difference against which Theron gives way to "enlightened" agnosticism, pride, lust, avarice, covetousness, and self-loathing. The innocent young Methodist parson eventually loses his faith and becomes a stalker, a gossip, a thief, and a would-be adulterer. This transformation takes place through his experience with the Catholic "other" represented by Celia Madden, Father Vincent Forbes, and Dr. Ledsmar. Theron Ware misinterprets everyone associated with Catholicism, recasting the Catholic as the master trope under which all his desires for exotic transgression find an object. The Catholic becomes a dangerous mirror of Theron's perverse desires which "illumines" the way to his "Damnation."

Reshaping Public Intellectual Life: Frank Moorhouse and His Milieu

2015 ◽  
Vol 156 (1) ◽  
pp. 133-141
Author(s):  
Catharine Lumby
Keyword(s):  
Moral Values ◽  
Public Intellectual ◽  
Public Intellectuals ◽  
Intellectual Life ◽  
Writing Practices ◽  
1960S And 1970S ◽  
The 1960S ◽  
Fiction Writer ◽  
The Way

This article uses Frank Moorhouse as a study of the formation of a public intellectual in the 1960s and 1970s. Moorhouse was a key figure in the Sydney Push, a loose Libertarian-anarchist network of artists, writers, intellectuals and party people who rejected the dominant moral values of the 1950s and 1960s. A journalist, Moorhouse later became a well-known fiction writer who was part of a similarly bohemian and activist milieu centred in Sydney's Balmain. Taking Frank Moorhouse as a case study, I will argue that there is something particular about the way public intellectuals have historically been formed and given voice in Australian life, which is characterised by a permeability between art and writing practices and between academic and activist milieux.

New Way – resocialization on the Camino de Santiago

2019 ◽  
Vol 585 (10) ◽  
pp. 15-22
Author(s):  
Franciszek Mróz ◽  
Jacek Matuszczak
Keyword(s):  
Western Europe ◽  
Professional Competence ◽  
Young Person ◽  
Santiago De Compostela ◽  
Innovative Project ◽  
Camino De Santiago ◽  
Individual Work ◽  
The World ◽  
The Guardian ◽  
The Way

Camino de Santiago, or the Way of St. James, is a pilgrimage route which has existed for more than 1,000 years and leads to the Shrine of St. James in Santiago de Compostela. Currently, it is the best-known pilgrimage and cultural route in Europe. It is often referred to as the “most beautiful road in the world” or the “main street in Europe”. The Way of St. James has been used in prisoner resocialization schemes for many years in Western Europe and since 2013 also in Poland. “New Way” is an innovative project consisting of a two-week pilgrimage of a prisoner who straight from the penitentiary sets out along with the guardian on the Way of St. Jakub from Lublin to Krakow. The aim of the program is to change a young person who, while walking for more than 400 km along Camino de Santiago, has a lot of time to think about his previous life. The task of the guardian is to offer assistance and individual work with the prisoner. Great importance in the project is attributed to the meetings of the prisoner with residents and pastors, who often help on the pilgrimage. An important element of the „New Way” is also to provide young person, after completing the Camino, study of professional competence, referral to an internship and then help in finding a job.

Temporal Perspectives in the Practical-Textual Handling of a European Public Problem

2003 ◽  
Vol 42 (3) ◽  
pp. 403-430 ◽  
Author(s):  
Michel Barthélémy
Keyword(s):  
Time Dimension ◽  
Far Right ◽  
Common System ◽  
European Public ◽  
The Media ◽  
The Guardian ◽  
The Eu ◽  
The Way

This article is concerned with the way in which media routinely achieve their task of reporting on an issue that may last for several months. The present study is based on the first months of the coverage by a British newspaper, The Guardian, of an emergent crisis between Austria and the rest of the EU governments as a result of the entry of the far right into Austrian government. The analysis focuses on the way the time dimension is practically used in the media text, with a view to rendering intelligible whatever happens under the auspices of a common system of relevances and interest.

scholarly journals The Use and Misuse of Information in Securitate’s Files: The Case of Plamadeala

Eurostudia ◽  
2015 ◽  
Vol 10 (1) ◽  
pp. 125-139
Author(s):  
Cristina Plamadeala
Keyword(s):  
Secret Police ◽  
Short Article ◽  
The Way

This short article discusses a series of Securitate documents which contain various inconsistencies, and which were written on or about the Romanian theologian Antonie Plamadeala. Examining these files, I attempt to reconstruct the case Securitate built against Plamadeala in the late 1940s, and point to errors and forgeries, which they may contain. Stated differently, I look at evidence, which may have been fabricated by Securitate in order to prove Plamadeala’s alleged ties to the Legionary Movement. I do this by first laying out the series of accusations the Romanian secret police brought against Plamadeala in 1949 and the way in which it constructed its evidence to support its case against him. I then offer a succinct analysis of ways in which one may derive truth from the plethora of information such files may bring to the attention of the modern investigator, truth which, as this article shows, is often juxtaposed with untruth in Securitate archival records.

scholarly journals Thebes, Amphiaraus and Alcmaeon in Pindar’s Pythian 8: instruction to the winner

Hypothekai ◽  
2021 ◽  
Vol 5 ◽  
pp. 172-190
Author(s):  
Andrej Mozhajsky ◽  
◽  
Keyword(s):  
The Road ◽  
Seven Against Thebes ◽  
The Moment ◽  
The Guardian ◽  
The Way

The article examines the didactical component of Pindar’s Pythian 8, which includes the Theban mythohistorical line — the plot of “Seven against Thebes” and the Epigoni’s march on Thebes. In this ode, Pindar instructs Aeginet Aristomenes, the winner of the Pythian Games, through Amphiaraus’ prophecy. Glorifying Aristomenes, Pindar instructs him not to become proud beyond measure, not to overstep the bounds, because Hes-ychia can destroy anyone who lets “merciless malice” into his heart, as it happened with Adrastus and his son. At the same time, Pindar compares Aristomenes with the hero Alcmaeon, the son of Amphiaraus, emphasizing that the glorious blood of their fathers flows in the veins of both. This interpretation of the fragment from Pind. Pyth. 8.56-60 differs from the traditional one since here Pindar meets not Alcmaeon, but Amphiaraus, receiving a prophecy from the latter. It is Amphiaraus who is called Pindar’s "neighbor" and the “guardian” of the Thebans’ possessions. In our opinion, Amphiaraus appears to Pindar in Delphi or on the way to Delphi. This interpretation is based on a comparison of Pindar’s text with a fragment from Herodotus (Hdt. 8.134.1-2), as well as on paleotopographic, archaeological and epigraphic studies. Considering that there is no information about the cult of Alcmaeon in Thebes and in Aegina at the moment, it seems like-ly that Pindar implies his meeting with Amphiaraus, whose sanc-tuary was located, according to a number of scholars, including the author of the article, near Thebes. However, according to He-rodotus who stated that the Thebans could not inquire the oracle of Amphiaraus in this sanctuary, and also on the basis of the pos-sible location of this sanctuary off the road to Delphi, it is sug-gested that Amphiaraus appeared to Pindar not at Amphiareum.

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