scholarly journals The history of the three-part bagpipes in the light of migrations

Muzikologija ◽  
2003 ◽  
pp. 13-25
Author(s):  
Danka Lajic-Mihajlovic
Keyword(s):  
Central Area ◽  
Cultural Influences ◽  
Traditional Music ◽  
The Past ◽  
Close Proximity ◽  
The Status ◽  
History Of ◽  
The Republic ◽  
Different Cultures ◽  
Vast Territory

Three-part bagpipes could be designated as multinational musical instruments since they are and were found in Serbia, Croatia, Hungary, Slovakia, the Ukraine and Romania. In order to determine the movement of their circulation in the past, it is important to investigate the influences that the different cultures had on one another. The central area of the vast territory where they were used coincides with the territory of Hungary when it was part of the Austrian Empire. From that fact it can be deduced that the presence of bagpipes as a common cultural element was the result of the influence of the Hungarian conquest. Another interpretation is based on data concerning Serbian migrations. The area where three-part bagpipes are spread significantly coincides with that of Serbian cultural influences. This finding is supported by linguistic research. The instrument related to bag-pipes, the double clarinet ("diple"), a traditional instrument of the Serbs, and the singing "on the bass" (a vocal counterpart of the harmonical structure of three-part bagpipes), mark the musical features that are characteristic only of Serbs and Croats, and are not found among other peoples that use three-part bagpipes. It is a delicate matter to differentiate the roles of those two peoples because of their common origins and centuries of close proximity on the territory that has recently gained the status of the republic of Croatia. However, on the basis of known data it seems that the key-role was played by Serbs. Such research is important for investigating typologies and stylistic stratigraphies of Serbian traditional music.

scholarly journals «Немецкая Казань»: имагологический анализ художественных произведений Гузель Яхиной

2021 ◽  
Vol 16 (2) ◽  
pp. 141-152
Author(s):  
Michael Kuhn
Keyword(s):  
The Novel ◽  
Literary Works ◽  
Language And Culture ◽  
The Past ◽  
The Status ◽  
History Of ◽  
The Republic ◽  
Cultural Code ◽  
Analysis Of The Images ◽  
The City

German Kazan”: Imagological Analysis of Guzel Yakhina’s Literary Works| The capital of the Republic of Tatarstan is a multicultural city. It is a combination of “Russian,” “Tatar” and, not least, “German elements”. The writer Guzel Yakhina has repeatedly addressed this cultural diversity in her literary works. In them a native of Kazan explores the past and present of the city. Excellent knowledge of German language and culture allows her to study in detail the “German trace” in the history of the capital of Tatarstan to determine its status. The article offers a brief imagological analysis of the images of “German Kazan” presented in the novel Zuleikha and the essay Garden on the Border, or the Garden “Russian Switzerland”. The imagological study conducted at the macro-, meso- and micro-levels shows that in Yakhina’s literary works the images of “German Kazan” are equivalent to the images of “Russian Kazan” or “Tatar Kazan.” The “German elements” are firmly rooted inthe texture of the city and have been an integral part of its cultural code for several centuries. At the same time, following the novel and the essay, they do not have the status of an exotic “foreign,” but a familiar “other.” „Niemiecki Kazań”: imagologiczna analiza utworów Guzel Jachiny Stolica Republiki Tatarstanu to miasto wielokulturowe. To połączenie „rosyjskiego”, „tatarskiego” i, co nie mniej ważne, „niemieckiego” pierwiastka. Pisarka Guzel Jachina wielokrotnie odnosiła się do tej różnorodności kulturowej w swoich tekstach literackich. Rdzenny mieszkaniec Kazania odkrywa w nich przeszłość i teraźniejszość miasta. Doskonała znajomość języka i kultury niemieckiej pozwala autorce na szczegółowe zbadanie „niemieckiego śladu” w historii stolicy Tatarstanu w celu określenia jego statusu. Artykuł zawiera krótką analizę imagologiczną obrazów „niemieckiego Kazania”, przedstawionych w powieści Zulejkaotwiera oczy i eseju Ogród na granicy, czyli Ogród „Rosyjska Szwajcaria”. Badania imago-logiczne, przeprowadzone na poziomach makro-, mezo- i mikro-, pokazują, że w dziełach literackich Jachiny obrazy „niemieckiego Kazania” są równoważne obrazom „rosyjskiego Kazania” czy „tatarskiego Kazania”. „Elementy niemieckie” są mocno zakorzenione w strukturze miasta i od kilku stuleci stanowią integralną część jego kodu kulturowego. Jednocześnie, w powieści i eseju, nie mają one statusu egzotycznego Obcego, ale znajomego Innego.

scholarly journals The status of wildlife conservation in Botswana

Koedoe ◽  
1977 ◽  
Vol 20 (2) ◽  
Author(s):  
W. Von Richter
Keyword(s):  
Wildlife Conservation ◽  
Rapid Expansion ◽  
Conservation Areas ◽  
The Past ◽  
Landuse Planning ◽  
The Status ◽  
History Of ◽  
The Republic ◽  
The Government ◽  
State Of Affairs

The sparse human population and the general lack of surface water over most parts of the Republic of Botswana, which has hampered rapid expansion of agricultural activities into the less suitable areas in the past, have contributed to the fact that Botswana still supports a varied and rich wildlife population. The long history of hunting by the local populae makes them understand and appreciate the concept of wildlife conservation and utilization and has assisted in general to implement a policy for rational conservation and utilization. The next decade will be decisive whether this laudable state of affairs will continue or whether the wildlife resource will be depleted and finally restricted only to formal conservation areas as it has happened in many other countries on the African continent. The government is fully aware of the significance of wildlife conservation and utilization and the necessity to integrate it into overall landuse planning.

The Legal Status of Local Government in South Africa under the New Constitutional Dispensation

2018 ◽  
Vol 33 (2) ◽  
Author(s):  
Mbuzeni Mathenjwa
Keyword(s):  
South Africa ◽  
Local Government ◽  
Legal Status ◽  
Case Law ◽  
The Status ◽  
History Of ◽  
The Republic ◽  
First Time

The history of local government in South Africa dates back to a time during the formation of the Union of South Africa in 1910. With regard to the status of local government, the Union of South Africa Act placed local government under the jurisdiction of the provinces. The status of local government was not changed by the formation of the Republic of South Africa in 1961 because local government was placed under the further jurisdiction of the provinces. Local government was enshrined in the Constitution of the Republic of South Africa arguably for the first time in 1993. Under the interim Constitution local government was rendered autonomous and empowered to regulate its affairs. Local government was further enshrined in the final Constitution of 1996, which commenced on 4 February 1997. The Constitution refers to local government together with the national and provincial governments as spheres of government which are distinctive, interdependent and interrelated. This article discusses the autonomy of local government under the 1996 Constitution. This it does by analysing case law on the evolution of the status of local government. The discussion on the powers and functions of local government explains the scheme by which government powers are allocated, where the 1996 Constitution distributes powers to the different spheres of government. Finally, a conclusion is drawn on the legal status of local government within the new constitutional dispensation.

scholarly journals Aristocratic libraries in Slovakia – status, research, history

2021 ◽  
Vol 15 (3) ◽  
pp. 427-441
Author(s):  
Michaela Sibylová
Keyword(s):  
World War Ii ◽  
Public Libraries ◽  
Adverse Impact ◽  
World War ◽  
The Past ◽  
Research History ◽  
The Enlightenment ◽  
The Status ◽  
History Of ◽  
The Times

The author has divided her article into two parts. The first part describes the status and research of aristocratic libraries in Slovakia. For a certain period of time, these libraries occupied an underappreciated place in the history of book culture in Slovakia. The socialist ideology of the ruling regime allowed their collections (with a few exceptions) to be merged with those of public libraries and archives. The author describes the events that affected these libraries during and particularly after the end of World War II and which had an adverse impact on the current disarrayed state and level of research. Over the past decades, there has been increased interest in the history of aristocratic libraries, as evidenced by multiple scientific conferences, exhibitions and publications. The second part of the article is devoted to a brief history of the best-known aristocratic libraries that were founded and operated in the territory of today’s Slovakia. From the times of humanism, there are the book collections of the Thurzó family and the Zay family, leading Austro-Hungarian noble families and the library of the bishop of Nitra, Zakariás Mossóczy. An example of a Baroque library is the Pálffy Library at Červený Kameň Castle. The Enlightenment period is represented by the Andrássy family libraries in the Betliar manor and the Apponyi family in Oponice. 

scholarly journals Passeism in the Musical Culture of France

2019 ◽  
Vol 16 (2) ◽  
pp. 171-182
Author(s):  
Galina A. Eremenko
Keyword(s):  
20Th Century ◽  
Cultural Influences ◽  
Young Generation ◽  
Musical Culture ◽  
Self Identity ◽  
The Past ◽  
Cultural Life ◽  
Opposite Trend ◽  
History Of ◽  
French Composers

The specialists note and highly appreciate the openness to creative dialogue with different European and regional cultures in their works about the artistic history of France. In the introductory section, the article is focused on the importance of the opposite trend, developed in the 19th — early 20th century in all spheres of art. The purpose of the new movement is “national revival”, interest in the ori­gins of the great heritage of the French masters of past epochs. The author concentrates on the peculiarities of interaction between leading composers, musicians-performers and teachers with the traditions of music professionalism of the French compo­ser school. Furthermore, she explains the main reason of “back to the past” addiction by desire to preserve the unique distinction of artistic thinking in the terms of intensive cultural influences in Italy, Germany and Russia. The article provides the facts of creative activity of the leaders of “national renewal”. There are presented some journalistic statements of the leading French composers to confirm their unanimous recognition of the actual value of national classics to the future of French culture. There is explicated the pa­norama of creative experiments (C. Franck, C. Saint-Saëns, E. Satie, impressionists and composers of the “young generation”) on reconstruction of national traditions of distant epochs. The coverage of events and display of artistic phenomena of musical and cultural life of France allowed the author to form a context to consider the problem of aesthetic and stylistic character: new understanding of the phenomenon of “artistic tradition” and “dialogue with tradition” in the epoch of modernism. The comparison of diffe­rent forms of “dialogue with the past” in the Russian culture of the beginning of the 20th century and in creative works of the leader of European retrospectivisme I.F. Stravinsky gave grounds to use the concept of “passeism” to characterize the special French type of inheritance of the “lessons” of the predecessors. Introducing the concept of “passeism” in contrast to the accepted in Russian musicology “musical neoclassicism” and giving reasons of the effectiveness of its application, the author seeks to identify the idea of preser­ving soil foundations of tradition as a way of national self-identity (prosody, rhetoric, form) pertaining to the French composer school.

scholarly journals Predictors of proximity to others in colony housed shelter cats (Felis silvestris catus)

2016 ◽  
pp. 24 ◽  
Author(s):  
Malini Suchak ◽  
Michael Piombino ◽  
Kalina Bracco
Keyword(s):  
Past History ◽  
Individual Variability ◽  
Felis Silvestris Catus ◽  
Future Studies ◽  
The Past ◽  
Close Proximity ◽  
History Of ◽  
Adult Cats ◽  
Stress Behaviors ◽  
High Degree

Colony housing of cats allows shelters to maximize the number of cats housed in limited space. Most research on colony-housed cats examines stress in relation to group size or enclosure size.  While this is important for evaluating welfare, it is equally important to understand how cats are interacting socially in these colonies. We observed 259 adult cats housed in groups of two to eight individuals. Scan samples were used to assess how frequently individual cats were in close proximity to other cats. These data were used to measure individual differences in sociability and patterns of proximity to certain partners. We used information about the past history of the cat, which was collected upon admission to the shelter to identify predictors of time spent in proximity. There was a high degree of inter-individual variability in sociability. Strays tended to spend less time in proximity to other cats, and this effect was most pronounced in females.However, none of the information collected upon admission predicted patterns of proximity to certain partners, or which cats spent time in association witheach other. Future studies should explore the implications of differences in sociability by associating observations of social behavior and stress behaviors.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

Epilogue

2020 ◽  
pp. 206-214
Author(s):  
Michael Geheran
Keyword(s):  
World War I ◽  
National Socialism ◽  
Great War ◽  
World War ◽  
The Past ◽  
German Identity ◽  
The Status ◽  
History Of ◽  
The Great War

The book closes with a short glimpse into the history of Jewish veterans after 1945, as the survivors of the camps returned to Germany, outlining ruptures and continuities in comparison with the pre-Nazi period. Jewish veterans imposed different narratives on their experiences under National Socialism. As the past receded into the distance, it became a concern for the survivors to engage with the past, which they variously looked back on with nostalgia, disillusionment, or bitter anger. Although National Socialism threatened to erase everything that Jewish veterans of World War I had achieved and sacrificed, sought to destroy the identity they had constructed as soldiers in the service of the nation, as well as bonds with gentile Germans that had been forged under fire during the war, threatened to sever their connections to the status they had earned as soldiers of the Great War and defenders of the fatherland, their minds, their values and their character remained intact. Jewish veterans preserved their sense of German identity.

The Difference Between the Western Reflections of Disaster News and Orientalist Perspectives

2021 ◽  
pp. 145-164
Author(s):  
Nilüfer Pembecioğlu ◽  
Uğur Gündüz
Keyword(s):  
New Media ◽  
Press Coverage ◽  
Daily Consumption ◽  
The Past ◽  
The Press ◽  
Eastern Cultures ◽  
History Of ◽  
Similarities And Differences ◽  
The Difference ◽  
Different Cultures

The women issue is important not only in Western but also in Eastern cultures. Positioned in between the East and West, Turkey always provides an interesting collection of cases and data. Apart from the daily consumption of the women images and realities, the image of the women is also mobile when it comes to the press, and thus, this mobility is extended worldwide through the new media possibilities in the age of information. However, the contradictory images of the different cultures were displayed in the history of media as well. This chapter aims to put forward how the positioning of women in the past took place specifically in the case of Titanic news on the press of the time. The chapter questions the similarities and differences of handling women in news comparing and contrasting the Western journalism of the time and Ottoman press coverage.

A Separate Moldovan Language? The Sociolinguistics of Moldova'sLimba de Stat

2006 ◽  
Vol 34 (5) ◽  
pp. 575-597 ◽  
Author(s):  
Matthew H. Ciscel
Keyword(s):  
Soviet Union ◽  
Language Identity ◽  
The Past ◽  
Imperial Russia ◽  
Language And Power ◽  
The Soviet Union ◽  
The People ◽  
History Of ◽  
The Republic ◽  
Soviet Russia

The politics of language identity have figured heavily in the history of the people of the Republic of Moldova. Indeed the region's status as a province of Russia, Romania, and then the Soviet Union over the past 200 years has consistently been justified and, at least partially, manipulated on the basis of language issues. At the center of these struggles over language and power has been the linguistic and cultural identity of the region's autochthonous ethnicity and current demographic majority, the Moldovans. In dispute is the degree to which these Moldovans are culturally, historically, and linguistically related to the other Moldovans and Romanians across the Prut River in Romania. Under imperial Russia from 1812 to 1918 and Soviet Russia from 1944 to 1991, a proto-Moldovan identity that eschewed connections to Romania and emphasized contact with Slavic peoples was promoted in the region. Meanwhile, experts from Romania and the West have regularly argued that the eastern Moldovans are indistinguishable, historically, culturally, and linguistically, from their Romanian cousins.

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