scholarly journals “Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania

Muzikologija ◽  
2020 ◽  
pp. 85-120
Author(s):  
Roderick Lawford
Keyword(s):  
World Music ◽  
The Balkans ◽  
Musical Genre ◽  
Music Making ◽  
Balkan Country ◽  
The People ◽  
The World ◽  
Physical Position

??Perverting the Taste of the People?: L?utari and the Balkan Question in Romania? considers the term ?Balkan? in the context of Romanian Romani music-making. The expression can be used pejoratively to describe something ?bar-baric? or fractured. In the ?world music? era, ?gypsy-inspired? music from the Balkans has become highly regarded. From this perspective ?Balkan? is seen as something desirable. The article uses the case of the Romanian ?gypsy? band Taraf de Ha?douks in illustration. Romania?s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a ?Balkan? country. This conflict has been contested through manele, a Romanian popular musical genre. In contrast, manele is seen by its detractors as too ?eastern? in character, an unwelcome reminder of earlier Balkan and Ottoman influences on Romanian culture.

scholarly journals The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music

Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 70 ◽  
Author(s):  
Marija Dumnić Vilotijević
Keyword(s):  
Popular Music ◽  
Folk Music ◽  
World Music ◽  
First Century ◽  
Special Focus ◽  
Western Balkans ◽  
Applied Music ◽  
The Balkans ◽  
The People ◽  
Musical Characteristics

In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian).

2. The West and the world

2020 ◽  
pp. 18-36
Author(s):  
Philip V. Bohlman
Keyword(s):  
Balance Of Power ◽  
Folk Songs ◽  
World Music ◽  
Middle Passage ◽  
The West ◽  
Music Making ◽  
The World ◽  
History Of ◽  
Different Cultures

‘The West and the world’ investigates the unequal balance of power in the transcription, recording, and history of world music. World music may have been forged in the ‘Middle Passage’ from Africa to slavery elsewhere, but its musicians were nameless. Their music-making was documented by those with power. Collectors of world music have an anthological impulse, bringing together songs from different cultures. Johann Gottfried Herder’s collection of Volkslieder or ‘Folk Songs’ and two of the first anthologies on record—the Demonstration Collection and Music of the Orient—show that the products of the overarching anthological impulse can be very different.

Sung Hui Tsung's Musical diplomacy and the Korean response

1981 ◽  
Vol 44 (3) ◽  
pp. 509-521
Keyword(s):  
Eleventh Century ◽  
World Music ◽  
The People ◽  
The World ◽  
Full Complement ◽  
Yin And Yang ◽  
Heaven And Earth ◽  
Musical Diplomacy

The introduction to the Sung shih monograph on music stresses the value of music to the ruler in the following way: ‘The second of the four mainsprings of kingly government is music, which brings the minds of the people into harmony and transforms the world.’ Music naturally played a major role in court ritual, especially in the sacrifices at the Temples of Heaven and Earth and the imperial tombs. The full complement of musicians at court in the early eleventh century was over seven hundred, and the control of music came under the Court of Imperial Sacrifices, T'ai-ch'ang-ssu, whose President had overall responsibility for all musical affairs including those to do with pitch, texts, dances and military music. One of his subordinates, the Hsüeh-lü-lang took charge of the lü-lüwhereby Yin and Yang are brought into harmony. He arranged the positions for the musicians and dancers of the palace orchestra and the special orchestra. It was he who held the flag to indicate the beginning and end of musical sections at the great sacrifices. When he raised it the trough (chu) was thumped and the music started, and when he lowered it [the back of] the tiger (yü) was scraped and the music stopped. He was in charge of all matters of musical precedence.

English Musical Life—A Symposium (IV)

Tempo ◽  
1945 ◽  
pp. 226-228
Author(s):  
Hugo Weisgall
Keyword(s):  
George Bernard Shaw ◽  
Musical Life ◽  
Music Making ◽  
The People ◽  
The World ◽  
Bernard Shaw

In most parts of the world a foreigner's comments, even when invited, are apt to stir up resentment. This is not so in Britain where, as a friend recently remarked, the people pay foreigners for being rude, and, citing the case of George Bernard Shaw, make national heroes of them. Not that one could possibly aspire to the heroic heights of Shavian rudeness, nor, indeed, could present circumstances occasion it; for even the most hardened foreign observer cannot but be impressed by the extent and vitality of British Public music making.

Understanding Suicide Terrorism

2017 ◽  
Vol 36 (04) ◽  
pp. 245-250
Author(s):  
A. Speckhard
Keyword(s):  
Western Europe ◽  
Field Research ◽  
Suicide Terrorism ◽  
Terrorist Organizations ◽  
Global Migration ◽  
The Balkans ◽  
Single Region ◽  
Extensive Field ◽  
The World ◽  
Terrorist Groups

SummaryAs a terror tactic, suicide terrorism is one of the most lethal as it relies on a human being to deliver and detonate the device. Suicide terrorism is not confined to a single region or religion. On the contrary, it has a global appeal, and in countries such as Syria, Iraq, Afghanistan, and Pakistan it has come to represent an almost daily reality as it has become the weapon of choice for some of the most dreaded terrorist organizations in the world, such as ISIS and al-Qaeda. Drawing on over two decades of extensive field research in five distinct world regions, specifically the Middle East, Western Europe, North America, Russia, and the Balkans, the author discusses the origins of modern day suicide terrorism, motivational factors behind suicide terrorism, its global migration, and its appeal to modern-day terrorist groups to embrace it as a tactic.

Universal Values and Muslim Democracy

2020 ◽  
Vol 9 (1) ◽  
pp. 1-7
Author(s):  
Anwar Ibrahim
Keyword(s):  
New York ◽  
Muslim World ◽  
World Today ◽  
The People ◽  
The World ◽  
Universal Values ◽  
Human Desire ◽  
Dignified Life

This study deals with Universal Values and Muslim Democracy. This essay draws upon speeches that he gave at the New York Democ- racy Forum in December 2005 and the Assembly of the World Movement for Democracy in Istanbul in April 2006. The emergence of Muslim democracies is something significant and worthy of our attention. Yet with the clear exceptions of Indonesia and Turkey, the Muslim world today is a place where autocracies and dictatorships of various shades and degrees continue their parasitic hold on the people, gnawing away at their newfound freedoms. It concludes that the human desire to be free and to lead a dignified life is universal. So is the abhorrence of despotism and oppression. These are passions that motivate not only Muslims but people from all civilizations.

Experiment role in the world music (based on the «The Road» album of the Ukrainian «Dakha Brakha» band)

2018 ◽  
pp. 215-227
Author(s):  
Iia Fedorova
Keyword(s):  
Folk Music ◽  
World Music ◽  
The Other ◽  
Modern Music ◽  
Musical Practice ◽  
The Road ◽  
Music Practice ◽  
The World ◽  
Binary Oppositions ◽  
Musical Practices

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.

Peacebuilding requirements in post-conflict societies

2020 ◽  
pp. 249
Author(s):  
Zyad Samir Al-Dabagh
Keyword(s):  
Major Obstacle ◽  
Normal Life ◽  
Post Conflict ◽  
The People ◽  
The World

The process of building peace and laying its foundations within the societies of the world, especially those newly emerging from the stage of conflict, are among the important and indispensable matters. Without peace, opportunities diminish in obtaining the essentials of a safe and normal life, and without peace, societies cannot It works and advances towards a better future. However, peacebuilding operations in many societies emerging from conflict or those in which they live may face a set of challenges and obstacles that constitute a major obstacle to them, which necessitates searching for the best ways and means by which these obstacles can be addressed in order to build a real and effective peace that is reflected Positively on the people of those societies.

Covid-19 – rumours and facts in media

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 171-174
Author(s):  
Tarare Toshida ◽  
Chaple Jagruti
Keyword(s):  
Social Media ◽  
Preventive Measures ◽  
Vital Role ◽  
The Other ◽  
Sources Of Information ◽  
Other Hand ◽  
Corona Virus ◽  
The People ◽  
The World

The covid-19 resulted in broad range of spread throughout the world in which India has also became a prey of it and in this situation the means of media is extensively inϑluencing the mentality of the people. Media always played a role of loop between society and sources of information. In this epidemic also media is playing a vital role in shaping the reaction in ϑirst place for both good and ill by providing important facts regarding symptoms of Corona virus, preventive measures against the virus and also how to deal with any suspect of disease to overcome covid-19. On the other hand, there are endless people who spread endless rumours overs social media and are adversely affecting life of people but we always count on media because they provide us with valuable answers to our questions, facts and everything in need. Media always remains on top of the line when it comes to stop the out spread of rumours which are surely dangerous kind of information for society. So on our side we should react fairly and maturely to handle the situation to keep it in the favour of humanity and help government not only to ϑight this pandemic but also the info emic.

The relevance of dietetic approach of Ayurveda from the perspective of COVID-19 pandemic

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 748-752
Author(s):  
Swapnali Khabade ◽  
Bharat Rathi ◽  
Renu Rathi
Keyword(s):  
Severe Acute Respiratory Syndrome ◽  
Healthy Person ◽  
World Health ◽  
Physical And Mental Health ◽  
Leading Role ◽  
Global Pandemic ◽  
The People ◽  
The World ◽  
Health Organization ◽  
The Individual

A novel, severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), causes severe acute respiratory syndrome and spread globally from Wuhan, China. In March 2020 the World Health Organization declared the SARS-Cov-2 virus as a COVID- 19, a global pandemic. This pandemic happened to be followed by some restrictions, and specially lockdown playing the leading role for the people to get disassociated with their personal and social schedules. And now the food is the most necessary thing to take care of. It seems the new challenge for the individual is self-isolation to maintain themselves on the health basis and fight against the pandemic situation by boosting their immunity. Food organised by proper diet may maintain the physical and mental health of the individual. Ayurveda aims to promote and preserve the health, strength and the longevity of the healthy person and to cure the disease by properly channelling with and without Ahara. In Ayurveda, diet (Ahara) is considered as one of the critical pillars of life, and Langhana plays an important role too. This article will review the relevance of dietetic approach described in Ayurveda with and without food (Asthavidhi visheshaytana & Lanhgan) during COVID-19 like a pandemic.

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