How is Historical Knowledge Recognized?

1986 ◽  
Vol 13 ◽  
pp. 331-344 ◽  
Author(s):  
Ernest Wamba-dia-Wamba

Historical knowledge exists in all human societies. It is the cognitive appropriation of socially-determined material transformations necessary for life process. We must begin with this fact. It is a form of social consciousness, a socially-determined interpretation of the movement of those transformations. But where do we find it and how do we recognize it? Where is the place of historical knowledge? Where and how does it exist? On the printed page, in books, of course, and prior to printing and writing, in oral traditions (all those forms of a human community's collective memory--some names of people or places; songs, stories, poems, legends, tales, cosmogonic myths; drawings, carvings, cave inscriptions, tablets, bone/bamboo inscriptions; languages; old roads; etc.). Historical knowledge exists nowadays as well on tapes, cassettes, computer memory, films, pictures, etc.Historical knowledge exists in different degrees of elaboration, of truth character, of accuracy, as well as of scope. All human societies have undergone, and continue to undergo, social transformations. Some have experienced or experience more slow processes of movement than rapid ones and thus their social awareness of those processes of transformations has been or is less sharp. That is why the conscious control and social mastering of the social process of transformation has been or is less developed. Other societies at a certain level of world social process experienced or experience more rapid processes of transformations leading to sharper forms of social consciousness of those processes and specific needs of developing ways and tools for handling those processes.

Africa ◽  
2017 ◽  
Vol 87 (1) ◽  
pp. 1-15
Author(s):  
Akintunde Akinyẹmi

AbstractThis article examines the works of one of the earliest Yoruba poets, Denrele Adetimikan Ọbasa (1879–1945), a member of the local intelligentsia in colonial Nigeria. In my assessment of the poet as a culture activist and local intellectual, I draw on biographical information, extensive archival research and relevant textual illustration. The central argument of the article is that Ọbasa exploits Yoruba communal oral resources for ideas, themes and other linguistic influences in his poetry. Therefore, the essay explores the creative ability of Ọbasa to preserve different forms of oral literary material in his poetic composition and how he uses the folkloric materials as instruments for raising the social consciousness of his readers. At this level, the article argues, Ọbasa transforms oral traditions into metaphorical and symbolic language that best articulates his political or philosophical positions. Thus, orality is not static, but dynamic, flexible and adaptable to change. The main article offers translations of excerpts from Ọbasa's poetry, while the online supplementary material offers more complete samples of Ọbasa's poems.


2009 ◽  
Vol 53 (3) ◽  
pp. 3-15
Author(s):  
Marcin Kula

The author reflects upon the changed role of a historian in the face of civilization transformations. He discusses the presence of history in politics and its influence on the social awareness of Poles as well as the immediate benefits that can be drawn from historical knowledge. From the position of a historian — a scholar actively engaged in his work, he indicates the good and bad aspects of the transformations under discussion.


2013 ◽  
Vol 5 (10) ◽  
pp. 53-91
Author(s):  
Juan Carlos Gómez

Durante la década de 1920 apareció en Latinoamérica una serie de vanguardias culturales que cuestionaron la realidad nacional de sus países buscando cambios en la estructura social y política. Los políticos liberales colombianos, en su intento por llegar al poder, reconocieron en ellas diferentes ideas que influyeron en su desarrollo político. Con las reformas de Alfonso López Pumarejo se buscó un acercamiento con los artistas para que estos desarrollaran una tipología de arte en la que se involucrara a la sociedad y así ésta tomara conciencia de su historia e idiosincrasia. Bajo estos lineamientos Pedro Nel Gómez fue contratado para decorar el Palacio Municipal de Medellín con diferentes murales al fresco que cumplieran este propósito. El artista presentó nueve frescos que despertaron polémica debido al llamado de conciencia social que realizó al retratar los principales problemas de su país, situación que no solo le ganó el apelativo de socialista sino que años más tarde lo llevó a la censura. Con este texto se pretende interpretar esos murales como fuente de conocimiento histórico y ver en ellos los problemas sociales de la Colombia de los años treinta expresados por el artista desde su pensamiento socialista e influencia marxista.Palabras clave: Muralismo, denuncia social, Palacio Municipal de Medellín, socialismo, política colombiana.In the Palace Walls:  Pedro Nel Gómez  in the Social Imaginary of Medellín, 1930-1950Abstract The 1920s was a decade that witnessed in Latin American the appearance of a number of cultural vanguards that questioned the reality of their countries seeking changes in the social and political structure of their nations. The Colombian Liberal politicians, in their desire for to govern to Colombia, recognized in them a number of ideas that influenced his political development. The reforms of Alfonso Lopez Pumarejo sought a rapprochement with the artists looking a series of artistic proposals that involved the society for to aware of its history and identity. Under these guidelines Pedro Nel Gómez was contracted to decorate the town hall of Medellin with a series of murals for to meet this purpose. The artist presented nine frescoes arousing controversy for of the call of social consciousness that did  painting the main problems of the country. This not only earned him the nickname socialist but that years later led to censorship. This text tries to interpret these murals as a source of historical knowledge and see in them the social problems of the thirties Colombian expressed by the artist from his Marxist socialist thought and influence. Keywords: Muralism, social criticism, City Hall Medellín, socialism, Colombian politics.


Patan Pragya ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 154-161
Author(s):  
Bed Prasad Neupane

This study is based on Kamalamai Municipality, Sindhuli District. There are 56 households of Dalit (Damai 29 and Kami 27) in this area. The census method was used in the study where, total population is 365 from 56 households. Among them, 172 were male and 193 were female. The general objectives of this study are to identify demographic and socio-economic status of Dalits and to find out causes of deprivation of Dalits people in the community. They worked as agricultural labour and service work. Their income is less than their expenditure. Most of them are uneducated but nowadays, the level of education has increased so that their children go to school and college. Only 39 percent were literate and only 7 percent Dalits have passed SLC and +2. They give priority on arrange marriage. Youth generation doesn't like the traditional occupation and skills. They use a lot of alcohol (Jaad and Raski) in the festivals and rituals ceremony however the economic condition of Dalit is poor so many children of them are forced to dropout from schools because their parents cannot afford their education fees. The social status of the females in the Dalit community is very low than the males in the society. After the father's death all the properties is transferred to the son. The main causes for degrading status of Dalits are due to poverty, lack of education and lack of social awareness. So far, there have not been any kinds of policies and plans to uplift the Dalit community in this area.


2020 ◽  
Vol 3 (152) ◽  
pp. 92-99
Author(s):  
S. M. Geiko ◽  
◽  
O. D. Lauta

The article provides a philosophical analysis of the tropological theory of the history of H. White. The researcher claims that history is a specific kind of literature, and the historical works is the connection of a certain set of research and narrative operations. The first type of operation answers the question of why the event happened this way and not the other. The second operation is the social description, the narrative of events, the intellectual act of organizing the actual material. According to H. White, this is where the set of ideas and preferences of the researcher begin to work, mainly of a literary and historical nature. Explanations are the main mechanism that becomes the common thread of the narrative. The are implemented through using plot (romantic, satire, comic and tragic) and trope systems – the main stylistic forms of text organization (metaphor, metonymy, synecdoche, irony). The latter decisively influenced for result of the work historians. Historiographical style follows the tropological model, the selection of which is determined by the historian’s individual language practice. When the choice is made, the imagination is ready to create a narrative. Therefore, the historical understanding, according to H. White, can only be tropological. H. White proposes a new methodology for historical research. During the discourse, adequate speech is created to analyze historical phenomena, which the philosopher defines as prefigurative tropological movement. This is how history is revealed through the art of anthropology. Thus, H. White’s tropical history theory offers modern science f meaningful and metatheoretically significant. The structure of concepts on which the classification of historiographical styles can be based and the predictive function of philosophy regarding historical knowledge can be refined.


Diversity ◽  
2021 ◽  
Vol 13 (8) ◽  
pp. 339
Author(s):  
Louise I. Lynch-O’Brien ◽  
Wayne A. Babchuk ◽  
Jenny M. Dauer ◽  
Tiffany Heng-Moss ◽  
Doug Golick

Citizen science is known for increasing the geographic, spatial, and temporal scale from which scientists can gather data. It is championed for its potential to provide experiential learning opportunities to the public. Documentation of educational outcomes and benefits for citizen scientists continues to grow. This study proposes an added benefit of these collaborations: the transference of program impacts to individuals outside of the program. The experiences of fifteen citizen scientists in entomology citizen science programs were analyzed using a constructivist grounded theory methodology. We propose the substantive-level theory of transference to describe the social process by which the educational and attitudinal impacts intended by program leaders for the program participants are filtered by citizen scientists and transferred to others. This process involves individual and external phases, each with associated actions. Transference occurred in participants who had maintained a long-term interest in nature, joined a citizen science program, shared science knowledge and experiences, acquired an expert role to others, and influenced change in others. Transference has implications for how citizen scientists are perceived by professional communities, understanding of the broader impacts and contributions of citizen science to wicked problems, program evaluation, and the design of these programs as informal science education opportunities.


2021 ◽  
Vol 101 (2) ◽  
pp. 127-146
Author(s):  
Matthew DelSesto

This article explores the social process of criminal justice reform, from Howard Belding Gill’s 1927 appointment as the first superintendent of the Norfolk Prison Colony to his dramatic State House hearing and dismissal in 1934. In order to understand the social and spatial design of Norfolk’s “model prison community,” this article reviews Gills’ tenure as superintendent through administrative documents, newspaper reports, and his writings on criminal justice reform. Particular attention is given to the relationship between correctional administration and public consciousness. Concluding insights are offered on the possible lessons from Norfolk Prison Colony for contemporary reform efforts.


2014 ◽  
Vol 26 (4) ◽  
pp. 734-751
Author(s):  
Robert C. Moyer

The aim of this article is to examine the social and psychological impact of modern maritime disasters upon the population of a technologically developed nation. Through an innovative research approach using various indirect measurements of public interest including the internet, media response, music and film, the article explores the interest displayed by the American public following the loss of ships such as the Titanic, Andrea Doria, Edmund Fitzgerald, and Andrea Gail. In order to provide a basis for qualitative comparison, disasters involving other modes of transportation are also considered, including the Hindenburg crash, the ‘Great Train Wreck of 1918’ in Nashville, TN, the Tenerife air disaster of 1977, and the Concorde crash of 2000. The article seeks to explain why the American public seems to display more short-term and long-term interest in maritime disasters than in disasters involving other forms of transportation.


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