The Arquivo Historico de Moçambique and Historical Research in Maputo

2000 ◽  
Vol 27 ◽  
pp. 471-477
Author(s):  
Gerhard Liesegang

The Arquivo Histórico de Moçambique (hereafter AHM) holds mostly nineteenth- and twentieth-century documentation. Most of the documents available were generated by organs of the public (colonial) administration. There are very few fragmentary private papers (collected as “espólios”) and a few collections of documents originated by companies and associations (e.g., Notícias, Moçacor, ATCM, BNU).In the 1890s, when the administrative capital of Mozambique was still on the Island of Moçambique, António Enes ordered all documents prior to the liberal revolution of 1833-34 to be sent to Lisbon. As a result most of the correspondence between the island of Moçambique and the colonial districts for the period ca. 1750-1830 (correspondence and registers and copies of outgoing correspondence in bound books) was sent to Lisbon where it can be consulted in the original in the Arquivo Histórico Ultramarine Most of these now exist on microfilm in the AHM as well. In the 1930s the colonial intellectuals of Mozambique working in different government services founded a scientific society. The colonial administration added to this a cultural publication (Moçambique, Documentário Trimestral, 1935-1960), and also in 1934 the Arquivo Histórico de Moçambique, which was set up step by step between 1938 and 1940. Originally, this was part of the Library of the Department of Statistics (Costa 1987:4). From 1943 to 1963 it was headed by Lt. Caetano Montez and collected nineteenth- and a few early twentieth-century documents and any archival material tranferred by their originating institutions and partly indexed them.

Modern Italy ◽  
2021 ◽  
pp. 1-23
Author(s):  
Andrea Bonfanti

This essay demonstrates that it is impossible to appreciate the actions of the Italian communist Emilio Sereni without considering his Zionist background. Anyone who is interested in understanding the complexities of communism in the past century and to avoid simplistic conclusions about this ideology will benefit from the study. The problem at stake is that researchers often approach communism in a monolithic manner, which does not adequately explain the multiform manifestations (practical and theoretical) of that phenomenon. This ought to change and to this extent this essay hopes to contribute to that recent strand of historical research that challenges simplistic views on communism. More specifically, by analysing the Management Councils that Sereni created in postwar Italy, we can see that many of their features in fact derived from, or found their deepest origins in, his previous experience as a committed socialist Zionist. The study, then, also relates Sereni to and looks at the broader experiences of early twentieth-century Zionism and Italian communism in the early postwar years.


2021 ◽  
Vol 66 (1) ◽  
pp. 38-42
Author(s):  
MEDET TECHMURATOVICH JORAEV ◽  

The article is devoted to the aspects of scientific activity of the Russian Maritime Union. This public organization in the early twentieth century set itself the task of reviving the Russian imperial navy after the defeat in the russo - japanese war of 1904-1905. Meetings of a public organization where scientific problems were discussed are considered. Special attention is paid to the existing rules for publishing a collection of scientific papers by the leaders of the Russian Maritime Union. Information is given on issues related to the colonization of remote areas of Siberia and the Far East. The reasons for the lag of Russian commercial shipping from Western European countries are investigated. The prerequisites for the successful development of German commercial shipbuilding and shipping in the early twentieth century are analyzed. The relationship between the problems of development of Siberian rivers and the unsatisfactory economic condition of remote Russian territories is traced. The history of domestic public organizations and naval affairs in the early twentieth century is studied. In addition, the organization of the Russian maritime union for the promotion of naval knowledge is being considered. The public organization subscribed specialized foreign and domestic literature and created libraries on these issues, open to the public. Then the Russian maritime union attracted such technical innovations as cinematog- raphy and filmstrips to promote naval knowledge among the Russian population.


2017 ◽  
Vol 34 (1) ◽  
pp. 77-97
Author(s):  
Mimasha Pandit

A new image was engendered in twentieth-century Bengal. The image clarified the direction of public opinion, whether it sanctified the actions of the colonizers or that of the colonized. In the process, those who chose to side with the colonized developed a close bond with the others who became a part of the camaraderie. The resultant image, envisioned by the people, did not come to them naturally; it was produced in their mind. The word of the age, printed and performed, helped produce this vision using the context as an index of reference. Words were transmitted and circulated among large number of people, who came to know, discuss and debate it. Despite the strict vigilance of the Raj that censured objectionable words, it nevertheless reached the public. Words found expression in ephemeral media that made the words disseminated untraceable. One such medium was the placard. This article analyses the placards circulated and posted, during the early twentieth century, and delves deep into the process of demonstration and persuasion adopted by the placards to invoke an image of nation among the Bengalis.


2004 ◽  
Vol 77 (195) ◽  
pp. 98-110 ◽  
Author(s):  
Eamon Duffy

Abstract In this article A. G. Dickens's writings about late medieval religion are located in the context of early twentieth-century English historiography, in particular the controversies between Cardinal Aidan Gasquet and Dr. G. G. Coulton. The article argues that despite his desire for judicious objectivity, and despite also his innovatory use of hitherto neglected types of archival material, Dickens's essentially negative assessment of the state of the late medieval Church was shaped by his own early religious formation, and by a Protestant/whig outlook which he shared with Coulton. As a consequence, he understood some mainstream Tudor religious emphases and convictions as ‘medieval’, by which he meant backward-looking minority concerns.


2020 ◽  
Vol 56 ◽  
pp. 434-454
Author(s):  
Dan D. Cruickshank

This article uses the history of the Ornaments Rubric in the late nineteenth and early twentieth century to explore the emergence of claims to self-governance within the Church of England in this period and the attempts by parliament to examine how independent the legal system of the church was from the secular state. First, it gives an overview of the history of the Ornaments Rubric in the various editions of the Book of Common Prayer and the Acts of Uniformity, presenting the legal uncertainty left by centuries of Prayer Book revision. It then explores how the Royal Commission into Ritualism (1867–70) and the Public Worship Regulation Act (1874) attempted to control Ritualist interpretations of the Ornaments Rubric through secular courts. Examining the failure of these attempts, it looks towards the Royal Commission on Ecclesiastical Discipline (1904–6). Through the evidence given to the commission, it shows how the previous royal commission and the work of parliament and the courts had failed to stop the continuation of Ritualist belief in the church's independence from secular courts. Using the report of the royal commission, it shows how the commissioners attempted to build a via media between strict spiritual independence and complete parliamentary oversight.


Author(s):  
Gordon Pentland

This chapter evaluates the large volume of creative scholarship that has reinterpreted and recast our understanding of the ‘heroic age’ of parliamentary reform before the early twentieth century. In doing so, it argues that this varied body of work in itself highlights the value of parliamentary reform as an area for historical research, not least because it has acted as a fertile source of new questions and approaches for political history more generally. Its centrality to accounts of Britain’s political past makes the conspicuous absence of historical accounts of parliamentary reform over the longue durée puzzling. The chapter ends by discussing whether a long-term analysis of parliamentary reform is desirable or possible and examining the potential for historical research into parliamentary reform after 1945.


2020 ◽  
Vol 7 (2) ◽  
pp. 139-171
Author(s):  
Martin Rohde

This paper historicizes the idea of “popular science” in the Ukrainian academic discourse in relation to contemporary approaches to “national science” (as “science proper”) and places special emphasis on the introduction of regular scientific lectures to public audiences in early twentieth century Habsburg Galicia. The Shevchenko Scientific Society was the central Ukrainian association of scholars and scientists at the time. Male-dominated, and increasingly dedicated to “Ukrainoznavstvo” (“Ukrainian studies”), the Shevchenko Scientific Society paid little attention to the popularization of scientific research. The Petro Mohyla Society for Ukrainian Scientific Lectures emerged in reaction to the Shevchenko Society. Its goal was to expand public awareness of the scientific work, and its members proceeded to organize regular public lectures all over Galicia between 1909 and 1914. This paper analyzes such popularization of science, propagated by the Petro Mohyla Society, and examines the lecture audiences with regard to their location, gender, and respective interests.


Author(s):  
Barbara Cohen-Stratyner

Gertrude Hoffman (Hoffmann) was an early twentieth-century Broadway dance director and performer, and the first woman to receive a dance direction—or choreographic—credit on Broadway. From her first credited choreography for Punch, Judy & Co (1903), through to her retirement in the early 1940s, she was known for her clever and innovative staging of women’s precision choruses for both the Broadway and the international stage. As a solo performer, however, she is remembered as an impersonator of other vaudeville and theater performers and concert dancers, developing a vaudeville feature act called The Borrowed Art of Gertrude Hoffman. Hoffman developed and performed in the first U.S. productions of the Ballets Russes repertoire (1911–15), was the first woman admitted to the Theatrical Managers’ Protective Association, and, after buying herself out of her previously signed contracts, set up her own producing organization. In the 1920s and 1930s, she created and staged dance specialties for precision dance teams, known as The Gertrude Hoffman Girls, comprised of twelve to twenty-four performers. Her troupes appeared in the Shuberts’ annual Broadway revues and musicals, as well as in ‘‘picture palaces’’ and large cinemas in America and Western Europe. She retired when World War II closed access to the European entertainment industry.


Author(s):  
Catherine Clémentin-Ojha

Focusing on Swami Shraddhananda (1857–1926), the chapter discusses the turn towards an ideal of political samnyasi-hood in the early twentieth century. With Gandhi, Shraddhananda shared the conviction that the regeneration of India could only be achieved through a personal disciplinary regime. Paying particular attention to the speech Shraddhananda gave at the session of the Indian National Congress in Amritsar in 1919, the chapter demonstrates his understanding of the public function of a modern samnayasi. Shraddhananda had ordained himself samnayasi in 2017. While traditionally a samnyasi renounced his social role, Shraddhananda conceived of a samnyasi in his days as one who uses his independence to become a responsible actor in social and political matters, doing seva, service, for the whole world, and working for the liberation of the nation. The author embeds her analysis in a specific understanding of secularization following which values and forms of institutionalization can be transferred from the religious to the secular sphere.


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