Hoffman, Gertrude (1886–1966)

Author(s):  
Barbara Cohen-Stratyner

Gertrude Hoffman (Hoffmann) was an early twentieth-century Broadway dance director and performer, and the first woman to receive a dance direction—or choreographic—credit on Broadway. From her first credited choreography for Punch, Judy & Co (1903), through to her retirement in the early 1940s, she was known for her clever and innovative staging of women’s precision choruses for both the Broadway and the international stage. As a solo performer, however, she is remembered as an impersonator of other vaudeville and theater performers and concert dancers, developing a vaudeville feature act called The Borrowed Art of Gertrude Hoffman. Hoffman developed and performed in the first U.S. productions of the Ballets Russes repertoire (1911–15), was the first woman admitted to the Theatrical Managers’ Protective Association, and, after buying herself out of her previously signed contracts, set up her own producing organization. In the 1920s and 1930s, she created and staged dance specialties for precision dance teams, known as The Gertrude Hoffman Girls, comprised of twelve to twenty-four performers. Her troupes appeared in the Shuberts’ annual Broadway revues and musicals, as well as in ‘‘picture palaces’’ and large cinemas in America and Western Europe. She retired when World War II closed access to the European entertainment industry.

2021 ◽  
pp. 147-160
Author(s):  
Julie Golia

After World War II, transformations in the newspaper industry, in mainstream gender values, and in the nature of popular discourse again reshaped Americans’ experience with advice. The rise in the 1950s of a new generation of advice columns, led by Ann Landers and Abigail Van Buren, also marked the decline of local, participatory columns like the Detroit News’ “Experience” and the Chicago Defender’s “Advice to the Wise and Otherwise.” Yet early twentieth-century advice columns set key precedents of collective communication that continue to shape the digital communities that serve as our primary modes of personal interaction today.


Author(s):  
Daishiro Nomiya

High modernity claims that the modernity project gave rise to institutional organs of modern nation states, culminating in an emergence of ultra-military states with wartime economy in the early twentieth century. It also argues that the same developmental pattern continued to dominate in the post-World War II period. This chapter examines this high-modernity thesis, employing Japan and Hiroshima as cases to be analyzed. Against the high-modernity thesis, many believe that Japan had a historical disjuncture in 1945, being ultramilitary before the end of World War II and a peaceful nation after. Examinations show that, while the modernity project controlled a large-scale historical process in Japan, it met vehement resistance, and became stranded in Hiroshima.


2019 ◽  
Vol 30 (2) ◽  
pp. 227-239 ◽  
Author(s):  
Mauricio V Daker

Kahlbaum’s seminal approach to symptom complexes, as opposed to disease entities, is still relevant. Many psychopathologists have approached mental symptom complexes without prejudging them as necessary physical deficits or diseases, favouring a broader dimensional and anthropological view of mental disorders. Discussions of symptom complexes gained prominence in psychiatry in the early twentieth century – through Hoche – and in the period leading up to World War II – through Carl Schneider. Their works, alongside those of Kraepelin, Bumke, Kehrer, Jaspers and others, are reviewed in relation to the theme of symptom complexes, the mind, and mental disorders. A particular feature of symptom complexes is their relationship to aspects of the normal mind and how this affects clinical manifestations. It is further suggested that symptom complexes might offer a useful bridge between the psychic and the biological in theories of the mind.


Author(s):  
Daniel Stedman Jones

This chapter illustrates how Friedrich Hayek began to develop an intellectual and organizational strategy to protect and maintain “the free society” as World War II drew to an end. His strategy looked to the influence of the early twentieth-century American progressives and British Fabian socialists and argued that defenders of liberty would have to develop a similar organizational and intellectual strategy. The result of Hayek's efforts was that a sympathetic group of intellectuals from Paris, Austria, Switzerland, Germany, Manchester, the LSE, and Chicago came together under his leadership to form a kind of neoliberal international. The group called itself the Mont Pelerin Society after the venue of its first meeting, which was held in Vevey, Switzerland.


Author(s):  
Hillary Maxson

In the aftermath of World War II, many Japanese women felt impelled to exorcise “martial motherhood,” a stoic, tearless, child-sacrificing gender ideal constructed by the state throughout the early twentieth century. At the Mothers’ Congress of 1955, mothers from across the country gathered to reclaim motherhood from the state and began to redefine motherhood for themselves in the postwar era. This chapter argues that the Mothers’ Congress represented a moment of transition from the wartime concept of “motherhood in the interest of the state” to the postwar idea of motherhood in the interest of mothers. Furthermore, the influential power of the organizers of Japan’s Mothers’ Congress was fundamental in the creation of the 1955 World Congress of Mothers. This was the first instance in which Japanese women became international feminist leaders, and they did so through the language of matricentric feminism.


1996 ◽  
Vol 47 (3) ◽  
pp. 505-528 ◽  
Author(s):  
Grant Wacker

Early pentecostals thought the world of themselves and they assumed that everyone else did too. Not always positively, of course, but frequently, and with secret envy. In one sense it is difficult to imagine how pentecostals could have been more wrong. Till the 1950s most Americans had never heard of them. A handful of observers within the established Churches noticed their existence, and maybe a dozen journalists and scholars took a few hours to try to figure out why a movement so manifestly backward could erupt in the sunlit progressivism of the early twentieth century. But for the American public as a whole, that was about all there was. In another sense, however, pentecostals' extravagant assessment of their own importance proved exactly right. Radical evangelicals, pentecostals' spiritual and in many cases biological parents, marshalled impressive resources to crush the menace in their midst. Abusive words flew back and forth for years, subsiding into sullen silence only in the 1930s. Things improved somewhat after World War II, but even today many on both sides of the canyon continue to eye the other with fear and suspicion.


Author(s):  
Elizabeth Zanoni

The epilogue explores the fate of Italian transnational migrant marketplaces after World War II. It connects today’s popularity of Fernet con Coca, considered Argentina’s national drink, to the historical movements of Italians and trade goods in the early-twentieth century. The Epilogue argues that due to Italy’s postwar “economic miracle,” the socio-economic mobility of second- and third-generation Italians and changes in the status of Italian food worldwide, migrant marketplaces came to exist increasingly in the imaginary and in commodified form, rather than in the actual, embodied movements of Italians and foods from Italy. However, imagined migrant marketplaces continue to play a critical role in the performance of ethnicity for descendants of Italians and in the consumption of Italianità for non-migrants in the U.S. and Argentina.


Author(s):  
Ellen Rutten

This chapter traces the transnational history of sincerity rhetoric, with particular emphasis on those traditions within older debates that inform and shape today's sincerity concerns. Linking Henri Peyre and Lionel Trilling's classical studies to recent research into sincerity rhetoric, the chapter considers discursive historical threads that prevail in contemporary readings of the term especially (although not only) in Russia. It explores the historical roots of the three thematic interconnections that dominate contemporary sincerity talk: sincerity and memory, sincerity and commodification, and sincerity and media. It also discusses the notion that contemporary views of sincerity are sociopolitically defined, skeptical by default, and media specific; how idiosyncratic they are for post-Soviet Russia; and how post-Soviet takes on sincerity use and revise historical and non-Russian readings of sincerity. Finally, it describes how sincerity emerged as a concern for cultural critics in mid-twentieth-century Western Europe and the United States, especially after World War II.


1969 ◽  
Vol 9 (1) ◽  
pp. 143-151
Author(s):  
J. A. Raftis

One of the most remarkable features of the British historical scene since World War II has been the rapid professionalization of local history. The National Register of Archives was set up in 1954 “to record the location, content and availability of all collections of documents, both large and small, in England and Wales (other than those of the central government).” From 1949 something akin to a diary of the burgeoning interest in this area was provided by the journal Archives. Neither the work of the National Register nor the informed discussion of Archives would have been possible, however, without the labours of permanent professional archivists who were to be found in most county and other major local record offices by the 1950s. It is not the purpose of this article, however, to record archival activities as such or to follow the subdividing of these activities throughout the 1950s indicated by the Bulletin of the National Register of Archives, the Lists of Accessions, and the many catalogues issuing from local archives.For the archivist, interest in local records seemed to follow naturally enough upon his scientific training in national collections. But such was not the case for the academic historian for whom “nationalization” of history had become identified with the development of scientific history itself. While the president of the Historical Association could admit in his Jubilee Address of 1956 that “One of the most important features of the first half of the twentieth century is the realization in one field after another that history is much more than the mere story of governments,” this realization has been very gradual.


Author(s):  
Alistair Fox

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.


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