Discoveries of the Other: Alterity in the Work of Leonard Cohen, Hubert Aquin, Michael Ondaatje, and Nicole Brossard

Kanadische Literatur der Gegenwart ist Weltliteratur – Literatur von globalem Format und Wirkung, prestigeträchtig ausgezeichnet (Nobelpreis für Alice Munro, BookerPrize und Friedenspreis für Margaret Atwood), hochaktuell und kontrovers. In der Tat liegt der Erfolg der kanadischen Literatur im 21. Jahrhundert nicht zuletzt in ihrer transnationalen und multikulturellen Ausrichtung. Die kanadischen Autor*innen, deren Werke in diesem Band vorgestellt werden, zeichnen sich immer wieder durch das Überschreiten von Grenzen aus. Das können geografische Grenzen sein, wie im Fall der von ghanaischen Einwanderern abstammenden Esi Edugayan oder des singhalesischholländischstämmigen Michael Ondaatje, deren Figuren zwischen Kanada, den Vereinigten Staaten, Deutschland und Afrika angesiedelt sind. Es handelt sich aber auch um Gattungsgrenzen, etwa die noch immer misstrauisch beargwöhnte Frontlinie zwischen Autobiografie und Fiktion, auf der Sheila Heti zum Grenzgänger wird, oder sogar die zwischen Literatur und Popmusik, wie sich in der erstaunlichen Karriere von Leonard Cohen zeigt. Der vorliegende Band gibt einen Einblick in die Vielfalt der Literatur Kanadas, vom modernen Klassiker bis zur spannenden Neuentdeckung.

“Westmount’s Sinai”: Projecting a Jewish Landscape onto Montreal through Fiction

Canadian Jewish Studies / Études juives canadiennes ◽

10.25071/1916-0925.40216 ◽

2021 ◽

Vol 31 ◽

pp. 148-158

Author(s):

Jesse Toufexis

Keyword(s):

The Other ◽

Sacred Spaces ◽

Leonard Cohen ◽

The World

For Canadian Jewish authors, every peak and every valley, every lake and every island, every forest and every plain, is a potential locus for mythic energy. In this brief article, I wish to offer a glimpse into the implicit means by which Jewish authors project a specifically Jewish landscape onto their surroundings. Through a short study of Chava Rosenfarb’s Edgia’s Revenge and Leonard Cohen’s The Favourite Game, I will explore both authors’ uses of Mount Royal and the Laurentian Mountains as sacred spaces in the tradition of earlier Jewish stories involving mountains and wilderness. These similarities are especially poignant when we consider Cohen and Rosenfarb’s very different experiences of being Jewish in the world—one a wealthy uptown Jew from Montreal and the other a survivor of the Holocaust.Pour les auteurs juifs canadiens, chaque sommet et vallée, chaque lac et île, chaque forêt et plaine, est un lieu potentiel d’énergie mythique. Dans ce bref article, je souhaite offrir un aperçu des moyens implicites par lesquels les auteurs juifs projettent un paysage spécifiquement juif sur leur environnement. À travers une brève étude d’Edgia’s Revenge de Chava Rosenfarb et The Favourite Game de Leonard Cohen, j’explorerai les usages par les deux auteurs du Mont Royal et des Laurentides en tant qu’espaces sacrés dans la tradition d’histoires juives antérieures sur les montagnes et la nature. Ces similitudes sont particulièrement probantes lorsque nous considérons les expériences très différentes de Cohen et Rosenfarb de vivre leur judéité — l’un un juif nanti élevé à Westmount et l’autre une survivante de l’Holocauste.

CULTURAL CONFLICT REFLECTED FROM “IN THE SKIN OF A LION” BY MICHAEL ONDAATJE

Towards Excellence ◽

10.37867/te100302 ◽

2018 ◽

pp. 10-16

Keyword(s):

Point Of View ◽

Michael Ondaatje ◽

The Other ◽

Cultural Hybridity ◽

Cultural Conflict ◽

Cultural Conflicts ◽

Native Culture ◽

The Social ◽

Multiple Cultures ◽

And Migration

“Diaspora” and “migration” are integrated two terms. Term ‘immigration’ denotes the departure from the home and native for getting betterment or elsewhere reason. After settled in the host land the immigrants are suffering for the homesickness, dislocation, seeking own identities in multiple cultures and here the diasporic writer tries to negotiate the situation. In diaspora there is a constant debate about homelessness, and the agony of being located and then dislocated. Migrant writers are keen to trace their roots and write about the social, political as well as cultural happenings of their native homelands. As the immigrant settled in the other nation he is longing from the native culture. And in such situation there outcomes the cultural conflicts and cultural hybridity. Here in this paper I have poured my skill to justify the Michael Ondaatje’s novel “In the skin of a lion” with the cultural conflict point of view.

Third Solitudes Without Separation, Oneness Torn from the Other: On Tearing Through the Shroud of the Solitude of Montreal Jewish Mystics

Canadian Jewish Studies / Études juives canadiennes ◽

10.25071/1916-0925.40213 ◽

2021 ◽

Vol 31 ◽

pp. 115-134

Author(s):

Aubrey Glazer

Keyword(s):

The Other ◽

Tel Aviv ◽

The Third ◽

Leonard Cohen ◽

Cultural Boundaries ◽

Article Analyse

How does the Third Solitude of Montreal Mystics engender a tearing of self, at once, away from the other and inscribing within the Canadian landscape? The motif of tearing is used as a comparative lens for investigating the shroud of Third Solitude of two Montreal Jewish Mystics: Leonard Cohen (1934–2016) and the current Tosher rebbe, Rabbi Elimelech Halevi Segal-Loewy, as well as his late father, Rabbi Meshulam Feish Segal-Loewy (1924–2015). This essay analyzes the process of Leonard Cohen tearing away from cultural boundaries of a Westmount cosmopolitan Jewish upbringing, blossoming into a bohemian bard-kohen who returns as a contemplative mystical Jew from Mount Baldy to Israel via Tel Aviv and back to Montreal. By contrast the Tosher rebbe’s tearing away that began in Nyirtass, Hungary is then transplanted in post-Shoah context into the accommodement raisonable of the Plateau Mont-Royal in Montreal eventually exiling to Kiryas Tosh in Boisbriand. The essay explores how the Tosher rebbe radicalizes Third Solitude without separation by tearing away from surrounding Quebecois culture through ascetic strategies, while Cohen tears away from rampant assimilation and spiritual apathy of his Montreal Jewish upbringing. Both mystics wander through the archetypal Northern landscape of Montreal that has become mythologized in these unique moments of tearing through the metaphysical shroud of Third Solitude.Comment la troisième solitude des mystiques montréalais engendre-t-elle un déchirement de soi, à la fois loin de l’autre et s’inscrivant dans le paysage canadien ? Le motif de la déchirure est utilisé comme une lentille comparative pour enquêter sur le principe de la troisième solitude chez deux mystiques juifs de Montréal : Leonard Cohen (1934-2016) et l’actuel rebbe Tosher, le rabbin Elimelech Halevi Segal-Loewy, ainsi que son défunt père, Rabbi Meshulam Feish Segal-Loewy (1924-2015). Cet article analyse d’abord le cheminement de Leonard Cohen, arraché aux frontières culturelles d’une éducation juive dans un Westmount cosmopolite, fleurissant en un barde-kohen bohémien qui revient à Montréal en tant que mystique juif contemplatif, après avoir transité par le Mont Baldy et Tel Aviv en Israel. L’arrachement du rebbe Tosher, pour sa part, a commencé à Nyirtass, en Hongrie, puis s’est transplanté après la Shoah dans le contexte entourant « l’accommodement raisonnable » du Plateau Mont-Royal à Montréal avant de s’exiler à Kiryas Tosh à Boisbriand. L’essai explore comment le rebbe Tosher radicalise la troisième solitude sans séparation en se détachant de la culture québécoise environnante par des stratégies ascétiques, tandis que Cohen s’arrache à l’assimilation effrénée et à l’apathie spirituelle de son éducation juive à Montréal. Les deux mystiques errent dans l’archétype du paysage nordique de Montréal qui est devenu mythologique dans ces moments uniques de déchirure à travers le linceul métaphysique de la troisième solitude.

Stromatoporoids from the Famennian (Devonian) Wabamun Formation, Normandville oilfield, north–central Alberta, Canada

Journal of Paleontology ◽

10.1017/s0022336000018321 ◽

1988 ◽

Vol 62 (03) ◽

pp. 411-419 ◽

Cited By ~ 5

Author(s):

Colin W. Stearn

Keyword(s):

Patch Reef ◽

Abundant Species ◽

The Other ◽

North Central ◽

Biotic Crisis

Stromatoporoids are the principal framebuilding organisms in the patch reef that is part of the reservoir of the Normandville field. The reef is 10 m thick and 1.5 km2in area and demonstrates that stromatoporoids retained their ability to build reefal edifices into Famennian time despite the biotic crisis at the close of Frasnian time. The fauna is dominated by labechiids but includes three non-labechiid species. The most abundant species isStylostroma sinense(Dong) butLabechia palliseriStearn is also common. Both these species are highly variable and are described in terms of multiple phases that occur in a single skeleton. The other species described areClathrostromacf.C. jukkenseYavorsky,Gerronostromasp. (a columnar species), andStromatoporasp. The fauna belongs in Famennian/Strunian assemblage 2 as defined by Stearn et al. (1988).

D. The Line Spectrum of Pulsating Variable Stars

Symposium - International Astronomical Union ◽

10.1017/s0074180900019021 ◽

1967 ◽

Vol 28 ◽

pp. 207-244

Author(s):

R. P. Kraft

Keyword(s):

Variable Stars ◽

The Other ◽

Line Spectrum ◽

Afternoon Session ◽

Empirical Information ◽

Pulsating Variable Stars ◽

Almost Continuous ◽

Informal Approach

(Ed. note:Encouraged by the success of the more informal approach in Christy's presentation, we tried an even more extreme experiment in this session, I-D. In essence, Kraft held the floor continuously all morning, and for the hour and a half afternoon session, serving as a combined Summary-Introductory speaker and a marathon-moderator of a running discussion on the line spectrum of cepheids. There was almost continuous interruption of his presentation; and most points raised from the floor were followed through in detail, no matter how digressive to the main presentation. This approach turned out to be much too extreme. It is wearing on the speaker, and the other members of the symposium feel more like an audience and less like participants in a dissective discussion. Because Kraft presented a compendious collection of empirical information, and, based on it, an exceedingly novel series of suggestions on the cepheid problem, these defects were probably aggravated by the first and alleviated by the second. I am much indebted to Kraft for working with me on a preliminary editing, to try to delete the side-excursions and to retain coherence about the main points. As usual, however, all responsibility for defects in final editing is wholly my own.)

C. The Continuous Spectrum of Pulsating Variable Stars

Symposium - International Astronomical Union ◽

10.1017/s007418090001901x ◽

1967 ◽

Vol 28 ◽

pp. 177-206

Author(s):

J. B. Oke ◽

C. A. Whitney

Keyword(s):

Continuous Spectrum ◽

Variable Stars ◽

Velocity Fields ◽

The Other ◽

Line Spectrum ◽

Direct Information ◽

Thermodynamic Structure ◽

Diagnostic Interpretation ◽

Pulsating Variable Stars ◽

The Continuum

Pecker:The topic to be considered today is the continuous spectrum of certain stars, whose variability we attribute to a pulsation of some part of their structure. Obviously, this continuous spectrum provides a test of the pulsation theory to the extent that the continuum is completely and accurately observed and that we can analyse it to infer the structure of the star producing it. The continuum is one of the two possible spectral observations; the other is the line spectrum. It is obvious that from studies of the continuum alone, we obtain no direct information on the velocity fields in the star. We obtain information only on the thermodynamic structure of the photospheric layers of these stars–the photospheric layers being defined as those from which the observed continuum directly arises. So the problems arising in a study of the continuum are of two general kinds: completeness of observation, and adequacy of diagnostic interpretation. I will make a few comments on these, then turn the meeting over to Oke and Whitney.

Observing programme for the 24-inch/36-inch Schmidt telescope

Symposium - International Astronomical Union ◽

10.1017/s007418090005364x ◽

1966 ◽

Vol 24 ◽

pp. 337

Author(s):

W. Iwanowska

Keyword(s):

The Other ◽

Schmidt Telescope ◽

Flint Glass

A new 24-inch/36-inch//3 Schmidt telescope, made by C. Zeiss, Jena, has been installed since 30 August 1962, at the N. Copernicus University Observatory in Toruń. It is equipped with two objective prisms, used separately, one of crown the other of flint glass, each of 5° refracting angle, giving dispersions of 560Å/mm and 250Å/ mm respectively.

A hard choice for Tomasello

Behavioral and Brain Sciences ◽

10.1017/s0140525x19002346 ◽

2020 ◽

Vol 43 ◽

Author(s):

Philip Pettit

Keyword(s):

Joint Action ◽

The Other ◽

Hard Choice ◽

Margaret Gilbert ◽

Michael Bratman ◽

Human Sense ◽

Sense Of Obligation

Abstract Michael Tomasello explains the human sense of obligation by the role it plays in negotiating practices of acting jointly and the commitments they underwrite. He draws in his work on two models of joint action, one from Michael Bratman, the other from Margaret Gilbert. But Bratman's makes the explanation too difficult to succeed, and Gilbert's makes it too easy.