Diatonic Connotations of Pitch-Class Sets

1997 ◽  
Vol 15 (1) ◽  
pp. 1-29 ◽  
Author(s):  
René Van Egmond ◽  
David Butler

This is a music-theoretical study of the relationship of two-, three-, four-, five-, and six-member subsets of the major (pure minor), harmonic minor, and melodic (ascending) minor reference collections, using pitchclass set analytic techniques. These three collections will be referred to as the diatonic sets. Several new terms are introduced to facilitate the application of pitch-class set theory to descriptions of tonal pitch relations and to retain characteristic intervallic relationships in tonal music typically not found in discussions of atonal pitch-class relations. The description comprises three parts. First, pitch sets are converted to pitchclass sets. Second, the pitch- class sets are categorized by transpositional types. Third, the relations of these transpositional types are described in terms of their key center and modal references to the three diatonic sets. Further, it is suggested that the probability of a specific key interpretation by a listener may depend on the scale-degree functions of the tones.

2013 ◽  
Vol 19 (3) ◽  
Author(s):  
Drew F. Nobile

This paper presents a framework for analyzing the interval structure of pitch-class segments (ordered pitch-class sets). An “interval permutation” is a reordering of the intervals that arise between adjacent members of these pitch-class segments. Because pitch-class segments related by interval permutation are not necessarily members of the same set-class, this theory has the capability to demonstrate aurally significant relationships between sets that are not related by transposition or inversion. I begin with a theoretical investigation of interval permutations followed by a discussion of the relationship of interval permutations to traditional pitch-class set theory, specifically focusing on how various set-classes may be related by interval permutation. A final section applies these theories to analyses of several songs from Schoenberg’s op. 15 song cycle The Book of the Hanging Gardens.


1988 ◽  
Vol 5 (3) ◽  
pp. 219-249 ◽  
Author(s):  
Helen Brown

The purpose of this study was to provide evidence for the perceptual component of an analysis of pitch relationships in tonal music that includes consideration of both formal analytic systems and musical listeners' responses to tonal relationships in musical contexts. It was hypothesized (1) that perception of tonal centers in music develops from listeners' interpretations of time-dependent contextual (functional) relationships among pitches, rather than primarily through knowledge of psychoacoustical or structural characteristics of the pitch content of sets or scales and (2) that critical perceptual cues to functional relationships among pitches are provided by the manner in which particular intervallic relationships are expressed in musical time. Excerpts of tonal music were chosen to represent familiar harmonic relationships across a spectrum of tonal ambiguity/specificity. The pitch-class sets derived from these excerpts were ordered: (1) to evoke the same tonic response as the corresponding musical excerpt, 2) to evoke another tonal center, and (3) to be tonally ambiguous. The effect of the intervallic contents of musical excerpts and strings of pitches in determining listeners' choices of tonic and the effect of contextual manipulations of tones in the strings in directing subjects' responses were measured and compared. Results showed that the musically trained listeners in the study were very sensitive to tonal implications of temporal orderings of pitches in determining tonal centers. Temporal manipulations of intervallic relationships in stimuli had significant effects on concurrences of tonic responses and on tonal clarity ratings reported by listeners. The interval rarest in the diatonic set, the tritone, was the interval most effective in guiding tonal choices. These data indicate that perception of tonality is too complex a phenomenon to be explained in the time-independent terms of psychoacoustics or pitch- class collections, that perceived tonal relationships are too flexible to be forced into static structural representations, and that a functional interpretation of rare intervals in optimal temporal orderings in musical contexts is a critical feature of tonal listening strategy.


2019 ◽  
Vol 63 (2) ◽  
pp. 167-207
Author(s):  
Leah Frederick

This article constructs generic voice-leading spaces by combining geometric approaches to voice leading with diatonic set theory. Unlike the continuous mod-12 spaces developed by Callender, Quinn, and Tymoczko, these mod-7 spaces are fundamentally discrete. The mathematical properties of these spaces derive from the properties of diatonic pitch-class sets and generic pitch spaces developed by Clough and Hook. After presenting the construction of these voice-leading spaces and defining the OPTIC relations in mod-7 space, this article presents the mod-7 OPTIC-, OPTI-, OPT-, and OP-spaces of two- and three-note chords. The final section of the study shows that, although the discrete mod-7 versions of these lattices appear quite different from their continuous mod-12 counterparts, the topological space underlying each of these graphs depends solely on the number of notes in the chords and the particular OPTIC relations applied.


Author(s):  
John P. Burgess

In the late nineteenth century, Georg Cantor created mathematical theories, first of sets or aggregates of real numbers (or linear points), and later of sets or aggregates of arbitrary elements. The relationship of element a to set A is written a∈A; it is to be distinguished from the relationship of subset B to set A, which holds if every element of B is also an element of A, and which is written B⊆A. Cantor is most famous for his theory of transfinite cardinals, or numbers of elements in infinite sets. A subset of an infinite set may have the same number of elements as the set itself, and Cantor proved that the sets of natural and rational numbers have the same number of elements, which he called ℵ0; also that the sets of real and complex numbers have the same number of elements, which he called c. Cantor proved ℵ0 to be less than c. He conjectured that no set has a number of elements strictly between these two. In the early twentieth century, in response to criticism of set theory, Ernst Zermelo undertook its axiomatization; and, with amendments by Abraham Fraenkel, his have been the accepted axioms ever since. These axioms help distinguish the notion of a set, which is too basic to admit of informative definition, from other notions of a one made up of many that have been considered in logic and philosophy. Properties having exactly the same particulars as instances need not be identical, whereas sets having exactly the same elements are identical by the axiom of extensionality. Hence for any condition Φ there is at most one set {x|Φ(x)} whose elements are all and only those x such that Φ(x) holds, and {x|Φ(x)}={x|Ψ(x)} if and only if conditions Φ and Ψ hold of exactly the same x. It cannot consistently be assumed that {x|Φ(x)} exists for every condition Φ. Inversely, the existence of a set is not assumed to depend on the possibility of defining it by some condition Φ as {x|Φ(x)}. One set x0 may be an element of another set x1 which is an element of x2 and so on, x0∈x1∈x2∈…, but the reverse situation, …∈y2∈y1∈y0, may not occur, by the axiom of foundation. It follows that no set is an element of itself and that there can be no universal set y={x|x=x}. Whereas a part of a part of a whole is a part of that whole, an element of an element of a set need not be an element of that set. Modern mathematics has been greatly influenced by set theory, and philosophies rejecting the latter must therefore reject much of the former. Many set-theoretic notations and terminologies are encountered even outside mathematics, as in parts of philosophy: pair {a,b} {x|x=a or x=b} singleton {a} {x|x=a} empty set ∅ {x|x≠x} union ∪X {a|a∈A for some A∈X} binary union A∪B {a|a∈A or a∈B} intersection ∩X {a|a∈A for all A∈X} binary intersection A∩B {a|a∈A and a∈B} difference A−B {a|a∈A and not a∈B} complement A−B power set ℘(A) {B|B⊆A} (In contexts where only subsets of A are being considered, A-B may be written -B and called the complement of B.) While the accepted axioms suffice as a basis for the development not only of set theory itself, but of modern mathematics generally, they leave some questions about transfinite cardinals unanswered. The status of such questions remains a topic of logical research and philosophical controversy.


2019 ◽  
Vol 9 (1) ◽  
pp. 53-69
Author(s):  
Urszula Idziak ◽  
Bartosz Piotr Bednarczyk

Abstract In our paper, we redefine the category of “family” denoting the relationship of selected members of a post-noble/post-aristocratic milieu in Poland using Alain Badiou’s terminology. Badiou’s ontology based on a mathematical set theory and a generic theory is the most developed, complex, and revolutionary ontology of the 20th and 21st centuries. However, it is rarely adapted to new empirical studies probably because of its novelty and complexity. We do not intend to use the empirical case study made by Smoczynski–Zarycki to inform our argument but instead perform a translation of the Durkheim–Lacanian theoretical standpoint from “Totem…” into the category of “singularity” [singularité] in its relation to “the state of situation” [état de la situation] from “Being and Event” (Badiou 2005). This approach seeks to find a universalizing potential of nobility that will allow it to become a relevant subject for truth procedure analysis.


2011 ◽  
Vol 422 ◽  
pp. 486-489
Author(s):  
Qing Wu ◽  
Xiao Bei Wang ◽  
Quan Lai Li ◽  
Yan Xiang Yang

The two-phase flow field of SX type static mixer is analyzed in this paper. The comprehensive influencing factors are considered during analyzing the relationship of two-phase flowage parameters in practical device. Then the theoretical study is carried out. The two-phase flow is impinged, separated, flowed around and merged. The mixture effect is strengthened. The analytic calculation is carried out according to the practicable turbulent flow pattern and the results is useful for the structure parameters effectively selection and the characteristic optimization.


Author(s):  
Georg Peters

It is well accepted that in many real life situations information is not certain and precise but rather uncertain or imprecise. To describe uncertainty probability theory emerged in the 17th and 18th century. Bernoulli, Laplace and Pascal are considered to be the fathers of probability theory. Today probability can still be considered as the prevalent theory to describe uncertainty. However, in the year 1965 Zadeh seemed to have challenged probability theory by introducing fuzzy sets as a theory dealing with uncertainty (Zadeh, 1965). Since then it has been discussed whether probability and fuzzy set theory are complementary or rather competitive (Zadeh, 1995). Sometimes fuzzy sets theory is even considered as a subset of probability theory and therefore dispensable. Although the discussion on the relationship of probability and fuzziness seems to have lost the intensity of its early years it is still continuing today. However, fuzzy set theory has established itself as a central approach to tackle uncertainty. For a discussion on the relationship of probability and fuzziness the reader is referred to e.g. Dubois, Prade (1993), Ross et al. (2002) or Zadeh (1995). In the meantime further ideas how to deal with uncertainty have been suggested. For example, Pawlak introduced rough sets in the beginning of the eighties of the last century (Pawlak, 1982), a theory that has risen increasing attentions in the last years. For a comparison of probability, fuzzy sets and rough sets the reader is referred to Lin (2002). Presently research is conducted to develop a Generalized Theory of Uncertainty (GTU) as a framework for any kind of uncertainty whether it is based on probability, fuzziness besides others (Zadeh, 2005). Cornerstones in this theory are the concepts of information granularity (Zadeh, 1979) and generalized constraints (Zadeh, 1986). In this context the term Granular Computing was first suggested by Lin (1998a, 1998b), however it still lacks of a unique and well accepted definition. So, for example, Zadeh (2006a) colorfully calls granular computing “ballpark computing” or more precisely “a mode of computation in which the objects of computation are generalized constraints”.


1994 ◽  
Vol 12 (1) ◽  
pp. 125-136 ◽  
Author(s):  
Diana Deutsch

In a study by Deutsch (1991), a large and highly significant difference in perception of the tritone paradox was found between a group of subjects who had grown up in California and a group who had grown up in the south of England: In general, where the Californian group tended to hear the pattern as ascending the English group tended to hear it as descending, and vice versa. The present paper documents some further geographical correlates that are derived from the data obtained by Deutsch (1991). The strength of the relationship of pitch class to perceived height was found to depend on the overall heights of the spectral envelopes under which the tones were generated. However, the direction of this dependence differed significantly depending on the subject population. For subjects showing a "Californian pattern" (i. e., whose overall peak pitch classes were in the range moving clockwise from A#–B to D#–E), this relationship was more pronounced for tones generated under lower spectral envelopes, and so when the tones were perceived as lower in overall height. In contrast, for subjects showing an "English pattern" (i. e., whose overall peak pitch classes were in the opposite region of the pitch-class circle), this relationship was more pronounced for tones generated under higher spectral envelopes, and so when the tones were perceived as higher overall instead. Given the literature on the pitch of speech as a function of linguistic community, these findings provide further evidence that perception of the tritone paradox is related to the processing of speech sounds.


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