Henry Cheke's Freewyl

PMLA ◽  
1934 ◽  
Vol 49 (4) ◽  
pp. 1036-1040
Author(s):  
Leicester Bradner
Keyword(s):  
The Netherlands ◽  
Free Will ◽  
The West ◽  
East Indies ◽  
The Third ◽  
The Past ◽  
Short Notice ◽  
History Of ◽  
Papal Authority ◽  
Initial Blocks

In the third volume of E. K. Chambers' Elizabethan Stage is a short notice of Henry Cheke and his Certayne Tragedie written first in Italian, by F. N. B. entituled, Freewyl, and translated into English, by Henry Cheeke. Although Chambers, probably confused by the entry in the Stationers' Register on May 11, 1561, of a book “of Frewill,” quotes the title with John Tysdale as printer, none of the extant copies bears any mention of printer, place or date. It has been assumed in the past that the entry to Tysdale referred to Cheke's translation, but Dr. Harold Stein has pointed out to me that it must actually refer to one of a series of translations from Jean Veron issued by Tysdale at this time, the title in question reading: A most necessary treatise of free will. Cheke's book is listed under 1589 in Herbert's edition of Ames' Typographical Antiquities, but no printer is assigned and no reason given for the date except the statement that the revolt of the Netherlands is referred to in the play, whereas as a matter of fact it is the revolt of Germany from papal authority in the time of Luther. The question has been pretty well settled, however, by Mr. William A. Jackson, who has made a detailed study of the copy in the Pforzheimer collection. He writes me that the book is certainly the work of Richard Jugge and that a comparison of some of the smaller initial blocks in the Cheke volume with the same ones in Eden's translation of Peter Martyr's History of travayle in the west and east Indies, printed by Jugge in 1577, shows that the blocks are noticeably more worn and broken in the latter volume. Cheke's book was presumably printed, therefore, before that date and after 1572, since the dedicatee, Lady Cheynie of Toddington, did not acquire that title until her husband was raised to the peerage as Baron Cheynie of Toddington in 1572. I incline to a date close to the earlier year.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)

2021 ◽  
Vol 1 (15) ◽  
pp. 67-107
Author(s):  
Ines R. Artola
Keyword(s):  
Strict Sense ◽  
Sonata Form ◽  
Historical Sources ◽  
Avant Garde ◽  
20Th Century Music ◽  
The Third ◽  
Word Analysis ◽  
The Past ◽  
History Of ◽  
The One

The aim of the present article is the analysis of Concerto for harpsichord and five instruments by Manuel de Falla – a piece which was dedicated by the composer to Wanda Landowska, an outstanding Polish harpsichord player. The piece was meant to commemorate the friendship these two artists shared as well as their collaboration. Written in the period of 1923-1926, the Concerto was the first composition in the history of 20th century music where harpsichord was the soloist instrument. The first element of the article is the context in which the piece was written. We shall look into the musical influences that shaped its form. On the one hand, it was the music of the past: from Cancionero Felipe Pedrell through mainly Bach’s polyphony to works by Scarlatti which preceded the Classicism (this influence is particularly noticeable in the third movement of the Concerto). On the other hand, it was music from the time of de Falla: first of all – Neo-Classicism and works by Stravinsky. The author refers to historical sources – critics’ reviews, testimonies of de Falla’s contemporaries and, obviously, his own remarks as to the interpretation of the piece. Next, Inés R. Artola analyses the score in the strict sense of the word “analysis”. In this part of the article, she quotes specific fragments of the composition, which reflect both traditional musical means (counterpoint, canon, Scarlatti-style sonata form, influence of old popular music) and the avant-garde ones (polytonality, orchestration, elements of neo-classical harmony).

The Diaspora of the Novel

1992 ◽  
Vol 2 (1) ◽  
pp. 131-146
Author(s):  
Artemis Leontis
Keyword(s):  
Uneven Development ◽  
Literary Genre ◽  
The Novel ◽  
History Of The Novel ◽  
The West ◽  
The Past ◽  
The Social ◽  
Economic Transformations ◽  
History Of ◽  
New Type

Reflection on the history of the novel usually begins with consideration of the social, political, and economic transformations within society that favored the “rise” of a new type of narrative. This remains true even with the numerous and important studies appearing during the past ten years, which relate the novel to an everbroadening spectrum of ideological issues—gender, class, race, and, most recently, nationalism. Yet a history of the genre might reflect not just on the novel’s national, but also its transnational, trajectory, its spread across the globe, away from its original points of emergence. Such a history would take into account the expansion of western markets—the growing exportation of goods and ideas, as well as of social, political, and cultural forms from the West—that promoted the novel’s importation by nonwestern societies. Furthermore, it could lead one to examine the very interesting inverse relationship between two kinds of migration, both of which are tied to the First World’s uneven “development” of the Third. In a world system that draws out natural resources in exchange for technologically mediated goods, the emigration of laborers and intellectuals from peripheral societies to the centers of power of the West and the immigration of a western literary genre into these same societies must be viewed as related phenomena.

“Solidarity is Something you can Hold in your Hand”

2022 ◽  
pp. 1-25
Author(s):  
Torkil Lauesen
Keyword(s):  
Third World ◽  
Detailed Account ◽  
Popular Front ◽  
Global Context ◽  
The Third ◽  
The Past ◽  
The Future ◽  
History Of ◽  
The Third World ◽  
Support Work

Abstract This article tells the story of an organization based in Copenhagen, Denmark, which supported the Liberation struggle in the Third World from 1969 until April 1989. It focus on the support to the Popular Front for the Liberation of Palestine (pflp). The story is told in a historical and global context. The text explains the strategy and tactic behind the support-work. It explains how the different forms of solidarity work developed over two decades (for a more detailed account of the history of the group, see Kuhn, 2014). Finally, the article offers an evaluation of the past and a perspective on the future struggle for a socialist Palestine.

The Testimony for Marcion's Gospel in NA28: Revisiting the Apparatus to Luke in the Light of Recent Research

2021 ◽  
Vol 68 (1) ◽  
pp. 52-60
Author(s):  
Dieter T. Roth
Keyword(s):  
Scholarly Work ◽  
The Third ◽  
The Past ◽  
Textual History ◽  
History Of

AbstractScholarly work on Luke has often noted the significance of Marcion's Gospel for understanding the textual history of the third canonical Gospel. It is not surprising, therefore, that in the past new insights into Marcion's Gospel have led to revisions in the apparatus of the highly influential Nestle-Aland Novum Testamentum Graece, now in its 28th edition. In view of the precedent for continually updating the Nestle-Aland text and apparatus, this article revisits the apparatus to Luke in the light of recent research on Marcion's Gospel in order to highlight problematic references that should be changed or removed in the apparatus of future Nestle-Aland editions.

Studying the Qurʾan: Neither Here nor There

2020 ◽  
pp. 1-8
Author(s):  
Sarah A. Qidwai
Keyword(s):  
History Of Science ◽  
Science And Religion ◽  
Complex Nature ◽  
The West ◽  
The Third ◽  
History Of ◽  
Colonial Encounters

Abstract This paper addresses three aspects of Majid Daneshgar’s monograph Studying the Qurʾan in the Muslim Academy. The first part looks at the complexities around the lack of coherence between the Muslim Academy and so-called “Western” Institutions. Drawing on some examples from my own life, I will address the hesitance to embrace sources from the West as highlighted by Daneshgar. Then, I will present an example from the “Western Academy” that speaks to a broader audience across this divide. The second part of this paper will address the phenomenon of trying to find scientific proofs in the Qur‘an and the issues around those attempts in the field of the history of science and religion. Drawing on my own research, the third part of this reflection will draw on the example of Islam in India to show the complex nature of the so-called Muslim Academy and its ties to colonial encounters.

III.—The Pre-Cambrian Rocks of Wales

1893 ◽  
Vol 10 (9) ◽  
pp. 396-401
Author(s):  
Henry Hicks
Keyword(s):  
Recent Article ◽  
British Isles ◽  
The West ◽  
British Geological Survey ◽  
England And Wales ◽  
North West ◽  
The Past ◽  
The North ◽  
History Of ◽  
Lithological Character

In a recent article on the Pre-Cambrian Rocks of the British Isles in the Journal of Geology, vol. i., No. 1, Sir Archibald Geikie makes the following statement: “There cannot, I think, be now any doubt that small tracts of gneiss, quite comparable in lithological character to portions of the Lewisian rocks of the North-West of Scotland, rise to the surface in a few places in England and Wales. In the heart of Anglesey, for example, a tract of such rocks presents some striking external or scenic resemblance to the characteristic types of ground where the oldest gneiss forms the surface in Scotland and the West of Ireland.” To those who have followed the controversy which has been going on for nearly thirty years between the chiefs of the British Geological Survey and some geologists who have been working amongst the rocks in Wales, the importance of the above admission will be readily apparent; but as it is possible that some may be unable to realize what such an admission means in showing geological progress in unravelling the history of the older rocks in Wales during the past thirty years, a brief summary of the results obtained may possibly be considered useful.

Free Will

Philosophy ◽  
2010 ◽  
Author(s):  
Kevin Timpe
Keyword(s):  
Moral Responsibility ◽  
Free Will ◽  
Philosophy Of Religion ◽  
History Of Philosophy ◽  
The Past ◽  
Wide Range ◽  
History Of

Free will is a perennial issue in philosophy, both in terms of the history of philosophy and in contemporary discussions. Aspects of free will relate to a wide range of philosophical issues, but especially to metaphysics and ethics. For roughly the past three decades, the literatures on free will and moral responsibility have overlapped to such a degree that it is impossible to separate them. This entry focuses on contemporary discussions about the nature and existence of free will, as well as its relationship to work in the sciences and philosophy of religion.

scholarly journals Stol ons 'kerklike' godsdiensbeoefening in die historiese Jesus?

2002 ◽  
Vol 36 (3) ◽  
Author(s):  
B. Spoelstra
Keyword(s):  
The Netherlands ◽  
Religious Practice ◽  
Lord's Supper ◽  
Karl Barth ◽  
Historical Jesus ◽  
The Past ◽  
Past 2000 Years ◽  
Congregational Worship ◽  
History Of ◽  
Reformed Churches

Does ecclesiastical religion fixate on the historical Jesus? In this article the question is posed whether the kingship of Jesus within modern Reformed ecclesiastical religious practice, and especially within the GKSA, is adequately recognized. It is argued that since Karl Barth, the practice of religion in Reformed churches has in essence focused mainly on the aspect of justification brought about by faith in the atonement on the cross. Another aspect also stressed in Barths’ theology, and still prevalent today, is his rejection of God’s so-called general revelation in creation and history. Since Barth a biblicistic trend has developed in which the kingship of the risen and glorified Christ has been overwhelmingly neglected. The result is that Jesus is mainly commemorated for his atonement in history and is not experienced as the living and reigning Christ in the present. Present-day faith and worship thus relate directly to the history of Jesus on earth, leaving the impression that no revelation has occurred during the past 2000 years. History has become an embarrassment to present-day preachers. It is asserted that the influence of rationalism and humanism on Reformed worship may have caused a lack of appreciation for the aspect of communion with the glorified Christ. In the GKSA the Lord’s Supper is a central event in congregational worship. The Formulary presents the sacrament as a meal to commemorate the death of Christ and does not adequately testify to His kingship here and now. It is apparent that the GKSA inherited many of Zwingli’s ideas from the Reformed churches in the Netherlands and did not fully grasp Calvin’s emphasis on actual communion with the living and reigning Christ.

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