MARINE TERMS AND PROFESSIONALISMS IN POETIC TEXT

2021 ◽  
Vol 1 (100) ◽  
pp. 127-139
Author(s):  
ALEXANDER P. PUKITA
Keyword(s):  
Russian Literature ◽  
Linguistic Analysis ◽  
Literary Texts ◽  
Research Material ◽  
Poetic Text ◽  
Colloquial Speech ◽  
The City ◽  
Insufficient Knowledge

The purpose of the study is to provide linguistic analysis of marine vocabulary in the poetic text of northern writers. The relevance of this article is due to insufficient knowledge of the marine vocabulary functioning in the northern text of Russian literature. The professional vocabulary of fishermen and sailors in the Arkhangelsk North served as the research material. The sources of the material are “Dictionary of folk-colloquial speech of the city of Arkhangelsk” (Vol. 2. Urban sociolects. Part 1. Professional speech of sailors and fishermen; edited by Professor T. A. Sidorova, Arkhangelsk, 2016) and literary texts by V. A. Bednov, A. I. Levushkin and D. A. Ushakov. The article provides a classification of the marine professional vocabulary used in poetic context according to various parameters, and also describes its functions.

STUDY OF ORNAMENTS IN HUNTO SULTAN AMAY MOSQUE GORONTALO

ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu
Keyword(s):  
Qualitative Method ◽  
The Other ◽  
Visual Form ◽  
Research Material ◽  
Other Hand ◽  
The World ◽  
Existing Form ◽  
The City ◽  
Dutch Colonial

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.

scholarly journals HETERO-TEXTUALITY AND CO-SPATIALITY: FROM THE SEMIOTICS OF THE CITY TO THE TRANS-SEMIOTICS OF THE POST-CITY

2021 ◽  
Vol 70 (1) ◽  
pp. 70-79
Author(s):  
Dmitry N. Zamyatin ◽  
◽  
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Literary Texts ◽  
General Context ◽  
Research Material ◽  
Single Text ◽  
Urban Narratives ◽  
Key Features ◽  
The Creation ◽  
The City

Literary texts can be considered as the most attractive research material for analyzing the key features of both the semiotics of the city as a whole and the semiotics of individual cities, to which many works of art are devoted. The urban space of Modernity as a result of the processes of powerful semiotization can be considered as both textual and intertextual. The intertextuality of Modern urban spaces presupposes sets of “floating” topological signifiers corresponding to similar sets of “floating” topological signs. In the traditional semiotics of the city, the existence of two realities is assumed — the “real” reality and the “semiotic” reality, between which clear logical correspondences and/or relations can be observed and analyzed. The appearance of non-classical/post-classical urban narratives focused on the problems of dis-communication at the beginning of the 20th century became one of the important signs of the primary formation of the post-city and post-urbanism phenomena. The post-city is not a text and can not be regarded as a text; at the same time, it can generate separate texts that are not related to each other in any way. Post-urban texts, which are the communicative results of specific co-spatialities, remain local “flashes” that do not form a single text or meta-text (super-text). Hetero-textuality is a phenomenon of post-urban reality, which is characterized by the coexistence, as a rule, of texts that do not correlate with each other, relating to certain stable urban loci. Trans-semiotics in general context is understood as the study of any texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts in the process of signification. Trans-semiotics of post-cities are studies of (literary) texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts related to a particular urban locus in the process of signifying any urban loci. The post-city heterostructuality can be considered as the co-spatiality of mutually exclusive texts corresponding to “non-seeing” post-city loci. Post-urban trans-semiotics in the course of their development form a kind of “dark zones” that reject or neutralize any attempt at any semiotic interpretation.

scholarly journals STUDY OF ORNAMENTS IN HUNTO SULTAN AMAY MOSQUE GORONTALO

ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu
Keyword(s):  
Qualitative Method ◽  
The Other ◽  
Visual Form ◽  
Research Material ◽  
Other Hand ◽  
The World ◽  
Existing Form ◽  
The City ◽  
Dutch Colonial

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.

scholarly journals Typology of Code Switching Functions in the Space of a Literary Text (Based on the Novel Shantaram by G. D. Roberts)

2020 ◽  
Author(s):  
Alexandra Alexandrovna Gamalinskaya
Keyword(s):  
Literary Text ◽  
Code Switching ◽  
Literary Texts ◽  
The Novel ◽  
Linguistic Features ◽  
Switching Theory ◽  
Research Material ◽  
Switching Functions ◽  
Communicative Act

The article is devoted to the study of code switching mechanisms in terms of language contacts in the space of literary texts. It considers the main concepts of the code switching theory. The research focuses on the classification of code switching functions in the space of a literary text (based on the novel Shantaram by G. D. Roberts). The relevance of the study is determined by the usage of modern literary text as a research material. The literary text is at the same time a product of “artistic communication in the culture of post-literacy” [1, 57] and a linguistic object that represents the literary norms of various languages, as well as dialects and colloquial forms of the languages presented. The article highlights the causes and goals of using various codes within the framework of a single communicative act in bilingual speech. As a result, the functional and linguistic features of code switching are analyzed and various classifications are described. Keywords: code, code switching, multilingualism, language contacts, communicative act

scholarly journals TRUTH AS AN AXIOLOGICAL DOMINANT (V. M. SHUKSHIN IN A RETROSPECTIVE OF RUSSIAN LITERATURE)

2021 ◽  
Vol 19 (2) ◽  
pp. 373-386
Author(s):  
Anatoly Sobennikov
Keyword(s):  
Russian Literature ◽  
Socialist Realism ◽  
Fundamental Principle ◽  
Title Complex ◽  
Hard Work ◽  
The Self ◽  
Literary Texts ◽  
Early Age ◽  
Musical Imagery ◽  
Poetic Text

The concept of “truth” in Russian literature is historically associated with justice, righteousness, truth and fairness. In the second half of the 19th century, this concept was actualized in the works of F. M. Dostoevsky, L. N. Tolstoy, and A. P. Chekhov. In Dostoevsky's “ideological novel,” the emphasis is on the hero's finding “truth-verity,” “to live according to the truth” means to live with Christ. Besides the “truth of God”, the “truth of the people” is also of great importance in Dostoevsky's axiology. It is the people who carry the ideal of Christ in their hearts. The writer also discusses the truth of everyday life in his work: in politics, in the relationships among people in society. Leo Tolstoy created a whole gallery of characters who live “according to the truth.” First and foremost, the works of A. P. Chekhov reveal the truth of life; the writer is interested in the character's existential choice. God's truth and the people's truth, as a rule, are revealed to him in the self-awareness of a character "of the people." In 20th century Russian literature, the concept of “truth” plays an important role in the work of V. M. Shukshin and other rustic writers. Shukshin suggests distinguishing between truthfulness and truth, the truth of character and the truth of action. The truth of life involves the problem of the meaning of life. According to Shukshin, “people know the truth,” and this is not rational knowledge, but a way of life. The truth becomes the basis of national existence. Shukshin's Pravda was provocative in relation to the aesthetics of socialist realism with its main principle of partisanship. The writer relied on Russian axiology, rather than on party attitudes. The concept of “truth,” which is associated with the Christian worldview and Christian values, is the foundation of Russian culture and determines the main vectors of its development.

“Stay with me. Talk to me”: reader interaction strategies in modern poetry

2020 ◽  
Vol 7 (2) ◽  
pp. 419-436
Author(s):  
Olga Igorevna Severskaya
Keyword(s):  
Discourse Analysis ◽  
High Impact ◽  
Modern Poetry ◽  
Self Presentation ◽  
Communication Plan ◽  
Communicative Strategies ◽  
The World ◽  
Poetic Text ◽  
Communicative Context

The article is devoted to the consideration of a poetic text as a communicative phenomenon with a high impact potential. The author defines the features of poetic communication, which is both mass and interpersonal, and its main goal, which is the poet’s desire to communicate author’s vision of the world and thereby change the picture of the reader’s world, achieving empathy from it. Based on the understanding of the speech strategy as a cognitive communication plan, a program for generating and perceiving speech, the author talks about the fundamental reversibility of text-generating and interpretative strategies and offers own classification of strategies and tactics that are most often used in modern poetry. In this classification, the main communicative strategies of self-presentation and rapprochement with the reader are associated with auxiliary discursive strategies of actualizing, dramatizing and dialogizing the text and programming interpretations by tactics for highlighting objects and situations using sound “gestures”, pointing to the referent, framing, directly introducing the reader into the communicative context, attracting the recipient’s attention through appeals and pragmatic instructions, interrogation, and some others. Particular attention is paid to the multimodality of interactions and its specific manifestations in poetic discourse. The study is based on the material of Russian poetry of the 1980- 2000s using the methods of intent and discourse analysis.

Text Prophetism

2017 ◽  
Vol 7 (1) ◽  
pp. 40
Author(s):  
Elvira Lumi ◽  
Lediona Lumi
Keyword(s):  
Key Words ◽  
Literary Texts ◽  
Modern World ◽  
Greek Mythology ◽  
Divine Inspiration ◽  
Religious Doctrine ◽  
The World ◽  
Poetic Text ◽  
Poetic Diction ◽  
Life On Earth

"Utterance universalism" as a phrase is unclear, but it is enough to include the term "prophetism". As a metaphysical concept, it refers to a text written with inspiration which confirms visions of a "divine inspiration", "poetic" - "legal", that contains trace, revelation or interpretation of the origin of the creation of the world and life on earth but it warns and prospects their future in the form of a projection, literary paradigm, religious doctrine and law. Prophetic texts reformulate "toll-telling" with messages, ideas, which put forth (lat. "Utters Forth" gr. "Forthteller") hidden facts from fiction and imagination. Prometheus, gr. Prometheus (/ prəmiθprə-mee-mo means "forethought") is a Titan in Greek mythology, best known as the deity in Greek mythology who was the creator of humanity and charity of its largest, who stole fire from the mount Olympus and gave it to the mankind. Prophetic texts derive from a range of artifacts and prophetic elements, as the creative magic or the miracle of literary texts, symbolism, musicality, rhythm, images, poetic rhetoric, valence of meaning of the text, code of poetic diction that refers to either a singer in a trance or a person inspired in delirium, who believes he is sent by his God with a message to tell about events and figures that have existed, or the imaginary ancient and modern world. Text Prophetism is a combination of artifacts and platonic idealism. Key words: text Prophetism, holy text, poetic text, law text, vision, image, figure

Haunted Empire

2020 ◽  
Author(s):  
Valeria Sobol
Keyword(s):  
National Identity ◽  
Russian Literature ◽  
Russian Empire ◽  
Literary Texts ◽  
Cultural Tensions ◽  
The Russian Empire ◽  
The Baltic

This book shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. The book argues that the persistent Gothic tropes in the literature of the Russian Empire enact deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. It brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as the book explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms “the imperial uncanny.” Focusing on two spaces of “the imperial uncanny” — the Baltic “North”/Finland and the Ukrainian “South” — the book reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.

scholarly journals Impacts of urbanisation level and distance from potential natural mosquito breeding habitats on the abundance of canine dirofilariosis

2016 ◽  
Vol 64 (3) ◽  
pp. 340-359 ◽  
Author(s):  
Attila Trájer ◽  
Antal Rengei ◽  
Kinga Farkas-Iványi ◽  
Ákos Bede-Fazekas
Keyword(s):  
Medical Problem ◽  
Urban Environments ◽  
Breeding Habitats ◽  
Mosquito Breeding ◽  
Fluvial Habitat ◽  
Occurrence Patterns ◽  
The City ◽  
Knott’S Test ◽  
Natural Water Bodies

Dirofilariosis is an emerging mosquito-borne veterinary and medical problem in the Northern hemisphere. The ecological investigation of 56 canine dirofilariosis cases in new endemic locations was performed in Szeged, Hungary. The aim was to analyse the influence of the spatial patterns of dog abundance and the potential mosquito breeding habitats on the spatial occurrence patterns of dirofilariosis in the city of Szeged. The limnoecological characterisation was based on the fluvial habitat classification of Amoros of natural water bodies; the built environment was evaluated using the UrbanisationScore urbanisation intensity measuring software. Dirofilaria immitis accounted for 51% and D. repens for 34.3% of the dirofilariosis cases, and in 20% of the cases only the Knott’s test was positive. It was concluded that most of the cases were related to locations with a medium to high urbanisation index, although the proximity of mosquito-bearing waters also played an important role in the observed spatial infection patterns. We found that the distance from potential mosquito habitats and the urbanisation intensity determine the abundance of dirofilariosis in urban environments.

scholarly journals CLASSIFICATION OF ARTISTIC GLAZED CERAMICS OF DERBENT OF THE END VIII-X CENTURIES. (on the example of materials from excavations XXVII and XXXIII)

2020 ◽  
Vol 16 (3) ◽  
pp. 714-759
Author(s):  
Zuhra Z. Kuzeeva
Keyword(s):  
Large Set ◽  
Red Clay ◽  
Large Section ◽  
Wide Range ◽  
Opaque Glaze ◽  
Clay Ceramics ◽  
The City ◽  
Household Ceramics ◽  
Archaeological Excavations

The article is devoted to the classification analysis of the glazed ceramics of Derbent, originating from the materials of archaeological excavations (excavations XXVII and XXXIII), carried out in 2014-2015. in the city. The chronological framework of the study was presumably determined by the end of the VIII-X centuries. The relevance of the topic is characterized by the importance of studying the glazed ceramics of Derbent as a source of a large set of information (historical, cultural and socio-economic interactions of Derbent with a wide range of countries of the Near and Far Abroad).Typology of glazed ceramics in Derbent at the end of the 8th-10th centuries is considered in the article on the basis of modern methodological developments based on three main approaches to the study of any ceramics: the study of technology together with the morphology and decor of the dishes. All investigated ceramics, consisting of fragments of rims, bodies, bases and handles of vessels, are included in one large Section - Household ceramics. This section includes three sections, which are based on the analysis of the clay color of the shard (red clay, brown clay, beige clay ceramics), which determines the technology for the production of dishes. Based on the presence or absence of engobe on ceramics, two subsections are allocated in each department. The next division is the groups that are formed according to the degree of transparency of the opaque glaze. There are three of them: ceramics with transparent, translucent, opaque (dull) glaze. Within some groups, four subgroups are additionally distinguished, determined by the color of the glaze. According to the peculiarities of the additional decor, the types (overglaze, underglaze ornament) and subtypes (painting, engraving, combination of painting with engraving, relief ornament) of ceramics are distinguished. Thus, the characteristics of the glazed ceramics of Derbent from these excavations include: Section, department, sub-department, group, subgroup, type, subtype.

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