Recapturing Lost Glory and Legitimacy

2017 ◽  
Author(s):  
Mona Hassan
Keyword(s):  
Western Europe ◽  
The Self ◽  
Political Activity ◽  
Self Image ◽  
Abbasid Caliphate ◽  
Physical Presence ◽  
Legal Legitimacy ◽  
The Way

This chapter considers problematic questions of political and legal legitimacy for premodern Muslim states in the wake of the Abbasid Caliphate's demise. Similar to the self-image of Byzantium as a Second Rome or the way that medieval rulers in western Europe appropriated Roman symbols, the Mamluk State reinvented the Abbasid Caliphate of Cairo through elaborate rituals and ceremonies reminiscent of a glorious past, and legal scholars articulated creative jurisprudential solutions. Within Mamluk domains, the dilemma of caliphal absence was thus resolved by resurrecting the Abbasid Caliphate in Cairo as a doubly political and spiritual institution, where the caliph delegated his authority to govern to the sultan and radiated metaphysical blessings through his continued physical presence. This fraught relationship between caliphal authority and the wielding of power notably continued to surface as a magnet for political activity and debate, including the ever-potent threat of rebellion, over the centuries of Mamluk rule.

Zofia Kulik. The Splendor of Myself

2019 ◽  
Author(s):  
Agata Jakubowska
Keyword(s):  
Women Artists ◽  
The Self ◽  
Self Image ◽  
Physical Presence

Narratives about women artists usually point to the obstacles they face in the development of their artistic careers. In her article, the author proposes an analysis that concentrates on how a woman artist – Zofia Kulik – presented herself as the heroine of a successful story of emancipation in the series of works titled The Splendor of Myself (1997, 2015, 2017). The self-image she presents is paradoxical: we deal with both her ostentatious presence and her absence as her physical presence is hidden behind the gorgeous but extremely stiff dress. It corresponds with Kulik’s understanding of her success as directly related with the wealth of images and the mastery of composition.

Political representation: the view from France

2019 ◽  
pp. 89-103
Author(s):  
Raf Geenens
Keyword(s):  
Decision Making ◽  
Political Philosophy ◽  
Political Representation ◽  
Collective Decision ◽  
The Self ◽  
Collective Decision Making ◽  
Self Image ◽  
Claude Lefort ◽  
Mutual Relations ◽  
The Way

It is now widely accepted that political representation is not merely a passive, ‘mirroring’ process, but that the process of political representation plays a constitutive role in the construction of citizens’ ideas and preferences. This chapter argues that French political philosophy points to an even more fundamental role for power and representation in the construction (or the ‘constitution’) of society and the self-image of its members. It focuses on a key argument of political theorist, Claude Lefort, who maintained that the specificity of a society is determined by the way power is organized and symbolically represented in that society. On this account, the importance of political representation goes far beyond the formation of opinions and the process of collective decision making. The organization and representation of power is instead seen as a key determinant of society’s self-understanding and of the way citizens within that society understand themselves and their mutual relations.

STOICS WHO SING: LESSONS IN CITIZENSHIP FROM EARLY MODERN LUCCA

2001 ◽  
Vol 44 (2) ◽  
pp. 313-339 ◽  
Author(s):  
PETER N. MILLER
Keyword(s):  
Early Modern ◽  
The Self ◽  
Roman History ◽  
The Political ◽  
Musical Culture ◽  
Political Literature ◽  
Political Ideas ◽  
Self Image ◽  
The Relationship ◽  
The Way

Lucca was the smallest and least important of the three Italian republics that survived the Renaissance. Venice and Genoa still command the attention of historians. But in the seventeenth and eighteenth centuries, for all that it might seem out-of-the-way, Lucca developed an extraordinary political literature. The regular election of senators was marked by the musical performance of a text, generally drawn from Roman history, that illustrated the way citizens of a republic were to behave. The poet and composer were natives and the event was a lesson in citizenship. A close look at the content of these serenades, or operas, makes clear that the republic's motto might have been Libertas but its teaching emphasized constantia. The themes and the heroes of Lucca's political literature were those we associate with neo-Stoicism. The relationship between neo-Stoicism and citizenship in early modern Lucca is the focus of this article. These texts present us with the self-image of an early modern republic and its understanding of what it meant to be a citizen. They are an important source for anyone interested in early modern debates about citizenship and in the political ideas that are conveyed in the commonplaces of baroque visual and musical culture.

The Aristocracy’s Appearance

2021 ◽  
Author(s):  
Renato Rodrigues da Silva
Keyword(s):  
Social Mobility ◽  
Eighth Century ◽  
The Self ◽  
Main Argument ◽  
Self Perception ◽  
Historical Sources ◽  
Self Image ◽  
The Way

This chapter aims to understand the self-image that Northumbrian aristocracy constructed. It will seek to discover how the aristocracy portrayed itself in the historical sources, examining the nouns used to refer to them, the image of warriors and/or clerics, the war gear, the role played by women, the idealized impossibility of social mobility and how the aristocracy understands itself at the end of the long eighth century, as represented in the Durham Liber Vitae. The main argument of the chapter is that the way the aristocracy wanted to be perceived played a major role in its ideological (re)production. Self-perception is also fundamental for organizing the aristocracy internally, and for establishing its own internal hierarchies.

Vérités et Mensonges

2020 ◽  
Vol 39 (2) ◽  
pp. 188-224
Author(s):  
Erik Gunderson
Keyword(s):  
Theory And Practice ◽  
The Self ◽  
Faithful Representation ◽  
Political Subject ◽  
Concrete Reality ◽  
Hermeneutic Process ◽  
The Way

This is a survey of some of the problems surrounding imperial panegyric. It includes discussions of both the theory and practice of imperial praise. The evidence is derived from readings of Cicero, Quintilian, Pliny, the Panegyrici Latini, Menander Rhetor, and Julian the Apostate. Of particular interest is insincere speech that would be appreciated as insincere. What sort of hermeneutic process is best suited to texts that are politically consequential and yet relatively disconnected from any obligation to offer a faithful representation of concrete reality? We first look at epideictic as a genre. The next topic is imperial praise and its situation “beyond belief” as well as the self-positioning of a political subject who delivers such praise. This leads to a meditation on the exculpatory fictions that these speakers might tell themselves about their act. A cynical philosophy of Caesarism, its arbitrariness, and its constructedness abets these fictions. Julian the Apostate receives the most attention: he wrote about Caesars, he delivered extant panegyrics, and he is also the man addressed by still another panegyric. And in the end we find ourselves to be in a position to appreciate the way that power feeds off of insincerity and grows stronger in its presence.

Why Phenomenology?

2018 ◽  
Author(s):  
George Pattison
Keyword(s):  
Twentieth Century ◽  
Subject Matter ◽  
Alternative Model ◽  
Phenomenological Approach ◽  
Human Existence ◽  
Present Approach ◽  
The Self ◽  
Existence Of God ◽  
Pure Intuition ◽  
The Way

This chapter sets out the rationale for adopting a phenomenological approach to the devout life literature. Distinguishing the present approach from versions of the phenomenology of religion dominant in mid-twentieth-century approaches to religion, an alternative model is found in Heidegger’s early lectures on Paul. These illustrate that alongside its striving to achieve a maximally pure intuition of its subject matter, phenomenology will also be necessarily interpretative and existential. Although phenomenology is limited to what shows itself and therefore cannot pass judgement on the existence of God, it can deal with God insofar as God appears within the activity and passivity of human existence. From Hegel onward, it has also shown itself open to seeing the self as twofold and thus more than a simple subjective agent, opening the way to an understanding of the self as essentially spiritual.

The Well-Mannered Auditor

2018 ◽  
Author(s):  
James Deaville
Keyword(s):  
Nineteenth Century ◽  
English Language ◽  
The Self ◽  
Modern World ◽  
Music Making ◽  
Social Events ◽  
Drawing Room ◽  
The Way

The chapter explores the way English-language etiquette books from the nineteenth century prescribe accepted behavior for upwardly mobile members of the bourgeoisie. This advice extended to social events known today as “salons” that were conducted in the domestic drawing room or parlor, where guests would perform musical selections for the enjoyment of other guests. The audience for such informal music making was expected to listen attentively, in keeping with the (self-) disciplining of the bourgeois body that such regulations represented in the nineteenth century. Yet even as the modern world became noisier and aurally more confusing, so, too, did contemporary social events, which led authors to become stricter in their disciplining of the audience at these drawing room performances. Nevertheless, hosts and guests could not avoid the growing “crisis of attention” pervading this mode of entertainment, which would lead to the modern habit of inattentive listening.

Sign in / Sign up

Export Citation Format

Share Document