Faces of the Dead

2021 ◽  
pp. 92-106
Author(s):  
John Parker

This chapter reviews the most visible material manifestation of funerary culture on the Gold Coast and in its forest hinterland before the twentieth century: commemorative terracotta sculptures of the dead. The chapter notes that the Akan and their neighbours were parsimonious when it came to artistic engagement with the dead. Unlike in many societies, from ancient Egypt to medieval Christian Europe and on to modern Mexico, death in Ghana has not left a powerful visual residue. Even within West Africa, the Akan region is notable for the absence of art that served to mediate with ancestors and the spirit world: in contrast to cultural zones to the west, north and east, it had, for example, no masking tradition. The chapter looks at the role of the terracottas within the wider Akan funerary complex. It focuses on the evocative sculptures, but the aim, in the spirit of Sir Thomas Browne's reflections on ancient British burial urns, is that they illuminate something of that broader history of death.

2019 ◽  
pp. 82-94
Author(s):  
Dave Maund

This paper studies the migration history of the members of a single family, who moved between north Herefordshire and what is now the west Midlands conurbation. The research reported here makes use of oral history and diary evidence to describe the migration decisions made by members of the family, especially in the early and mid twentieth century. It elucidates the role of 'place' and the attraction to particular places in those decisions and provides a case study that exemplifies many of the migration processes which were characteristic of the population of England and Wales at that time.


2021 ◽  
pp. 191-209
Author(s):  
John Parker

This chapter discusses the Legislative Council of the Gold Coast Colony's enactment of a law designed to replace the practice of burying the dead within their houses with that of burying them in modern, Western-style cemeteries. It explains the advantages of cemetery burial, which was a landmark in the bureaucratization of death on the Gold Coast and the beginning of a fundamental shift in the dominion of the dead. The outlawing of intramural burial and the establishment of regulated public cemeteries can be seen to represent the same transition that scholars have identified in the history of death in the West: the moment when the dead's long-established cohabitation with the living in the space of human culture was ended by their forcible relocation to the edge of town. The chapter considers how this development played out on the late nineteenth-century Gold Coast with respect to a crucial element in Philippe Ariès's notion of 'modern' death and Thomas W. Laqueur's of a 'new regime' of the dead: the legally enforced disposal of mortal remains in ordered, purpose-built and communal cemeteries.


2011 ◽  
Vol 2 (2) ◽  
pp. 69-112
Author(s):  
Pierre Legendre

"Der Beitrag reevaluiert die «dogmatische Funktion», eine soziale Funktion, die mit biologischer und kultureller Reproduktion und folglich der Reproduktion des industriellen Systems zusammenhängt. Indem sie sich auf der Grenze zwischen Anthropologie und Rechtsgeschichte des Westens situiert, nimmt die Studie die psychoanalytische Frage nach der Rolle des Rechts im Verhalten des modernen Menschen erneut in den Blick. </br></br>This article reappraises the dogmatic function, a social function related to biological and cultural reproduction and consequently to the reproduction of the industrial system itself. On the borderline of anthropology and of the history of law – applied to the West – this study takes a new look at the question raised by psychoanalysis concerning the role of law in modern human behaviour. "


Author(s):  
Yuriy Makar

On December 22, 2017 the Ukrainian Diplomatic Service marked the 100thanniversary of its establishment and development. In dedication to such a momentous event, the Department of International Relations of Yuriy Fedkovych Chernivtsi National University has published a book of IR Dept’s ardent activity since its establishment. It includes information both in Ukrainian and English on the backbone of the collective and their versatile activities, achievements and prospects for the future. The author delves into retracing the course of the history of Ukrainian Diplomacy formation and development. The author highlights the roots of its formation, reconsidering a long way of its development that coincided with the formation of basic elements of Ukrainian statehood that came into existence as a result of the war of national liberation – the Ukrainian Central Rada (the Central Council of Ukraine). Later, the Ukrainian or so-called State the Hetmanate was under study. The Directorat (Directory) of Ukraine, being a provisional collegiate revolutionary state committee of the Ukrainian People’s Republic, was given a thorough study. Of particular interest for the research are diplomatic activities of the West Ukrainian People`s Republic. Noteworthy, the author emphasizes on the Ukrainian Socialist Soviet Republic’s foreign policy, forced by the Bolshevist Russia. A further important implication is both the challenges of the Ukrainian statehood establishing and Ukraine’s functioning as a state, first and foremost, stemmed from the immaturity and conscience-unawareness of the Ukrainian society, that, ultimately, has led to the fact, that throughout the twentieth century Ukraine as a statehood, being incorporated into the Soviet Union, could hardly be recognized as a sovereign state. Our research suggests that since the beginning of the Ukrainian Diplomacy establishment and its further evolution, it used to be unprecedentedly fabricated and forged. On a wider level, the research is devoted to centennial fight of Ukraine against Russian violence and aggression since the WWI, when in 1917 the Russian Bolsheviks, headed by Lenin, started real Russian war against Ukraine. Apropos, in the about-a-year-negotiation run, Ukraine, eventually, failed to become sovereign. Remarkably, Ukraine finally gained its independence just in late twentieth century. Nowadays, Russia still regards Ukraine as a part of its own strategic orbit,waging out a carrot-and-stick battle. Keywords: The Ukrainian People’s Republic, the State of Ukraine, the Hetmanate, the Direcorat (Directory) of Ukraine, the West Ukrainian People`s Republic, the Ukrainian Socialist Soviet Republic, Ukraine, the Bolshevist Russia, the Russian Federation, Ukrainian diplomacy


Author(s):  
Andrea Harris

The Conclusion briefly examines the current state of the New York City Ballet under the auspices of industrial billionaire David H. Koch at Lincoln Center. In so doing, it to introduces a series of questions, warranting still more exploration, about the rapid and profound evolution of the structure, funding, and role of the arts in America through the course of the twentieth century. It revisits the historiographical problem that drives Making Ballet American: the narrative that George Balanchine was the sole creative genius who finally created an “American” ballet. In contrast to that hagiography, the Conclusion reiterates the book’s major contribution: illuminating the historical construction of our received idea of American neoclassical ballet within a specific set of social, political, and cultural circumstances. The Conclusion stresses that the history of American neoclassicism must be seen as a complex narrative involving several authors and discourses and crossing national and disciplinary borders: a history in which Balanchine was not the driving force, but rather the outcome.


Author(s):  
Marian H. Feldman

The “Orientalizing period” represents a scholarly designation used to describe the eighth and seventh centuries bce when regions in Greece, Italy, and farther west witnessed a flourishing of arts and cultures attributed to contact with cultural areas to the east—in particular that of the Phoenicians. This chapter surveys Orientalizing as an intellectual and historiographic concept and reconsiders the role of purportedly Phoenician arts within the existing scholarly narratives. The Orientalizing period should be understood as a construct of nineteenth- and twentieth-century scholarship that was structured around a false dichotomy between the Orient (the East) and the West. The designation “Phoenician” has a similarly complex historiographic past rooted in ancient Greek stereotyping that has profoundly shaped modern scholarly interpretations. This chapter argues that the luxury arts most often credited as agents of Orientalization—most prominent among them being carved ivories, decorated metal bowls, and engraved tridacna shells—cannot be exclusively associated with a Phoenician cultural origin, thus calling into question the primacy of the Phoenicians in Orientalizing processes. Each of these types of objects appears to have a much broader production sphere than is indicated by the attribute as Phoenician. In addition, the notion of unidirectional influences flowing from east to west is challenged, and instead concepts of connectivity and networking are proposed as more useful frameworks for approaching the problem of cultural relations during the early part of the first millennium bce.


2020 ◽  
Vol 33 (3) ◽  
pp. 227-250
Author(s):  
Sjang L. ten Hagen

ArgumentThis article contributes to a global history of relativity, by exploring how Einstein’s theory was appropriated in Belgium. This may sound like a contradiction in terms, yet the early-twentieth-century Belgian context, because of its cultural diversity and reflectiveness of global conditions (the principal example being the First World War), proves well-suited to expose transnational flows and patterns in the global history of relativity. The attempts of Belgian physicist Théophile de Donder to contribute to relativity physics during the 1910s and 1920s illustrate the role of the war in shaping the transnational networks through which relativity circulated. The local attitudes of conservative Belgian Catholic scientists and philosophers, who denied that relativity was philosophically significant, exemplify a global pattern: while critics of relativity feared to become marginalized by the scientific, political, and cultural revolutions that Einstein and his theory were taken to represent, supporters sympathized with these revolutions.


2017 ◽  
Vol 15 (S1) ◽  
Author(s):  
Issiaka Sombie ◽  
Aissa Bouwayé ◽  
Yves Mongbo ◽  
Namoudou Keita ◽  
Virgil Lokossou ◽  
...  

1993 ◽  
Vol 20 ◽  
pp. 173-184 ◽  
Author(s):  
Robin Law

This paper draws attention to an ambitious project in the publication of source material for the precolonial history of West Africa, which has recently been approved for inclusion in the Fontes Historiae Africanae series of the British Academy. In addition to self-promotion, however, I wish also to take the opportunity to air some of the problems of editorial strategy and choice which arise with regard to the editing and presentation of this material, in the hope of provoking some helpful feedback on these issues.The material to be published consists of correspondence of the Royal African Company of England relating to the West African coast in the late seventeenth century. The history of the Royal African Company (hereafter RAC) is in general terms well known, especially through the pioneering (and still not superseded) study by K.G. Davies (1957). The Company was chartered in 1672 with a legal monopoly of English trade with Africa. Its headquarters in West Africa was at Cape Coast (or, in the original form of the name, Cabo Corso) Castle on the Gold Coast, and it maintained forts or factories not only on the Gold Coast itself, but also at the Gambia, in Sierra Leone, and at Offra and Whydah on the Slave Coast. It lost its monopoly of the African trade in 1698, and thereafter went into decline, effectively ceasing to operate as a trading concern in the 1720s, although it continued to manage the English possessions on the coast of West Africa until it was replaced by a regulated company (i.e., one open to all traders), the Company of Merchants Trading to Africa, in 1750.


2021 ◽  
pp. 002190962110549
Author(s):  
Oliver Coates

The National Negro Publishers Association (NNPA) Commission to West Africa in 1944–1945 represents a major episode in the history of World War II Africa, as well as in American–West Africa relations. Three African American reporters toured the Gold Coast, Sierra Leone, Nigeria, Liberia, and the Congo between November 1944 and February 1945, before returning to Washington, DC to report to President Roosevelt. They documented their tour in the pages of the Baltimore Afro-American, the Chicago Defender, and the Norfolk Journal and Guide. Their Americans’ visit had a significant impact in wartime West Africa and was widely documented in the African press. This article examines the NNPA tour geographically, before analyzing American reporters’ interactions with West Africans, and assessing African responses to the tour. Drawing on both African American and West African newspapers, it situates the NNPA tour within the history of World War II West Africa, and in terms of African print culture. It argues that the NNPA tour became the focus of West African hopes for future political, economic, and intellectual relations with African Americans, while revealing how the NNPA reporters engaged African audiences during their tour.


Sign in / Sign up

Export Citation Format

Share Document