scholarly journals KEBERADAAN TALEMPONG KAYU DI KENAGARIAN TALANG MAUR, KECAMATAN MUNGKA, KABUPATEN LIMA PULUH KOTA

2020 ◽  
Vol 9 (4) ◽  
pp. 55
Author(s):  
Monna Dini Angraini ◽  
Wimbrayardi Wimbrayardi
Keyword(s):  
Descriptive Analysis ◽  
Musical Instrument ◽  
Analysis Method ◽  
Literature Study ◽  
The Past ◽  
Aesthetic Pleasure ◽  
The Government ◽  
The Times ◽  
Main Instrument ◽  
Traditional Arts

This study aims to describe the existence of Talempong Kayu in Talang Maur Village, Mungka District, Lima Puluh Kota Regency. This is a qualitative research using a descriptive analysis method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data are collecting data, describing the data, and making conclusions. The results of this study indicate that Talempong Kayu musical instrument is one of the traditional arts in Talang Village, Mungka District, Lima Puluh Kota Regency. It is played by being hit (idiophone). Talempong Kayu is only used as entertainment for the players, and serves as an emotional expression, aesthetic pleasure, and entertainment. The form of its presentation does not require other people or audiences. In the past, people in TalangMaur village had good enthusiasts and appreciation on Talempong Kayu. However, due to the development of the times, the enthusiasts have decreased considerably. This is due to the fact that today generation replaces their games byandroid phones that can access many games. Furthermore, there has been no government attention in developing Talempong Kayu Art. Talempong Kayu is only played by local people and is not really considered by the government. This is due to the fact that the wood Talempong Art only serves as a substitute musical instrument for training before the metal one, so this is not considered too important for deeper development.Keywords: The Existence, Talempong Kayu, in Talang Maur Village

scholarly journals PERKEMBANGAN TARI TAMPURUANG DI SANGGAR SABIRULLAH MATADOR KANAGARIAN PASIR TALANG TIMUR KABUPATEN SOLOK SELATAN

2020 ◽  
Vol 9 (2) ◽  
pp. 39
Author(s):  
Albadri Albadri ◽  
Desfiarni Desfiarni
Keyword(s):  
Qualitative Research ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Analysis Method ◽  
Literature Study ◽  
Motion Management ◽  
Is Development ◽  
Main Instrument

The research aims to reveal, describe, and analyze the development of the Tampuruang Dance in Sabirullah Matador dance studio, KanagarianPasirTalangTimur, Solok Selatan Regency.This research is a qualitative research usinga descriptive analysis method. The object of this research is Tampuruang Dance in NagariPasirTalangTimur, Sungai PaguSubdistrict, SouthSolok Regency. The type of data was primary and secondary data. The main instrument was the research itself. The data collection techniques were conducted through literature study, observation, interviews, and documentation. The data collected were analyzed by using interpretation techniques so that the truth can be obtained.The results show that the Tampuruang Dance Tradition had developed into creativeTampuraung Dance.This development can be seen from the motion management, dancers, floor patterns, accompaniment music, make-up and clothing, as well as time and venue. In its motion, there is a development of 4 motives. Inthe floor pattern, there is development of 17 floor patterns. In costumes, the colors and accessories used are also developed.In the musical instrument, there aresomeadditions of musical instruments: Bansi, talempong, andjimbe. Thus, the process of Tampuruang Dance development in NagariPasirTalang is supported because there is a desire from the Sabirullah Matador studio to maintainTampuruang Dance by turning it into an attractiveTampuruang dance creationso that it can be used by the community. In addition, it can be a place for youths to learn maintaining cultural heritage so that it becomes a local village identity. Keywords: development, Tampuruang dance, Sabirullah Matador Studio

scholarly journals MAKNA TARI ALANG SUNTIANG PANGULU DALAM UPACARA BATAGAK PANGULU DI NAGARI PADANG LAWEH KECAMATAN SUNGAI PUA KABUPATEN AGAM

2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Key Words ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Literature Study ◽  
Main Instrument

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning

scholarly journals PELATIHAN TARI TANUN DI SMA NEGERI 1 SAWAHLUNTO PADA KEGIATAN EKSTRAKURIKULER TARI

2020 ◽  
Vol 9 (4) ◽  
pp. 17
Author(s):  
Willy Tri Rama Putra ◽  
Yuliasma Yuliasma
Keyword(s):  
Material Selection ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Data Display ◽  
Analysis Method ◽  
Literature Study ◽  
Dance Training ◽  
Implementation Techniques ◽  
Main Instrument ◽  
Optimal Quality

This is a qualitative research with a descriptive analysis method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data was collected through literature study, observation, documentation, and interview. The data analysis was conducted by reducing the data, modeling the data (data display), and taking / verifying conclusions. The results show that 1) extracurricular dance planning can be conducted well as expected, the material selection is in accordance with students’ needs and abilities, and the schedule selection has been determined by the principal and is always consistent in its implementation, 2) the implementation techniques taught to students give optimal quality such as doing varied warm-ups, teaching difficult to easy movements, and emphasizing parts of the motion by using words such as 1-2-Hentak-Turak, 5-6-Sorong-Turak, 3) students' abilities which looks very good consist of several parts, namely motion, rhythm, and expression. In terms of doing movements, the students are always consistent (there is no change). In terms of rhythm, the students are always good at doing movements because the trainer always provides varied counts and consistently provides rhythms with sound or music during warming up. In terms of expression, students are also spontaneous in doing movements and giving off a beautiful smile. This is due to the fact that the trainer always explains the meaning of motion in every movement the students do.Keywords: Tanun dance Training

scholarly journals PERKEMBANGAN TARI MARCOK DI SANGGAR SENI ILOK RUPO KOTA SUNGAI PENUH PROVINSI JAMBI

2020 ◽  
Vol 10 (1) ◽  
pp. 246
Author(s):  
Inessya Lelioritha NS ◽  
Desfiarni Desfiarni
Keyword(s):  
Development Process ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Musical Instrument ◽  
Analysis Method ◽  
Art Gallery ◽  
Time Performance ◽  
Collection Data ◽  
Main Instrument ◽  
Writing Tools

The research aims to reveal, describe, and analyze the development of Marcok Dance at Ilok Rupo Art Studio, Sungai Penuh City. This research belongs to a qualitative research using a descriptive analysis method. The types of data in this study were primary and secondary data. The main instrument was the researcher itself, and it was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature, observation, interviews, and documentation. The data analysis was done through data collection, data reduction, data presentation, and conclusions drawing. The results show that the traditional Marcok Dance had developed into a creation Marcok Dance. This development can be seen from the management of movements, dancers, floor patterns, accompaniment music, clothing, time performance, and place of performance. In motion, there are 2 new motion additions. Related to the floor pattern, there is a reduction from 26 to 14 creation Marcok dance floor patterns.  Costumes have developed in terms of accessories used. In addition, there is an additional musical instrument called gong. The development process of Marcok Dance at the Ilok Rupo Art Studio, Sungai Penuh City is supported because of the desire of Ilok Rupo Art Studio to keep the traditional Marcok Dance by develop it so it is attractive for the community to use. Moreover it is useful as a forum for young people to learn how to maintain cultural heritage, and it becomes an identity in the local area.Keywords: Development, Marcok Dance, Ilok Rupo Art Gallery

scholarly journals Mempersiapkan Generasi Milenial Yang Andal Sebagai Pemimpin Bangsa

2022 ◽  
Vol 5 (1) ◽  
pp. 114
Author(s):  
Faruq Hasan Asy’ari
Keyword(s):  
Moral Education ◽  
Millennial Generation ◽  
Technological Progress ◽  
Human Life ◽  
Descriptive Analysis ◽  
Turn Of The Millennium ◽  
Analysis Method ◽  
News Sources ◽  
The Government ◽  
The Times

<p><em>The millennial generation is a generation born between 1980-2000 when there was rapid technological progress and continues to grow. They are called the millennial generation because they are the generation that lives at the turn of the millennium. Simultaneously in today's digital technology began to penetrate into human life rapidly. When viewed from the age, this millennial generation is between 21-41 years old. In this paper, data were obtained from articles and journals, books, and news sources in the mass media. This study uses descriptive analysis method to analyze the data. A leader is someone who is able to move others by commanding, directing, and guiding others, in order to take action in order to achieve an expected goal according to the agreement. With the development of the times, many leaders emerged because of the demands and environmental conditions at this time. Then in the growing era of the millennial generation, the government should have prepared what the millennial generation needs so that they will become ideal leaders for the Indonesian people. In order to be realized, the millennial generation as the regeneration of the nation's leaders must be prepared from an early age by providing nationalism, religion, character and moral education.</em></p>

scholarly journals PERKEMBANGAN TARI TAUH DI DESA RANTAU PANDAN KECAMATAN RANTAU PANDAN KABUPATEN BUNGO

2020 ◽  
Vol 9 (2) ◽  
pp. 27
Author(s):  
Vera Megasari ◽  
Darmawati Darmawati
Keyword(s):  
Data Analysis ◽  
Cultural Heritage ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Method ◽  
Literature Study ◽  
Male And Female ◽  
New Form ◽  
Main Instrument

This research aims to reveal, describe, and analyze the development of Tauh Dance in Rantau Pandan Village, Rantau Pandan District, Bungo Regency, Jambi Province. This research used a descriptive analysis method. The object of this research was Tauh dance in Rantau Pandan District, Bungo Regency, Jambi Province. The data used in this study were primary and secondary data. The main instrument was the researcher itself. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by using interpretation technique so that the truth can be obtained. The results show that Tauh Dance in Rantau Pandan Village has developed into a new form that can be seen through the processing of motion, clothing, make-up, property, time and place of performance as well as aspects of dancers packaged in new forms. In motion, there is a development in terms of movement assertiveness and motion motives. In costumes, there is a development in terms of uniformity, similarity between dancers, and harmony in choosing colors for male and female dancers’ costumes. Thus, the process of developing Tauh dance in Rantau Pandan District is supported because there is a desire from Alsobri to keep Tauh dance by turning it into an attractive Tauh dance for Rantau Pandan community as well as maintaining cultural heritage and forming the identity of the local Village.Keywords: Development, Tauh Dance, Rantau Pandan Village

scholarly journals URGENSI PERLINDUNGAN HUKUM TERHADAP KONSUMEN MOTOCYCLE TAXI PERSPEKTIF HUKUM PERLINDUNGAN KONSUMEN DAN TEORI MASHLAHAH

JURISDICTIE ◽  
2020 ◽  
Vol 10 (2) ◽  
pp. 192
Author(s):  
Musa Taklima
Keyword(s):  
Public Transport ◽  
Descriptive Analysis ◽  
Legal Protection ◽  
Secondary Data ◽  
Analysis Method ◽  
Literature Study ◽  
Community Needs ◽  
Secondary Data Sources ◽  
The Government ◽  
Motorcycle Taxi

<p>The research aims to find out Maslahah's review of people's transport activities by using a motorcycle (Ojek) and the urgency of legal protection for consumers of transportation by using a motorcycle (ojek). The research method used is normative juridical with a doctrinal approach that relies on secondary data sources consisting of primary, secondary and tertiary legal materials obtained through literature study, and analyzed using descriptive analysis method. The results of the study, first, Mashlahah's review of the Transportation of People by Motorcycle (Ojek) is a "mashlahah transportation solution" for the needs of the community to meet their transportation needs. Second, the Urgency of Legal Protection Against Consumers of Transportation of People with Motorcycle (Ojek) is no longer negotiable to be done by providing legal certainty of motorcycle taxi legality through revision of Law No. 22 of 2009. Recommendations from the results of this study are: first, the government needs to translate its obligations in providing public transport that can be accessed by all levels of society and also embody its obligations in providing legal protection for consumers, secondly, Law No. 22 of 2009 which is still relatively new is apparently unable to provide justice to ojek drivers who have contributed significantly to community needs for transportation, therefore Law No. 22 of 2009 needs to be revised and accommodate ojek as a public transport.</p><p> </p>Penelitian memiliki tujuan untuk mengetahui tinjauan Maslahah terhadap aktivitas angkutan orang dengan menggunakan sepeda motor (Ojek) dan urgensitas perlindungan hukum terhadap konsumen angkutan orang dengan menggunakan sepeda motor (ojek) tersebut. Metode penelitian yang digunakan adalah yuridis normatif dengan pendekatan doktrinal yang bertumpu kepada sumber data sekunder  yang terdiri dari bahan hokum primer, sekunder dan tersier yang didapat melalui studi pustaka, dan dianalisis dengan menggunakan metode deskriptif analisis. Hasil penelitian, pertama, tinjauan Mashlahah terhadap Angkutan Orang dengan Sepeda Motor (Ojek) adalah “solusi angkutan yang mashlahah” bagi kebutuhan masyarakat untuk memenuhi kebutuhan transportasinya. Kedua, Urgensi Perlindungan Hukum Terhadap Konsumen Angkutan Orang dengan Sepeda Motor (Ojek) tidak bias ditawar lagi untuk dilakukan dengan cara memberikan kepastian hukum legalitas angkutan ojek melalui revisi Undang-Undang No. 22 Tahun 2009. Rekomendasi dari hasil penelitian ini adalah: pertama, pemerintah perlu menterjemahkan kewajibannya dalam menyediakan angkutan umum yang bisa diakses oleh seluruh lapisan masarakat dan juga mengejawantahkan kewajibanya dalam memberikan perlindungan hukum bagi konsumen, kedua, Undang-undang No. 22 Tahun 2009 yang masih tergolong baru ternyata tidak mampu memberikan keadilan kepada pengojek yang sudah berkontribusi signifikan bagi kebutuhan masyakat terhadap tranportasi, oleh karena itu Undang-undang No. 22 Tahun 2009 perlu direvisi dan mengakomodir angkutan ojek sebagai angkutan umum.

scholarly journals BENTUK PENYAJIANTARI SILEK HARIMAU DI NAGARI PADANG LAWEH KECAMATAN KOTO VII KABUPATEN SIJUNJUNG

2020 ◽  
Vol 10 (1) ◽  
pp. 374
Author(s):  
Suci Wahyuni Sukhma ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Descriptive Analysis ◽  
Line Pattern ◽  
Analysis Method ◽  
Literature Study ◽  
Traditional Dance ◽  
Straight Line ◽  
Main Instrument

The research aims to reveal, describe, and analyze the presentation form of Silek Harimau Dance in Padang Laweh village, Koto Tujuah District, Sijunjung Regency. This research belongs to a qualitative research using descriptive analysis method. The object of this research was Silek Harimau Dance in Padang Laweh village. The main instrument in this research was the researcher itself supporting by tools in the form of stationeries and a camera. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data were collecting the data, describing the data, and concluding the data. The results prove that the form of Silek Harimau Dance is presented in two groups in opposite directions. The elements of the presentation form consist of: (1) Motion. Silek Harimau dance consists of gripping and wrestling. (2) Floor design. It uses a straight line pattern. (3) Dancers. It is performed by 2 women and 3 men. (4) Music. It consists of gandang, tambur, oguang / gong and talempong. (5) Costumes. Female players of Silek Harimau dance wear purple or black clothes while the men wear tiger costumes. (7) Place and time of performance. It is performed at official events or festivals. Silek Harimau dance is a traditional dance of the community in Padang Laweh village, Koto VII District, Sijunjung Regency.Keywords: Presentation, Tiger Silek Dance, Nagari Padang Laweh

scholarly journals Legal Protection Effort towards Mark Owner from the Share-in Jar Cosmetic Trade

2021 ◽  
Vol 3 (1) ◽  
pp. 26-39
Author(s):  
Sheril Firdausy ◽  
Anajeng Esri Edhi Mahanani
Keyword(s):  
Dispute Resolution ◽  
Descriptive Analysis ◽  
Legal Protection ◽  
Analysis Method ◽  
License Agreement ◽  
Literature Study ◽  
Legal Research ◽  
The Government ◽  
Legal Consequences ◽  
Laws And Regulations

This study aims to analyze and understand the legal protection towards the mark owner from the share-in jar cosmetic trade and the legal consequences for business actors who do share-in jar cosmetic trade. The type of legal research used in this study is a normative juridical legal research method. The data collection in this study was conducted through a literature study from the laws and regulations, journals, research results, and books. The data analysis used in this research is the descriptive analysis method. The results of the study show that the legal protection towards the mark owner from the share-in jar cosmetic trade can be carried out through preventive and repressive legal protection efforts. Legal protection efforts are preventively carried out by registering the mark to get legal protection as a legal mark owner. Repressive legal protection efforts for trademarks can be done by litigation dispute resolution and non-litigation dispute resolution. The legal consequences for business actors who do share-in jar cosmetic trade are compensate for damages and/or ceasing all acts related to mark use. Therefore, it is recommended to the mark owner to provide cosmetics with trial or sample sizes. In this case, so that consumers try first about their compatibility with these cosmetics. On the other hand, business actors doing share-in cosmetic jar trade must make a license agreement with the mark owner. Furthermore, the government needs to include criteria for violations of right on mark in laws and regulations. This is purpose to increase legal protection towards the mark owner from the share-in jar cosmetic trade in the future.

scholarly journals PELAKSANAAN PEMBELAJARAN SENI BUDAYA MENGGUNAKAN PEMBELAJARAN DARING DI SMA NEGERI 3 PADANG PANJANG

2020 ◽  
Vol 9 (2) ◽  
pp. 21
Author(s):  
Parrhesia Insani ◽  
Irdhan Epria Darma Putra
Keyword(s):  
Online Learning ◽  
Mobile Phones ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Lesson Plans ◽  
Analysis Method ◽  
Literature Study ◽  
Network Problems ◽  
The Media ◽  
The Government

This study aims to describe and determine the Implementation of Culture and Arts instruction using online learning at SMA Negeri 3 Padang Panjang. This research is a qualitative research using a descriptive analysis method. The instruments used were the researcher itself and was assisted by supporting instruments such as writing instruments and mobile phones. The data were collected through interviews, literature study, and documentation. This study used primary and secondary data. The data analysis was conducted by collecting the data, identifying the data, classifying the data, describing the data, and making conclusions. The results show that the implementation of online learning has not been carried out well. This is due to the fact that there are still many students who do not participate in the process of online learning. In addition, the lesson plans used by teachers are inappropriate. The teachers still use lesson plans for classrooms instruction. This is due to the fact that there is no order from the government to create online lesson plans. The media used is very limited. The teachers use smartphones, laptops and computers. Moreover, the methods used are also limited. The teachers usually used demonstration, lectures, discussions, and assignments. Meanwhile, in online learning the teachers only give assignments. Discussions carried out during online learning are still conducted. However, there are small numbers of students respond and participate in the discussion. The assignments collected are also not on time on the grounds that students have not finished working on assignments, network problems, internet data, and others.Key Words: Implementation, Culture and Arts, Online Instruction

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