scholarly journals PERKEMBANGAN TARI TAMPURUANG DI SANGGAR SABIRULLAH MATADOR KANAGARIAN PASIR TALANG TIMUR KABUPATEN SOLOK SELATAN

2020 ◽  
Vol 9 (2) ◽  
pp. 39
Author(s):  
Albadri Albadri ◽  
Desfiarni Desfiarni
Keyword(s):  
Qualitative Research ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Analysis Method ◽  
Literature Study ◽  
Motion Management ◽  
Is Development ◽  
Main Instrument

The research aims to reveal, describe, and analyze the development of the Tampuruang Dance in Sabirullah Matador dance studio, KanagarianPasirTalangTimur, Solok Selatan Regency.This research is a qualitative research usinga descriptive analysis method. The object of this research is Tampuruang Dance in NagariPasirTalangTimur, Sungai PaguSubdistrict, SouthSolok Regency. The type of data was primary and secondary data. The main instrument was the research itself. The data collection techniques were conducted through literature study, observation, interviews, and documentation. The data collected were analyzed by using interpretation techniques so that the truth can be obtained.The results show that the Tampuruang Dance Tradition had developed into creativeTampuraung Dance.This development can be seen from the motion management, dancers, floor patterns, accompaniment music, make-up and clothing, as well as time and venue. In its motion, there is a development of 4 motives. Inthe floor pattern, there is development of 17 floor patterns. In costumes, the colors and accessories used are also developed.In the musical instrument, there aresomeadditions of musical instruments: Bansi, talempong, andjimbe. Thus, the process of Tampuruang Dance development in NagariPasirTalang is supported because there is a desire from the Sabirullah Matador studio to maintainTampuruang Dance by turning it into an attractiveTampuruang dance creationso that it can be used by the community. In addition, it can be a place for youths to learn maintaining cultural heritage so that it becomes a local village identity. Keywords: development, Tampuruang dance, Sabirullah Matador Studio

scholarly journals MAKNA TARI ALANG SUNTIANG PANGULU DALAM UPACARA BATAGAK PANGULU DI NAGARI PADANG LAWEH KECAMATAN SUNGAI PUA KABUPATEN AGAM

2020 ◽  
Vol 9 (2) ◽  
pp. 25
Author(s):  
Riri Fadri Azhari ◽  
Afifah Asriati
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Key Words ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Literature Study ◽  
Main Instrument

This study aims to describe the meaning of Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. This is a qualitative research with a descriptive analysis method. The object of this research was Alang Suntiang Pangulu dance in Padang Laweh village, Sungai Pua district, Agam regency. The main instrument used was the researcher itself and was assisted by tools such as stationery and cameras to collect data in the field. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by reducing the data, describing the data, and making conclusion.The results show that Alang Suntiang Pangulu dance describes lessons about things a Pangulu (a leader) uses to maintain his crown or honor. These are found in Alang Suntiang Pangulu dance which gives textual meanings elaborated through motion, floor patterns, music, dancers, make-up, performance, and venues. Key words: Alang Suntiang Pangulu Dance, Meaning

scholarly journals TATA CARA PENYAJIAN TARI PERSEMBAHAN BUNGO DALAM ACARA PENYAMBUTAN TAMU DI KABUPATEN BUNGO PROVINSI JAMBI

2020 ◽  
Vol 9 (2) ◽  
pp. 55
Author(s):  
Lidya Indrawati ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Data ◽  
Literature Study ◽  
Initial Stage ◽  
Main Instrument

This study aims to reveal the procedures for presenting Persembahan Bungo dance in a guest welcoming event in Bungo Regency, Jambi Province. This is a qualitative research resulting descriptive analysis data. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted bycollecting the data, reducing the data, presenting the data, and making conclusion. The results show that Persembahan Bungo dance has parts and sequences in each presentation. They are preparation before performing, initial stage, during the performance, and the end of the performance.Persembahan Bungo dance has 9 movements: Sembah Penghormatan, gerak selamat datang, sembah paduko, lenggang, putri malu, berinai, limbai, zapin bungo, and mambuko pagar ayu. The rules for performing Persembahan Bungo dance are compiled by custom or according to the customary rules in Bungo Regency, are in accordance with the motto of Bungo Regency, and pay attention to the values in a reception. For example, in the rule of washing betel, the betel must be washed first by the queen. This symbolizes cleanliness, purity, and respect for the welcomed guests by people of Bungo regency.Keywords: presentation, bungo dance, guest welcome

scholarly journals PELATIHAN TARI TANUN DI SMA NEGERI 1 SAWAHLUNTO PADA KEGIATAN EKSTRAKURIKULER TARI

2020 ◽  
Vol 9 (4) ◽  
pp. 17
Author(s):  
Willy Tri Rama Putra ◽  
Yuliasma Yuliasma
Keyword(s):  
Material Selection ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Data Display ◽  
Analysis Method ◽  
Literature Study ◽  
Dance Training ◽  
Implementation Techniques ◽  
Main Instrument ◽  
Optimal Quality

This is a qualitative research with a descriptive analysis method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data used were primary and secondary data. The data was collected through literature study, observation, documentation, and interview. The data analysis was conducted by reducing the data, modeling the data (data display), and taking / verifying conclusions. The results show that 1) extracurricular dance planning can be conducted well as expected, the material selection is in accordance with students’ needs and abilities, and the schedule selection has been determined by the principal and is always consistent in its implementation, 2) the implementation techniques taught to students give optimal quality such as doing varied warm-ups, teaching difficult to easy movements, and emphasizing parts of the motion by using words such as 1-2-Hentak-Turak, 5-6-Sorong-Turak, 3) students' abilities which looks very good consist of several parts, namely motion, rhythm, and expression. In terms of doing movements, the students are always consistent (there is no change). In terms of rhythm, the students are always good at doing movements because the trainer always provides varied counts and consistently provides rhythms with sound or music during warming up. In terms of expression, students are also spontaneous in doing movements and giving off a beautiful smile. This is due to the fact that the trainer always explains the meaning of motion in every movement the students do.Keywords: Tanun dance Training

scholarly journals PERKEMBANGAN TARI MARCOK DI SANGGAR SENI ILOK RUPO KOTA SUNGAI PENUH PROVINSI JAMBI

2020 ◽  
Vol 10 (1) ◽  
pp. 246
Author(s):  
Inessya Lelioritha NS ◽  
Desfiarni Desfiarni
Keyword(s):  
Development Process ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Musical Instrument ◽  
Analysis Method ◽  
Art Gallery ◽  
Time Performance ◽  
Collection Data ◽  
Main Instrument ◽  
Writing Tools

The research aims to reveal, describe, and analyze the development of Marcok Dance at Ilok Rupo Art Studio, Sungai Penuh City. This research belongs to a qualitative research using a descriptive analysis method. The types of data in this study were primary and secondary data. The main instrument was the researcher itself, and it was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature, observation, interviews, and documentation. The data analysis was done through data collection, data reduction, data presentation, and conclusions drawing. The results show that the traditional Marcok Dance had developed into a creation Marcok Dance. This development can be seen from the management of movements, dancers, floor patterns, accompaniment music, clothing, time performance, and place of performance. In motion, there are 2 new motion additions. Related to the floor pattern, there is a reduction from 26 to 14 creation Marcok dance floor patterns.  Costumes have developed in terms of accessories used. In addition, there is an additional musical instrument called gong. The development process of Marcok Dance at the Ilok Rupo Art Studio, Sungai Penuh City is supported because of the desire of Ilok Rupo Art Studio to keep the traditional Marcok Dance by develop it so it is attractive for the community to use. Moreover it is useful as a forum for young people to learn how to maintain cultural heritage, and it becomes an identity in the local area.Keywords: Development, Marcok Dance, Ilok Rupo Art Gallery

scholarly journals PERKEMBANGAN TARI TAUH DI DESA RANTAU PANDAN KECAMATAN RANTAU PANDAN KABUPATEN BUNGO

2020 ◽  
Vol 9 (2) ◽  
pp. 27
Author(s):  
Vera Megasari ◽  
Darmawati Darmawati
Keyword(s):  
Data Analysis ◽  
Cultural Heritage ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Method ◽  
Literature Study ◽  
Male And Female ◽  
New Form ◽  
Main Instrument

This research aims to reveal, describe, and analyze the development of Tauh Dance in Rantau Pandan Village, Rantau Pandan District, Bungo Regency, Jambi Province. This research used a descriptive analysis method. The object of this research was Tauh dance in Rantau Pandan District, Bungo Regency, Jambi Province. The data used in this study were primary and secondary data. The main instrument was the researcher itself. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by using interpretation technique so that the truth can be obtained. The results show that Tauh Dance in Rantau Pandan Village has developed into a new form that can be seen through the processing of motion, clothing, make-up, property, time and place of performance as well as aspects of dancers packaged in new forms. In motion, there is a development in terms of movement assertiveness and motion motives. In costumes, there is a development in terms of uniformity, similarity between dancers, and harmony in choosing colors for male and female dancers’ costumes. Thus, the process of developing Tauh dance in Rantau Pandan District is supported because there is a desire from Alsobri to keep Tauh dance by turning it into an attractive Tauh dance for Rantau Pandan community as well as maintaining cultural heritage and forming the identity of the local Village.Keywords: Development, Tauh Dance, Rantau Pandan Village

PERKEMBANGAN TARI TANDUAK TRADISI KE TARI TANDUAK KREASI PADA SANGGAR PUTI JUNJUNG KENAGARIAN SIJUNJUNG KECAMATAN SIJUNJUNG KABUPATEN SIJUNJUNG

2019 ◽  
Vol 8 (3) ◽  
pp. 81
Author(s):  
Feby Try Rahmanda ◽  
Darmawati Darmawati ◽  
Indrayuda Indrayuda
Keyword(s):  
Qualitative Research ◽  
Young People ◽  
Literature Review ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Method ◽  
Traditional Dance ◽  
New Form ◽  
Main Instrument ◽  
And Training

AbstractThe research aimed to express, describe and analyze the development of The Development of Tanduak Traditional Dance to Tanduak Creation Dance at Puti Junjung Studio, Sijunjung District, Sijunjung Regency. The type of this research was qualitative research with descriptive analysis method. The object of this research was Tanduak Dance from Latang Village, Lubuak Tarok District, Sijunjung Regency. The types of data in this study were primary and secondary data. The main instrument was the researcher herself. Data collection techniques were carried out by means of literature review, observation, interviews, and documentation. The data collected were analyzed by interpretation techniques so that the truth could be obtained. The results showed that tanduak traditional dance had developed into tanduak dance that had been created.  This could be seen through the processing of motion, clothing, music, configuration, time and place of performances and aspects of dancers packed in a new form in Sijunjung. Then, a guidance and training were delivered by Puti Junjung Studio. In addition, it could be a place for young people in order to maintain the cultual heritage and the identity of the village.Keywords: Development,  Tanduak Traditional Dance, Tanduak Dance

scholarly journals BENTUK PENYAJIANTARI SILEK HARIMAU DI NAGARI PADANG LAWEH KECAMATAN KOTO VII KABUPATEN SIJUNJUNG

2020 ◽  
Vol 10 (1) ◽  
pp. 374
Author(s):  
Suci Wahyuni Sukhma ◽  
Herlinda Mansyur
Keyword(s):  
Qualitative Research ◽  
Descriptive Analysis ◽  
Line Pattern ◽  
Analysis Method ◽  
Literature Study ◽  
Traditional Dance ◽  
Straight Line ◽  
Main Instrument

The research aims to reveal, describe, and analyze the presentation form of Silek Harimau Dance in Padang Laweh village, Koto Tujuah District, Sijunjung Regency. This research belongs to a qualitative research using descriptive analysis method. The object of this research was Silek Harimau Dance in Padang Laweh village. The main instrument in this research was the researcher itself supporting by tools in the form of stationeries and a camera. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data were collecting the data, describing the data, and concluding the data. The results prove that the form of Silek Harimau Dance is presented in two groups in opposite directions. The elements of the presentation form consist of: (1) Motion. Silek Harimau dance consists of gripping and wrestling. (2) Floor design. It uses a straight line pattern. (3) Dancers. It is performed by 2 women and 3 men. (4) Music. It consists of gandang, tambur, oguang / gong and talempong. (5) Costumes. Female players of Silek Harimau dance wear purple or black clothes while the men wear tiger costumes. (7) Place and time of performance. It is performed at official events or festivals. Silek Harimau dance is a traditional dance of the community in Padang Laweh village, Koto VII District, Sijunjung Regency.Keywords: Presentation, Tiger Silek Dance, Nagari Padang Laweh

scholarly journals PEWARISAN MUSIK KRILU DI SANGGAR RATAU AGUNG DI DESA TUNGGANG KECAMATAN LEBONG UTARA KABUPATEN LEBONG PROVINSI BENGKULU

2020 ◽  
Vol 9 (3) ◽  
pp. 40
Author(s):  
Inka Aglisda ◽  
Syeilendra Syeilendra
Keyword(s):  
Qualitative Research ◽  
Data Analysis ◽  
Closed System ◽  
Secondary Data ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Literature Study ◽  
Research Instrument ◽  
Inheritance System ◽  
Voice Recorder

AbstractThis study aims to describe or find out the inheritance of the Krilu musical instrument in Sanggar Ratau Agung in Tunggang Village, Lebong Utara District, Lebong Regency, Bengkulu Province. This research is a qualitative research. The research instrument was the researcher itself and was assisted by supporting instruments such as stationery, voice recorder, and camera. The type of data in this study was primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collecting data, classifying data analysis, and making conclusions and suggestions. The results show that the inheritance of Krilu in Sanggar Ratau Agung in Tunggang Village, Lebong Utara District, Lebong Regency, Bengkulu Province uses an open and enculturation system. This inheritance system does not use a closed one due to the fact that there is no family from Krilu artists that can inherit the Krilu art. The open inheritance system carried out by artists is by teaching individual studio members who are interested and want to learn Krilu musical instruments. Meanwhile, the closed system is not found in the inheritance system. The Krilu musical instrument is played when the official speech is given in the welcoming dance, and inheritanceKeywords: Devolution, Krilu's musical instrument, Ratau Agung Studio

scholarly journals KEBERADAAN TALEMPONG KAYU DI KENAGARIAN TALANG MAUR, KECAMATAN MUNGKA, KABUPATEN LIMA PULUH KOTA

2020 ◽  
Vol 9 (4) ◽  
pp. 55
Author(s):  
Monna Dini Angraini ◽  
Wimbrayardi Wimbrayardi
Keyword(s):  
Descriptive Analysis ◽  
Musical Instrument ◽  
Analysis Method ◽  
Literature Study ◽  
The Past ◽  
Aesthetic Pleasure ◽  
The Government ◽  
The Times ◽  
Main Instrument ◽  
Traditional Arts

This study aims to describe the existence of Talempong Kayu in Talang Maur Village, Mungka District, Lima Puluh Kota Regency. This is a qualitative research using a descriptive analysis method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cameras. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data are collecting data, describing the data, and making conclusions. The results of this study indicate that Talempong Kayu musical instrument is one of the traditional arts in Talang Village, Mungka District, Lima Puluh Kota Regency. It is played by being hit (idiophone). Talempong Kayu is only used as entertainment for the players, and serves as an emotional expression, aesthetic pleasure, and entertainment. The form of its presentation does not require other people or audiences. In the past, people in TalangMaur village had good enthusiasts and appreciation on Talempong Kayu. However, due to the development of the times, the enthusiasts have decreased considerably. This is due to the fact that today generation replaces their games byandroid phones that can access many games. Furthermore, there has been no government attention in developing Talempong Kayu Art. Talempong Kayu is only played by local people and is not really considered by the government. This is due to the fact that the wood Talempong Art only serves as a substitute musical instrument for training before the metal one, so this is not considered too important for deeper development.Keywords: The Existence, Talempong Kayu, in Talang Maur Village

scholarly journals KOREOGRAFI TARI URAKLAH SIMPUAH DI SANGGAR TAK KONDAI NAGARI PASIR TALANG KECAMATAN SUNGAI PAGU KABUPATEN SOLOK SELATAN

2020 ◽  
Vol 9 (4) ◽  
pp. 157
Author(s):  
Yosi Muliana ◽  
Herlinda Mansyur
Keyword(s):  
Group Composition ◽  
Descriptive Analysis ◽  
Secondary Data ◽  
Analysis Method ◽  
Literature Study ◽  
Metal Plates ◽  
Collection Data ◽  
Main Instrument ◽  
Head Cover ◽  
The Village

This is a descriptive qualitative research using a descriptive analysis method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing instruments and cellphones. The data used where primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted through data collection, data reduction, data presentation, and conclusion making. The results of this study show that the Uraklah Simpuah Dance is cultivated from social condition which is not in accordance with the customs in the village. The situation meant isgetting around done by Minangkabau women. In the form aspect, there is a floor design used in Uraklah Simpuah dance. It is a straight floor design which is lined and curved in a circle. It uses large group composition (unison). The music instrument used in this dance is a drum namely gandang tambua. In addition, it uses the distinctive strains of songs to accompany the dance.The costume worn is a basic black velvet shirt paired with songket and a red to orange head cover. This dance also uses metal plates and resins as the sounds. Thus, it is concluded that the Uraklah Simpuah dance is a traditional dance which already has choreographic aspects so that it can be researched using choreography.Keywords: Choreography, Uraklah Simpuah Dance, Tak Kondai Studio

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