scholarly journals Marriage is a Mirage

2020 ◽  
Vol 8 (11) ◽  
pp. 35-46
Author(s):  
Dr. Hemanth Kumar Mekathoti ◽  
Dr. Narasinga Rao Barnikana

Indian female writers attempt to depict the problems of women in the modern society dominated by male chauvinism and in rural India in particular, touching the feministic sensibilities. These female writers handle astonishing variety of themes. Among the women modern writers of fiction Kavery Nambisan occupies a unique place for more than one reason.She has begun her literary career by writing numerous children’s books. Female characters in her novels truly feel that love and marriage are not mere accidents but it is a trap and a cage where emotional stress haunts them through lack of care, bondage and love. The character ‘Shari’ of Kavery Nambisan’s second novel Mango–Coloured Fish (2000), is a young girl, who is caught in a complex, entanglement of uncertainties and disillusionments, and she has different notions about the institution of marriage. Nambisan successfully depicted the contemporary younger generation pre and past marriage dilemmas and ordeals effectively and lively. The protagonist Shari wants to trace out her self-identity and freedom in this world and this is clearly presented in the novel Mango –Coloured Fish.

2021 ◽  
Vol 6 (10) ◽  
pp. 10
Author(s):  
Arindam Patra

British Guardian Prize winner and thrice nominated for Booker Prize, famous Indian novelist writing in English Anita Desai’s Sahitya Academy Award winning one of the masterpieces Fire on the Mountain published in1977. The book focuses on an elderly widow’s isolation and loneliness as it tells the story of Nanda Kaul who lives in Kasauli and leads a solitary existence. The old lady, Nanda lives alone in a colonial house on a slope. She gives nobody a chance to interfere with her secluded life. She had spent numerous years thinking about her husband, their kids, and numerous grandkids. She has turned into a loner and remains confined from everybody including an incredible grandkid. This is her circumstance until the point that the colossal grandkid touches base on her doorstep. Raka,a young girl who is wiped out and is as withdrawn as Nanda. The child lives in her very own kind of disconnection as she withdraws into a universe of inward dream where she makes undertakings of pursuing snakes, creatures, and phantoms in the serene slopes that encompass her and her incredible grandma. The old lady sees that both of them share things for all intents and purpose however that a noteworthy distinction exists also. Nanda has been a solitary person while the young lady was naturally introduced to that sort of presence. Nanda gradually starts to need to be a piece of the kid's life and needs to impart her reality to her. Her endeavours, be that as it may, seem, by all accounts, to be futile. Her awesome granddaughter will give nobody a chance to enter her life. Nanda is not debilitated and endeavours to associate with the child by imparting stories to her. Anita Desai talks of her writing as simply ‘stories,’ and of herself as a ‘storyteller’. In this very simple way she has beautifully painted the female characters and their sufferings in the novel Fire on the Mountain which is the focused area of this research article.


2021 ◽  
Vol 9 (2) ◽  
pp. 72-81
Author(s):  
Deepali Jaiswal

The psychoanalysts enhance our understanding of our consciousness, the self and self-identity. Psychoanalytic theory plays an important role in the comprehension of the fundamental condition of selfhood. The self is not an unified entity in psychoanalytical terms. Human subject emerges as an outcrop of the unconscious desire. After Sigmund Freud, Carl Jung, a swiss psychologist is considered as an eminent contributor to psychoanalysis who theorized the concept of collective unconscious. The purpose of my study is to find out the presence of the collective unconscious and to analyse two female characters, The Narrator , from the novel Heat and Dust and Geeta from Inside the Haveli with the help of Jung's theory of  collective unconscious and mother archetype. In this research paper several theoretical concepts of  Carl Jung are used to analyse the female characters. Jung’s theories are applied during the analysis process such as personal conscious, collective conscious and archetypes. I would use qualitative method for the analysis of the characters of the Narrator and  Geeta. I would use important dialogues and incidents for the data collection for the analysis of the characters. The psychoanalytic study of the Narrator and Geeta shows that they both have collective unconscious. I would study the function of mother archetype in the life of the Narrator and Geeta


2020 ◽  
Vol 9 (76) ◽  

In this article, the place of Turkish female characters in society is explained in Hüseyin Nihal Atsız's novel Bozkurtlar. The article consists of three chapters; the life of Hüseyin Nihal Atsız, the place of the ancient Turkish woman in society and Turkish female characters in the novel Bozkurtlar. In the first part of the article, information about Atsız's life, literary aspect and political identity is given. In the second part, the place of women in ancient Turkish society is explained in detail. In the third part, Bozkurtlar novel written by Atsız is discussed and Turkish female heroes in the story are depicted considering their various features. These women reflect to the reader as an ordinary woman who can hunt better than her husband when necessary, a young girl who is protected by the laws and who can resist the orders by relying on these rights, a sovereign who has gained the respect and love of her own people or a woman who loves her homeland enough to leave her title. In the conclusion part, it is emphasized that the woman who is the companion of her man in the difficult steppe life in the ancient Turkish society is respected as a valuable being in contrast to other societies in the same period. This article was written to reveal the status of women in ancient Turks. Keywords: Description, woman, Turkish, status, Atsız, Bozkurtlar


2018 ◽  
Vol 11 (2) ◽  
pp. 173-185
Author(s):  
Jesse Aberbach

This article considers how the children's books written by two nineteenth-century female writers, Eliza Tabor and Mary Martha Sherwood, when they accompanied their husbands to India, enabled them to navigate this new environment and their position as respectable middle-class women while revealing how India was deemed a place where British childhood was impossible. Just as many women took up botanical study to legitimise their ‘otherwise transgressive presence in imperial spaces’ (McEwan 219), writing for children enabled others to engage with the masculine world of travelling and earning money without compromising their femininity. Addressing their work to children also seems to have helped both writers to deal with the absence of their own children: the Indian climate made it impossibly challenging for most British infants and children. In this way their writing gives expression to what might be termed a crisis of imperial motherhood. Underlying the texts is an anxiety relating to British settlement and an attempt to comprehend and control a place that threatened their maternal roles.


2019 ◽  
Vol 5 (4) ◽  
pp. 277-292
Author(s):  
Yashika Bisht ◽  
Shweta Saxena
Keyword(s):  

Karna’s Wife is the first work of the writer, Kavita Kane who is “trying to portray a small chunk, a small aspect which has not been dealt with yet” in the Mahabharata. In Karna’s Wife, Kavita Kane portrays female characters like Uruvi and Vrushali who are victims at the hands of men and fate and how they still balance their lives and endure it all. Vrushali is the first wife of Karna and her husband married Uruvi and was deeply in love with her. Her rights, his attention, his love, everything is distributed. Uruvi who is Karna’s second wife is constantly seen striving throughout the novel to keep her husband away from Duryodhana’s evil camaraderie because she fears that this alliance will certainly lead to her husband’s catastrophe. It would be very interesting to see how these two women have come out of these gritty situations, faced the veracity and still lived mightily.


2019 ◽  
pp. 247-259
Author(s):  
R. A. Kerimova

The article is devoted to the problems of ethnic-cultural perceptions in contemporary Karachay-Balkar poetry. It defines criteria for shaping an ethnic and civic self-identity. The paper discusses how cultural globalization affects the ideology of the Karachay-Balkar people. In a detailed analysis of works by N. Bayramkulov and A. Bakkuev, two poets of a younger generation, the author argues that fundamental values and stereotypes take priority in the poetic mentality of younger artists. Closely examining the themes of the poets’ works – philosophy, religion, history, society and politics – the author specially describes the way each poet deals with the nation’s artistic memory. Another focus is on the analysis of poetics. It is suggested that the young poets’ creative method is found at convergence of realism and mythopoeia. Their poetry centers around the mythical images of stone, water, mountains, and ‘taulu’ (‘a man of the mountains’).


Jurnal KATA ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 336
Author(s):  
Yulia Pebriani

<em>Local culture is very diverse Indonesia became an honor and challenge to maintain and inherited to the next generation. Local Indonesian culture is very proud because it has a very varied diversity and unique. As time, lead to changes in lifestyle a more modern society. As a result, people will prefer the new culture that may be considered more practical than the local culture. Views on kinship, treasures, and wander in the novel Tenggelamnya Kapal Van Der Wijck Hamka works and novels Bulan Susut works Ismet Fanany changes and cultural shifts. Kinship, treasures, and wander in the novel Sinking Ship Van Der Wijck Hamka's work is described explicitly, whereas kinship, treasures, and wander in the novel Month Losses Ismet work Fanany described implicitly. Changes in people's lives has implications for social Minangkabau culture in Minangkabau society. A leadership that is both functional mamak transformed into symbolic leadership. Mamak originally as straps tribesmen, has changed the status and intrinsic meaning.</em>


Author(s):  
Matthew Lewis

‘He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.’ The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis’s extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation’s history.


2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Alia Afiyati ◽  
Divya Widyastuti ◽  
Yoga Pratama

In a literary work, two characters can be narrated as the attention center that contains the cultural identity from certain generation. Meanwhile, a symbol actually can cause an interaction within characters. This research discusses about cultural identity and symbolic interactionism reflected in a novel. There is a novel entitled “Recipe for a Perfect Wife” by Karma Brown that tells about two female characters that are represented as a housewife from different generation. This research uses descriptive qualitative as the research methodology and content  analysis as the method in analyzing the object of the research, a novel entitled “Recipe for a Perfect Wife”. This research also uses the intrinsic approach to analyze the characterization, plot, and setting. This research reveals two kinds of a housewife. They are a housewife and working woman, and a full-housewife. This research finds five cultural identities in the past and present time that is related with a housewife reflected by two female characters in the novel by using cultural identity theory by Stuart Hall. This research also reveals the symbol and memory even three concepts of symbolic interactionism that is mind, self, and society based on symbolic interactionism theory by George Herbert Mead.


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