THE EFFECT OF SOCIOLOGICAL CHANGES IN TURKEY AFTER 1970’s ON THE COLOR AND DRAWING OF MEHMET GULERYUZ'S

The second half of the 20th century witnessed many political and social upheavals in the Republic of Turkey as well as in the rest of the world. The political turmoil and chaos that occurred after 1970, which we determined as the limit of our study, and the social values that started to change with the introduction of technology in the institutional field after 1980 and in the individual life after 1990 caused the Turkish society to change at different speeds. Mehmet Güleryüz, who is the artist of the is a sensitive painter who observes, assimilates and has succeeded in reflecting these problems in his works by passing these problems through his intellectual filter with his ability to analyze with universal accuracy. In this study, the subject and drawing of Guleryuz's paintings were studied in this context. Keywords: Mehmet Guleryuz, 70’s, oil painting

РЕЛИГИОЗНИ ЕЛЕМЕНТИ В ТУРСКАТА ПОЕЗИЯ СЛЕД ТАНЗИМАТА

Turkish poets turn to religious topics immediately after converting to Islam. The orientation towards Western literature led to the adoption of the poetic forms. Society's worldview changed. After the Tanzimat, the religious elements continued to be present in Turkish literature, but through the prizm of social relations in Turkish society. The authors found inspiration in the religious images in the holy books. Both their hardships and their personal virtues were described. The poets emphasized their determination and steadfastness in the name of good. They set personal examples of modesty, tolerance, strength and self-sacrifice. Through the religious images, poets sent messages to the modern people.

Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s

This article focuses on the representations of women alongside the social and historical background of Turkish cinema from the 1980s through the early 1990s. In the following section, I articulate the political events in the 1980s - the early1990s and its impacts on Turkish society and cinema. I delve into the modernist representations of women in the 1980s cinema to analyze women’s gender codes (based on social/cultural and cinematic codes). Finally, in the last section, I examine Atıf Yılmaz’s cinematic images of women in his films and analyze two of his films A Sip of Love (1984) and The Night, Angel and Our Gang (1994) in terms of gender codes.

Book Review: Christine M. Philliou, Turkey: A Past Against History. Oakland: University of California Press, 2021.

This book depicts transformation of the Ottoman and Turkish society between the Second Constitutional Monarchy (1908) of the late Ottoman Empire and the 1960s of modern Turkey with a focus on the life and works of Turkish journalist author Refik Halid Karay (1888-1965). Karay is known with his short stories and novels in Turkish literature. Using excerpts from Karay’s newspaper articles, stories, and novels, Philliou shows how an Ottoman liberal criticized the policies of the Committee of Union and Progress (CUP), the nationalists in Ankara during the Turkish War of Independence and the subsequent regime in the early years of the Turkish Republic. Using the term muhalefet [opposition], Philliou focuses on the transition of Karay from a dissident figure into a discontent patriot. While doing this, Philliou skillfully draws the framework of Turkish modernity between 1908 and 1960.

Turkey

This chapter argues that the supposed binary of a secular state and popular Islam is inadequate as a tool of analysis if we are to understand how religion has become a prominent category of both privilege and exclusion in Turkish society. Specifically, it contends that successive Turkish governments have privileged Sunni Islam as national identity. To build this argument, the chapter follows two parallel threads. The first analyses the ethnic and religious homogenization of the national body with a particular emphasis on violence against non-Muslim and non-Sunni groups. The second shows how, within the larger historical context of modernization theory, Cold War politics, and the post-9/11 promotion of moderate Islam, successive Turkish governments worked towards maintaining Sunni Muslim privilege while continuously expanding the category of enemies of the Turkish nation.

Sabri Ülgener and Ahmed Güner Sayar: A Line in Turkish Economic Thought

Sabri Fehmi Ülgener and Ahmed Güner Sayar are two of the most eminent figures to be recognized through their economic and cultural studies in modern Turkish thought. They have generated remarkable ideas about relative economic underdevelopment in Ottoman-Turkish society, controversial economic policies within capitalism, and the existence of two principal veins in the methodology of economics. This paper aims to ascertain Ülgener and Sayar’s approaches toward the different dimensions of economics and to review the points upon which they agree and disagree in this regard. On the problem of economic underdevelopment, they can be said to generally focus on cultural elements and to have asserted the essence of Sufism to be distorted. They can also be said to have not fallen into any sharp differences over capitalism’s liberal or interventionist policies. On the methodology of economics, they agreed about the need to have an a posteriori character within the scope of the explanatory nature of economic theories. Additionally, they focused on the sociology of economics using the verstehen [German: to understand] method to comprehend human typology in economics through its various aspects. The research findings indicate these two men to have been the architects of an original line in Turkish economic thought by showing consensus on principles and method, despite disagreements on the details.

Political leadership of Recep Tayyip Erdoğan in selected analytical categories

The aim of the article is to define the political leadership of Recep Tayyip Erdoğan and present the attributes and factors which primarily influenced the effectiveness of his leadership in the Turkish society. Erdoğan has a strong and unquestioned position in his own party, as well as on the Turkish political scene. For a significant part of the society, he is an irreplaceable person and the best leader in the history of the country. Factors which have a major influence on his success are of social, economic and cultural nature. He is a leader, who can easily turn a crisis to his own advantage and convince his followers to support his own arguments. Erdoğan’s activities, which were firmly focused on economic issues, health care reforms and Turkey’s integration with the European Union, enabled him to gain the support of even this part of the society whose values are distant from the ones he accepts. At the same time, he represents a confrontational attitude towards political opponents and often expresses his reluctance towards them.