scholarly journals Narratives of natural disaster survivors in Indonesian media: The case of Tempo magazine

2018 ◽  
Vol 24 (1) ◽  
pp. 37-51
Author(s):  
Budi Irawanto

Dubbed as the ‘ring of fire,’, Indonesian territories have witnessed many forms of natural disasters such as volcano eruptions, earthquakes and tsunamis, which had been widely reported in the mass media. While the media has reported the scale of destruction and number of casualties caused by those disasters, they have also narrated dramatic recounts of the survivors. Imbued with spectacular imagery, the media seek to appeal to the audiences emotionally and evoke sentiments of solidarity as well as humanitarian actions. Employing a textual analysis of media reports in Indonesia, particularly from the weekly news magazine Tempo, this study explores the way in which the media frame the narratives of the survivors of natural disasters (volcano eruptions, earthquakes and tsunamis) across Indonesia. Although the media are expected to report events objectively, this study demonstrates the affective element in the practice of journalism on natural disasters. Therefore, this study will contribute to the growing research on the relationship between media and disasters, particularly in the context of a disaster-prone country such as Indonesia. In particular, it will contribute to the body of journalism research which looks at the role of narrating the human subject in tragic events such as natural disasters.

Author(s):  
Tuija Parikka

This chapter examines the relationship between the body, globalization, and the media. It discusses how the female body is subjected to being “played” in the global media and what that reveals of gender and minority–majority relationships and of global aims and fears. The cases presented in this chapter serve as samples of “sexy violence” imagery that cannot be thoroughly explained by theories of objectification, liberation, or commodification of women but, rather, are considered in reference to the socially constitutive role of globalization. Although the female body may function to discursively dissolve, enforce, or alleviate conflicts embedded in the processes and discourses of globalization, the preoccupation with “sexy violence” imagery in the global media does not necessarily offer a solution to global concerns but, rather, plays out the fears, aims, and anxieties about globalization through violence and aggression.


2021 ◽  
pp. 097168582110159
Author(s):  
Sital Mohanty ◽  
Subhasis Sahoo ◽  
Pranay Kumar Swain

Science, technology and human values have been the subject of enquiry in the last few years for social scientists and eventually the relationship between science and gender is the subject of an ongoing debate. This is due to the event of globalization which led to the exponential growth of new technologies like assisted reproductive technology (ART). ART, one of the most iconic technological innovations of the twentieth century, has become increasingly a normal social fact of life. Since ART invades multiple human discourses—thereby transforming culture, society and politics—it is important what is sociological about ART as well as what is biological. This article argues in commendation of sociology of technology, which is alert to its democratic potential but does not concurrently conceal the historical and continuing role of technology in legitimizing gender discrimination. The article draws the empirical insights from local articulations (i.e., Odisha state in eastern India) for the understandings of motherhood, freedom and choice, reproductive right and rights over the body to which ART has contributed. Sociologically, the article has been supplemented within the broader perspectives of determinism, compatibilism alongside feminism.


2021 ◽  
pp. 089124162110569
Author(s):  
Hakan Kalkan

“Street culture” is often considered a response to structural factors. However, the relationship between culture and structure has rarely been empirically analyzed. This article analyzes the role of three media representations of American street culture and gangsters—two films and the music of a rap artist—in the street culture of a disadvantaged part of Copenhagen. Based on years of ethnographic fieldwork, this article demonstrates that these media representations are highly valuable to and influential among young men because of their perceived similarity between their intersectional structural positions and those represented in the media. Thus, the article illuminates the interaction between structural and cultural factors in street culture. It further offers a local explanation of the scarcely studied phenomenon of the influence of mass media on street culture, and a novel, media-based, local explanation of global similarities in different street cultures.


2018 ◽  
Vol 15 (2) ◽  
pp. 187-202
Author(s):  
Mohan Rao ◽  
Shobna Sonpar ◽  
Amit Sen ◽  
Shekhar P. Seshadri ◽  
Harsh Agarwal ◽  
...  

Ragging has claimed hundreds of innocent lives and has ruined the careers of thousands of students. A total of 717 cases of ragging were reported in the English print media alone across the country from January 2007 to September 2013. However, the media reports tend to focus on extreme cases and do not reveal the true extent of ragging. Moreover, in the absence of empirical data, it is difficult to understand the processes involved in, and the ramifications of, ragging. This study examines the prevalence and types of ragging practices in educational institutions. The study covered 10,632 students from 37 educational institutions spread across 12 states in India. Findings show that almost 40 per cent students admitted to having experienced some kind of ragging. College-wise analysis of the results showed marked variations in the prevalence of ragging among colleges, thus pointing to the role of institutional factors in the occurrence of ragging. Variations in responses are also seen based on the kind of course pursued, gender, and place of residence of student, thus indicating that these are critical factors in influencing the prevalence, severity and kinds of ragging practices.


2017 ◽  
Vol 1 (6) ◽  
pp. 503
Author(s):  
Aloysius Ranggabumi Nuswantoro

Conflict occurs between two or more parties with different interests. Media related to conflict. The ability of the media to influence public opinion is the biggest element in the relationship between media with conflict. The media in this context can be a party that sparked the conflict but could also act as resolutor conflict. Media as a provocateur when play became an arm of one of the conflicting parties, while a conciliator conflict when showing neutrality and information that tends to peace (peace narrative). And theoretical studies should be conducted searches empirical facts on this subject, to clarify the position, the position and role of media in conflict situations. The results can also be used to see the extent to which the media contribute to creating conditions of public space and democratic deliberative. Against this, the choice to stick with journalism be the most appropriate choice for the media in an effort to maintain its position as an agent of democracy in society.


Author(s):  
Khurshid A. Mirzakhmedov ◽  

In the article, the authors are based on the verdict that the main and most important element of world religion is the phenomenon of the prophets. However, at the beginning of the New century as a world. Similarly, in regional terms, the media reports about false prophets and insults to religious prophets, including the great prophet Muhammad, which negatively affects the feelings of believers in the Muslim world. According to the authors of the article, this seriously depresses the international political situation, since the cult of the Holy prophets is recognized as the meaning-forming basis of the Muslim faith. The article proves that the goal of Islam in the formation and development of the socio-cultural life of Muslims is based on the strengthening of spiritual and cultural identity, based on the priority of recognizing the Majesty of the prophet Muhammad, that any skepticism or insults is a threat to the entire system of Islam's ideology. The authors note that the life of the great Muhammad is generally accepted as an example of the righteous organization of the personal and collective life of the Muslim community, which forms the highest qualities of spiritual and moral culture among believers.


1970 ◽  
Vol 2 (2) ◽  
pp. 25-31
Author(s):  
Samin Gheitasy ◽  
Leila Montazeri ◽  
Simin Dolatkhah

The dramatic text defines, to some extent, the structure of the work but the type of performance and the physical approach to the text can represent different meanings. The body of the actor, as a means of conveying concepts from the text to the audience, can be effective in creating different interpretations and meanings of the text. Since eons ago, directors have used the body of the actor with different approaches, and the application of body on the stage has always been underdoing changes. Anne Bogart is one of the few directors who is less known in the Iranian theater despite possessing the most updated and well-known methods of practice and performance in the world. Using her viewpoint method, she brings live and dynamic bodies to the stage; bodies that are able to convey the hidden meanings of the text to the audience in the most suitable way. The overall purpose of this research is to find the relationship between the dramatic text and the performance with the centrality of the body with a sociological view toward the body. To this end, by presenting Foucault's theories, the researchers defines the role of the body in the society and its extent of effectivity and impressibility. Finally, this study explores the implications of this role in each element of Aeschylus’s The Persians, and it shall show how Bogart beautifully represents them using the bodies of her actors during performance.


2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.


2018 ◽  
Vol 65 (2) ◽  
pp. 247-262
Author(s):  
Steven L Foy ◽  
Collin W Mueller

Scholars have increasingly noted mechanisms by which religion may be detrimental to one’s health, but few have explored how individuals understand linkages between religious involvement and adverse health. Using data gathered from telephone interviews with Protestants and Catholics in North Carolina and South Carolina, we explore how individuals understand the role of religious moral failure in shaping health consequences. When asked to discuss the relationship between religion and health, 23 respondents described experiences or beliefs regarding how failing to meet the expectations of their religion corresponded with a range of reduced mental and physical health outcomes. Findings underscore the need for additional research on the role of religious involvement and life course experiences in shaping expectations that health declines result from moral failure.


2021 ◽  
Vol 32 (5) ◽  
pp. 103
Author(s):  
Nina Sosna

This article discusses the role of the technical in V.A. Podoroga's project of studying the literature worlds as archives of human experience. On the level of content, among many other components of these worlds he distinguished working and non-working machines, “gizmos” and various optical devices, including the mechanic eye, camera, mounting, etc. Formally, the action of these machines can be assessed as alienation, though in the context of modern media studies and exploration of the perspectives of anthropology, they can also be described as a problematic contact zone between the human and non-human, with a bias towards breaking the already historically disrupted bodily-affective interaction with the “outside”. Studies of Andrei Platonov's show the most radical interaction with the technical, in this case causing dissimilation of the human. However, even for this “inhuman” material, Podoroga chooses a form of human-measured approximation and distancing, which allows defending the position of an active researcher, observer, anthropologist. His efforts produce a kind of reconstruction, which at a certain time distance reveals the “seams”, “folds”, “cuts”, “plexuses”, “gaps” that formed at once the experience of the body and experience of writing. This is how the components of literature worlds are extracted, and from them “a picture of the universe can be deduced”. Although an external position to technics is considered to be the only guarantee of the human, even if it is strange, symptomatic, seizure-like, a different understanding of the technical is possible. Without claiming that a “machine” can assemble components in the absence of the observer's (reader's) comprehension ability, it seems nevertheless possible to relate the technical to more general principles: the methods of dispersion and gathering that form the form, the principles of intervalization and binding the heterogeneous, and most importantly, the principle of generating conditions for detecting an event. Then it will be necessary to clarify the relationship between techne and literature in the broader sense of poiesis, in the process of which elements can be formed from the indivisible “compressed”.


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