scholarly journals Animated Urban Surfaces: Spatial Augmented Reality in public discourse

2021 ◽  
Vol 6 (2) ◽  
pp. 75-94
Author(s):  
Martina Tritthart ◽  
Keyword(s):  
Augmented Reality ◽  
Public Space ◽  
Public Discourse ◽  
The Other ◽  
Digital Content ◽  
Projection Mapping ◽  
Spatial Augmented Reality ◽  
Alternative Approach ◽  
2D And 3D

Today´s projection art on public surfaces developed from the mutual approximation of painting, architecture, and lighting during centuries. The terms “Spatial Augmented Reality” (SAR) and “projection mapping” describe mostly temporary large screen projections on urban surfaces. The façade architecture becomes the screen for the content, mostly projected 2D and 3D animations. In essence, many of these artworks generate illusionistic clips deriving from the existing façade structure, allowing reality and fiction to merge audio visually. Artists, architects, curators, and institutions are increasingly aware of their responsibility related to this form of the mediatization of architecture, as shown, for example, by the Brazilian artist group Visualfarm. Their members approach their work as a counterpoint to the commercialization of public space in its appropriation by industry, propaganda, and advertising. But on the other hand, they also make a living from commercial assignments. Artists and architects often see themselves as pioneers and experimental researchers for possible developments in the coming digitized cities. By presenting various examples by selected artists like Corrie Francis Parks, Pablo Valbuena and Robert Seidel, the role of animation in connection with an alternative approach to the concepts of augmented realities within this process of social and urban evolution will be discussed. These artists try to integrate digital content into the cityscape in a harmonious sense.

scholarly journals ISLAM, AGAMA TOLERANSI DAN CINTA DAMAI : (TELAAH ATAS NOVEL AYAT-AYAT CINTA KARYA HABIBURRAHMAN EL SHIRAZY)

2020 ◽  
Vol 1 (2) ◽  
pp. 70-89
Author(s):  
Ahmad Yasid ◽  
Moh Juhdi
Keyword(s):  
Public Space ◽  
Public Discourse ◽  
Legal Rule ◽  
The Public ◽  
Modern Times ◽  
Middle Way ◽  
History Of ◽  
Data Collection Technique ◽  
Role Of Religion

Abstract   Islam, religion of tolerance and love of peace is one of Habiburrahman El Shirazy’s, it is a study indicating the values ​​of love and tolerance of Islam in the modern public space area. This study used the underlying theory of the values ​​of love and tolerance as well as the role of Islam in modern times that has been developing in the public discourse that in the history of human civilization there are several things that must be understood that humans have the sense to differentiate between humans and other creatures. From this reason humans can do something to explore and explain things that are not known by others. The method that is used in data collection technique is documentation technique, because this study is descriptive qualitative. This study examines several things including the values of love and tolerance because accepting differences is a distinct pleasure for each particular societies in other words, not seeing other people as deviants or enemies but as partner to complement each other by having an equal position and equally valid and valuable as a way of managing life and living life both individually and collectively. Acceptance of differences demands changes in the legal rule in people's lives so that the role of religion in the modern public space area becomes a middle way to build diversity and a nature that must both appreciate and respect one another, this diversity is seen in the portrait of everyday life which then creates peace, and harmony in interacting with all elements of society.    

Otherness: the Director and the Discovery of the Actor

1998 ◽  
Vol 14 (53) ◽  
pp. 3-8
Author(s):  
Charles Marowitz
Keyword(s):  
United States ◽  
Open Space ◽  
The Other ◽  
New Wave ◽  
Alternative Approach ◽  
Peter Brook ◽  
The Creation ◽  
Formative Years

Charles Marowitz worked extensively as a director in Britain from the late 'fifties through the 'seventies, and was one of the editors of the influential Encore magazine in the formative years of the ‘new wave’. His free-lance work included the co-direction with Peter Brook of the seminal ‘Theatre of Cruelty’ season, and the premiere production of Joe Orton's Loot. Later, in partnership with Jim Haynes, a season at the London Traverse Theatre led to the creation of his own, more enduring Open Space Theatre in a basement in Tottenham Court Road – one of the identifying events of 1968 and its theatrical aftermath. Since returning to his native United States, Marowitz has worked out of Malibu, and continued his parallel role as writer – in which he has become best known for his sequence of ‘collage’ Shakespeares ranging from Hamlet to The Shrew, and also as a self-professed ‘counterfeit critic’ and theoretician of acting and directing. The following article also forms the final chapter of his latest book, The Other Way: an Alternative Approach to Acting and Directing, to be published by Applause Books later this year. It represents, also, a concise charting of his own voyage of discovery – of the role of the director, and of the recognition of the autonomy and ‘higher calling’ of the actor that this has involved.

A Gift of a Pagoda, the Presence of a Prominent Citizen, and the Possibilities of Hospitality

10.1068/d347t ◽  
2005 ◽  
Vol 23 (1) ◽  
pp. 11-28 ◽  
Author(s):  
Wun Fung Chan
Keyword(s):  
Ethnic Minority ◽  
Public Space ◽  
Ethnic Minorities ◽  
Ethnic Differences ◽  
Public Discourse ◽  
Ethnic Community ◽  
The Other ◽  
The Gift ◽  
Economic Vitality ◽  
The City

To counter accusations that ethnic minorities in Britain are a problem, there is an emerging discourse that has begun to celebrate diversity as an asset, which contributes towards the nation's cultural and economic vitality. However, although this reevaluation of ethnic differences has proved to be a useful defence of the presence of ethnic minorities, the types of contributions and their significance have been left unexplored. In this paper I closely examine one such contribution, a Chinese pagoda, which was given to the City of Birmingham by an ethnic entrepreneur. By carefully analysing the views of the gift giver, planning documents, and public discourse on the pagoda, I argue that the different narratives—which encompass the themes of representing an ethnic community, hospitality, and gift giving—are discontinuous. In doing so, I illustrate some of the limits to Birmingham's hospitality and mark out a series of informal obligations of citizenship that are written into Birmingham's public space. I conclude by suggesting that if a gift of hospitality is to be given it is necessary to consider the other of the ethnic minority as an asset, citizenship, and presence.

scholarly journals On Feeling Political: Negotiating (within) Affective Landscapes and Soundscapes

PhaenEx ◽  
2012 ◽  
Vol 7 (2) ◽  
pp. 96
Author(s):  
JEAN-THOMAS TREMBLAY
Keyword(s):  
Gilles Deleuze ◽  
Research Question ◽  
The Other ◽  
Political Life ◽  
Felix Guattari ◽  
The Political ◽  
Political Theorist ◽  
Alternative Approach ◽  
Lauren Berlant

This article generates an affective hermeneutics of the political. The research question, What is feeling political? is, at first, refined through the oeuvre of political theorist Simone Weil, whose focus on experience, involvement and attention highlights the role of sentience in political life. The inescapable normativity of Weil’s texts calls for an alternative approach to the question at hand, one that acknowledges the inevitability of the phenomenon of feeling political. In order to produce such an approach, the realm in which said phenomenon occurs is spatialized as an indefinite series of rhizomatic affective atmospheres in which the negotiation of one’s involvement, resistance, association, and isolation prompts a variety of orientations. The work of Lauren Berlant is subsequently considered as a means to stress the interplay between noise and ambience on one hand, and the notions of citizenship and community on the other. Ultimately, a reflection inspired by Gilles Deleuze and Félix Guattari emphasizes the humanist undertone of this investigation, reposing the question of feeling political as an ontological query.  

scholarly journals Pioneering urban practices in transition spaces

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Paola Pittaluga
Keyword(s):  
Public Space ◽  
Design Methodology ◽  
Literature Search ◽  
The Other ◽  
Urban Spaces ◽  
Space Management ◽  
Space Transformation ◽  
Design Requirements ◽  
The One

AbstractThe article suggests a set of design requirements to orient urban practices of transformation and space management when they work on transition spaces, which are difficult to interpret and classify in accordance with traditional dichotomous categories such as centre/periphery, urban/not urban, open/closed, abandoned/lived, public/private. The first part of the article explains how various disciplines describe and characterise this kind of space, which cannot be described precisely through traditional categories. Literature search indicates how transition spaces have a number of attributes that can be translated into requirements to steer design actions. The examples of urban practices, described in the central paragraphs of the article, quickly show how project actions actualize the requirements that can be inferred both from literature and from the examples themselves. The conclusions summarise the design requirements to transform and manage transition spaces, in order to orient “pioneering urban practices”, thus opening the way to different modes of intervention and offering new insights into the role of designers and users in this particular kind of practice. Promising prospects emerge not only for the design methodology of this type of spaces, but also for the possibility of addressing relevant issues in the current disciplinary debate concerning, on the one hand, the liveability and care of urban spaces and therefore the regeneration of public space, at a time in history when its existence is questioned, on the other hand the effectiveness of the involvement and empowerment of local societies in the processes of space transformation.

scholarly journals Resounding Memory: Aural Augmented Reality and the Retelling of History

2017 ◽  
Vol 27 ◽  
pp. 12-16 ◽  
Author(s):  
Verónica Soria-Martínez
Keyword(s):  
Augmented Reality ◽  
Social Interactions ◽  
Public Space ◽  
Physical Space ◽  
Communication Technologies ◽  
Sound Art ◽  
Subjective Memory ◽  
The Public ◽  
History Of

This text discusses sound art projects in which artists have used augmented reality along with recordings or data of public spaces. All the works mentioned here were carried out in Spain from 2010 to 2016. In them, memories become tied to the physical space through social interactions facilitated by communication technologies; listeners get involved through the use of mobile devices. These practices consider the role of sound in the display of memories in the public space, thus configuring a subjective memory that contrasts with the institutional narrations of the history of a place.

scholarly journals What does “language” mean for its users? Constructing a theoretical model of a notion of language in the public space

2016 ◽  
pp. 1-27
Author(s):  
Vuk Vukotić
Keyword(s):  
Theoretical Model ◽  
Public Space ◽  
Cognitive Processes ◽  
Public Discourse ◽  
Language Ideologies ◽  
The Other ◽  
Cognitive Approach ◽  
The Public ◽  
Language Variety ◽  
Public Debates

Research into language ideologies is a fast growing field of research, especially within its critical paradigm, highlighting reproductions of dominant and often repressive ideologies about language (racism, sexism, nationalism, etc.). On the other hand, the other, cognitive paradigm has contributed to the field of language ideology by way of closer insights into the world of the speaker, providing a more subtle understanding of the cognitive processes at work behind attitudes to language and ideologies of language. Some of the studies employing the cognitive approach have also looked to how “language” is conceptualised in public discourse. In spite of the differences in the material and the foci in these studies, re-occurring patterns have begun to emerge. This paper offers a systematic review of these studies in order to answer the question “What elements of notions of language have been identified in the research on public debates about language?”. The aim of this review is to create a theoretical model of the “public notions of language”, which would explain differences in understanding of language in public debates. A total of 12 studies examining public notions of language have been collected, analysed and their findings synthesized into a model of a public notion of language. Three key elements construct the notion of language: (1) the function of language, (2) the identification of linguistic expertise, or who the bearer of true/good language is and (3) the identification of language variety which is representative of the language users.

scholarly journals Kinect Projection Mapping

2014 ◽  
Vol 5 (3) ◽  
pp. 1
Author(s):  
Thiago Motta ◽  
Manuel Loaiza ◽  
Alberto Raposo ◽  
Luciano Soares
Keyword(s):  
Augmented Reality ◽  
Virtual Environment ◽  
Process Data ◽  
Projection Mapping ◽  
Irregular Surfaces ◽  
Calibration Process ◽  
Spatial Augmented Reality ◽  
Projector Calibration ◽  
3D Information ◽  
Calibration Techniques

Spatial augmented reality allows users to create a projected virtual environment on irregular surfaces. This demands an accurate Camera-Projector calibration process in order to produce precise 3D information to match the real object. This paper presents a framework to process data achieved from a calibration of a Kinect-Projector system in visualization applications, allowing the user to create an augmented reality environment without having extensive process of the Camera-Projector calibration, while maintaining a precise calibration to the projection on irregular surfaces. Additionally, different calibration techniques were evaluated in order to demonstrate the better approaches.

scholarly journals The instrumental function of "augmented reality" in the processes of representation, transmission and construction of knowledge

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Rosella Tomassoni ◽  
Nicola Santangelo
Keyword(s):  
Augmented Reality ◽  
Historical Memory ◽  
Historical Sources ◽  
Teaching Methodologies ◽  
Construction Of Knowledge ◽  
The Subject ◽  
High Level ◽  
2D And 3D ◽  
The Impact

The paper examines the potential offered by augmented reality in the didactic field, with particular reference to the possibility of creating “augmented” experiences, which make it possible to obtain a high level of interaction with the sources and places that have acted and are acting for conservation and activation of historical memory. The subject of analysis is the psycho-pedagogical value of the information enrichment offered by AR, which allows to support the narrative potential of historical sources through the presentation of documents, interactive objects, 360° videos and 2D and 3D reconstructions. Particular attention is paid to: the possibility of using augmented reality to innovate textbooks and teaching methodologies; the possibility of creating “active” study paths with a high level of interaction and personalization; the recent applications of AR in the museum field; the psycho-pedagogical role of AR in the construction of stories and narratives and the impact that this type of technology can have on the methods of transmission and construction of stories.

scholarly journals The subversive potential of queer pornography

2015 ◽  
Vol 4 (2) ◽  
pp. 254-271 ◽  
Author(s):  
Veronika Koller
Keyword(s):  
Sexual Activity ◽  
Public Space ◽  
Textual Analysis ◽  
Gender And Sexuality ◽  
The Other ◽  
First Person ◽  
Gender Identities ◽  
Online Pornography ◽  
Binary Gender

This paper addresses the question of what potential queer pornography has to subvert hegemonic discourses of gender and sexuality. In particular, it engages in the analysis of transitivity and metaphor in an example of queer written online pornography and links this textual analysis to a discussion of the role of text distribution and consumption in realising any subversive potential. The analysis shows that in terms of participant representation, the text reinforces rather than challenges hegemonic discourses of gender and sexuality: Although the main protagonists are both ambiguously sexed, patterns of transitivity and use of metaphor construct largely binary gender identities for them, allocating sexual activity to the first-person narrator while casting the Other as passively desiring. In terms of its distribution and consumption, however, the text maintains its subversive potential as it sexualises a public online space and can turn offline public space into a sexual place.

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