scholarly journals Pioneering urban practices in transition spaces

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Paola Pittaluga

AbstractThe article suggests a set of design requirements to orient urban practices of transformation and space management when they work on transition spaces, which are difficult to interpret and classify in accordance with traditional dichotomous categories such as centre/periphery, urban/not urban, open/closed, abandoned/lived, public/private. The first part of the article explains how various disciplines describe and characterise this kind of space, which cannot be described precisely through traditional categories. Literature search indicates how transition spaces have a number of attributes that can be translated into requirements to steer design actions. The examples of urban practices, described in the central paragraphs of the article, quickly show how project actions actualize the requirements that can be inferred both from literature and from the examples themselves. The conclusions summarise the design requirements to transform and manage transition spaces, in order to orient “pioneering urban practices”, thus opening the way to different modes of intervention and offering new insights into the role of designers and users in this particular kind of practice. Promising prospects emerge not only for the design methodology of this type of spaces, but also for the possibility of addressing relevant issues in the current disciplinary debate concerning, on the one hand, the liveability and care of urban spaces and therefore the regeneration of public space, at a time in history when its existence is questioned, on the other hand the effectiveness of the involvement and empowerment of local societies in the processes of space transformation.

2018 ◽  
Vol 65 (2) ◽  
pp. 168-186 ◽  
Author(s):  
Valérie Amiraux

This article is based on ongoing fieldwork conducted in France and Quebec with Muslim women who stopped wearing a headscarf. It offers a puzzle for reflection: what is achieved when a sign of religious affiliation disappears (in this instance, wearing a headscarf)? The first part of the article describes the general framework in which public conversations about the visible piety expressed by Muslim women has been discussed in public spaces. The second part looks at the double bind in which Muslim women have been placed by being asked, on the one hand, to be as discrete as possible when expressing their religiosity and, on the other, to behave in full transparency. How and under which conditions can these women ‘find a place’ in the public space (Joseph, 1995) of secular societies? To conclude, the article invites reflection on the role of secrecy, the impossibility as well as the necessity of the secret in society in order to be able to consider the proper room available for pious female citizens in democratic secular societies.


Author(s):  
Тамара Вадимовна Царёва

Проведение крестных ходов (как традиционной формы духовного наследия) от «губительного поветрия» актуализировалось в связи с распространением вируса COVID-19. Крестные ходы во время различных «моровых поветрий» являются древней практикой и неотъемлемой частью жизни Церкви: к крестным ходам обращались подчас, как к единственному способу защиты от эпидемий. Пандемия, вызванная вирусом SARS-CoV-2, внесла коррективы во все сферы жизнедеятельности человека, в том числе и в религиозно-обрядовую ее составляющую. Одни, ставшие уже традиционными, крестные ходы отменялись, другие – проводились вопреки запретам санитарных властей, собирая большое количество паломников (как, например, Тутаевский, Коробейниковский или Николо-Великорецкий крестные ходы). С одной стороны, такой вид исповедования веры в общественном пространстве мобилизует и консолидирует верующих, тем самым являя социокультурную роль крестного хода, с другой – вопрос правомерности проведения крестных ходов во время пандемии в 2019–2020 гг. обнажил глубокие противоречия как в среде православного населения, так и стал источником разногласий в обществе вне зависимости от религиозной системы мировосприятия. Пандемия 2019–2020 гг. дала импульс к распространению необычных форм крестных ходов: воздушных и в форме автопробега (с целью минимизации распространения вируса). В данной статье предпринята попытка обобщить имеющиеся данные по крестным ходам во время пандемии, а также, опираясь на архивные источники, рассмотреть в историческом срезе проведение крестных ходов во время различных эпидемий. Carrying out religious processions (as a traditional form of spiritual heritage) to stop the «disastrous epidemic» has become important in connection with the spread of the COVID-19 virus. Processions during various «pestilences» are an ancient practice and an integral part of the life of the Church: processions were sometimes referred to as the only way to get rid of epidemics. The pandemic caused by the SARS-CoV-2 virus has made adjustments to all spheres of human life, including its religious and ritual component. Some processions, which had already become were canceled, others were carried out despite the prohibitions of the sanitary authorities, gathering a large number of pilgrims (such as the Tutaevsky, Korobeinikovsky or Velikoretsky religious processions). On the one hand, this type of confession of faith in the public space mobilizes and consolidates believers, thereby demonstrating the sociocultural role of the procession, on the other hand, violations or ignoring by the participants of the march of sanitary and epidemiological recommendations aimed at preventing the spread of the virus have become a source of disagreement among society (regardless of the religious system of perception). Pandemic 2019– 2020 gave impetus to the spread of unusual forms of religious processions: air and in the form of a car rally (in order to minimize the spread of the virus). In this article, an attempt is made to summarize the available data on religious processions during a pandemic, and also, relying on archival sources, to consider in a historical context the holding of religious processions during various epidemics.


2021 ◽  
Vol 67 (4) ◽  
pp. 480-484
Author(s):  
Iuliia Taskaeva ◽  
Anastasia Shatruk ◽  
Nataliya Bgatova

The role of autophagy and vesicular trafficking in carcinogenesis, including melanoma, is ambiguous: on the one hand, they contribute to the maintenance of intracellular homeostasis and the tumor progression, on the other hand, they can initiate cancer cell death. These processes have a significant impact on the metabolism of melanoma cells and could be associated with metastasis, tumor growth and progression. The review examines the mechanisms of autophagy and vesicular trafficking and presents the modern literature data demonstrating the role of the intracellular transport system in oncogenesis and melanoma development. A literature search was performed in the PubMed database.


2013 ◽  
Vol 10 (2) ◽  
pp. 110-119
Author(s):  
Olivier Schetrit ◽  
Pierre Schmitt

Fondé en 1976, l’IVT (International Visual Theatre) se définit aujourd’hui comme un carrefour culturel, un espace d’échanges et de découvertes pour les sourds et les entendants. De la recherche d’une culture théâtrale et artistique propre aux sourds à sa diffusion dans l’espace public, de la réception de ses spectacles bilingues à l’entreprise d’enseignement de la langue des signes poursuivie par l’IVT nous proposons ici d’étudier les allers retours complexes entre les altérités croisées que représentent respectivement les identités sourdes et entendantes. Ainsi, à partir du regard d’un chercheur sourd et celui d’un chercheur entendant, nous reviendrons d’une part sur le rôle de l’IVT dans la (re)découverte de l’identité sourde à travers des modes d’expression tels que théâtre, danse et chorégraphie sourds, « chansigne » et « musique visuelle ». D’autre part, nous réfléchirons aux enjeux communs entre la salle de spectacle et les salles de classe, ces deux facettes visant à la promotion de la langue des signes et de la culture sourde auprès des entendants. Il s’agira donc d’analyser et d’exposer comment l’appropriation de « l’espace vide » (Brook, 1968) de la scène par les sourds en a fait un espace (inter)culturel où l’apprentissage d’autres langues et cultures passe par la découverte de soi au travers des autres. Sign Language Theatre, Theatre of the Other? Deaf, hearing and interculturality around the International Visual Theatre Founded in 1976, the IVT (International Visual Theatre) is today defined as a cultural crossroads, a place of exchanges and discoveries for deaf and hearing people. From the search of a theatrical and artistic culture specific to the deaf to its distribution in the public space, from the reception of its bilingual shows to the teaching of sign language pursued by the IVT, we propose here to study the complex back and forth relations between the mirrored otherness that deaf and hearing identities represent to each other. Thus, from the point of views of a deaf researcher and a hearing researcher, on the one hand, we will explore the role of the IVT in the (re)discovery of deaf identity through modes of expression such as deaf theater, dance and choreography, “chansigne” and “visual music”. On the other hand, we will reflect on common issues between the stage and the classroom, these two facets aiming at promoting sign language and deaf culture among the hearing. We will then analyze and explain how the appropriation of the “empty space” (Brook, 1968) provided by the stage has turned it into a (inter) cultural space where learning other languages and cultures implies self-discovery through others.


Author(s):  
Darin Stephanov

‘What do we really speak of when we speak of the modern ethno-national mindset and where shall we search for its roots?’ This is the central question of a book arguing that the periodic ceremonial intrusion into the everyday lives of people across the Ottoman Empire, which the annual royal birthday and accession-day celebrations constituted, had multiple, far-reaching, and largely unexplored consequences. On the one hand, it brought ordinary subjects into symbolic contact with the monarch and forged lasting vertical ties of loyalty to him, irrespective of language, location, creed or class. On the other hand, the rounds of royal celebration played a key role in the creation of new types of horizontal ties and ethnic group consciousness that crystallized into national movements, and, after the empire’s demise, national monarchies. The book discusses the themes of public space/sphere, the Tanzimat reforms, millet, modernity, nationalism, governmentality, and the modern state, among others. It offers a new, thirteen-point model of modern belonging based on the concept of ruler visibility.


Author(s):  
Iryna Rusnak

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.


Author(s):  
Ксения Ивановна Голубцова

Статья посвящена рассмотрению проблем профилактики преступлений оперативными подразделениями исправительных учреждений (далее - ИУ). Автор, раскрывая роль оперативных отделов ИУ в общей профилактике правонарушений, указывает на ее двоякость, поскольку, с одной стороны, рассматриваемые подразделения обладают значительным преимуществом перед другими службами учреждения в выявлении негативных факторов (негласный метод получения оперативно значимой информации), с другой стороны - далеко не все условия, которые способствуют совершению преступлений в ИУ, можно устранить оперативным путем. Изучение специальной литературы позволило выявить в деятельности начальников ИУ определенные проблемы, связанные с оценкой состояния оперативной обстановки в ИУ, сложившейся ситуации; с отсутствием прогноза развития криминогенной ситуации в ИУ, а также с профессиональной некомпетентностью руководителей, неумением объективно оценивать результаты деятельности структурных подразделений. Автор особое внимание уделяет анализу статистических данных о совершенных и предотвращенных преступлениях лицами, находящимися в местах лишения свободы. The article is devoted to the consideration of problems of crime prevention by operational units of correctional institutions (hereinafter referred to as IA). The author, revealing the role of the operational departments of the IA in the general prevention of offences, points to its twofold. On the one hand, the units under consideration have significant advantages over other services of the institution in identifying negative factors (these are tacit methods of obtaining promptly meaningful information). On the other hand, not all conditions conducive to the commission of crimes in IA can be eliminated by operational means: For example, shortcomings in the activities of other departments and services (security department, duty shift, etc.). The study of special literature has made it possible to identify problems in the activities of heads of correctional institutions in the sphere of implementation of solutions in case of lack of objective and complete information on the state of the operational situation in IA, the current situation, the results of the activities of structural subdivisions; No forecast of the development of the crime situation in IE; Professional incompetence of managers, inability to objectively assess the results of activities of structural subdivisions. The author pays particular attention to the analysis of statistics on crimes committed and prevented by persons in detention.


1998 ◽  
Vol 25 (1) ◽  
pp. 57-72 ◽  
Author(s):  
David Oldroyd

This article examines the role that correspondence played in the accounting systems of Tudor merchants. Merchants relied heavily on letters as a means of controlling their businesses at a distance by making agents accountable. Written accountability, as well as information for business decisions, was encouraged by agency relationships in mercantile enterprises. The system could be undermined by the breakdown of communication through the negligence of a factor or the lack of involvement by the principal. The time delays between the sending and the receipt of letters, on the one hand, and the procurement and conveyance of goods, on the other, were additional problems.


Author(s):  
Zoltán Kövecses

The chapter reports on work concerned with the issue of how conceptual metaphor theory (CMT) functions as a link between culture and cognition. Three large areas are investigated to this effect. First, work on the interaction between conceptual metaphors, on the one hand, and folk and expert theories of emotion, on the other, is surveyed. Second, the issue of metaphorical universality and variation is addressed, together with that of the function of embodiment in metaphor. Third, a contextualist view of conceptual metaphors is proposed. The discussion of these issues leads to a new and integrated understanding of the role of metaphor and metonymy in creating cultural reality and that of metaphorical variation across and within cultures, as well as individuals.


Author(s):  
Steven French

What is a scientific theory? Is it a set of propositions? Or a family of models? Or is it some kind of abstract artefact? These options are examined in the context of a comparison between theories and artworks. On the one hand, theories are said to be like certain kinds of paintings, in that they play a representational role; on the other, they are compared to musical works, insofar as they can be multiply presented. I shall argue that such comparisons should be treated with care and that all of the above options face problems. Instead, I suggest, we should adopt a form of eliminativism towards theories, in the sense that a theory should not be regarded as any thing. Nevertheless, we can still talk about them and attribute certain qualities to them, where that talk is understood to be made true by certain practices. This shift to practices as truth-makers for theory talk then has certain implications for how we regard theories in the realism debate and in the context of the nature and role of representation in science.


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