2018 ◽  
Vol 2018 (1) ◽  
pp. 83-96
Author(s):  
Ramon Reichert

The history of the human face is the history of its social coding and the media- conditions of its appearance. The best way to explain the »selfie«-practices of today’s digital culture is to understand such practices as both participative and commercialized cultural techniques that allow their users to fashion their selves in ways they consider relevant for their identities as individuals. Whereas they may put their image of themselves front stage with their selfies, such images for being socially shared have to match determinate role-expectations, body-norms and ideals of beauty. Against this backdrop, collectively shared repertoires of images of normalized subjectivity have developed and leave their mark on the culture of digital communication. In the critical and reflexive discourses that surround the exigencies of auto-medial self-thematization we find reactions that are critical of self-representation as such, and we find strategies of de-subjectification with reflexive awareness of their media conditions. Both strands of critical reactions however remain ambivalent as reactions of protest. The final part of the present article focuses on inter-discourses, in particular discourses that construe the phenomenon of selfies thoroughly as an expression of juvenile narcissism. The author shows how this commonly accepted reading which has precedents in the history of pictorial art reproduces resentment against women and tends to stylize adolescent persons into a homogenous »generation« lost in self-love


Author(s):  
Daniel Martin Feige

Der Beitrag widmet sich der Frage historischer Folgeverhältnisse in der Kunst. Gegenüber dem Gedanken, dass es ein ursprüngliches Werk in der Reihe von Werken gibt, das späteren Werken seinen Sinn gibt, schlägt der Text vor, das Verhältnis umgekehrt zu denken: Im Lichte späterer Werke wird der Sinn früherer Werke neu ausgehandelt. Dazu geht der Text in drei Schritten vor. Im ersten Teil formuliert er unter der Überschrift ›Form‹ in kritischer Abgrenzung zu Danto und Eco mit Adorno den Gedanken, dass Kunstwerke eigensinnig konstituierte Gegenstände sind. Die im Gedanken der Neuverhandlung früherer Werke im Lichte späterer Werke vorausgesetzte Unbestimmtheit des Sinns von Kunstwerken wird im zweiten Teil unter dem Schlagwort ›Zeitlichkeit‹ anhand des Paradigmas der Improvisation erörtert. Der dritte und letzte Teil wendet diese improvisatorische Logik unter dem Label ›Neuaushandlung‹ dann dezidiert auf das Verhältnis von Vorbild und Nachbild an. The article proposes a new understanding of historical succession in the realm of art. In contrast to the idea that there is an original work in the series of works that gives meaning to the works that come later, the text proposes to think it exactly the other way round: in the light of later works, the meanings of earlier works are renegotiated. The text proceeds in three steps to develop this idea. Under the heading ›Form‹ it develops in the first part a critical reading of Danto’s and Eco’s notion of the constitution of the artworks and argues with Adorno that each powerful work develops its own language. In the second part, the vagueness of the meaning of works of art presupposed in the idea of renegotiating earlier works in the light of later works is discussed under the term ›Temporality‹ in terms of the logic of improvisation. The third and final part uses this improvisational logic under the label ›Renegotiation‹ to understand the relationship between model and afterimage in the realm of art.


Author(s):  
Roy Tzohar

This, the conclusion of this book, draws out those features and themes that are common to the various accounts of metaphor presented in the preceding chapters and examines their possible applications. The text also briefly examines further ways in which these features may be applied to deepen and enrich our understanding of the Buddhist and more generally Indian philosophical engagement with figurative language. As a quick case study, the final part of the discussion explores how the Yogācāra theory of meaning sheds light on the concrete use of distinct figures, focusing on a list of similes prevalent in the school’s literature.


Author(s):  
Lieven Danckaert

This chapter addresses the question of which syntactic environment constitutes the most reliable source of information on variable object placement in Latin. The relevance of this question is illustrated by showing that very different results are obtained when one compares the rate of VO in two different syntactic contexts, namely clauses with a single synthetic verb and clauses with a modal verb and a dependent infinitive. It is argued that the OV/VO alternation is best studied to clauses with more than one verb, as in such clauses, more object positions can be unambiguously identified. The final part of the chapter is devoted to the phrase structure analysis of clauses with the modals possum ‘be able’ and debeo ‘have to’. These structures are argued to constitute monoclausal domains, in which the modals are raising predicates that originate in functional heads in the extended projection of lexical verbs.


Author(s):  
Philippe Steiner

The chapter first considers how the issue of commodification was handled in the legislative process that produced the ban on the market for organ transplantations, the political step necessary to make this form of transaction illegal. The second part considers some of the theoretical issues related to the conceptualization of illegality within the domain of exchange, examining the role that violence, secrecy, and the frontier between legality and illegality play in the functioning of illegal transactions. In the final part, the chapter considers three cases of illegal transplantation, paying particular attention to the organizational dimension and to the work of concealment that must be done in order to cross the frontier between the legal and the illegal worlds.


Author(s):  
Mark Newman

An introduction to the mathematical tools used in the study of networks. Topics discussed include: the adjacency matrix; weighted, directed, acyclic, and bipartite networks; multilayer and dynamic networks; trees; planar networks. Some basic properties of networks are then discussed, including degrees, density and sparsity, paths on networks, component structure, and connectivity and cut sets. The final part of the chapter focuses on the graph Laplacian and its applications to network visualization, graph partitioning, the theory of random walks, and other problems.


Author(s):  
Douglas J. Davies

This tripartite chapter calls for a creative approach that engages diverse themes while striving for satisfying resolutions of disciplinary tensions between anthropology and theology. It calls for this even if these resolutions are not achieved. The first part, entitled “Intrapersonal and Interpersonal Dialogue,” is heavily autobiographical, and offers a case study of reflexivity, excusing its indulgence in biographical reflection on account of its intention to pinpoint the very particular and contextual nature of idea development. The second part, headed “Further Conversation Pieces,” picks up just such ideas open to anthropological–theological conversation, including a cautionary gloss on the over-easy use of anthropology and theology as discrete terms. The third and final part, described as “Disciplinary Quandaries,” takes some of these formal classifications of disciplines further and also brings together some personal and institutional factors surrounding both anthropological and theological practice.


Author(s):  
George Pattison

A Rhetorics of the Word is the second volume of a three-part philosophy of Christian life. It approaches Christian life as expressive of a divine calling or vocation. The word Church (ekklesia) and the role of naming in baptism indicate the fundamental place of calling in Christian life. However, ideas of vocation are difficult to access in a world shaped by the experience of disenchantment. The difficulties of articulating vocation are explored with reference to Weber, Heidegger, and Kierkegaard. These are further connected to a general crisis of language, manifesting in the degradation of political discourse (Arendt) and the impact of new communications technology on human discourse. This impact can be seen as reinforcing an occlusion of language in favour of rationality already evidenced in the philosophical tradition and technocratic management. New possibilities for thinking vocation are pursued through the biblical prophets (with emphasis on Buber’s and Rosenzweig’s reinterpretation of the call of Moses), Saint John, and Russian philosophies of language (Florensky to Bakhtin). Vocation emerges as bound up with the possibility of being name-bearers, enabling a mutuality of call and response. This is then evidenced further in ethics and poetics, where Levinas and Hermann Broch (The Death of Virgil) become major points of reference. In conclusion, the themes of calling and the name are seen to shape the possibility of love—the subject of the final part of the philosophy of Christian life: A Metaphysics of Love.


Author(s):  
Philip James

The two main themes contained within the title The Biology of Urban Environments are explored. The initial focus is on urban environments. A discussion of the origins of cities and the global spread of urbanization leads on to a consideration of urban environments in the twenty-first century. In the second section, the focus switches to biology. The scope of the discipline is set out in terms of both the range of sub-disciplines and of biological scales. It is established from this discussion that in this book the topics considered span from genes to ecosystems and will be illustrated by examples of the biology of micro-organisms, plants, and animals. Importantly humans will be included within this consideration: our biology is affected by urban environments. The final part presents the structure of the book.


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