scholarly journals Home, Militarism and Nostalgia in Japanese Popular Song from 1937 to 1945

2011 ◽  
Vol 2 (1) ◽  
pp. 115-147
Author(s):  
Sabiene Strasser

Abstract The article focuses on the representation of wartime Japan as a home (and home country) by analysing contemporary popular songs. Within this frame I show examples of how the Japanese state managed to influence the Japanese people through propaganda songs in order to gain the people’s moral support for the war effort. My essay aims further at drawing a picture of Japan’s musical world from the latter half of the 1930s to the end of World War II, as a detailed consideration of popular music and its surroundings always allows us to interpret much more than expected at first view. In addition, I consider the mass media as a supporter of Japan’s ideological aims. The history of radio and record companies is firmly interwoven with the efforts of the Japanese state to manipulate people during the war years. The contribution from artists must also be considered an important part of this mosaic.

2008 ◽  
Vol 37 (S1) ◽  
pp. 65-72
Author(s):  
Noah Riseman

Abstract Did you know that a Bathurst Islander captured the first Japanese prisoner of war on Australian soil? Or that a crucifix saved the life of a crashed American pilot in the Gulf of Carpentaria? These are excerpts from the rich array of oral histories of Aboriginal participation in World War II. This paper presents “highlights” from Yolngu oral histories of World War II in Arnhem Land, Northern Territory. Using these stories, the paper begins to explore some of the following questions: Why did Yolngu participate in the war effort? How did Yolngu see their role in relation to white Australia? In what ways did Yolngu contribute to the security of Australia? How integral was Yolngu assistance to defence of Australia? Although the answers to these questions are not finite, this paper aims to survey some of the Yolngu history of World War II.


1958 ◽  
Vol 18 (2) ◽  
pp. 193-199
Author(s):  
J. R. T. Hughes

War is a drain on resources, both of manpower and of materials. The object of government financial policy in time of war is primarily to ease the real drain by making its monetary counterpart work as smoodily as possible. In a long and brilliantly written book R. S. Sayers has provided a meaty account of Britain's financial policy during World War II. Any serious study of the problems of war finance or the financial history of World War II would do well to begin with this volume.


2018 ◽  
Vol 21 (4) ◽  
pp. 526-546 ◽  
Author(s):  
Anne Warfield Rawls

This is an article about the history of US sociology with systematic intent. It goes back to World War II to recover a wartime narrative context through which sociologists formulated a ‘trauma’ to the discipline and ‘blamed’ qualitative and values-oriented research for damaging the scientific status of sociology. This narrative documents a discussion of the changes that sociologists said needed to be made in sociology as a science to repair its status and reputation. While debates among sociologists about theory and method had always been contentious, the wartime narrative insisted for the first time that sociology be immediately unified around quantitative approaches. The narrative of ‘good’ and ‘bad’ science that developed during the war not only undermined the efforts of social interactionists to theorize social action and social justice, but also derailed Parsons’ pre-war effort to bridge differences. The moral coding that is the legacy of the narrative stigmatized important approaches to sociology, leading to a ‘crisis’ in the 1960s that still haunts the discipline. Disciplinary history has overlooked the wartime narrative with the result that the role played by World War II in effecting this crisis has gone unrecognized.


2022 ◽  
Vol 30 (1) ◽  
pp. 159-187
Author(s):  
Erica Kanesaka

Abstract This article explores the ties between anti-Black racist kitsch and kawaii culture through the history of the Dakko-chan doll. In what came to be called the “Dakko-chan boom” of 1960, tens of thousands of Japanese people lined up to purchase an inflatable blackface doll with a circular red mouth, grass skirt, and winking hologram eyes. Dakko means “to hug,” and Dakko-chan's astronomical popularity resulted in part from the way the doll could be worn as an accessory, attached to the body by its hugging arms. This article asks what it meant for Japan, a nation still recovering from World War II and the American occupation, to quite literally embrace American blackface in the form of an embraceable doll. Rejecting the claim that blackface loses its significance in a Japanese context, this article argues that Dakko-chan cannot be considered devoid of racist meanings. Emerging amid the political turmoil surrounding the revision of the US-Japan Security Treaty, Dakko-chan came to express a wide range of contradictory feelings about race, sex, and nation, illustrating how affective attachments to racist forms have accrued rather than dissipated through their movement into new cultural contexts.


2017 ◽  
Vol 25 (1) ◽  
pp. 54-81
Author(s):  
Helen Vandenberg

AbstractFrom 1896 to 1942, a Japanese hospital operated in the village of Steveston, British Columbia, Canada. For the first 4 years, Japanese Methodist missionaries utilized a small mission building as a makeshift hospital, until a larger institution was constructed by the local Japanese Fishermen’s Association in 1900. The hospital operated until the Japanese internment, after the attack on Pearl Harbor during World War II. This study offers important commentary about the relationships between health, hospitals, and race in British Columbia during a period of increased immigration and economic upheaval. From the unique perspective of Japanese leaders, this study provides new insight about how Japanese populations negotiated hospital care, despite a context of severe racial discrimination. Japanese populations utilized Christianization, fishing expertise, and hospital work to garner more equitable access to opportunities and resources. This study demonstrates that in addition to providing medical treatment, training grounds for health-care workers, and safe refuge for the sick, hospitals played a significant role in confronting broader racialized inequities in Canada’s past.


2021 ◽  
Vol 4 (2) ◽  
pp. 189-204
Author(s):  
Reza Taufan Adhitya ◽  
Renny Anggraeny ◽  
Ida Ayu Laksmita Sari

This study aims to find out and understand the representation of the history of World War II and the impact of World War II on the Japanese, especially the people who live in Kure in the comic Kono Sekai no Katasumi ni by Fumiyo Kouno. The method used in this study is the descriptive analysis method. The theory used in this study is the theory of New Historicism by Stephen Greenbalt. The results show, there are five historical facts, the establishment of tonarigumi, the creation of the tatemono sokai policy, the air attack on Kure, the attack on the Hiro Naval Base, and the dropping of Atomic Bomb on Hiroshima, which also affected Kure area which is 20 kilometres to southeast Hiroshima. In addition, as a result of the occurrence of World War II, the mindset of the Japanese people regarding war changed from those previously zealous in warfare to preferring to maintain peace. On the other hand, the impact of World War II is still being felt today by the Japanese people, especially for victims who survived and were still alive until the time this comic was published.


2020 ◽  
Vol 3 (1) ◽  
pp. 58-61
Author(s):  
Vivienne Lo

In the middle of World War II, my father, Kenneth Lo, accompanied Joseph Needham on a lecture tour to Colchester Co-operative Society dedicated to the support of China’s war effort and to boycotting Japanese goods. They were comrades-in-arms, soft-left socialists, inspired by the Spanish Civil War, George Orwell and WH Auden alike to take up the pen and the campaign circuit. This article is a reflection on the politics and aesthetics of research, on decentring the Eurocentric narrative of the history of science, but also on the role of poetry in the quest for a better world. Grounded in socialist, Christian and 20th-century scientific utopian belief, All under Heaven was to be One Community. Post Needham, but in the Needham spirit, I ask what shared vision drives our research?


2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


Author(s):  
Charles S. Maier ◽  
Charles S. Maier

The author, one of the most prominent contemporary scholars of European history, published this, his first book, in 1975. Based on extensive archival research, the book examines how European societies progressed from a moment of social vulnerability to one of political and economic stabilization. Arguing that a common trajectory calls for a multi country analysis, the book provides a comparative history of three European nations—France, Germany, and Italy—and argues that they did not simply return to a prewar status quo, but achieved a new balance of state authority and interest group representation. While most previous accounts presented the decade as a prelude to the Depression and dictatorships, the author suggests that the stabilization of the 1920s, vulnerable as it was, foreshadowed the more enduring political stability achieved after World War II. The immense and ambitious scope of this book, its ability to follow diverse histories in detail, and its effort to explain stabilization—and not just revolution or breakdown—have made it a classic of European history.


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