scholarly journals FASILITAS PENGGEMAR PAKAIAN EKONOMIS

Author(s):  
Alvin Alvin ◽  
Mieke Choandi

As time goes by, people, especially in urban areas, tend to have individualistic characteristics due to their busy daily routines. Where most of the time spent at work, home or shopping centers. Humans as social creatures who should socialize and interact with others to meet social needs. To meet social needs in the current modern era, it takes a social container that can accommodate the activities of the surrounding community. So that people can meet with each other, socialize and also interact through these social media platforms. Central Jakarta, precisely in the Senen Area, there is the Senen Market which is one of the historic / iconic buildings known as a dense place for trade activities, namely trade / services, namely the Senen Market, known as the Thrift center in Jakarta today, the community center can search clothes at economical prices. However, the daily life of the Senen people tends to only sell clothes that saturate the Senen community so that the Senen Market is now fading. As well as Senen, there are very few entertainment venues in the Senen Region, causing the Senen economy to decline. This is also related to Malcolm Barnard's theory that clothing can be a verbal and non-verbal communication tool that can later restore Senen area to an area where people do not trade but can interact, socialize, and hone the creativity of the Clothing Fan Facility Economical. Where this project aims to support the Senen Market also reduces the saturation of the Senen Market residents in their daily business activities as well as to facilitate the needs of service users at the Senen Bus Station. This project is also intended as a forum for Thrift communities and the surrounding arts to interact with other communities and can also show the works / history of economic clothing that people will see and buy so that not only trading, but the public can learn and understand the meaning of the clothes which finally triggers the community to interact, socialize, and hone their creativity. Keywords:  clothing; Pasar Senen; ThriftAbstrakSeiring perkembangannya zaman, masyarakat khususnya di perkotaan cenderung memiliki sifat yang individualis dikarenakan rutinitas sehari-hari yang padat. Dimana sebagian besar waktu dihabiskan di tempat kerja, rumah ataupun pusat perbelanjaan. Manusia sebagai makhluk sosial yang seharusnya bersosialisasi dan berinteraksi dengan sesama untuk memenuhi kebutuhan sosial. Untuk memenuhi kebutuhan sosial di era modern saat ini, dibutuhkan wadah sosial yang dapat menampung aktivitas-aktivitas masyarakat sekitar. Sehingga masyarakat dapat saling bertemu, bersosialisasi dan juga berinteraksi melalui media wadah sosial tersebut. Jakarta Pusat, tepatnya di Kawasan Senen, terdapat Pasar Senen yang merupakan salah satu bangunan yang bersejarah / ikonik  yang dikenal sebagai tempat yang padat akan aktivitas berniaganya yaitu perdagangan / jasa yaitu Pasar Senen , dikenal sebagai pusat thrift di Jakarta saat ini yaitu pusat masyarakat dapat mencari pakaian dengan harga yang ekonomis. Akan tetapi keseharian masyarakat Senen cenderung hanya menjual pakaian saja membuat jenuh masyarakat Senen sehingga Pasar Senen kini meredup. Serta Senen terdapat minim sekali tempat hiburan yang terdapat di Kawasan Senen sehingga menimbulkan perekonomian Senen menurun. Hal ini berkaitan juga dengan teori dari Malcolm Barnard bahwa pakaian dapat menjadi sebuah alat komunikasi baik verbal maupun non-verbal yang nantinya dapat memulihkan kembali kawasan Senen menjadi Kawasan yang masyarakatnya tidak berdagang saja akan tetapi dapat berinteraksi, bersosialisasi, serta mengasah kreatifitas dari Fasilitas Penggemar Pakaian Ekonomis. Dimana Proyek ini bertujuan untuk menunjang Pasar Senen juga mengurangi kejenuhan penghuni Pasar Senen dalam kegiatan berniaganya sehari-hari juga untuk memfasilitasi kebutuhan pengguna jasa di Stasiun Bus Senen. Proyek ini juga ditujukan sebagai wadah bagi komunitas-komunitas thrift maupun seni sekitar untuk berinteraksi dengan komunitas lainnya dan juga dapat menunjukan karya-karya / sejarah dari pakaian ekonomis yang masyarakat akan lihat dan beli sehingga tidak hanya berdagang saja , akan tetapi masyarakat dapat mempelajari dan memahami arti dari pakaian tersebut yang akhirnya memicu masyarakat untuk berinteraksi, bersosialisasi, serta mengasah kreatifitas mereka.

1963 ◽  
Vol 6 (2) ◽  
pp. 212-225 ◽  
Author(s):  
E. P. Hennock

One of the chief features of the history of nineteenth-century England was undoubtedly the increase in the size of cities, and in the proportion of the total population who lived under urban conditions. Since this process turned out to be a long-term trend, the urban communities, especially the larger ones, were always historically more important than the statistics of urban to rural population in any one decade would have suggested.2 They were the growing points of the new society, and decisions taken there were to be of cumulative significance far beyond the borough boundary. The problems of the towns in any one generation became increasingly the problems of the nation in the next. For instance, it was assumed in 1848 that the administrative measures under the Public Health Act of that year were applicable to urban areas only. By 1872 it had been realized that they would have to be extended to the country as a whole.


2019 ◽  

This volume represents the founding act of a proposal for training, didactic, study and research work which aims at enhancing historical knowledge in the field of education and educational professionalism. The contributions intend to highlight the identity and usefulness of history and, in particular, of the history of education, not only for every education level, but for the life of local communities itself. At the same time, the authors aim at suggesting a desirable development of the history of education by adopting a Public History approach. This way, academic knowledge can actually be brought into contact with educational contexts, much more so than it has been done so far, in order to respond, together with other disciplines, to the emerging social needs. The Public History of Education, intended this way, can create new profitable relationships between formal and informal education, between the past and present of educators and teachers, between the world of research, cultural institutes (above all, museums) and society.


Author(s):  
Leonardo Leonardo ◽  
Dewi Ratnaningrum

The development of modern urban society tends to have an individual nature and is more aloof to its personal space, where humans should be created as social beings who need interaction and socialization with people around them. Modern times with their technologies make society more selfish and as if they do not need others. To meet social needs in the current modern era, it takes a social container that can accommodate the activities of the surrounding community. The community can meet with each other, socialize and also interact through these social media platforms. Glodok is known as a Chinatown in Jakarta, the majority of the population are Chinese. The Chinese Community Room in Glodok is present as the third room or "The Third Place", where the third place as a place for people to gather, interact and move with each other. The project is intended as a forum for local people and migrants to interact together, and create an atmosphere like the old days full of fun, comfort, and free to be visited by anyone, such as entertainment venues, games, dance performances and dance. The idea of the program planned in this project will be a place to be able to enjoy performances and recreation for the local community and its surroundings with programs in it such as performance areas, parks, food culinary, games, and art galleries. This project design method takes contextuality around the site and takes local Chinese elements into account. Keywords:  community; interaction; social; space AbstrakPerkembangan masyarakat kota modern cenderung memiliki sifat yang individual dan lebih menyendiri terhadap personal space-nya, dimana seharusnya manusia diciptakan sebagai makhluk sosial yang membutuhkan interaksi dan sosialisasi dengan orang disekitarnya. Zaman modern dengan teknologi-teknologinya membuat masyarakat lebih mementingkan diri mereka sendiri dan seakan tidak membutuhkan orang lain. Untuk memenuhi kebutuhan sosial di era modern saat ini, dibutuhkan wadah sosial yang dapat menampung aktivitas-aktivitas masyarakat sekitar. Masyarakat dapat saling bertemu, bersosialisasi dan juga berinteraksi melalui media wadah sosial tersebut. Glodok dikenal sebagai pecinan di Jakarta, Mayoritas penduduk nya adalah kaum Tionghoa. Ruang Komunitas Tionghoa di Glodok hadir sebagai ruang ketiga atau “The Third Place”, dimana tempat third place sebagai tempat untuk masyarakat dapat berkumpul, berinteraksi dan beraktivitas dengan sesamanya. Proyek ditujukan sebagai wadah bagi masyarakat setempat maupun pendatang untuk berinteraksi bersama, dan membangkitkan suasana seperti dahulu kala yang penuh dengan rasa senang, nyaman, dan bebas untuk dikunjungi oleh siapapun, seperti tempat hiburan, permainan, pertunjukan barongsai dan tari-tarian. Ide dari program yang direncanakan dalam proyek ini akan menjadi tempat untuk dapat menikmati pertunjukan dan rekreasi bagi masyarakat setempat dan sekitarnya dengan program yang di dalamnya seperti area pertunjukan, taman, kuliner makanan, permainan, dan galeri seni. Metode perancangan proyek ini mengambil kontekstual pada sekitar tapak dan mengambil unsur-unsur Tionghoa kawasan setempat.


2016 ◽  
Vol 12 (23) ◽  
pp. 234
Author(s):  
Enkelejda Hamzaj

Is not easy to make in a few lines a presentation of Habermas's thinking regarding to public opinion in the history of political thought. One of the most interesting sections of all habermasian discussion – developed not only in his opera History and critiques of public opinion but in others too – lies in clarifying how the public opinion concept was evaluate by philosophers of different political orientations during the modern era. According to Habermas, to do this analysis should go under the tracks of Hobbes, Rousseau, Kant and Hegel. Some of these authors appreciate and value the role of the public opinion while others do not believe in its function. It is not a coincidence that the"classic" treatment of the public opinion concept culminates with Kant, the author, who is considered one of the greatest luminaries in Europe. While we find in Hegel a devaluation of the public opinion, compared with the science, and this depreciation is parallel to the depreciation of the civil society against the State. On the other side we will see other contemporary authors analysis regarding public opinion, like Nicola Matteuci and Giuseppe Bedeschi and their thoughts compared with Habermas thoughts. To understand the function of public opinion I will show its specific characteristics throughout history from the Greek polis up to the French Revolution and the creation of the bourgeoisie class.


Author(s):  
Dieter Schmidt ◽  
Simon Shorvon

It could be argued that the greatest advance in the field of epilepsy in the modern era has nothing to do with medicine, is not electroencephalography or magnetic resonance imaging or molecular biology, or the development of new drugs, but is in fact the change in societal attitudes towards those with epilepsy. Epilepsy is not only, or even most importantly, just a medical condition, but it is also something that happens to people, and it can destroy lives and livelihoods. There has been a welcome sea change in our opinions in recent years in the way people with epilepsy are treated and are regarded. All is not perfect by any means, and stigma is still present, but it surely is much less than it was in the early periods of the modern history of epilepsy, at least in Western cultures. This chapter charts the course of changing societal attitudes since 1860, through the dire years of theories of degeneration, eugenics, positivist criminology, and racial hygiene. There has been a transformation of epilepsy from the moral to the medical domain, from ‘badness’ to ‘sickness’, and this has certainly contributed to decreasing stigmatisation and deprecation. Much needs still to be done, and prejudice can flare up quickly; but nevertheless the public attitudes to epilepsy are far better now than in even the recent past.


2018 ◽  
Vol 20 (2) ◽  
pp. 170-183 ◽  
Author(s):  
Sonia Livingstone

This article critically examines how fears of audience gullibility, ignorance, and exploitation impede media studies’ response to the pressing challenges posed by the growing power of social media platforms and their innovative datafication practices. I revisit the history of audience research to show how empirical findings contested the pejorative conception of the audience problematically yet persistently imagined by theorists of media power during the twentieth century. As media studies joins other disciplines in responding to the growing datafication of society, I propose that the circuit of culture model can help theorize media (including platform and algorithmic) power by opening up the hermeneutic and action space between production and consumption. In this way, critical scholarship might more effectively analyze such metaprocesses as mediatization and datafication precisely by recognizing rather than erasing audiences’ relation to both the everyday lifeworld and the public world of citizen action, regulatory intervention, and the wider society.


Perspektif ◽  
2022 ◽  
Vol 1 (3) ◽  
pp. 290-304
Author(s):  
Muhammad Subarkah

Abstrak Kreativitas karya budaya melalui lagu dalam sejarah Indonesia semenjak dahulu hingga kini ternyata sangat efektif menjadi alat komunikasi perubahan sosial dan politik. Di zaman dahulu dalam tradisi budaya Jawa ada yang disebut tembang atau lagu yang dipakai sebagai sarana komunikasi untuk memberikan arah petunjuk bagi perubahan tersebut. Tembang atau lagu ternyata menjadi alat menghela pesan kesadaran publik atas berbagai persoalan yang terjadi. Kajian atas sarana komunikasi melalui lagu itu ternyata dapat menjadi penanda atas perubahan sosial politik yang menandai sebuah era zaman. Dalam tulisan ini membahas soal perubahan komunikasi sebuah lagu di era menjelang kemerdekaan Indonesia atau era modern Nusantara. Lagu rakyat Banyuwangi yang dikenal dengan nama ‘Genjer-genjer’ yang pada awal pembuatannya di zaman Jepang hanya sebatas berfungsi lagu hiburan semata, namun pada suatu waktu dalam sebuah arus zaman bisa berubah menjadi lagu yang sangat kental dengan pesan sebuah ideologi dan politik. Bahkan, lagu rakyat yang memakai syair bahasa daerah Jawa dengan dialek Banyuwangi ini, nantinya berubah dan dianggap sebagai alat propaganda yang efektif sebuah kekuasaan politik yang bersifat nasional bahkan internasional. Di masa kini lagu Genjer-genjer semakin menarik karena telah dinyanyikan oleh orang asing dengan memakai bahasa asing atau melepaskan syair aslinya. Akibatnya lagu ini yang dahulu begitu popular, kemudian dalam beberapa puluh tahun saat terjadinya perubahan rezim menjadi terlarang dan menghilang dari telinga publik, kini mulai dikenal dan terdengar semarak kembali. Adanya kenyataan tersebut, maka melalui kajian ini, publik kemudian menjadi memahami kembali arti dan nilai pentingnya sarana komunikasi dari karya budaya melalui sebuah lagu pada umumnya, serta lagu ‘Genjer-genjer’ pada khususnya. Sebuah lagu ternyata bisa sangat efektif menjadi sarana komunikasi. Lagu ternyata tak bermata tunggal, yakni hanya hiburan dan pelepas ekpresi pribadi belaka. Lagu punya banyak fungsi dan wajah. Abstract The creativity of artistic works through songs in Indonesian history from the past until now has become very effective as a communication tool for social and political change. In ancient times in the Javanese cultural tradition, a so-called tembang or song was used as a means of communication to provide directions for these changes. Tembang or song turned out to be a tool to convey a message of public awareness of the various problems that occurred. The study of the means of communication through the song became a marker for the socio-political changes that marked an era. This paper discusses the difference in the transmission of a song in the period leading up to the independence of Indonesia or the modern era of the archipelago. The Banyuwangi folk song known as 'Genjer-genjer' which at the beginning of its creation in the Japanese era was only limited to functioning as an entertainment song, but at one time in a period, it could turn into a song that was very thick with the message of an ideology and politics. This folk song, which uses Javanese rhymes with the Banyuwangi dialect, will later change and be considered an effective propaganda tool for a political power that is national and even international. Nowadays, the song Genjer-genjer is more interesting because it has been sung by foreigners using a foreign language or releasing the original lyrics. As a result, this song, which used to be so popular, then in a few decades when the regime change took place, became banned and disappeared from the public's ear, is now starting to be known and sounds lively again. With this fact, through this study, the public will then understand the meaning and value of the importance of means of communication from cultural works through a song in general, and the song 'Genjer-genjer' in particular. A song can be very effective as a means of communication. The song does not have a single eye, that is, it is only entertainment and a mere release of personal expression. Songs have many functions and faces.


Author(s):  
Christopher Brooke

This is the first full-scale look at the essential place of Stoicism in the foundations of modern political thought. Spanning the period from Justus Lipsius's Politics in 1589 to Jean-Jacques Rousseau's Emile in 1762, and concentrating on arguments originating from England, France, and the Netherlands, the book considers how political writers of the period engaged with the ideas of the Roman and Greek Stoics that they found in works by Cicero, Seneca, Epictetus, and Marcus Aurelius. The book examines key texts in their historical context, paying special attention to the history of classical scholarship and the historiography of philosophy. The book delves into the persisting tension between Stoicism and the tradition of Augustinian anti-Stoic criticism, which held Stoicism to be a philosophy for the proud who denied their fallen condition. Concentrating on arguments in moral psychology surrounding the foundations of human sociability and self-love, the book details how the engagement with Roman Stoicism shaped early modern political philosophy and offers significant new interpretations of Lipsius and Rousseau together with fresh perspectives on the political thought of Hugo Grotius and Thomas Hobbes. The book shows how the legacy of the Stoics played a vital role in European intellectual life in the early modern era.


2018 ◽  
Vol 2 (1) ◽  
pp. 33
Author(s):  
Abd Rachim AF,

One of the environmental problems in urban areas is the pollution caused by garbage. The waste problem is caused by various factors such as population growth, living standards changes, lifestyles and behavior, as well as how the waste management system. This study aims to determine how the role of society to levy payments garbage in Samarinda. This research was descriptive; where the data is collected then compiled, described and analyzed used relative frequency analysis. The participation of the public to pay a "levy junk", which stated to pay 96.67%, for each month and the rates stated society cheap, moderate and fairly, respectively 46.08%, 21.21%, 21.04%. Base on the data , the role of the community to pay "levy junk" quite high.


Author(s):  
Valentina M. Patutkina

The article is dedicated to unknown page in the library history of Ulyanovsk region. The author writes about the role of Trusteeship on people temperance in opening of libraries. The history of public library organized in the beginning of XX century in the Tagai village of Simbirsk district in Simbirsk province is renewed.


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