scholarly journals CONTRIBUIÇÕES PSICANALÍTICAS ACERCA DO LUTO E DA MELANCOLIA

Author(s):  
Alexandre Venancio de SOUZA ◽  
Kátia das Neves GARCIA ◽  
Thiago Henrique Muniz MORILHA ◽  
Carol Godoi HAMPARIAN

A temática do luto e melancolia é demasiadamente importante no estudo psicanalítico e tem sido estudada desde o criador da psicanálise, Sigmund Freud, até autores contemporâneos que acrescentaram e revisaram as ideias iniciais. A perda do objeto de amor propicia ao indivíduo a experiência do luto, enquanto, na melancolia, o estado de sofrimento psíquico se dá a partir da perda ou danificação dos objetos internos sem, necessariamente, a perda de um objeto real. Os estados de luto e melancolia desencadeiam sofrimento psíquico, podendo inclusive levar o indivíduo ao patológico. O presente estudo tem como objetivo elucidar elementos presentes no luto e na melancolia e o processo de elaboração psíquica, utilizando como recurso artístico o filme Melancolia (2011) do diretor dinamarquês Lars Von Trier, articulando as teorias psicanalíticas acerca do tema, seus desdobramentos e consequências psíquicas. Para isso, utilizou-se como metodologia a revisão bibliográfica. A análise dos mecanismos encontrados na personagem Justine da obra de Lars Von Trier e suas vivências subjetivas dos processos ligados à melancolia permite avaliar importantes aspectos sobre a identificação melancólica e a temática da perda de objeto e investimentos afetivos com o mundo externo. Conclui-se que a melancolia, apesar de apresentar aspectos patológicos e prejuízos no campo afetivo e social, pode possibilitar potencialidades e saídas criativas em situações de desamparo diante da possibilidade de finitude humana, enquanto no processo de elaboração do luto envolve a escolha de um objeto substituto.   PSYCHOANALYTICAL CONTRIBUTIONS TO MOURNING AND MELANCHOLY   ABSTRACT The mourning and the melancholy issues are profoundly important for psychoanalytic study, and it has been studied from the creator of psychoanalysis Sigmund Freud to contemporary authors who added and revised the first concepts. Losing beloved ones results in the mourning experience to the individual, whereas in melancholy the suffering mental feeling comes from losing or damaging internal objects, without necessarily losing a real object. Mourning and melancholy conditions trigger mental suffering and may even lead the individual to a pathological condition. The present study aims at elucidating mourning and melancholy elements, and the psychic elaboration process, using the film Melancolia (2011) by the Danish director Lars Von Trier as an artistic resource, articulating the psychoanalytic theories about the issue, outcomes, and psychic consequences. In this regard, the literature review was used as a methodology. The analysis of the mechanisms found in the character Justine of Lars Von Trier's artwork, and his subjective experiences of the processes related to melancholy, allows us to evaluate important aspects as concerns melancholy identification and the loss of object issue and affective investments with the external world. It is concluded that melancholy, despite presenting pathologic aspects and damages for affective and social areas, may provide potentialities and creative results for abandon situations when facing the possibility of human finitude, whereas in the natural mourning stage involves the displacement mechanism.   Descriptors: Mourning. Melancholy. Movie theater. Psychoanalysis.

2004 ◽  
Vol 6 (2) ◽  
pp. 201-223
Author(s):  
Elizabeth Goodstein

In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: ‘I believe I have avoided you out of a sort of fear of my double’. Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the Doppengängertum of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena. Furthermore, the paper contends, Schnitzler's work stands in a more critical relationship to its Viennese milieu than Freud's: his examination of the vicissitudes of feminine desire in ‘Fräulein Else’ underlines the importance of what lies outside the oedipal narrative through which the case study of ‘Dora’ comes to be centered on the uncanny nexus of identification with and anxious flight from the other.


Author(s):  
Stephan Atzert

This chapter explores the gradual emergence of the notion of the unconscious as it pertains to the tradition that runs from Arthur Schopenhauer via Eduard von Hartmann and Philipp Mainländer to Sabina Spielrein, C. G. Jung, and Sigmund Freud. A particular focus is put on the popularization of the term “unconscious” by von Hartmann and on the history of the death drive, which has Schopenhauer’s essay “Transcendent Speculation on the Apparent Deliberateness in the Fate of the Individual” as one of its precursors. In this essay, Schopenhauer develops speculatively the notion of a universal, intelligent, supraindividual unconscious—an unconscious with a purpose related to death. But the death drive also owes its origins to Schopenhauer’s “relative nothingness,” which Mainländer adopts into his philosophy as “absolute nothingness” resulting from the “will to death.” His philosophy emphasizes death as the goal of the world and its inhabitants. This central idea had a distinctive influence on the formation of the idea of the death drive, which features in Freud’s Beyond the Pleasure Principle.


2017 ◽  
Vol 2 (2) ◽  
pp. 53-60
Author(s):  
Melky Rismando Damanik ◽  
Rusmauli Lumban Gaol

Anxiety is an unclear and widespread concern, associated with feelings of uncertainty and helplessness. This state of anxiety and emotion has no specific object but can affect behavior toward parents whose children are hospitalized. Parental anxiety levels are subjective experiences of the individual and can not be directly observed but consequently will affect the anxiety level of the parent. Hospitalization of children is a state of crisis in children, when children are sick and hospitalized, one of them in the febrile seizure disease is a seizure spasm that occurs in the rise in body temperature above 38 ° C this will result in anxiety level of parents increases. Goals: To know the description of anxiety level of parent to hospitalization of child with febrile seizure during child is treated in hospital of Elisabeth Elisabeth Medan. Method: The design used in this study is descriptive to describe the level of anxiety parents to hospitalization of children with febrile seizures during child care at Hospital Santa Elisabeth Medan Year 2017. Result: based on data collection found 10 respondents where 5 (50%) of respondents who experienced anxiety level in medium category and 5 (50%) respondents have low level anxiety level. Conclusion: Based on the research and data analysis that has been done in accordance with the objectives that have been determined can be concluded that all parents who care for their children in the hospital will experience anxiety level that is 5 respondents (50%) with moderate anxiety level, while 5 others (50% Low anxiety levels and high anxiety levels were not found.


2021 ◽  
pp. 170-195
Author(s):  
Elena I. Rasskazova ◽  
Galina V. Soldatova ◽  
Yulia Y. Neyaskina ◽  
Olga S. Shiriaeva

Relevance. The modern society creates the image of a successful person as actively interacting with different information flows, including an impressive stream of news content. This paper assumes that there is a personal need for tracking and spreading news that develops in the interaction between person and digital world. The individual level of this need could explain the interaction with information (its critical and uncritical dissemination) and the subjective experience of its redundancy and inaccuracy, including those experiences and actions in a pandemic situation. The aim of the study was to reveal the relationship of the subjective need for news with personal values, beliefs about technologies (“technophilia”) and the dissemination of news about the pandemic. Method. 270 people (aged 18 to 61) filled out The short (Schwartz) Portrait Values Questionnaire (PVQ), Beliefs about New Technologies Questionnaire, Monitoring of Information about Coronavirus Scale as well as items on the subjective need for receiving and disseminating news, readiness for critical and non-critical dissemination of news about pandemics, subjective experiences of redundancy and distrust of pandemic-related information. Results. According to the results, the Need for News Scale allows assessing the subjective importance of receiving news and discussing them with other people and is characterized by sufficient consistency and factor validity. The need for regular news is more pronounced among men, older people, people with higher education, married people, people who have children, while the need to discuss news is not related to sociodemographic factors. For people, who are more prone to technophilia, it is more important to regularly receive and discuss news information with others, which, in turn, mediates the relationship between technophilia and monitoring news about coronavirus. The need for news dissemination mediates the relationship between technophilia and readiness for critical and non-critical dissemination of information about the pandemic.


Discourse ◽  
2021 ◽  
Vol 7 (4) ◽  
pp. 33-44
Author(s):  
D. V. Andreenko

Introduction. Shaping modernity in the first third of the twentieth century is tied to the private worldview of the person of this era in which the main metaphor of the individual perception of “their time” is melancholy. The crisis of this historical period forms the prism of melancholic worldview. The goal of this article is to substantiate the reasons for the perception of melancholy as a phenomenon caused in part by the problem of individual experience of time. The relationship between melancholy and modernity has already been noted in the literature, but this text raises a new question – what is the temporal nature of this mutual influence?Methodology and sources. A key role in the understanding of melancholy is played by the texts of authors of the early 20th century: Walter Benjamin, devoted to Charles Baudelaire and the work of Sigmund Freud “Mourning and Melancholy”. The issue of temporality in the work is interpreted through the reference to the phenomenological tradition, namely in reference to the modern phenomenological analysis of depressive disorder in the work of Domonkos Sik.Results and discussion. The author comes to the conclusion that the feeling of the interrelation of melancholy and the epoch is extremely specific for a person of the first third of the 20th century, evidence of which could be found in the philosophical and cultural reflection of this period. Crisis worldview is reflected in literature, painting, cinema, philosophy, social theory, etc. Thus, it is possible to represent melancholy as a phenomenon, partly caused by the problem of individual experience of time. Melancholy occurs when a crisis worldview is supplemented by an experience of circular temporality, the disappearance of the future, preoccupation with the past, passivity, or isolation.Conclusion. If these elements come together, a total worldview is formed in which real world events intensify melancholy. In this sense, phenomenologically speaking, melancholy is not so much a state as a dynamic process.


2019 ◽  
pp. 125-150
Author(s):  
Lucia Ruprecht

This chapter addresses the symptomatic and pathological charge of gesturality in the works of Aby Warburg and Sigmund Freud, but it also engages with aspects of Freud’s and Warburg’s writings that are recuperative. It discusses Warburg’s explorations of gesturality, which are traced across his works, next to Freud’s and Breuer’s Studies in Hysteria, and Freud’s essay “The Moses of Michelangelo.” Warburg’s studies of gesture are concerned with transindividual psycho-physical expressions throughout history. Freud’s engagement with gesture, by contrast, remains attached to the individual psyche and its idiosyncrasies. In both thinkers, gesturality at once protects and protects from passionate and pathological impulses, channeling them away from their violent core and transforming them. In the case of Warburg, gestures transform such impulses in a symbolic, externally focused, rather than a symptomatic, internally driven practice. In the case of Freud, the gestural managing of violence in his reading of the Moses pertains to a queer critique of power.


Author(s):  
Phebe Cramer

Defense mechanisms are mental operations that function outside of awareness. In this sense, they operate in the unconscious mind. Such mechanisms were first identified by Sigmund Freud in connection with psychopathology but later were understood to be part of normal everyday functioning. Defenses serve the purpose of protecting the individual from excessive anxiety and loss of self-esteem. Defense mechanisms have been found to change with age, based on the complexity of the mental operations involved. Once a child understands how a defense mechanism functions, the mechanism tends to be used less frequently and a cognitively more complex mechanism is adopted.


Author(s):  
Carrie Heeter ◽  
Marcel Allbritton ◽  
Chase Bossart

Healthcare professionals and research scientists generally recognize the potential value of mind–body practices grounded in ancient wisdom, but often have limited direct experience with such practices. Meditation participant self-reports provide a window into subjective experiences of three Viniyoga meditations and how and why those meditations could contribute to health and well-being outcomes. Each of the meditations in this analysis had a unique structure and used a different aspect of the ocean as a meditation object. Yoga philosophy and yoga anatomy models of the human system are used to help explain participants’ experiences and associated personal benefits and insights. Four aspects of the individual that can influence what happens for them in meditation are illustrated with tangible examples: (1) What is happening in generally in someone’s life; (2) the state of their system (mind, body, breath) around the time of the meditation; (3) reactions to the meditation steps and instructions; and (4) their prior experiences with the object of meditation. Summaries of the practices, and why and for whom each meditation might be beneficial are discussed. The authors’ perspectives are grounded in Viniyoga and yoga therapy.


1952 ◽  
Vol 46 (1) ◽  
pp. 44-65 ◽  
Author(s):  
Else Frenkel-Brunswik

The theoretical models developed to deal with the interaction of sociological and psychological factors in the formation of political behavior indicate a wide divergence of opinion. At one extreme area group of scientists, mainly psychiatrists and anthropologists, who see most social phenomena as deriving from the subjective experiences of the individual. The specific traumata inherent in different methods of upbringing and in the resulting renunciations imposed upon the child are regarded by them as the formative basis for customs, religions, social attitudes, and so forth. Some specific examples of their point of view may be found in attempts to explain war as an expression of the destructive instincts, or capitalism as a manifestation of the anal syndrome. But at the other extreme are proponents of the view that the social structure is independent of the single individual and that individual behavior can be explained and predicted in terms of membership in classes and groups as they have developed historically, mainly on the basis of mode of subsistence.Failing to agree with either of these extreme points of view, one may argue that any speculation about the causal interrelation of sociological and psychological factors in the group and in the individual must recognize the fact that these factors have been artificially isolated and abstracted and that no exclusive factual primacy can be given to any of the aspects in a pattern so closely interwoven.


2003 ◽  
Vol 9 (2) ◽  
pp. 73-81
Author(s):  
Keri Chiveralls

This article examines the process of rehabilitation through Wendy Seymour's concept of re-embodiment and Pierre Bourdieu's concept of habitus. It argues that rehabilitation practitioners need to focus not only on the damaged body of the patient, but also on the patient's subjective experiences of health and illness and the wider social context in which they occur. The process of disembodiment caused by periods of injury or sickness creates a rupture in the ordinary experience of the individual in society. In doing so, it renders both the individual habitus and ordinary societal conceptions problematic. Individuals must then embark on a process of transformation or identity reconstruction, whereby they again come to understand themselves as “healthy”. As rehabilitation workers are likely to work closely with people over an extended period of time, they are in an excellent position to consider the person not just as an objective patient, but as a person or subject influenced by many overlapping social forces and relationships that have an impact upon their reconstitution of identity, their rehabilitation and re-embodiment. Thus, rehabilitation as re-embodiment offers an opportunity for both the patient and practitioner to reconsider themselves and their place in society, and in doing so, to effect social change both within themselves and society at large.


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