scholarly journals AESTHETICS AND ETHICS OF KARAWITAN ART IN LONTAR AJI GHURNNITA

2021 ◽  
Vol 5 (2) ◽  
pp. 264
Author(s):  
I Putu Ariyasa Darmawan ◽  
Ayu Veronika Somawati ◽  
Ida Bagus Putu Eka Suadnyana
Keyword(s):  
Human Behavior ◽  
Significant Influence ◽  
Ethical Values ◽  
Human Beings ◽  
Aesthetic Value ◽  
Tourist Destinations ◽  
What Is Said ◽  
International Tourist ◽  
The Aesthetic ◽  
Aesthetic Values

<p>Art is a form of expression of the soul that cannot be separated from human beings. Art makes human’s life more beautiful and colorful. Various kinds of art forms were created by humans as a form of existence and self-expression, be it in the form of dance, painting, and various other types of art. Bali as one of the world's international tourist destinations cannot be separated from the various kinds of arts in it. One of them is karawitan or art of sound. Karawitan art itself is divided into two types, namely instrumental musical art in the form of gamelan, and vocal karawitan. The art of karawitan, especially gamelan in Bali, is not only a complement to religious ceremonies or the pouring of creative ideas, but also has a very significant influence on the Balinese people and the listeners of the gamelan. The shape of the gamelan is also able to influence the soul and human behavior that dissolves in the atmosphere brought by the gamelan players. The implementation of gamelan art, either directly or indirectly, has ethical and aesthetic values. Through gamelan art, humans will learn ethical and aesthetic values. If viewed from the aesthetic value, gamelan art contains the values of truth (Satyam), purity (Shivam), and beauty (Sundaram) which are concepts of Hindu aesthetics itself. In terms of ethical values, gamelan art teaches one to learn to respect one another and learn the meaning of equality where everyone has the same position according to their respective duties and functions. Through gamelan, humans learn to harmonize what is said and what is done.</p>

scholarly journals ETHICS AND AESTHETIC VALUE OF SILK IN HADITHS

Teosofia ◽  
2020 ◽  
Vol 7 (2) ◽  
pp. 181
Author(s):  
Azzah Nor Laila ◽  
Muhammad Idhom Dzulqarnain
Keyword(s):  
Ethical Values ◽  
Aesthetic Value ◽  
The Aesthetic ◽  
Aesthetic Values ◽  
Silk Material ◽  
Social Affairs ◽  
Descriptive Qualitative

<p>Silk is one of the clothing products produced from the time of the Prophet to the present. But in terms of their use, rules and restrictions appear in the hadith of the Prophet. It seems that it has a message that the Prophet wants to convey to his people. This study aims to find the ethical and aesthetic values of silk in the perspective of the Prophet's hadith. Considering the development of fashion fashions made from silk experience development and sometimes its use is debated. The method used in this research is descriptive qualitative. The findings of this study indicate that the ethical values in the traditions surrounding silk can be grouped into three. First, ethics so that Muslims have a firm identity, not relying on other people. Second, ethics so that Muslims avoid arrogance and overdoing in decorating. Third, ethics cares about social affairs and lives simply. The aesthetic value of silk in the hadith can be seen from a variety of terms that refer to clothing made from silk, namely the recitation of ḥarir, dibâj, qasiy, sundus, istabraq, siyara`. The aesthetic value of the variety of clothing made from silk material during the Prophet's time is the uniqueness and variation of the pronunciation used by the Prophet to describe the shapes and structures of various silk types.<strong></strong></p>

scholarly journals Dataset for the Aesthetic Value Automatic Prediction

Proceedings ◽  
2019 ◽  
Vol 21 (1) ◽  
pp. 31
Author(s):  
Rodriguez-Fernandez ◽  
Santos ◽  
Torrente
Keyword(s):  
Computational System ◽  
Aesthetic Value ◽  
Relevant Issue ◽  
Different Populations ◽  
The Aesthetic ◽  
Aesthetic Values ◽  
Sample Set

One of the most relevant issue in the prediction and classification of the aesthetic value of an image is the sample set used to train and validate the computational system. In this document the limitations found in different datasets used to classificate and predict aesthetic values are exposed, and a new dataset is proposed with images from the DPChallenge.com portal, with evaluations of three different populations.

scholarly journals Aesthetic Factor of Customer Perception and Its Role in Managing Company Competitiveness

2021 ◽  
pp. 193-200
Author(s):  
S. A. Afonsky
Keyword(s):  
Aesthetic Value ◽  
Public Places ◽  
Customer Perception ◽  
Goods And Services ◽  
Art Object ◽  
The Arts ◽  
The Aesthetic ◽  
Aesthetic Values ◽  
Made In

The article advances the idea about a drop in people interest in buying similar goods and services, especially in conditions of uncertainty, in particular corona-virus epidemic, when people care less about external things, such as their clothes for visiting public places. Today we observe the necessity in meeting aesthetic needs through different tools and artistic objects. Therefore, we can say that it is a certain return to those times, when in public places and even in the Underground you can see real works of art that were not made in a hurry, according to the principle ‘the cheaper the better', but those of full value. In spring 2021 we conducted a survey of students of the Russian Plekhanov University of Economics and the Arts College RGGU to find the role of the aesthetic (emotional, sensual) element - the art-object (in this case - a poster) - in conditions of uncertainty, i. e. COVID-19 epidemic. The findings of this research showed that aesthetic value of graphics takes a foreground, it should be connected with specialization of the trade enterprise, its historic and other factors. The author demonstrates that availability of aesthetic values can form a motivating platform for repeated visits to the store and thus shape its competitive advantage.

scholarly journals ANALISIS NILAI ESTETIS KERAJINAN MINIATUR KAPAL PADA PENGRAJIN KRIYA ASMIDAR DI MEDAN PERJUANGAN

2018 ◽  
Vol 7 (2) ◽  
pp. 284
Author(s):  
Dailami Tanjung ◽  
Azmi Azmi ◽  
Tetty Mirwa ◽  
Triyanto Triyanto
Keyword(s):  
Sampling Technique ◽  
Aesthetic Value ◽  
Qualitative Descriptive ◽  
The Aesthetic ◽  
Aesthetic Values ◽  
Descriptive Method

AbstrakPenelitian ini di latar belakangi untuk mendeskripsikan nilai estetis pada kerajinan miniatur kapal pada pengrajin kriya Asmidar Di Medan Perjuangan.Pembatasan masalah dalam penelitian ini berfokus pada penerapan nilai estetis dan hasil karya kerajinan miniatur kapal pada pengrajin kriya Asmidar di Medan Perjuangan. Populasi dalam penelitian ini yaitu seluruh kerajinan miniatur kapal pada pengrajin kriya Asmidar. Dalam penelitian ini penulis mengambil teknik sampling jenuh, yaitu teknik penentuan sampel bila semua anggota populasi digunakan sebagai sampel sebanyak 8 karya kerajinan miniatur kapal. Dalam hal ini penulis akan meneliti karya kerajinan miniatur kapal tersebut berdasarkan aspek proporsi, keseimbangan, kesatuan, dan finishing. Adapun metode yang digunakan dalam penelitian ini adalah metode deskriftif kualitatif. Berdasarkan data yang telah diperoleh, maka semua hasil penilaian dari ke dua ahli secara keseluruhan pada kerajinan miniatur kapal karya pengerajin Kriya Asmidar ditinjau berdasarkan aspek proporsi, keseimbangan, kesatuan, dan finishing, secara umum dikategorikan baik dengan jumlah nilai = 703 dan rata-rata (r) = 88 (baik). Kata Kunci:analisis, kerajinan, miniatur kapal.AbstractThis research is in the background to describe the aesthetic value of miniature craft shipments at the craftsmen of Asmidar craft in Medan Perjuangan. The problem limitation in this study focuses on the application of aesthetic values and the work of ship miniature crafts to the craftsmen of Asmidar craft in Medan Perjuangan. The population in this study is all miniature craft of craft in the craft of the Asmidar craft. In this study the author takes a saturated sampling technique, which is a sample determination technique if all members of the population are used as a sample of 8 ship miniature craft works. In this case the author will examine the ship's miniature craft based on aspects of proportion, balance, unity and finishing. The method used in this research is qualitative descriptive method. Based on the data that has been obtained, all the results of the assessment of the two experts as a whole on the miniature craft of the work of the craftsmen KriyaAsmidar are reviewed based on the aspects of proportion, balance, unity, and finishing, generally categorized as good with a number of values = 703 and average ( r) = 88 (good).Keywords:analysis, crafts, miniature’s ship. 

scholarly journals TORTOR PINING ANJEI PADA MASYARAKAT SIMALUNGUN KAJIAN TERHADAP ETIKA DAN ESTETIKA

2017 ◽  
Vol 6 (1) ◽  
pp. 42
Author(s):  
Valent Tarihoran
Keyword(s):  
Ethical Values ◽  
Aesthetic Value ◽  
Descriptive Data ◽  
Library Research ◽  
The People ◽  
Research Interviews ◽  
Qualitative Descriptive ◽  
Public Ethics ◽  
The Aesthetic ◽  
North Sumatra

Pining Anjeitortor dance tortor is entertainment on Simalungun society. Tortor dance creations that this is taken from folklore Simalungun. This study aims to determine how the shape and Ethics and Aesthetics Tortor Pining Anjei the Community Simalungun. To discuss the purpose of the study above, use the theories related to the topic of this research is the theory of the Presentation Form AM. Hermin K theory of Manner and Costum Ethics and Aesthetics of Dharsono theory.Time used in the research to discuss Tortor Pining Anjei In Simalungun Study on Public Ethics and Aesthetics for 2 months ie June 2016 to July 2016. The research site is in Pamatang Raya, Simalungun, North Sumatra. Analysis of the data in this study using a qualitative descriptive, data collection techniques by observation, library research, interviews, and documentation.The results based on the data collected can be seen that Tortor Pining Anjei as dance entertainment for the community Simelungun pick ethical values ​​and aesthetics that can be seen from the movement, as well as the clothing worn in Tortor Pining Anjei. Ethical values ​​contained therein are tortor movement which moved from the activities and habits of the people Simalungun. And also ethics in Simalungun tor tor-like hands that should not be open too wide, and must not exceed the ears. It is clear that a woman should be polite. Ethics in a dress no where used clothing is Marabit Top. However Marabit Top fashion is clothing worn by women Simalungun society. Aesthetic value can be observed from the movement of the arms, legs and head. Motion carried out can be seen with a good, neat, organized, and flexible. In addition to aesthetics in motion, there is also the aesthetic in the distinctive fashion Simelungun like Ragi Pane and suriSuri makes Tortor Pining Anjei more beautiful views.

scholarly journals Kulturowy wymiar designu – między estetyzacją a odpowiedzialnością

2019 ◽  
pp. 77-90
Author(s):  
Alicja Głutkowska-Polniak
Keyword(s):  
Ethical Values ◽  
Complementary Design ◽  
The Aesthetic ◽  
Aesthetic Values

When it comes to design, are aesthetic and ethical values oppositional to each other as they have been considered to be, or are they compatible and complementary? Design theorists and critics often distance themselves from aesthetic assumptions, focusing on ethical foundations and values based on duties towards another person (designer for the user) or responsibility. Alicja Głutkowska-Polniak However, aesthetic values are clearly inscribed in the field of design. Firstly, because design is related to the appearance (aestheticization of reality) – form, harmony, and proportion between elements – but also to manipulation or simulation (aestheticization of design). In design as a cultural area, values interpenetrate and, at the same time, are ethical, social and aesthetic in their form and contexts; the aesthetic values especially permeate everything. They are not isolated in any separate order but rather they combine with other types of values.

scholarly journals Character Archetypes: Aesthetic Values in Character Design in Malaysia `s Animated Films

2019 ◽  
Vol 8 (11S2) ◽  
pp. 242-245
Keyword(s):  
Inanimate Object ◽  
Aesthetic Value ◽  
Animated Films ◽  
Animated Film ◽  
Character Design ◽  
The Difference ◽  
Computer Generated Imagery ◽  
Colour Patterns ◽  
The Aesthetic ◽  
Aesthetic Values

Animation defined as a process which giving inanimate object or images appear to be moved. Today, the technology has advanced to another level which animators using computer-generated imagery (CGI) to animate. The aim of this research is to introduce to people about the aesthetics value in character design. In animated film, it must be a character to roll as something that can successfully give the message, feeling, and mood in a situation. So, the character must have the aesthetic value through strong physical appearance based on his or her colour patterns, body language, and shapes to express them. For example, in Malaysia we have many iconic characters in animated series that succeed in portraying the aesthetics value based on what they wanted to deliver like Upin Ipin, Boboi Boi, Keluang Man and Anak-anak sidek. However, not all viewers see the difference. Thus, by making this research, it will guide them to be more intuitive and can differentiate among characters in any movies.

scholarly journals The aesthetic evaluation of forest landscape in four urban forest parks: A case study of Nanjing hilly areas, China

2021 ◽  
Author(s):  
Yang Yang ◽  
Xiaolan Tang
Keyword(s):  
Urban Forest ◽  
Principal Component ◽  
Forest Landscape ◽  
Aesthetic Value ◽  
Aesthetic Evaluation ◽  
The Sustainable Development ◽  
The Public ◽  
The Aesthetic ◽  
Forest Parks ◽  
Aesthetic Values

Abstract In recent years, the construction of urban forest parks has run into the fast lane in China. As an indispensable natural landscape resource for urban forest parks, forest landscape has been paid increasing attentions by the public, in contrast, less effort has been made in the field of aesthetic evaluation of forest landscape. Based on the theories of landscape esthetics and psychology, this paper aims to present methods for the aesthetic evaluation, and understand citizen’s aesthetic perceptions of forest landscape using Semantic Differential (SD) and Principal Component Analysis (PCA) methods. Moreover, further suggestions will be put forward for a better development of the forest landscape, thereby giving full play to their landscape and recreation functions. As per the findings of this paper, the vegetation element diversity (PC 1 ), the magnificent feel (PC 2 ), the nature-pastoral feel (PC 3 ) and the sense of space (PC 4 ) present the critical comprehensive indexes affecting the aesthetic values of the forest landscape. The relationship between the comprehensive indexes and the landscape aesthetic value is revealed by multiple regression analyses. PC 3 and PC 4 are found to be less influencing on aesthetic values than PC 1 and PC 2 . At last, three suggestions for the construction and protection of forest landscape are put forward. The results of this study will contribute to the preservation of the forest landscape aesthetic, and the integration of these conclusions into the sustainable development strategies of urban forest parks.

scholarly journals ESTETIKA MATEMATIS MOTIF SONGKET PADA ANYAMAN MENDONG TASIKMALAYA

2021 ◽  
Vol 9 (2) ◽  
pp. 109-121
Author(s):  
Fitriani Muldiana ◽  
Shofa Laelatul ◽  
Neng Ani Karleni ◽  
Nani Ratnaningsih
Keyword(s):  
Real Life ◽  
Thomas Aquinas ◽  
Aesthetic Value ◽  
Mathematical Concepts ◽  
Ethnographic Approach ◽  
Geometric Concepts ◽  
School Learning ◽  
And Mathematics ◽  
The Aesthetic ◽  
Aesthetic Values

Mathematics is an enigmatic and captivating idea. Mathematics can also be defined in the context of patterns. This is because mathematics contains patterns, structures, and depictions of an object that grows and is rooted in real life. The structure or pattern that is arranged systematically will produce work, objects, and even an agreement. Life mathematics and mathematics in school learning can be combined with aesthetic studies to achieve contextual learning. This study uses qualitative research with an ethnographic approach. The purpose of this study was to reveal the aesthetic value and mathematical concepts of the mendong woven pattern with the songket motif. The location of this research is Babakan Cikawung Village, Margabakti Village, Cibeureum Awipari District, Tasikmalaya Regency. This study involved 3 subjects. Data collection techniques were carried out through unstructured interviews, observation, documentation, and literature review. Unstructured interviews were used to ask about the craft of mendong and the process of making mending weave with songket motifs. Observations or observations are made to find mathematical concepts and mathematical aesthetic values by studying the aesthetics of Thomas Aquinas' theory. The results of the research are mathematical aesthetics by examining the theory of Thomas Aquinas. Mathematical concepts such as repeating patterns 1-2-3-4 and 4-3-2-1, geometric concepts such as parallel lines, reflection, congruence, and rhombus flat shapes.

scholarly journals Morality and Aesthetics of Food

2018 ◽  
Author(s):  
Sam Liao ◽  
Aaron Meskin
Keyword(s):  
Moral Value ◽  
Aesthetic Value ◽  
The Aesthetic ◽  
Aesthetic Values ◽  
The Way

This chapter explores the interaction between the moral value and aesthetic value of food, in part by connecting it to existing discussions of the interaction between moral and aesthetic values of art. Along the way, this chapter considers food as art, the aesthetic value of food, and the role of expertise in uncovering aesthetic value. Ultimately, this chapter argues against both food autonomism (the view that food’s moral value is unconnected to its aesthetic value) and Carolyn Korsmeyer’s food moralism (the view that moral flaws can only make food aesthetically worse). Instead, it argues for the position of food immoralism: sometimes a moral flaw can make an item of food aesthetically better. This chapter concludes by drawing out broader implications of this position for discussions on the ethics of food and discussions on the interaction between the moral and aesthetic values of art.

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