ESTETIKA MATEMATIS MOTIF SONGKET PADA ANYAMAN MENDONG TASIKMALAYA

Mathematics is an enigmatic and captivating idea. Mathematics can also be defined in the context of patterns. This is because mathematics contains patterns, structures, and depictions of an object that grows and is rooted in real life. The structure or pattern that is arranged systematically will produce work, objects, and even an agreement. Life mathematics and mathematics in school learning can be combined with aesthetic studies to achieve contextual learning. This study uses qualitative research with an ethnographic approach. The purpose of this study was to reveal the aesthetic value and mathematical concepts of the mendong woven pattern with the songket motif. The location of this research is Babakan Cikawung Village, Margabakti Village, Cibeureum Awipari District, Tasikmalaya Regency. This study involved 3 subjects. Data collection techniques were carried out through unstructured interviews, observation, documentation, and literature review. Unstructured interviews were used to ask about the craft of mendong and the process of making mending weave with songket motifs. Observations or observations are made to find mathematical concepts and mathematical aesthetic values by studying the aesthetics of Thomas Aquinas' theory. The results of the research are mathematical aesthetics by examining the theory of Thomas Aquinas. Mathematical concepts such as repeating patterns 1-2-3-4 and 4-3-2-1, geometric concepts such as parallel lines, reflection, congruence, and rhombus flat shapes.

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Dataset for the Aesthetic Value Automatic Prediction

Proceedings ◽

10.3390/proceedings2019021031 ◽

2019 ◽

Vol 21 (1) ◽

pp. 31

Author(s):

Rodriguez-Fernandez ◽

Santos ◽

Torrente

Keyword(s):

Computational System ◽

Aesthetic Value ◽

Relevant Issue ◽

Different Populations ◽

The Aesthetic ◽

Aesthetic Values ◽

Sample Set

One of the most relevant issue in the prediction and classification of the aesthetic value of an image is the sample set used to train and validate the computational system. In this document the limitations found in different datasets used to classificate and predict aesthetic values are exposed, and a new dataset is proposed with images from the DPChallenge.com portal, with evaluations of three different populations.

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Aesthetic Factor of Customer Perception and Its Role in Managing Company Competitiveness

Vestnik of the Plekhanov Russian University of Economics ◽

10.21686/2413-2829-2021-5-193-200 ◽

2021 ◽

pp. 193-200

Author(s):

S. A. Afonsky

Keyword(s):

Aesthetic Value ◽

Public Places ◽

Customer Perception ◽

Goods And Services ◽

Art Object ◽

The Arts ◽

The Aesthetic ◽

Aesthetic Values ◽

Made In

The article advances the idea about a drop in people interest in buying similar goods and services, especially in conditions of uncertainty, in particular corona-virus epidemic, when people care less about external things, such as their clothes for visiting public places. Today we observe the necessity in meeting aesthetic needs through different tools and artistic objects. Therefore, we can say that it is a certain return to those times, when in public places and even in the Underground you can see real works of art that were not made in a hurry, according to the principle ‘the cheaper the better', but those of full value. In spring 2021 we conducted a survey of students of the Russian Plekhanov University of Economics and the Arts College RGGU to find the role of the aesthetic (emotional, sensual) element - the art-object (in this case - a poster) - in conditions of uncertainty, i. e. COVID-19 epidemic. The findings of this research showed that aesthetic value of graphics takes a foreground, it should be connected with specialization of the trade enterprise, its historic and other factors. The author demonstrates that availability of aesthetic values can form a motivating platform for repeated visits to the store and thus shape its competitive advantage.

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ANALISIS NILAI ESTETIS KERAJINAN MINIATUR KAPAL PADA PENGRAJIN KRIYA ASMIDAR DI MEDAN PERJUANGAN

Gorga Jurnal Seni Rupa ◽

10.24114/gr.v7i2.11898 ◽

2018 ◽

Vol 7 (2) ◽

pp. 284

Author(s):

Dailami Tanjung ◽

Azmi Azmi ◽

Tetty Mirwa ◽

Triyanto Triyanto

Keyword(s):

Sampling Technique ◽

Aesthetic Value ◽

Qualitative Descriptive ◽

The Aesthetic ◽

Aesthetic Values ◽

Descriptive Method

AbstrakPenelitian ini di latar belakangi untuk mendeskripsikan nilai estetis pada kerajinan miniatur kapal pada pengrajin kriya Asmidar Di Medan Perjuangan.Pembatasan masalah dalam penelitian ini berfokus pada penerapan nilai estetis dan hasil karya kerajinan miniatur kapal pada pengrajin kriya Asmidar di Medan Perjuangan. Populasi dalam penelitian ini yaitu seluruh kerajinan miniatur kapal pada pengrajin kriya Asmidar. Dalam penelitian ini penulis mengambil teknik sampling jenuh, yaitu teknik penentuan sampel bila semua anggota populasi digunakan sebagai sampel sebanyak 8 karya kerajinan miniatur kapal. Dalam hal ini penulis akan meneliti karya kerajinan miniatur kapal tersebut berdasarkan aspek proporsi, keseimbangan, kesatuan, dan finishing. Adapun metode yang digunakan dalam penelitian ini adalah metode deskriftif kualitatif. Berdasarkan data yang telah diperoleh, maka semua hasil penilaian dari ke dua ahli secara keseluruhan pada kerajinan miniatur kapal karya pengerajin Kriya Asmidar ditinjau berdasarkan aspek proporsi, keseimbangan, kesatuan, dan finishing, secara umum dikategorikan baik dengan jumlah nilai = 703 dan rata-rata (r) = 88 (baik). Kata Kunci:analisis, kerajinan, miniatur kapal.AbstractThis research is in the background to describe the aesthetic value of miniature craft shipments at the craftsmen of Asmidar craft in Medan Perjuangan. The problem limitation in this study focuses on the application of aesthetic values and the work of ship miniature crafts to the craftsmen of Asmidar craft in Medan Perjuangan. The population in this study is all miniature craft of craft in the craft of the Asmidar craft. In this study the author takes a saturated sampling technique, which is a sample determination technique if all members of the population are used as a sample of 8 ship miniature craft works. In this case the author will examine the ship's miniature craft based on aspects of proportion, balance, unity and finishing. The method used in this research is qualitative descriptive method. Based on the data that has been obtained, all the results of the assessment of the two experts as a whole on the miniature craft of the work of the craftsmen KriyaAsmidar are reviewed based on the aspects of proportion, balance, unity, and finishing, generally categorized as good with a number of values = 703 and average ( r) = 88 (good).Keywords:analysis, crafts, miniature’s ship.

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Etnomatematika pada Batik Lukis Daun Singkong di Rumah Produksi Daweea Batik Bondowoso

Jurnal Elemen ◽

10.29408/jel.v6i2.2002 ◽

2020 ◽

Vol 6 (2) ◽

pp. 199-210

Author(s):

Erfan Yudianto ◽

◽

Susanto Susanto ◽

Sinta Priciliya ◽

◽

...

Keyword(s):

Qualitative Research ◽

Mathematical Concepts ◽

Geometric Transformations ◽

Cassava Leaves ◽

Ethnographic Approach ◽

The Subject ◽

And Mathematics ◽

Production House ◽

The Relationship ◽

Collection Methods

Ethnomathematics is the relationship between culture and mathematics found in society's habits, where people have unconsciously applied mathematical concepts in their culture or habits. The custom referred to in this study is what is done by batik in making one batik sheet every time. The purpose of this study was to describe ethnomathematics on cassava leaves in the production house Daweea Batik Bondowoso East Java. This research is qualitative research with an ethnographic approach. The subject of this study was the craftsmen in the Daweea Bondowoso Batik production house. Data collection methods used are observation, interviews, and documentation. The observation was carried out by the researcher himself and assisted by two observers who were provided with observation guidelines. Interviews were conducted to artisans in Daweea Bondowoso batik production house, while the documentation was carried out by the researcher himself using a camera recorder. The results of this study indicate the existence of ethnomathematics in cassava leaves batik painting. Geometry concepts or elements found include points, lines, angles, flat shapes (rectangles, squares), congruence, concordance, equations, and geometric transformations (dilation).

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Character Archetypes: Aesthetic Values in Character Design in Malaysia `s Animated Films

International Journal of Innovative Technology and Exploring Engineering - Special Issue ◽

10.35940/ijitee.k1037.09811s219 ◽

2019 ◽

Vol 8 (11S2) ◽

pp. 242-245

Keyword(s):

Inanimate Object ◽

Aesthetic Value ◽

Animated Films ◽

Animated Film ◽

Character Design ◽

The Difference ◽

Computer Generated Imagery ◽

Colour Patterns ◽

The Aesthetic ◽

Aesthetic Values

Animation defined as a process which giving inanimate object or images appear to be moved. Today, the technology has advanced to another level which animators using computer-generated imagery (CGI) to animate. The aim of this research is to introduce to people about the aesthetics value in character design. In animated film, it must be a character to roll as something that can successfully give the message, feeling, and mood in a situation. So, the character must have the aesthetic value through strong physical appearance based on his or her colour patterns, body language, and shapes to express them. For example, in Malaysia we have many iconic characters in animated series that succeed in portraying the aesthetics value based on what they wanted to deliver like Upin Ipin, Boboi Boi, Keluang Man and Anak-anak sidek. However, not all viewers see the difference. Thus, by making this research, it will guide them to be more intuitive and can differentiate among characters in any movies.

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The aesthetic evaluation of forest landscape in four urban forest parks: A case study of Nanjing hilly areas, China

10.21203/rs.3.rs-286000/v1 ◽

2021 ◽

Author(s):

Yang Yang ◽

Xiaolan Tang

Keyword(s):

Urban Forest ◽

Principal Component ◽

Forest Landscape ◽

Aesthetic Value ◽

Aesthetic Evaluation ◽

The Sustainable Development ◽

The Public ◽

The Aesthetic ◽

Forest Parks ◽

Aesthetic Values

Abstract In recent years, the construction of urban forest parks has run into the fast lane in China. As an indispensable natural landscape resource for urban forest parks, forest landscape has been paid increasing attentions by the public, in contrast, less effort has been made in the field of aesthetic evaluation of forest landscape. Based on the theories of landscape esthetics and psychology, this paper aims to present methods for the aesthetic evaluation, and understand citizen’s aesthetic perceptions of forest landscape using Semantic Differential (SD) and Principal Component Analysis (PCA) methods. Moreover, further suggestions will be put forward for a better development of the forest landscape, thereby giving full play to their landscape and recreation functions. As per the findings of this paper, the vegetation element diversity (PC 1 ), the magnificent feel (PC 2 ), the nature-pastoral feel (PC 3 ) and the sense of space (PC 4 ) present the critical comprehensive indexes affecting the aesthetic values of the forest landscape. The relationship between the comprehensive indexes and the landscape aesthetic value is revealed by multiple regression analyses. PC 3 and PC 4 are found to be less influencing on aesthetic values than PC 1 and PC 2 . At last, three suggestions for the construction and protection of forest landscape are put forward. The results of this study will contribute to the preservation of the forest landscape aesthetic, and the integration of these conclusions into the sustainable development strategies of urban forest parks.

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Morality and Aesthetics of Food

10.1093/oxfordhb/9780199372263.013.17 ◽

2018 ◽

Author(s):

Sam Liao ◽

Aaron Meskin

Keyword(s):

Moral Value ◽

Aesthetic Value ◽

The Aesthetic ◽

Aesthetic Values ◽

The Way

This chapter explores the interaction between the moral value and aesthetic value of food, in part by connecting it to existing discussions of the interaction between moral and aesthetic values of art. Along the way, this chapter considers food as art, the aesthetic value of food, and the role of expertise in uncovering aesthetic value. Ultimately, this chapter argues against both food autonomism (the view that food’s moral value is unconnected to its aesthetic value) and Carolyn Korsmeyer’s food moralism (the view that moral flaws can only make food aesthetically worse). Instead, it argues for the position of food immoralism: sometimes a moral flaw can make an item of food aesthetically better. This chapter concludes by drawing out broader implications of this position for discussions on the ethics of food and discussions on the interaction between the moral and aesthetic values of art.

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“HUMAN, HUMANITY, AND HUMANITIES” DALAM PENCIPTAAN KARYA KRIYA KULIT

CORAK ◽

10.24821/corak.v6i2.2398 ◽

2017 ◽

Vol 6 (2) ◽

Author(s):

Rohmad Eko Priyono

Keyword(s):

Final Stage ◽

Three Dimensional ◽

Charles Sanders Peirce ◽

Two Dimensional ◽

Aesthetic Value ◽

Work Of Art ◽

Standard Values ◽

The Creation ◽

The Aesthetic ◽

Aesthetic Values

The creation of it has a title “human, humanity, and humanities” The author would like to learn about the unique symbol of a Human and its application in the form of the installation of art. The approach used in the creation is an aesthetic approach, the method used is based on the aesthetic values embodied in art. Aesthetic is the main objective in the creation of works derived from the shape of a Human. Terms of design that has been studied in the study of art as craft unconscious part spontaneously out of the standard values in making the creation of craft art, starting from sketches to the final stage. Semiotics is used in the creation of works of art craft is semiotics Charles Sanders Peirce - sign approach based on the idea of a philosopher and thinker United clever, Charles Sanders Peirce (1839-1914) is the method used to determine whether a work of art has meaning symbol, index, and icon. This approach is actually used as the meaning of the meaning and purpose of the philosophical. In this case, the artist commented aesthetic value and his symbolization, artists explore the beauty, the uniqueness of the shape of a human and then pour it into the leather craft three-dimensional and two-dimensional. And artists have chosen the concept of human as a concept in leather craft work.Keyword: Creation, Craft, Leather and the Making Process Jurnal Penciptaan ini memiliki judul "human, humanity, and humanities". Penulis ingin mengetahui simbol unik tentang manusia dan mengaplikasikannya dalam bentuk instalasi seni. Pendekatan yang digunakan dalam penciptaan adalah pendekatan estetika, yaitu pendekatan yang berdasar pada nilai estetika yang terkandung dalam karya seni. Estetika memiliki tujuan utama dalam penciptaan karya yang berasal dari bentuk manusia. Kerangka desain yang telah dipelajari dalam studi seni sebagai karya seni bagian bawah sadar secara tak langsung keluar dari nilai fungsional dalam pembuatan karya seni, mulai dari sketsa hingga tahap akhir. Semiotika yang digunakan dalam penciptaan karya seni adalah semiotik Charles Sanders Peirce - pendekatan tanda berdasarkan gagasan seorang filsuf dan pemikir Amerika yang cerdas, Charles Sanders Peirce (1839-1914) adalah metode yang digunakan untuk menentukan apakah suatu karya seni Memiliki makna simbol, indeks, dan ikon. Pendekatan ini sebenarnya digunakan sebagai makna - makna dan tujuan filosofis. Dalam hal ini, seniman memiliki pandangan bahwa nilai estetika dan simbolisasi, seniman mengeksplorasi keindahan, keunikan bentuk manusia dan kemudian menuangkannya ke dalam kriya kulit tiga dimensi dan dua dimensi. Dan seniman telah memilih konsep manusia sebagai konsep dalam karya seni kriya. Kata Kunci: Penciptaan, Kriya, Kulit dan Proses Pembuatan

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AESTHETIC VALUES SUFISM IN FORMING OF THE SOLIDARITY IN URBAN COMMUNITY

Jurnal Sosial dan Humaniora ◽

10.47313/ppl.v4i8.700 ◽

2020 ◽

Vol 4 (8) ◽

Author(s):

Ichmi Yuni Arinda Rohmah

Keyword(s):

Urban Communities ◽

Urban Community ◽

Urban Society ◽

Capital City ◽

Aesthetic Value ◽

The Arts ◽

Metropolitan Cities ◽

Circle Of Friends ◽

The Aesthetic ◽

Aesthetic Values

AbstractSufisme have long been rooted in some groups of Indonesian society. One thing that is unique to the Sufi community in metropolitan cities in Indonesia is that its adherents are not only Muslims but also non-Muslims. Research conducted by the researcher intends to examine the existence of Sufism in the urban community environment, the researcher also examines the aesthetic values of Sufism which are the attraction of urban society to follow Sufi teachings, and researchers conduct research on the solidarity of the community formed in urban communities in Indonesia . The location of this research is in the capital city of Indonesia, Jakarta. This study uses a type of phenomenological (qualitative) research method. Extracting field data using interview, observation, and documentation techniques. The results of the study explain that the teachings of Sufism still exist in urban communities that are in the midst of the life of the metropolitan city of Jakarta, Indonesia. The Sufism community that teaches Sufi teachings can be accepted by most urban communities. One of the driving factors that makes urban society to study the teachings of Sufism is the aesthetic value of Sufism, besides that the Sufism teachings are built in creating community solidarity among urban communities who are very heterogeneous in their socio-cultural background. Sufism aesthetic values can be obtained by adherents through various religiosity activities (dhikr, praying, preaching, shalawat, etc.) and the arts of Sufism (music, songs, dances, fashion creativity, etc.). Keywords: Sufism, Aesthetics, paguyuban, Circle of Friends, Urban Communities. Abstrak Sufisme telah lama mengakar dalam beberapa kelompok masyarakat Indonesia. Satu hal yang unik bagi komunitas sufi di kota-kota metropolitan di Indonesia adalah bahwa penganutnya tidak hanya Muslim tetapi juga non-Muslim. Penelitian yang dilakukan oleh peneliti bermaksud untuk menguji keberadaan komunitas sufi di lingkungan masyarakat perkotaan, peneliti juga meneliti nilai-nilai estetika sufisme yang merupakan daya tarik masyarakat perkotaan untuk mengikuti ajaran sufi, dan peneliti melakukan penelitian tentang solidaritas komunitas yang dibentuk di komunitas perkotaan di Indonesia. Lokasi penelitian ini adalah di ibu kota Indonesia, Jakarta. Penelitian ini menggunakan jenis metode penelitian fenomenologis (kualitatif). Penggalian data lapangan menggunakan teknik wawancara, observasi, dan dokumentasi. Hasil penelitian menjelaskan bahwa ajaran sufisme masih ada di masyarakat perkotaan yang berada di tengah-tengah kehidupan kota metropolitan Jakarta, Indonesia. Komunitas sufi yang mengajarkan ajaran sufisme dapat diterima oleh sebagian besar komunitas perkotaan. Salah satu faktor pendorong yang membuat masyarakat urban mempelajari ajaran sufisme adalah nilai estetika sufisme, di samping itu ajaran sufisme dibangun dalam menciptakan solidaritas komunitas di antara masyarakat perkotaan yang sangat heterogen dalam latar belakang sosial budaya mereka. Nilai-nilai estetika sufisme dapat diperoleh oleh penganutnya melalui berbagai kegiatan religiusitas (dzikir, sholat, khotbah, shalawat, dll.) dan seni sufism (musik, lagu, tarian, kreativitas fasion atau busana, dll). Kata kunci: Sufisme, Estetika, paguyuban, Circle of Friends, Komunitas Kota.

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RELIEF MOTIF BURUNG MERAK PADA PESAREAN SUNAN SENDANG DUWUR PACIRAN LAMONGAN: KAJIAN BENTUK, MAKNA DAN ESTETIKA

Jurnal Budaya Nusantara ◽

10.36456/b.nusantara.vol3.no1.a2116 ◽

2019 ◽

Vol 3 (1) ◽

pp. 61-74

Author(s):

Herman Sugianto

Keyword(s):

Data Analysis ◽

Qualitative Methods ◽

Human Relations ◽

Aesthetic Value ◽

Sacred Place ◽

Knowledge Protection ◽

Sign Analysis ◽

The Aesthetic ◽

The Relationship ◽

Aesthetic Values

This study aims to examine the relief of peacock motifs at the gate of Paduraksa I and PaduraksaII tomb complex of Sunan Sendang Duwur Paciran Lamongan which includes (1) visual reliefof peacock motifs, (2) the meaning of relief of peacock motifs, and (3) aesthetic value reliefof peacock motifs. This research uses descriptive qualitative methods with data collectiontechniques, observations, interviews, and documentation. Data analysis using sign analysis ortextual analysis. The results of this study include: visual relief forms of peacock motifs at thegate of Paduraksa I and Paduraksa II at the Sunan Sendang Duwur tomb are ornaments witha floristic style that has undergone Islamization, namely the shape of ornamentation informedof the flora motif into the shape of a peacock animal. The meaning of relief in the tombcomplex of Sunan Sendang Duwur basically gives a picture of how human relations with humans,human relations with nature and the relationship between humans and their Lord. This reliefalso provides a description of the symbols of life that is about courage, knowledge, protection,protection, greatness, strength and justice. This relief also gives us an idea that this tomb complexis a gathering of holy spirits, the final resting place from human to human journey to face Godin another sense that the Sunan Sendang Duwur tomb complex is a sacred/ sacred place, so wemust not carelessly take action or acts that violate the applicable ethics. The aesthetic valuescontained in the reliefs in the tomb complex of Sunan Sendang Duwur, which is a picture ofa journey to holiness and also a picture of the division of nature, that is physical, spiritual andconscience. From the analysis it can be concluded that the relief of the tomb complex of SunanSendang Duwur has a form of ornamentation with a floristic style that is Islamized both interms of visual form, meaning and aesthetic values contained therein connected with Islamicteachings in the form of the teachings about God.

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