The tasks of the South-North exchange and cooperation in cultural heritage

2017 ◽  
Vol 3 (1) ◽  
pp. 91-113
Author(s):  
Eun-Chan Jeong ◽  
Chul-Hoon Moon
Keyword(s):  
ARCHALP ◽  
2020 ◽  
Vol 2020 (N. 4 / 2020) ◽  
Author(s):  
Antonio De Rossi ◽  
Laura Mascino

It hasn’t even been half a century since, in 1977, the famous book by Nuto Revelli entitled Il mondo dei vinti was published. A symbolic image, which summed up with powerful evocative efficacy the dramatic process of depopulation and dissolution of traditional Alpine societies during the twentieth century. A phenomenon that found its epicenter in the valleys of Carnia and in the south-east of France, and especially in the Piedmont’s valleys of the Cuneo area, with drop-out rates that will reach even 80-90% of the population. A little over forty years have passed by since Nuto Revelli’s book was published and since then a lot seemed to have changed. Today many prestigious and successful tourist and winter centers are experiencing a growing crisis of image and public, while the once neglected Valades ousitanes live an unprecedented season, focused on enhancing the trinomial of natural, historical, and cultural heritage. Maira Valley, Ostana in the Po Valley, Paraloup and Rittana in the Stura Valley, the upper Varaita Valley, the phenomena of rebirth are affecting all the Occitan valleys, with interesting resettlement processes that have their engine in who are defined «the new mountaineers». This renaissance of the Occitan valleys is accompanied by new forms of architecture that focus on the theme of the recovery and reuse of heritage, of dialectical confrontation with environmental and historical contexts, but without forgetting the contemporary and technological innovation.


2021 ◽  
Vol 9 (2) ◽  
pp. 243-249
Author(s):  
Max Quanchi

Review of: Tikopia Collected: Raymond Firth and the Creation of Solomon Islands Cultural Heritage, Elizabeth Bonshek (2017) Canon Pyon: Sean Kingston Publishing, 222 pp., ISBN 978 1 90777 439 3 (hbk), £60   Collecting in the South Sea: The Voyage of Bruni d’Entrecasteaux 1791–1794, Bronwen Douglas, Fanny Wonu Veys and Billie Lythberg (eds) (2018) Leiden: Sidestone Press, 381 pp., ISBN 978 9 08890 574 2 (pbk), €60   Resonant Histories: Pacific Artefacts and the Voyages of HMS Royalist 1890–1893, Alison Clark with Eve Haddow and Christopher Wright (2019) Leiden: Sidestone Press, 272 pp., ISBN 978 9 08890 629 9 (pbk), €55


2021 ◽  
pp. 210-227
Author(s):  
Jordi Arcos-Pumarola ◽  
Marta Conill-Tetuà

Abstract Considering the cultural relevance of ICH and its meanings for communities, and the fact that it is increasingly becoming an asset of destinations in promoting tourism, the use of ICH in social networks must be put in the spotlight to identify best practices of transmitting the meanings of ICH through social networks. An analysis of the use of ICH in the context of social networks will also illuminate which particular tourist image is being transmitted by the various agents and stakeholders that interact with social networks. In this vein, this chapter will present a case study based on the Fête de l'Ours, a celebration performed in three rural villages in the south of France, looking at how it is explained within a particular social network, namely, Instagram. In this way, the case study will aim to: (i) identify the elements of the festivity that are highlighted by locals and visitors in their Fête de l'Ours account on Instagram; and (ii) analyse how locals, visitors and stakeholders explain and share the experience of the festival.


2020 ◽  
Vol 12 (9) ◽  
pp. 3903
Author(s):  
Seunghan Paek ◽  
Dai Whan An

This article explores the changing values of heritage in an era saturated by an excess of media coverage in various settings and also threatened by either natural or manmade disasters that constantly take place around the world. In doing so, we focus on discussing one specific case: the debate surrounding the identification of Sungnyemun as the number one national treasure in South Korea. Sungnyemun, which was first constructed in 1396 as the south gate of the walled city Seoul, is the country’s most acknowledged cultural heritage that is supposed to represent the national identity in the most authentic way, but its value was suddenly questioned through a nationwide debate after an unexpected fire. While the debate has been silenced after its ostensibly successful restoration conducted by the Cultural Heritage Administration in 2013, this article argues that the incident is a prime example illustrating how the once venerated heritage is reassembled through an entanglement of various agents and their affective engagements. Methodologically speaking, this article aims to read Sungnyemun in reference to the growing scholarship of actor-network theory (ANT) and the studies of heritage in the post-disaster era through which to explore what heritage means to us at the present time. Our synchronic approach to Sungnyemun encourages us to investigate how the once-stable monument becomes a field where material interventions and affective engagements of various agents release its public meanings in new ways.


2019 ◽  
Vol 43 (7) ◽  
pp. 980-1001 ◽  
Author(s):  
Minoo H. Esfehani ◽  
Julia N. Albrecht

This empirical article is the first to consider tourism planning for tourism products based on intangible cultural heritage (ICH). It identifies two sets of factors that affect related tourism planning, the accessibility of ICH-based tourism products for visitor market(s), and the perceived appropriateness of ICH for use in tourism. The factors are derived using a qualitative, ethnographic method, implemented in the Qeshm Island Global Geopark in the South of Iran. Theoretical and practical implications address the requirements for tourism planners to extend the tourism planning arena, the integration of planning efforts for tourism and heritage preservation, and the need to involve stakeholders who co-create value from both tourism and heritage preservation perspectives. The impact of the article lies not only in its originality but also in its contributions to the literature on cultural (heritage) tourism as well as tourism planning.


2021 ◽  
pp. 1227-1242
Author(s):  
Rodrigo Mendes De Souza ◽  
Juliana Villela Junqueira ◽  
Maria Margareth Escobar Ribas Lima ◽  
Érika Santos Silva ◽  
Mariana De Barros Casagranda Akamine

As part of the studies developed by the University Network of the Latin American Integration Route (UniRila), this proposal intends to contextualize the municipality of Porto Murtinho in the process of occupation of the interior of the South American continent, understanding the Latin American Integration Route (RILA) as the culminating event of the process of territorialization-deterritorialization-reterritorialization of the region. For this purpose, historical, economic, geographic and geological aspects are considered, without which the conditions of urbanization would not be fully understood and public policies would be deficient. Thus, it is intended to draw attention to the impact that the production and export of commodities has on the territory in question.


2019 ◽  
Vol 11 (21) ◽  
pp. 6047
Author(s):  
Maria Genoveva Millán Vázquez de la Torre ◽  
Salud Millán Lara ◽  
Juan Manuel Arjona-Fuentes

Flamenco is an art born in and inextricably associated with Andalusia in the south of Spain. The purity, the feelings it transmits, and the originality of its expression have made it known worldwide and it has been declared an Intangible Cultural Heritage by the UNESCO. This declaration, combined with the Spain’s tourist boom in the last years, has transformed this exclusive art into an important tourist industry with all the entailing perils for its survival. By means of the Lean Canvas model, combined with a survey of a panel of flamenco experts (especially artists), this study analyzed the fundamental factors that are key to developing a tourism product that, while respectful of its essence, offers tourists a genuine and quality product.


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