scholarly journals Saint Petersburg period of creativity of P. K. Vaulin (1906-1914)

Author(s):  
Elena Mikhailovna Safronova

The subject of this research is the stylistic peculiarities and means of artistic expression of the architectural majolica by Peter Kuzmich Vaulin. The object of this research is the architectural ceramics of Vaulin in facades of the buildings of St. Petersburg in the early XX century. The application of inclusive approach allows tracing correlations between the historical facts and the cultural characteristics of this period. The compositional-artistic analysis, comparative-descriptive method, and imagery-stylistic analysis were used for consideration of the means of artistic expression of architectural ceramics, compositional interaction of the materials and space, and examination of the style and formative peculiarities of ceramics. Detailed analysis is conducted on the Saint Petersburg period of the ceramist P. K. Vaulin, opening of his own ceramic workshop, and active participation in the development of decorative image of St. Petersburg in the early XX century. Special attention is given to the most remarkable works of the master for architectural decoration of the city. Emphasis is placed on his works for the Insurance Company Building “Russia”, which is brilliant example of the harmonious synthesis of majolica and architecture. The conclusion is made that the architectural ceramics of the master made in many ways determined the majolica decoration of St. Petersburg – compositional, textured, color, imagery-stylistic, and plastic peculiarities of the ceramic works of P. K. Vaulin contributed to aesthetic transformation of the environment. The scientific novelty of consists in the thesis that the ceramic workshop of P. K. Vaulin was one of the leading manufacturers of artistic majolica of the indicated period. It is also proven that the Heldwein-Vaulin workshop was able to organically synthesize the heritage of the best traditions of the past with the courage and ambiguity of the Art Nouveau.

Author(s):  
Elena Mikhailovna Safronova

The subject of this research is the stylistic peculiarities and means of artistic expression of the architectural majolica by Peter Kuzmich Vaulin. The object of this research is the architectural-artistic ceramics of P. K. Vaulin on the facades of Moscow buildings at the turn of the XIX – XX centuries as cultural heritage site. Detailed analysis is conducted on the Moscow period of P. K. Vaulin. The author determines the circle of artists who worked with the ceramist, analyzes the phenomenon of the Abramtsevo art club and its impact upon the professional becoming of P. K. Vaulin. Special attention is given to the workshop in Abramtsevo as a true center of art and a source for the development of the national romantic trend in decorative and applied art, as well as to the architectural landmarks of Moscow with majolica decor designed by P. K. Vaulin. The theoretical and methodological framework is comprised of the scientific works on the theory and history of art, aesthetics, psychology of art and philosophy. The compositional-artistic analysis, comparative-descriptive method, and imagery-stylistic analysis allowed studying the means of artistic expression of architectural ceramics, the compositional interaction of materials and space, as well as style and formative peculiarities of ceramics. The conclusion is made that direct practical participation of professional artists in the Russian decorative and applied art in the late XIX century considerably impacted the development of applied art, and drew attention of the world community, emphasizing its value within the system of visual art. The analysis of architectural compositions indicates that P. K. Vaulin was a co-author of the ceramic works created by the artists of the Abramtsevo (Mamontov’s) art club. The scientific novelty consists in comprehensive examination of the works of Moscow Period of P. K. Vaulin in the area of facade ceramics, as well as the imagery-stylistic and artistic analysis of the compositions of the master.


2019 ◽  
Vol 11 (1) ◽  
pp. 61-72
Author(s):  
Sergei A. Tambi

The subject of the article is the analyzes of the life of Estonians, who came from the Estland and Lifland provinces in the eastern direction to the Vasilyevsky Island of St. Petersburg, the birthplace of the Estonian community of the city. The object of the study is the the life of Estonian immigrants who came to this place in search of a better life for themselves and their descendants. The aim of the study is to reveal Lutheran parishes of the Vasilyevsky Island, attended by the Estonians; describe the founding and work of local Estonian organizations, as well as cultural and educational institutions. The author tells about the events held by the Estonians living on the Vasilyevsky Island; Estonian shops and educational institutions. Practical significance of the paper lies in the fact that the it reveals the specific features of the cultural life and traditions of the local Estonian community of the Vasilyevsky Island of St. Petersburg. The author also tells about the famous Estonians who were born, worked, lived or served on the Vasilyevsky Island, and their contribution to the development of science and culture of St. Petersburg, Russia and Estonia. The main methods used in the study are the generalization, the system approach, the historical-descriptive method, the analysis of the documents, and empirical description. Numerous articles from Estonian newspapers and magazines have been used to reconstruct the features of the life of the Estonians on the Vasilyevsky Island. The author shows how Estonian community of St. Petersburg emerged and developed on the Vasilyevsky Island. It showed Estonian organizations of the island, as well as cultural and academic staff of Estonian origin, whose life was closely connected with the Vasilyevsky Island. Living on the island, the Estonians represented a united and unique community inhabiting the Vasilyevsky Island. At the same time, their community was not isolated and it established a wide network with the Estonians in other districts of St. Petersburg. Due to natural assimilation and migration, the Estonians are represented on the Vasilyevsky Island in a rather poor number at the present time. The Estonians lived on the Vasilyevsky Island made the significant contribution to the development of culture and science of St. Petersburg, as a multinational city, hosting Russians, Ingrian Finns, Tatars and the representatives of other nations since its construction. The phenomenon of the Estonians of the Vasilyevsky Island is unique and interesting for further research.


2019 ◽  
Vol 8 (1) ◽  
pp. 494
Author(s):  
Indah Rusmaidi ◽  
Desriyeni Desriyeni

AbstractThis paper discusses the Making of a Dance Studio Directory in the City of Padang. The purpose of this paper is (a) to describe the making of a directory of dance studios in the city of Padang; (B) describing the transition in creating a directory of dance studios in Padang City; (c) describe the business in making a directory of dance studios in the city of Padang. This research was conducted using descriptive methods by describing the subject or object based on visible facts. Data collected through observation, interviews, and literature study. Based on the research that has been done, it can be concluded, first, the steps in the process of making dance studios in the city of Padang are (a) data collection that collects all information relating to which is not in doubt to be made in the directory; (B) collect all data obtained; (c) Focus on a vision that has been created; (d) making books so that they are easier to produce and making books more directed; (e) determine the subject, the subject used in making the directory is the name of the street, location of each studio; (f) classification or grouping, grouping data that has been collected and adjusted to the subjects that have been determined; (g) directory design that is by making cover designs, and compiling information from directories. Second, the challenges involved in making a dance studio directory in Padang City are as follows: (a) when collecting data the writer had difficulty in finding the dance studio to be addressed. This is because there are some studios that do not have banners or name bars installed. Discusses some problems in finding the studio; (B) some studios that the author visits the owner often go to the studio or the owner is out of town because they have to accompany their students in the race; (c) difficulties in contacting the studio owner. Third, the non-related ones involved in making directories include; (a) the name of the studio; (b) the name of the owner; (c) year of establishment; (d) number of students; (e) hours of practice; (f) address; (g) telephone number; (h) location plan; and (i) studio photos.Keywords: Manufacture, Directory, Dance Studio


2021 ◽  
Vol 55 (1-2) ◽  
Author(s):  
Yury Biryulov

The article presents the first detailed examination of the life and work of Karel Boublík (1869 – 1925), a Lviv architect of Czech origin, who from 1897 to 1914 designed many residential buildings in the city. Boublík also headed the Czech Conversation Club (Česká beseda) in Lviv – the oldest Czech association in the world outside the original Czech lands – where he was also an amateur actor and director. The activities of Karel Boublík assumed an important place in the artistic life of Lviv at the end of the 19th and the beginning of the 20th century; consequently, it is important and urgent not only for the study of the architecture of the city to research, preserve and popularize the heritage of this artist. His personality and work have not yet been examined in detail in the intentions of art history and in his homeland, in the Czech Republic, Boublík is still unknown among experts. The purpose of the article is to uncover and define the specifics of Boublík’s architectural legacy. The study is based on a comprehensive approach, using biographical and historical-cultural methods, including artistic analysis. Archival sources and information from the press at the time are an integral part of the study. Boublík’s buildings are an example of the stylistic transition from Historicism in its Neo-Baroque version to Art Nouveau and the second wave of Historicism in 1909 – 1914, with elements of modernized historical styles. His buildings were exceptional in their originality, with a special emphasis on sculptural decoration and metal ornaments. The architect’s tendency to highlight protruding spherical and prismatic forms has been demonstrated, with a sharp vertical accent of roofs, often pyramidal, with complex ends – with multi-level wavy and rounded attics, towers and dormers.


2018 ◽  
Vol 2 (2) ◽  
pp. 149
Author(s):  
Yoseph Liem ◽  
Reginaldo Christophori Lake

Taman Nostalgia Kota Kupang menjadi salah satu ciri kota Kupang sebagai satu-satunya taman yang cukup representatif di kawasan Kota Kupang. Namun jiwa tempat merupakan kekuatan nonfisik yang mampu membentuk kesan dalam kota. Apakah taman Nostalgia berhasil memberi makna sebagaimana konsep awal perencanaan dan pembangunannya guna membawa manfaat yang luas bagi Kota Kupang dan warganya. Oleh karena itu, tujuan penelitian ini adalah untuk mengetahui sejauh mana pemanfaatan taman Nostalgia sebagai ruang publik dan bagaimana maknanya bagi warga kota. Penelitian ini dilakukan dengan metode deskriptif kualitatif. Pengamatan dilakukan diruang taman pada waktu-waktu yang telah ditentukan untuk mendapatkan gambaran pola pemanfaatannya. Adapun hasil penelitian menunjukkan bahwa pemanfaatan ruang terbuka publik taman Nostalgia masih belum maksimal sesuai konsep awal, dimana tujuan pemanfaatan taman pada skala yang lebih besar belum tercapai ditandai dengan belum berhasilnya upaya menjadikan taman sebagai paru-paru kota/hutan kota dan belum memberi makna yang demokratis bagi pengunjung taman sebagai ruang terbuka publik yang bebas dan bisa diakses oleh semua warga terutama oleh pengunjung lanjut usia dan balita.Kata kunci: pemaknaan, ruang terbuka publik, taman nostalgia Title: The Meaning of Public Space of Kupang City Nostalgia Park Kupang City Nostalgia Park became one of the characteristics of the city where the park is located in the city center and became the only representative representative park in the city of Kupang. But the soul is unreliable. Is Nostalgic Park able to give meaning to the initial concept of planning and development in order to provide broad benefits for the city of Kupang and its citizens. Therefore, the purpose of the study is to know the extent to which Nostalgia parks as a public space and how its meaning for the citizens of the city. This research was conducted by qualitative descriptive method. Observations were made in the park room at predetermined times to get an overview of the utilization pattern. The results show that the utilization of open space Nostalgia public park is still not maximized according to the initial concept, where the purpose of utilization of the park on a larger scale has not been integrated with the unsuccessful efforts to make the park as the lung of the city / forest city and has not given a democratic meaning to visitors park as a public open space that can be accessed by the visitors. Keywords: meaning, public open space, Nostalgia park


2020 ◽  
Vol 23 (4) ◽  
pp. 19-31
Author(s):  
Uel Gillan ◽  
Rob McQuiston ◽  
Oliver Slevin

In previous years, indeed in some respects preceding the establishment of the Russian Federation, consideration had been given to the establishment of new approaches to general medical practice in Russia. Particular attention centred upon the establishment of Family Medicine and the preparation of doctors as Family Practitioners to advance this initiative. A number of pilot studies were initiated, including in the city of Saint Petersburg. These were intended to provide real-world opportunities to test and develop new and more effective approaches to primary health care that would more efficiently integrate with secondary care. The authors were involved in the initial pilot studies in the mid to late 1990s and subsequent follow-up projects to further advance the initiatives in the early years of the 21st century (20022010). This brief paper reports on a review of progress made in respect of the above initiatives. It is not at this time a comprehensive evaluation of the healthcare systems as they now operate. The authors nevertheless present some indications of satisfactory progress across a range of practices, some insights into challenges that have arisen, and some suggestions that might be helpful in the current rounds of strategic planning for health.


2018 ◽  
Vol 2 (2) ◽  
pp. 149-158
Author(s):  
Yoseph Liem ◽  
Reginaldo Chistophori Lake

Kupang City Nostalgia Park became one of the characteristics of the city where the park is located in the city center and became the only representative representative park in the city of Kupang. But the soul is unreliable. Is Nostalgic Park able to give meaning to the initial concept of planning and development in order to provide broad benefits for the city of Kupang and its citizens. Therefore, the purpose of the study is to know the extent to which Nostalgia parks as a public space and how its meaning for the citizens of the city. This research was conducted by qualitative descriptive method. Observations were made in the park room at predetermined times to get an overview of the utilization pattern. The results show that the utilization of open space Nostalgia public park is still not maximized according to the initial concept, where the purpose of utilization of the park on a larger scale has not been integrated with the unsuccessful efforts to make the park as the lung of the city / forest city and has not given a democratic meaning to visitors park as a public open space that can be accessed by the visitors.


1929 ◽  
Vol 60 (2) ◽  
pp. 180-223 ◽  
Author(s):  
L. S. Vaidyanathan

It is not without some feeling of diffidence that a Paper on the results of an Investigation into the Mortality of Lives Assured with the Oriental Government Security Life Assurance Co., Ltd., conducted jointly by the Actuary, Mr. Douglas Forrest, F.F.A., and the author is submitted. The Journal is more or less barren of Papers relating to the Mortality of Native Indian Assured Lives, though the subject of Indian mortality has often been considered by members of this Institute. Reference might be made in this connection to the investigations of Messrs. S. C. Thomson (T.F.A., vol. i) and A. T. Winter (J.I.A., vol. xliii) on the subject of the Mortality of Indian Assured Lives, but these being based on scanty data, the results must always be accepted with caution. Mr. Arthur Hunter's contribution (J.I.A., vol. lvii) relating to the experience of the Lives Assured with the New York Life Insurance Company from 1885–1921, touches on several points of interest and sounds a strong note of pessimism as follows : “The Mortality among natives of India insured by “our Company has not improved in the later over the earlier “years of observation” and “it is difficult to conceive that the “great increase in knowledge and the improvements in “sanitation have not affected the health of the middle and the “upper classes of India in the same way as they have affected “other (tropical) countries (such as Cuba, Brazil, Chile and “Porto Rico), although possibly not to the same extent.”


2018 ◽  
Author(s):  
Arteks Jurnal Teknik Arsitektur ◽  
Yoseph Liem ◽  
Reginaldo Christophori Lake

Title: The Meaning of Public Space of Kupang City Nostalgia ParkKupang City Nostalgia Park became one of the characteristics of the city where the park is located in the city center and became the only representative representative park in the city of Kupang. But the soul is unreliable. Is Nostalgic Park able to give meaning to the initial concept of planning and development in order to provide broad benefits for the city of Kupang and its citizens. Therefore, the purpose of the study is to know the extent to which Nostalgia parks as a public space and how its meaning for the citizens of the city. This research was conducted by qualitative descriptive method. Observations were made in the park room at predetermined times to get an overview of the utilization pattern. The results show that the utilization of open space Nostalgia public park is still not maximized according to the initial concept, where the purpose of utilization of the park on a larger scale has not been integrated with the unsuccessful efforts to make the park as the lung of the city / forest city and has not given a democratic meaning to visitors park as a public open space that can be accessed by the visitors.Keywords: meaning, public open space, Nostalgia park


2021 ◽  
Vol 11 (4) ◽  
pp. 674-695
Author(s):  
Irina A. Steklova ◽  
◽  
Galina N. Veslopolova ◽  
Alexander M. Steklov ◽  
◽  
...  

The article is devoted to the problem of the city new imagery, the steady convergence of real architecture and virtual architecture. Although the connection between these phenomena has been the subject of reflection by specialists from various science branches for the past decades, it has not been sufficiently manifested. Another attempt at manifestation is made in this article, within the fundamental problems of art theory and history. Its novelty consists in activating the classical category “image of the city” in the virtual space centre of video games as the most active link between artistic and empirical images of the city. On the example of real architectural objects in the cities of the last quarter of the 20th — 21st centuries and architectural objects, existing only in the popular video games locations of the last generation, the interaction mechanisms of artistic images and their transition into the empirical images sphere with a gradual blurring of the transition boundaries are studied. The contemporary architecture trend is seen as the purposeful programming of sophisticated associative games through the production of images of the city that make you doubt the reality of the world, the difference between authenticity and imaginary. In turn, cities in video games simulate the same dubiously humane worlds, only in addition they can be managed, tested for viability online. The exacerbation of gaming in architecture is seen as a postmodern provocation to critically, ironic deconstruct reality in the fullness of its contradictions, and the videogame set of cities as an ideal platform to work on the deconstruction experience and, perhaps, to reset personal relationships with the world. It shows how the artistry of video games turns into the everyday background of life, changing the perception of the urban environment and the world as a whole.


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