scholarly journals Moscow period of creativity of the ceramist P. K. Vaulin (1890-1903)

2021 ◽  
pp. 47-57
Author(s):  
Elena Mikhailovna Safronova
Keyword(s):  
Artistic Expression ◽  
Heritage Site ◽  
Applied Art ◽  
History Of ◽  
The Subject ◽  
True Center ◽  
Professional Artists ◽  
Xix Century ◽  
Artistic Analysis ◽  
Descriptive Method

The subject of this research is the stylistic peculiarities and means of artistic expression of the architectural majolica by Peter Kuzmich Vaulin. The object of this research is the architectural-artistic ceramics of P. K. Vaulin on the facades of Moscow buildings at the turn of the XIX – XX centuries as cultural heritage site. Detailed analysis is conducted on the Moscow period of P. K. Vaulin. The author determines the circle of artists who worked with the ceramist, analyzes the phenomenon of the Abramtsevo art club and its impact upon the professional becoming of P. K. Vaulin. Special attention is given to the workshop in Abramtsevo as a true center of art and a source for the development of the national romantic trend in decorative and applied art, as well as to the architectural landmarks of Moscow with majolica decor designed by P. K. Vaulin. The theoretical and methodological framework is comprised of the scientific works on the theory and history of art, aesthetics, psychology of art and philosophy. The compositional-artistic analysis, comparative-descriptive method, and imagery-stylistic analysis allowed studying the means of artistic expression of architectural ceramics, the compositional interaction of materials and space, as well as style and formative peculiarities of ceramics. The conclusion is made that direct practical participation of professional artists in the Russian decorative and applied art in the late XIX century considerably impacted the development of applied art, and drew attention of the world community, emphasizing its value within the system of visual art. The analysis of architectural compositions indicates that P. K. Vaulin was a co-author of the ceramic works created by the artists of the Abramtsevo (Mamontov’s) art club. The scientific novelty consists in comprehensive examination of the works of Moscow Period of P. K. Vaulin in the area of facade ceramics, as well as the imagery-stylistic and artistic analysis of the compositions of the master.

scholarly journals GENETICALLY TURKISH OIKONYMS OF ODESSA REGION: MOTIVATED / UNMOTIVATED RENEWALS OF THE SOVIET PERIOD.

2021 ◽  
pp. 4-24
Author(s):  
Sviatoslav Verbych
Keyword(s):  
Semantic Analysis ◽  
Soviet Period ◽  
History Of ◽  
The Subject ◽  
Artificial Nature ◽  
Xix Century ◽  
Descriptive Method ◽  
Local Nature ◽  
Cultural Features

Introduction. The article analyzes the oikonyms of the modern Odessa region, which were formed during the Turkish-Tatar (Nogai) history of this region. The genetic Turkic names that the Bulgarian settlers moved to a new place of residence from their homeland (or from the territory of Turkey) during the end of the XVIII – first half of the XIX century are analyzed. These names were changed as a result of administrative intervention by the Soviet authorities, mainly during 1944–1945. Аim. The study aims to carry out etymological and structural-semantic analysis of genetically Turkic oikonyms of modern Odessa region. The object of the study is the genetically Turkic names of the settlements of Odesa region (local and transferred by Bulgarian settlers from across the Danube), which were changed administratively mainly after 1944; the subject of research is to find out the etymologies of the corresponding oikonyms and their structural and semantic characteristics. Research methods. For the analysis of oikonyms the descriptive method is applied by means of which the structure of both historical (genetically Turkic), and new (Soviet period) names is characterized, and also reception of the etymological analysis for establishment of etymons of genetically Turkic names of settlements. Research results. The article identifies word-forming models, presents the classification of genetically Turkic oikonyms of Odesa region, clarifies the dеonymic motivation of their creative bases; the structure of new (renamed) names is characterized. Conclusions. It is proved that most renamings do not take into account either the derivation model, which formed the original name of the settlement, or the appellate (onym) meaning of the creative bases, which convincingly testifies to their artificial nature, lack of connection with local nature, historical and cultural features of the region. It should be noted that it is necessary to change the names of the modern Odessa region, in particular the names with the Russian imperial connotation (Alexandrovka, Suvorov), as well as with the Russian-speaking structure (Udobne, Utkonosivka).  

scholarly journals Saint Petersburg period of creativity of P. K. Vaulin (1906-1914)

2021 ◽  
pp. 1-11
Author(s):  
Elena Mikhailovna Safronova
Keyword(s):  
Artistic Expression ◽  
Insurance Company ◽  
Art Nouveau ◽  
Saint Petersburg ◽  
Inclusive Approach ◽  
The Subject ◽  
The City ◽  
Artistic Analysis ◽  
Descriptive Method ◽  
Made In

The subject of this research is the stylistic peculiarities and means of artistic expression of the architectural majolica by Peter Kuzmich Vaulin. The object of this research is the architectural ceramics of Vaulin in facades of the buildings of St. Petersburg in the early XX century. The application of inclusive approach allows tracing correlations between the historical facts and the cultural characteristics of this period. The compositional-artistic analysis, comparative-descriptive method, and imagery-stylistic analysis were used for consideration of the means of artistic expression of architectural ceramics, compositional interaction of the materials and space, and examination of the style and formative peculiarities of ceramics. Detailed analysis is conducted on the Saint Petersburg period of the ceramist P. K. Vaulin, opening of his own ceramic workshop, and active participation in the development of decorative image of St. Petersburg in the early XX century. Special attention is given to the most remarkable works of the master for architectural decoration of the city. Emphasis is placed on his works for the Insurance Company Building “Russia”, which is brilliant example of the harmonious synthesis of majolica and architecture. The conclusion is made that the architectural ceramics of the master made in many ways determined the majolica decoration of St. Petersburg – compositional, textured, color, imagery-stylistic, and plastic peculiarities of the ceramic works of P. K. Vaulin contributed to aesthetic transformation of the environment. The scientific novelty of consists in the thesis that the ceramic workshop of P. K. Vaulin was one of the leading manufacturers of artistic majolica of the indicated period. It is also proven that the Heldwein-Vaulin workshop was able to organically synthesize the heritage of the best traditions of the past with the courage and ambiguity of the Art Nouveau.

TRADITIONAL CRAFTS OF DAGESTAN AND RESEARCH INSTITUTE OF ART INDUSTRY

2021 ◽  
pp. 68-76
Author(s):  
Amirbek Dzhalilovich Magomedov
Keyword(s):  
Traditional Art ◽  
State Institutions ◽  
Applied Art ◽  
International Exhibitions ◽  
History Of ◽  
Soviet Time ◽  
Historical Culture ◽  
Professional Artists ◽  
Art Industry ◽  
Research Institute

The article considers the history of relations of traditional art crafts of Dagestan with the Research Institute of Art Industry (RIAI). Due to its budgetary and personnel capabilities, the Institute tried to support the art crafts of Dagestan until the late 1980s. Since 1979, the Mahachkalinsky branch of RIAI has been working here. Artists, scientific employees of the Institute helped masters in search of prospective assortment for crafts, taught them skills to study the history of crafts, revival of traditions. The most significant role in such cooperation was played by scientific employees of the Institute: E. M. Shilling, E. M. Kilchevskaya, T. M. Razin, D. A. Chirkov, etc. Important for the crafts of the region was the assistance of the artists of the Institute in the execution of samples for introduction into serial production, the production of exhibits for All-Russian and international exhibitions, orders of state institutions and museums related to celebrations in the country of various anniversary. This practice was common for art artels, state mills of the Soviet time. Working with the artists of RIAI masters of Dagestan learned to draw up (drawings with pencil, Indian ink), compositions of patterns, to drafts of products, and also to collect field material on historical culture of crafts, to work as professional artists of applied art.

Old Aleppo: Upgrading an Historic Residential Environment

2006 ◽  
Vol 31 (4) ◽  
pp. 90-94
Author(s):  
Adli Qudsi
Keyword(s):  
Cultural Heritage ◽  
Residential Environment ◽  
Heritage Site ◽  
Complex Process ◽  
Old City ◽  
History Of ◽  
World Cultural Heritage ◽  
The Subject

The Old City of Aleppo, a UNESCO World Cultural Heritage site, a living town of 110,000 inhabitants residing in thousands of historical courtyard houses and an important commercial centre is now the subject of an internationally recognized rehabilitation scheme. This paper describes the history of this project and identifies a series of lessons to be learnt about the complex process of rehabilitation in a living historic environment.

scholarly journals "We should live the people's lives ..." K.P. Pobedonostsev About the main characteristics of Russian literature

2015 ◽  
Vol 2 (3) ◽  
pp. 53-58
Author(s):  
A.V. Shmeleva
Keyword(s):  
Russian Literature ◽  
Artistic Expression ◽  
Research Subject ◽  
The People ◽  
History Of ◽  
Xix Century

This publication reveals the tradition of Russian literature, based on the principles of historicism and nationalities. The connection of speech and outlook of the writer as an example of creativity one of the outstanding figures of the second half of the XIX century – K.P Pobedonostsev. Research subject is the basic thesis of Pobedonostsev which is addressed to the writers - "We should live the people's lives ...." Accumulation of the ideals of the people, which are elaborated throughout the history of Russia. It allows to preserve the culture of artistic expression and national historic appearance.

Saint Theophan the Recluse in the Struggle with Shtunda

2020 ◽  
pp. 230-242
Author(s):  
Варвара Викторовна Каширина
Keyword(s):  
Research Methodology ◽  
Bible Study ◽  
Active Participation ◽  
Scientific Methods ◽  
History Of ◽  
The Subject ◽  
Xix Century

Объектом исследования в статье является переписка святителя Феофана с Н. В. Елагиным, протоиереем Николаем Флоринским и протоиереем Димитрием Ждановым. Тематика переписки - религиозно-нравственные братства («штунды») для изучения Библии, возникшие в начале XIX в. в южных областях Украины и быстро увеличивавшие своё влияние среди православных христиан. Методология исследования базируется на комплексном применении традиционных научных методов: источниковедческого, историко-логического и сравнительно-исторического. В результате исследования была реконструирована история издания сочинения А. Д. Ушинского «Вероучение малорусских штундистов, разобранное на основании Священного Писания в беседах православного мирянина с сектантами» против штундистов и выявлено участие в подготовке издания святителя Феофана Затворника. Труд А. Д. Ушинского, написанный при деятельном участии и поддержке святителя Феофана, явился одним из первых, посвящённых штунде. В книге были опубликованы и подробно разобраны вероучительные положения штундистов, которые ходили в рукописном виде или же распространялись только устно. The object of research in the article was the correspondence of Saint Theophan with N. V. Elagin, Archpriest Nikolai Florinsky and Archpriest Dimitri Zhdanov. The subject of the correspondence is religious and moral fraternities («shtund») for Bible study, which appeared in the early XIX century in the southern regions of Ukraine and quickly increased their influence among Orthodox Christians. The research methodology is based on the complex application of traditional scientific methods: source-based, historical-logical and comparative-historical. The study was reconstructed history of editions of works by A. D. Ushinsky «a little Creed of Stundists, dismantled on the basis of Holy Scripture in the conversations of an Orthodox layman with zealots» against Stundists identified and involved in the preparation of the edition of St. Theophan the Recluse. The work of A.D. Ushinsky, written with the active participation and support of Saint Theophan, was one of the first dedicated to shtunda. The book published and analyzed in detail the doctrinal statements of the shtundists, which went in handwritten form or were distributed only orally.

scholarly journals A espiritualidade ontem e hoje: Foucault e a hermenêutica de si

2008 ◽  
Vol 14 (2) ◽  
pp. 205-212
Author(s):  
Eduardo SUGIZAKI ◽  
Mário F. F. ROSA
Keyword(s):  
Long Range ◽  
Historical Perspective ◽  
The Self ◽  
The Other ◽  
Modus Operandi ◽  
Imperial Rome ◽  
Collège De France ◽  
History Of ◽  
The Subject ◽  
Xix Century

The purpose of this article presents the concept of hermeneutics of the self or spirituality that appears in the ’80s Foucault’s work in a course called A hermeneutic of the subject (L’herméneutique du sujet), given in 1982 at the College de France. In order to understand the presentation of this concept as rooted philosophically in his work, I have attempted to situate the way he perceived the birth and flourishing of the hermeneutic of the self during the period of Imperial Rome, its disappearance, in the Classics Age, and its resurrection in the XIX century. I attempted to explain the meaning of this historical perspective on a long range level, on a philosophical and historical horizon. I have henceforth attempted to articulate the ‘modus operandi’ called the ‘history of the modes of subjectiveness’, that characterizes his endeavour of the 1980s with the archaeology of knowing and the geneology of power that characterizes his research during the two previous decades. Thus I have attempted, properly speaking, to characterize spirituality as a form of the constitution of the self in itself as a parallel to the fabrication of the subject by the other in the formation of the subject as subjected.

scholarly journals THE STRATEGIES FOR LEARNING THE HISTORY OF ISLAMIC CIVILIZATION

2022 ◽  
Vol 21 (02) ◽  
pp. 331-351
Author(s):  
Haniefa Nuruddienil Fithriy ◽  
Didin Sirojudin
Keyword(s):  
High School ◽  
Junior High School ◽  
Group Work ◽  
Field Research ◽  
History Of ◽  
The Subject ◽  
Allocation Of Time ◽  
Islamic Civilization ◽  
Descriptive Method ◽  
Good Preparation

The limited allocation of time, which is only 2 hours per week, the curricula that often change, the stereotypes about the History of Islamic Civilization (Sejarah Kebudayaan Islam or SKI) as a merely complementary and a boring subject, are among significant obstacles for SKI teachers to deliver the learning of the subject with demands for changes in the students’ cognitive, affective, and psycho-motoric aspects,. This paper aims at studying the strategies employed by the SKI teacher at the Islamic Junior High School (Madrasah Tsanawiyah or MTs) “Bahrul Ulum” Gadingmangu – Perak – Jombang in learning the subject to the students. The study is qualitative field research and the data was analyzed using the descriptive method. The findings show that the teacher’s good preparation and mastery of the subject, the Small Group Work (SGW) technique, and self-habituation activities have helped much in overcoming obstacles in the SKI learning as well as helping students to obtain good achievement both academically and non-academically.

scholarly journals POTENTIALS OF SIMPING TEMPLE SITES AS HISTORY TOURISM BASED ON LOCAL CEREMONY VALUES

2019 ◽  
Vol 4 (1) ◽  
pp. 96-106
Author(s):  
Fandu Dyangga Pradeta ◽  
Denny Arinanda Kurnia
Keyword(s):  
Problem Formulation ◽  
Research Problem ◽  
Tourist Attractions ◽  
Cultural Conditions ◽  
History Of ◽  
The Subject ◽  
Tourism Potential ◽  
The Village ◽  
Descriptive Method ◽  
Collection Methods

The Blitar region has tourism potential that can attract visitors both from its natural attractions and historical attractions. Some tourism objects that are worthy of consideration in this area are spread evenly throughout the Blitar district. In this Kademangan area there are several interesting tourist attractions to visit such as Bukit Bunda, Bukit Bonsai, Kampung Coklat and others. In addition there are also interesting historical tours in this area, one of which is the Simping Temple Historical Site in Sumberjati Kademangan village, Blitar Regency. The purpose of this study was to determine and understand the history of the establishment of the Simping Temple, to find out the socio-cultural conditions of the community around the Simping Temple Historical Site and to understand the potential of the historical tourism object of the Simping Temple in the Kademangan area. The object of this study was in the village area Sumberjati, Kademangan District, Blitar Regency. The subject of this research is the source of the data requested for information in accordance with the research problem formulation. This research uses a descriptive method through a qualitative approach that directly looks at the conditions and phenomena around Simping Temple. Data collection methods used used observation, interviews and documentation studies. This study explains that Simping Temple has potential tourism objects to be developed with the values ​​of local wisdom.

scholarly journals The concept of free will

2021 ◽  
pp. 39-54
Author(s):  
Andrey Aleksandrovich Yurasov
Keyword(s):  
Free Will ◽  
History Of Philosophy ◽  
External Factors ◽  
Value System ◽  
Traditional Concept ◽  
History Of ◽  
The Will ◽  
The Subject ◽  
Methodological Principles ◽  
Xix Century

The subject of this research is the concept of free will. The modern philosophical discussions either do not explicate it, or interpret far from the traditional meaning that has been instilled into this term throughout the centuries, The goal of this article lies in the historical-philosophical reconstruction of the concept of free will. However, the interest towards achieving this goal is not limited to the sphere of history of philosophy. Understanding of the key term largely determines the fruitfulness of theoretical constructions aimed at solution of the problem of free will. The article expounds and substantiates the methodological principles the reconstruction concept of free is based upon. It is demonstrated that free will features two characteristics that can be designated as conformity and independence. Therefore, free will can be defined as the will that corresponds to the value system of an individual and is independent of external factors. Such definition summarizes the practice of utilization of this term in history of philosophy. However, since the late XIX century, and namely in the XX century, there has developed a strong tendency towards distortion of the traditional concept of free will, which implies exclusion of the characteristic of independence and defining free will through the concept of moral responsibility.

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