scholarly journals Some Notes (with Badiou and Žižek) on Event/Truth/Subject/Militant Community in Jean-Paul Sartre's Political Thought

Labyrinth ◽  
2015 ◽  
Vol 17 (2) ◽  
pp. 19
Author(s):  
Erik M. Vogt
Keyword(s):  
Political Thought ◽  
Vicious Circle ◽  
Slavoj Zizek ◽  
Alain Badiou ◽  
Slavoj Žižek ◽  
Jean Paul ◽  
Emancipatory Politics ◽  
The Subject ◽  
Universal Truth ◽  
Political Project

The main object of this paper is to examine the new philosophical frame proposed by Alain Badiou and Slavoj Žižek and to show that it implies some traces of Sartre's philosophical and political heritage. According the project of Alain Badiou and Slavoj Žižek one should no longer accept today's constellation of freedom, particularistic truth and democracy, but to (re)inscribe the issues of freedom and universal truth into a political project that attempts to re-activate a thinking of revolution. Their thinking consists in the wager that it is still possible to provide a philosophical frame for this leftist emancipatory position that claims the dimension of the universal against the vicious circle of capitalist globalization-cum-particularization and, by following Marx's claim that there are formal affinities between the ambitions of emancipatory politics and the working mode of capitalism, takes up the struggle of universalism against globalization (capital). It is only through this struggle for the universal that the intertwined processes of a constant expansion of the automatism of capital and "a process of fragmentation into closed identities," accompanied by "the culturalist and relativist ideology" (Badiou) can be suspended. It is precisely this constellation of revolutionary act, universal truth, subject, and militant community, that reveal some similarities with Sartre's concepts of the subject, the revolutionary action, the militant community a.o.

Ivan Cankar’s National Narrative and Its Role in the Formation of the Slovenian Cultural Identity

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Symbolic Order ◽  
National Narrative ◽  
Cultural Space ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.

scholarly journals Zizek's return to Lenin

2004 ◽  
pp. 71-91
Author(s):  
Milan Subotic
Keyword(s):  
Political Thought ◽  
Critical Discussion ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
Collapse Of Communism

The paper offers a critical discussion of the thesis about the revived philosophical and political significance of Lenin, as recently propounded by Slavoj Zizek. Analyzing Zizek's writings, the author argues that the call for a "return to Lenin" derives from Zizek's strategy of "textual provocation" and the frustrating position of the leftist, radical tradition of political thought after the collapse of communism.

scholarly journals La (in)trascendencia del amor: un análisis de la teleserie Qué vida más triste

2019 ◽  
pp. 51-71
Author(s):  
Álvaro Domingo Acevedo Zárate
Keyword(s):  
Jacques Lacan ◽  
Slavoj Zizek ◽  
Alain Badiou ◽  
Slavoj Žižek ◽  
Peter Sloterdijk

Esta investigación tiene por objetivo indagar acerca de cuál es la función que se le atribuye al amor en la construcción de la identidad de un sujeto cínico a través del análisis del diálogo y el lenguaje corporal. Para ello, se analiza la serie española Qué vida más triste, producción audiovisual que se transmitió, primero, por la plataforma de videos YouTube y, luego, por televisión entre los años 2005 y 2010. Esta serie es analizada a la luz de los planteamientos filosóficos de Peter Sloterdijk, Alain Badiou y Slavoj Žižek, así como la teoría psicoanalítica de Jacques Lacan. Las conclusiones a las que se llegan nos muestran que la serie plantea que el sujeto cínico, para serlo, debe renunciar a un encuentro «real» con el otro, dado que vive ensimismado en la búsqueda de su propio goce y ve a las demás personas como meros instrumentos. Sin embargo, la serie también plantea que hay una manera de romper con el aislamiento del sujeto cínico: el amor. Pero un amor vivido como lo que el filósofo francés Alain Badiou llama «un proceso de verdad», pues si se vive de otra manera, el amor pierde toda su potencia liberadora y se convierte en un mero simulacro que no hace sino reafirmar al sujeto en su cinismo y, por ende, en su aislamiento.

Slavoj Žižek and Communication Studies

2018 ◽  
Author(s):  
Robert McDonald
Keyword(s):  
Political Theory ◽  
Quantum Physics ◽  
Karl Marx ◽  
Academic Journal ◽  
Wall Street ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject ◽  
A Minor ◽  
Object Oriented Ontology

Slavoj Žižek stands as one of the most influential contemporary philosophical minds, stretching across a wide variety of fields: not just communication and critical/cultural studies, but critical theory, theology, film, popular culture, political theory, aesthetics, and continental theory. He has been the subject (and object) of several documentaries, become the source of a “human megaphone” during Occupy Wall Street, and become, while still living, the subject of his own academic journal (the International Journal of Žižek Studies). Žižek’s theoretical claim to fame, aside from his actual claim to fame as a minor “celebrity philosopher,” is that he weaves together innovative interpretations of G. W. F. Hegel, Karl Marx, and Jacques Lacan to comment on a variety of subjects, from quantum physics to Alfred Hitchcock films to CIA torture sites. While there are as many “Žižeks” as there are philosophical problem-spaces, Žižek proposes an essential unity within his project; in his work, the triad Hegel-Marx-Lacan holds together like a Brunnian link—each link in the chain is essential for his project to function. Further, his intentionally provocative work acts as a counterweight to what he views as the dominant trends of philosophy and political theory since the 1980s—postmodernism, anti-foundationalism, deconstruction, vitalism, ethics, and, more recently, speculative realism and object-oriented ontology.

Compassionate apocalypse: Slavoj Žižek and Buddhism

2016 ◽  
Vol 5 (1) ◽  
pp. 34-47
Author(s):  
Toni J Koivulahti
Keyword(s):  
The State ◽  
Political Organization ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
Divine Freedom ◽  
The Subject ◽  
Key Features

Since his rising interest in Christianity, Slavoj Žižek has discussed many other religions. This article examines his engagement with Buddhism, which he often uses as a stand in for “Oriental spirituality.” For Žižek, Buddhist traditions lack several key features that make Christianity the best prospect for religious political organization. By examining the reasons behind his rejection of Buddhism through his defence of the Subject and the state of Fallenness, the argument will be presented that Žižek's at times negative position on Buddhism can be explained through his commitment to a Lacanian reading of the Cartesian subject. This allegiance means that for Žižek there can never be a harmonious state for the subject, and accepting this provides the subject with a “divine” freedom. This article will also discuss ways in which Žižek's particularism can be overcome without losing the “apocalyptic fervor” of Christian Communist politics.

scholarly journals "W zwierciadle mroczne i niejasne". Alternatywne quasi-biografie św. Pawła w lustrze filozofii (Jacob Taubes, Alain Badiou, Giorgio Agamben, Slavoj Žižek, Emmanuel Carrère)

2018 ◽  
Vol 35 (2) ◽  
pp. 11
Author(s):  
Rafał Tomasz Szczerbakiewicz
Keyword(s):  
Giorgio Agamben ◽  
Slavoj Zizek ◽  
Alain Badiou ◽  
Slavoj Žižek

<p>Przedmiotem artykułu jest znaczące przekształcenie kulturowego obrazu historycznej postaci w związku z ideologicznym wpływem dominujących na przełomie XX i XXI wieku mód kulturowych i ideologii. Tkwiąca w człowieku narracyjna skłonność jest zarazem potrzebą nieustannego korygowania znanych z historii opowieści o wybitnych dziejowych postaciach – ich osobowościach, motywacjach, czynach (swoisty retelling rekapitulizujący znane i weryfikowalne bądź mityczne ich losy).</p>

scholarly journals Die postpolitische Stadt

2013 ◽  
Vol 1 (2) ◽  
pp. 141-158 ◽  
Author(s):  
Erik Swyngedouw
Keyword(s):  
Urban Politics ◽  
Urban Policy ◽  
Slavoj Zizek ◽  
Alain Badiou ◽  
Jacques Ranciere ◽  
Slavoj Žižek ◽  
Chantal Mouffe ◽  
Jacques Rancière ◽  
Kritische Theorie

Die Polis ist tot, es lebe die kreative Stadt! Während die Stadt, zumindest in Teilen des städtischen Raums, blüht und gedeiht, scheint die Polis im idealisierten griechischen Sinn dem Untergang geweiht; in diesem Verständnis ist sie der Ort der öffentlichen politischen Auseinandersetzung und demokratischen Unterhandlung und somit eine Stätte (oft radikaler) Abweichung und Unstimmigkeit, an der die politische Subjektivierung buchstäblich ihren Platz hat. Diese Figur einer entpolitisierten (oder postpolitischen und postdemokratischen) Stadt im Spätkapitalismus bildet das Leitmotiv des vorliegenden Beitrags. Ich lehne mich dabei an Jacques Rancière, Slavoj Žižek, Chantal Mouffe, Mustafa Dikeç, Alain Badiou und andere Kritiker jenes zynischen Radikalismus an, der dafür gesorgt hat, dass eine kritische Theorie und eine radikale politische Praxis ohnmächtig und unfruchtbar vor jenen entpolitisierenden Gesten stehen, die in der polizeilichen Ordnung des zeitgenössischen neoliberalen Spätkapitalismus als Stadtentwicklungspolitik [urban policy] und städtische Politik [urban politics] gelten. Ziel meiner Intervention ist es, das Politische wieder in den Mittelpunkt der zeitgenössischen Debatten über das Urbane zu stellen. [...]

scholarly journals Posisi Subjek Tokoh Skeeter dalam Filem The Help (2011) Karya Tate Taylor: Kajian Subjektivasi Slavoj Žižek

2019 ◽  
Vol 14 (4) ◽  
pp. 523
Author(s):  
Nor Holis ◽  
Aprinus Salam
Keyword(s):  
Educational Background ◽  
Symbolic Order ◽  
It Use ◽  
Slavoj Zizek ◽  
The Real ◽  
Slavoj Žižek ◽  
The Subject ◽  
Definition Of ◽  
Full Consideration

Slavoj Žižek introduces definition of subject through the concept of The Real. He decribes it use the Lacan’s psychoanalys triagle. The process of reaching The Real causes the subject to do something that can be out of the symbolic. Therefore, the position of subject could be decided at this stage. This kind of subject is seen in The Help (2011) film. It is represented by Skeeter. She tries to out from the symbolic order to get the real. In her process to reach the real, she is unable to release herself from the symbolic completely because of her educational background, her thought, and her conscience. Therefore, Skeeter could not be defined as the radical subject based on the process. Still, her effort in order to out from the symbolic is never succeeded. It is because she always does everything with full consideration. In fact, she only moves to the new symbolic order.

Conclusion

2020 ◽  
pp. 177-184
Author(s):  
Ole Jakob Løland
Keyword(s):  
Recent Work ◽  
Friedrich Nietzsche ◽  
Giorgio Agamben ◽  
Slavoj Zizek ◽  
Alain Badiou ◽  
Slavoj Žižek ◽  
Christian Culture ◽  
Pauline Epistles ◽  
German Speaking ◽  
The Way

Paul is a figure through whom Jacob Taubes can discern his true disagreement with his intellectual opponents, such as Friedrich Nietzsche. The Pauline epistles provide some perspectives for Taubes to reconsider the Christian culture that shaped his identity as a German-speaking Jew in a post-Holocaust Europe. These texts are useful for this particular reader to reconsider history without ever fully separating it from philosophy. The contemporary philosophical turn to Paul, considered by taking Taubes as its prime example, can partly be explained by these philosophers’ (Taubes, Badiou, Agamben, Žižek) attraction to Paul as an antinomian figure, a figure of lawlessness and freedom from law that can lead to apocalyptic violence (for Taubes) or pave the way for an existential and political break with the domain of law, as in the philosophies of Alain Badiou and Slavoj Žižek. While these two continental philosophers draw upon other readings of the apostle than Taubes’s, Giorgio Agamben bases his readings of Paul on several aspects in Taubes’s works. Nonetheless, the call from Taubes to reinterpret Paul through Freud and Nietzsche is more consistently followed in the recent work of Ward Blanton.

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