Millennial Moment (History of Service Menologies Publication in Modern Time)

2010 ◽  
pp. 50-58
Author(s):  
Ludmila P. Medvedeva
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Modern Time ◽  
Russian Orthodox Church ◽  
Publishing Activity ◽  
Cultural Aspects ◽  
History Of ◽  
First Time

The article at the first time describes the history of the publication of the Russian Orthodox Church liturgical Menologies in the second half of the XX - early XXI centuries, process of formation of this traditionally multivolume collection during the last years and now is analyzed. The development of historical and cultural aspects in light of the integrated reconstruction of the Moscow Patriarchate's publishing activity in Russia is of the most immediate interest.

scholarly journals THE WAY TO THE AUTOCEPHALY OF THE UKRAINIAN ORTHODOX CHURCH IN 1918 (THROUGH THE PRIZE OF DOCUMENTS OF THE SECOND SESSION OF THE ALL-UKRAINIAN ORTHODOX COUNCIL)

2019 ◽  
pp. 37-42
Author(s):  
A. Sliusarenko ◽  
T. Pshenychnyi
Keyword(s):  
National Security ◽  
The State ◽  
Political Elite ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
History Of ◽  
First Time ◽  
The Church ◽  
Church Tradition

The events that are taking place today in the church field of the Ukrainian State testify to the importance of the national church in building the national security of the country. The union of the church with the state has been formed for centuries, and to consider the absence of this tandem today would be wrong. However, such an alliance can be dangerous for the state if the church provokes separatism, ignites national conflict, undermines the national security of the state. Evidence of this is the aggressive policy of the leaders of the Russian Orthodox Church towards Ukraine throughout history, which has turned the church into an instrument of political games. Thus, by annexing the Metropolitan of Kiev in 1686 and establishing a protectorate over the Ukrainian church space, the leaders of the Russian Orthodox Church did everything to destroy the Ukrainian church tradition. History of Ukraine of the twentieth century testifies to the repeated attempts of Ukrainians to get out of the grip of the Russian Orthodox Church and build their own independent Ukrainian Orthodox Church. A striking example of this is the All-Ukrainian Orthodox Church Council of 1918, which, in the context of national competitions of the Ukrainian people for their own state, brought to the agenda of the revolutionary events the question of independence of the Ukrainian Church. At the second session of the Council, the idea of autocephaly of the Ukrainian Orthodox Church for the first time in many years consolidated a small part of the Ukrainian church and political elite around it. This article is devoted to analyzing the documents of this council session. The author tries to present the main stages of the competition for the autocephaly of the Ukrainian Orthodox Church and the difficulties that have arisen.

scholarly journals Opera and religion: the experience of staging the opera “The Greek Passion” by Bohuslav Martinu in the Ural Opera Ballet Theatre

2020 ◽  
pp. 140-148
Author(s):  
Andrei Gennadievich Shishkin
Keyword(s):  
Cultural Tradition ◽  
Modern Theory ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Methodological Framework ◽  
Russian Orthodox Church ◽  
History Of ◽  
History Of Culture ◽  
Bohuslav Martinu ◽  
First Time

Opera “The Greek Passion”, based upon Nikos Kazantzakis’ novel “Christ Recrucified”, demonstrated the Biblical story in “passions” of the XX century: in 2019 it was staged for the first time in Russia by Ural Opera Ballet Theatre. The article analyzes Martinu’s interpretation of the genre of passion, related to music and folk mistrial nature of this genre. Experience of interaction of the theatre in the course of staging the spectacle with representatives of the Russian Orthodox Church is reviewed. The research describes the transformation of conflict between true and false Christianity, the themes of inner transfiguration of a person. Analysis is conducted within the methodological framework of the modern theory and history of culture, in combination of culturological, philosophical and theatrological methods of interpretation. It is noted that the captured by stage directors idea on conversion of Christianity into a part of cultural tradition that can lead to the loss of its spiritual content. A conclusion is made that art and religion can be viewed as the equivalents ways of acquainting with the generally recognized humanistic values.

Mesyatseslovs memory of the Russian Orthodox Church

2020 ◽  
pp. 160-198
Author(s):  
Макарий Веретенников
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
Analysis And Synthesis ◽  
Liturgical Texts ◽  
History Of ◽  
Complete Form ◽  
Characteristic Features ◽  
Heaven And Earth ◽  
The Church

Статья посвящена содержанию, общим принципам построения и характерным особенностям календаря, или месяцеслова, Русской Православной Церкви. Автор использует методы анализа и синтеза. В итоге делаются нижеследующие обобщения. Месяцеслов был принесён на Русь из Византии в достаточно завершённом виде, однако в процессе исторического развития он дополнился особенными русскими праздниками. Календарь-месяцеслов - это грандиозный собор святых, подвизавшихся в разных местах на протяжении веков, единение Церкви Небесной и земной, история святости и история нашей Церкви. Месяцесловным памятям посвящены составленные гимнографами богослужебные тексты, которые поются и читаются в храмах. Традиционно почитается день кончины угодников Божиих, память открытия мощей святых, перенесения их святых мощей или же день канонизации угодников Божиих, реже - день их рождения. Фенологические наблюдения русского народа связаны с повседневной деятельностью и увязаны с месяцесловом, что свидетельствует о его проникновении в повседневную жизнь русского человека. The article is devoted to the content, General principles of construction and characteristic features of the calendar, or mesyatseslov, of the Russian Orthodox Church. The author uses methods of analysis and synthesis. As a result, the following generalizations are made. The mesyatseslov was brought to Russia from Byzantium in a fairly complete form, but in the course of historical development it was supplemented with special Russian holidays. The calendar-mesyatseslov is a grandiose council of saints who have labored in different places over the centuries, the unity of the Church of Heaven and earth, the history of holiness and the history of our Church. Liturgical texts composed by hymnographers, which are sung and read in churches, are dedicated to the mesyatseslovs memory. Traditionally, the day of the death of saints, the memory of the discovery of the relics of saints, the transfer of their Holy relics, or the day of the canonization of saints, less often - the day of their birth are honored. Russian people’s phenological observations are related to their daily activities and are linked to mesyatseslov, which indicates its penetration into the daily life of the Russian people.

Synodal Liturgical Commission

2020 ◽  
pp. 269-274
Author(s):  
Сергей Забелич
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
History Of ◽  
The Church

В статье рассказывается об истории создания Синодальной Богослужебной комиссии, основных направлениях ее деятельности, задачах. На заседаниях обсуждаются вопросы и принимаются предварительные решения по сложным календарным вопросам, а также введение новых текстов в богослужебную практику Русской Православной Церкви на основе церковного Устава (Типикона) и литургической традиции Русской Церкви. The article is devoted to the history of establishing the Synodal Liturgical Commission, the main fields of its work and the essential tasks. The Commission raises a number of important liturgical questions, takes preliminary decisions on the complicated calendar issues and introduces the new texts of divine services into the worship practice of the Russian Orthodox Church following the Church statutes (Typikon) and the liturgical tradition of the Russian Church.

The Patriarch Nikon’s Museum in the New Jerusalem Monastery: the 145th Anniversary of Its Foundation

2020 ◽  
pp. 111-127
Author(s):  
Светлана Измайловна Баранова
Keyword(s):  
Spiritual Development ◽  
Emotional Impact ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Holy Land ◽  
Russian Orthodox Church ◽  
New Jerusalem ◽  
History Of ◽  
Xix Century

Статья посвящена истории созданного в 1874 г. в Воскресенском Ново-Иерусалимском монастыре музея Святейшего патриарха Никона, а также истории возрождения музея в новом качестве, ставшего частью программы современного восстановления Ново-Иерусалимского монастыря. Рассмотрена роль устроителя музея архимандрита Леонида (Кавелина) (1822-1891) - настоятеля обители в 1869-1877 гг., выдающегося русского историка, историографа Воскресенского монастыря, собирателя его древностей и исследователя его архивов. Также представлен опыт построения экспозиции нового Музея патриарха Никона, использующий объединение историко-хронологического принципа с художественно-образным, коллекционного - с мемориальным, тематическим и ансамблевым. Восстановление в монастыре музея в новом качестве должно подчеркнуть мемориальную сущность обители как явления русской церковной археологии XIX в. Экспозиция, размещенная в залах музея, должна создать богатый информационновизуальный базис, оставить в памяти посетителя глубокий эмоциональный след, дать пищу для духовного развития и материал для общих размышлений о судьбах Святых Мест христианства, параллелях в жизни России и Святой Земли, колоссальном вкладе патриарха Никона в строительство величественного здания Русской Православной Церкви и зарождавшейся Российской империи. The article is dedicated to the history of the Museum of His Holiness Patriarch Nikon, founded in 1874 in the Resurrection New Jerusalem Monastery as well as the history of the revival of the museum in a new quality, which became part of the restoration program of the New Jerusalem Monastery. The role of the organizer of the museum, archimandrite Leonid (Kavelin) (1822-1891), the abbot of the monastery in 1869-1877, an outstanding Russian historian, the Resurrection Monastery historiographer, a collector of its antiquities and a researcher of its archives, is considered. Also, it is said about the experience of forming a collection of the new Patriarch Nikon’s Museum implementing historical-chronological, artistic-figurative, memorial, thematic and ensemble principles of the collection. Anew quality restoration done in the monastery museum should emphasize the memorial importance of the monastery as a phenomenon of Russian church archeology of the XIX century. The exposition located in the museum halls should create a rich informational and visual basis, have a deep emotional impact in the visitor’s memory, provide food for spiritual development and material for general reflection on the fate of the Holy Chrisitan Places, establish parallels in the life of Russia and the Holy Land, mark an enormous contribution of Patriarch Nikon in the construction of a magnificent building of the Russian Orthodox Church and the nascent Russian Empire.

scholarly journals «ГОСПОДСТВЕННАЯ ВЛАСТЬ» VS ДУШЕПОПЕЧЕНИЕ: ПРАКТИКА ИСПОВЕДИ В РУССКОЙ ДУХОВНОЙ ТРАДИЦИИ СИНОДАЛЬНОГО ПЕРИОДА

2020 ◽  
pp. 71-84
Author(s):  
Алексей Черный
Keyword(s):  
Sixteenth Century ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Mutual Trust ◽  
Modern Life ◽  
Russian Orthodox Church ◽  
Pastoral Identity ◽  
Personal Interaction ◽  
History Of ◽  
The Church

The article attempts to reconstruct various pastoral models that appeared in the history of the Russian Orthodox Church over several centuries. The author identifies several "images" of confession, which are very different, among them: the realization of "despotical" power in a "confessional" family of the sixteenth century, the fulfillment of conscription, deeply personal interaction based on mutual trust and the value of a hierarchical aspect, counseling under the guidance of a "parish elder". The state, depending on the circumstances, either embeds the pastor in itself as a necessary part of its own mechanism, or considers the priesthood as a foreign element, or completely distances itself from religious affairs. The author suggests that the “types” of confession presented in the article can be compared with the forms of pastoral self-consciousness to be found in the modern life of the church. This in turn suggests that in the Russian Church today is characterized by the search for pastoral identity, in which the priesthood plays a key role.

scholarly journals Eurasianists on the Role of Orthodoxy and the Church in the National State Development of Russia

2020 ◽  
Vol 19 (1) ◽  
pp. 254-268
Author(s):  
Sergey V. Bazavluk
Keyword(s):  
Political Identity ◽  
Roman Catholic ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
Catholic Culture ◽  
History Of ◽  
New Type ◽  
The Church

The author analyzes the ideological views of a group of Russian migrants of the fi rst wave, known as Eurasianists, including N.S. Trubetskoy, P.N. Savitsky, N.N. Alekseeva, L.N. Karsavina and others. The author discusses fundamental elements of the classical Eurasianist program, such as the role of the Orthodox Church and the state in the life of Russia and its society, their attitude to Roman Catholic culture, and their place in dialogue with other religions. In addition, other important elements of Eurasianism noted here are the ideas of pan-Eurasian nationalism, ideocracy, the spatial borders of Russia-Eurasia, the symphonic personality, a guarantee state. These issues are associated directly with the authors of these concepts and with Eurasianism in general. The author demonstrates the continuity with the teachings of the Slavophiles and highlights the special attention that the Eurasians paid to the traditional cultures of Russia. Also noted is the interest in Eurasianism of church circles in exile in Europe. At the same time, the Eurasianists’ critical vies on the “Petersburg period” in the history of the Russian church are highlighted, which are also implicit in Eurasianism as an independent ideological and philosophical line of thought of Russian emigration in the fi rst half of the twentieth century. An attempt is made to show how, through conservative thought, Eurasians tried to form a new type of political identity. This ideological direction with an emphasis on spirituality and special institutions was considered by Eurasians as a prototype of the future statehood of Russia as opposed to the Soviet-Marxist system. In the context of the contemporary Eurasian integration (EAEU), of the current role of the Russian Orthodox Church and external political manipulations around the role of the Moscow Patriarchate, the theoretical views of the Eurasians take on a new dimension.

scholarly journals History of the Syrian Christians on the pages of the book “The Urmia Tragedy. The Life of the Holy Martyr Pimen (Belolikov, 1879–1918), Bishop of Semirechensk and Vernen”

2021 ◽  
pp. 946-952
Author(s):  
Z. P. Inozemtseva ◽  
Keyword(s):  
Primary Sources ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Government ◽  
Russian Orthodox Church ◽  
Historical Significance ◽  
Teachers And Students ◽  
History Of Religions ◽  
History Of ◽  
Comprehensive Study

The peer-reviewed monographic study by Archimandrite Damaskin (Orlovsky), dedicated to the little-studied problem of the missionary activity of the Russian Orthodox Church and the policy of the Russian government towards the Christian part of the Syrian people, has been carried out on the basis of a vast array of archival primary sources, many of which have been thus introduced into scientific use. It is noted that the peer-reviewed work is one of the first, where the author, acting simultaneously as historian and as agiator, recreates the historical canvas of the saint’s life on the basis of a comprehensive study of archival sources, including documented testimonies of persons who were canonized, but whose names and works were crossed out from the official historiography. The review shows that the historical and agiographic context of the author's study has allowed him to quickly and comprehensively recreate historical facts and events, fates of individuals and to reveal their morality. The reviewer appreciates the historical significance of the book's materials, believing that they deserve the closest attention of historians, foreign policy specialists, political scientists, clergy, scholars in historical psychology. The book will be of interest to teachers and students studying the history of religions and of the Russian Orthodox Church.

Court Singing Capella and Divine Рractice of the Russian Orthodox Church

2020 ◽  
pp. 126-136
Author(s):  
Константин Рева
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
Saint Petersburg ◽  
History Of ◽  
Liturgical Practice ◽  
Church Split ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Church

В настоящей статье предпринята попытка рассмотреть влияние Придворной певческой капеллы на развитие богослужебной практики Русской Православной Церкви в Синодальный период. После церковного раскола XVII в. продолжающееся развитие богослужебной практики не находило отражения в корпусе богослужебных книг. В XVII в. в Русской Церкви было два практически равновеликих по значению образцовых столичных хора: хор патриарших певчих дьяков и хор государевых певчих дьяков. С упразднением патриаршества и переносом столицы в Санкт¬-Петербург в Синодальный период истории Русской Православной Церкви Придворная певческая капелла стала главным церковным хоровым коллективом, основной обязанностью которого было пение за богослужением в придворных церквях. В XIX в. Придворная певческая капелла была на делена особыми административными правами в церковно-¬певческой сфере, связанны ми с цензурой церковно-¬певческих произведений и подготовкой церковных регентов. Исключительные права по изданию церковно¬-певческих книг в Русской Православной Церкви, закрепленные Святейшим Синодом за Придворной певческой капеллой, стали причиной широкого распространения литургических особенностей богослужения придворных церквей в Российской империи. Практика обязательной аттестации церковных регентов Придворной певческой капеллой усилила распространение не только её церковно-¬музыкальной традиции, но и придворного литургического порядка, что оказало существенное влияние на практику совершения кафедрального и приходского богослужения. Изучение богослужебной практики Русской Православной Церкви в XVIII-XX вв. немыслимо без учёта деятельности и наследия Придворной певческой капеллы. This article attempts to consider the influence of the Court Singing Chapel on the development of divine practice of the Russian Orthodox Church during the synodal period. After the Church split of the 17th century, the continuing development of liturgical practice was not re flected in the corpus of liturgical books. In the XVII century the Russian Church had two almost equal in importance exemplary Metropolitan choirs: the choir of Patriarchal singing deacons and the choir of sovereign singing deacons. With the abolition of the Patriarchate and the transfer of the capital to Saint Petersburg during the Synodal period of the history of the Russian Orthodox Church, the Court singing Capella became the main Church choral group, whose main duty was to sing at divine services in the court churches. In the 19th century, the Court singing chapel was giv en special administrative rights in the Church singing sphere related to the censorship of Church singing works and the training of Church Regents. The exclusive rights to publish Church sing ing books in the Russian Orthodox Church, which were assigned by the Holy Synod to the Court singing chapel, caused a wide spread of liturgical features of the service of court churches in the Russian Empire. The practice of mandatory certification of Church Regents by the Court singingchapel has increased the spread of not only its Church music tradition, but also the court liturgical order, which has had a significant impact on the practice of performing Cathedral and parish ser vices. The study of the liturgical practice of the Russian Orthodox Church in the XVIII-XX centuries is unthinkable without taking into account the activities and heritage of the court singing chapel.

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