scholarly journals Activation of Book Publishing for Children and Youth by means of the Regional Target-Oriented Programs (on the materials of Udmurt Republic)

Author(s):  
I. F. Pavlova

The article discusses the republican and municipal target-oriented programs enacted in the Udmurt Republic in 1990-2000 with the aim of preserving the cultural heritage of the region, the revival and development of the native language, encouraging publication of children's and youth books. The Programs «Memory of Udmurtia», «Children of Udmurtia», Program for Implementation of the UR Law «On the State Languages of the UR...», «Children of Izhevsk» and «Memory of Sarapul» enriched the repertoire of the Udmurt children's books.

Knygotyra ◽  
2020 ◽  
Vol 75 ◽  
pp. 199-217
Author(s):  
Oksana Petrenko

This article sheds light on the first research attempt to establish the biblio­graphic and statistical accounting of the books that were published in Ukraine in the 19th century. Besides, the article has analysed the begin­ning of the institutionalization of the children’s books’ publishing statis­tics in Ukraine. The author seeks to answer the question of who was at the origin of the formation of the children’s books’ publishing statistics. Library and museum funds became reliable sources of attribution of the children’s books’ publishing statistics in Ukraine. The results of received data on old-printed children’s books have been studied, systematised and compared with the data of other old-printed books that were found in other library collections. According to this, there is the conclusion about the primacy or repetition in the bibliographies of old-printed children’s books that became the basis for creating a summary table. This article of­fers insights into the chronology of publishing children’s books in Ukraine from the beginning of their publishing to the start of the state registra­tion of publications.


Bibliosphere ◽  
2017 ◽  
pp. 35-40
Author(s):  
E. V. Engalycheva

The article is devoted to the history of Siberian regional children's book publishing. The author has collected theoretic-practical opinions of historians, bibliologists, publishers and booksellers, librarians and bibliographers, psychologists and sociologists, which purpose is to generalize and reveal regularities of books' flow for children. V. G. Belinsky, L. N. Tolstoy, F. G. Tol’, N. V. Chekhov developed the first concepts of children's book. N. K. Krupskaya, V. A. Sukhomlinsky studied the «core» of the children book repertoire. V. G. Sopikov, B. S. Bondarsky reviewed children's literature of the 19th century in their bibliographic works. The author allocated some organizational components using formal-logical, comparative-historical and structural-typological methods. The first block is related to studying such definitions as «children's book», «children's literature», «editions for children», «a circle of childhood reading», «the repertoire of children's books», their typological signs. The presented concepts are investigated according to tasks, which children's editions solve. S. G. Antonova and S. A. Karaichentseva touched issues of children's literature typology in their publications. The second block of literature reveals the children's book development in Russia in various periods of its formation. I. E. Barenbaum, A. A. Grechikhin, A. A. Belovitskaya studied general fundamentals of the book's history, while A. Ivich, L. Kohn, I. Lupanova considered the history of children’s books. The third block is devoted to printing and art features of the children's book design, activity of universal and specialized publishing houses to distribute literature for children. The fourth block explains such category as «reader - library», considers techniques of work with children's book, offers methodical recommendations for teachers and tutors. Readers’ activity is examined as well. The author analyzes interests, factors, incentives and aims influencing childhood reading. Dissertation researches disclose the regional specifics of children's book publishing in 1980-2013, confirm the considered subject relevance. The historical, comparative, formal and logical analysis carried out by the author will be useful both the specialists in publishing and editorial affairs, researchers studying the history and development of the children's book, historians, and teachers in the educational process of such courses as «Publishing and Editing», «Children's Literature», «Book Science». The author concludes that the children's book has been studied in different periods of its development in the context of numerous aspects, directions and components, which makes it possible to reveal the special patterns of its existence.


Author(s):  
L. ZIMAKOVA ◽  
V. KRAMARENKO

The article is devoted to the study of trends in the development of modern children’s books, its impact on the formation of creativity as one of the main competencies. The basis for the development of the visual and plot components of the children’s book in the middle of the 20th century and their influence on the formation of the psycho-emotional component of the young generation of those times are retrospectively covered. Possibilities of modern book publishing for authors-writers are presented. Perspective directions of publishing business development both abroad and in Ukraine are covered. The study revealed qualitative changes in the content, artistic, and architectural content of modern children's books, which are reflected in the latest plots, visual images, design, and creative approaches to putting out books. With the help of certain modern children’s books, we have proved the effectiveness of pedagogical methods of forming preschoolers’ ability to be creative in various life situations, their readiness for non-standard, original solutions, ability to be independent and choose freely, curiosity, development of imagination, courage, flexibility, mobility, etc. These are so-called “quiet books” for children which are popular nowadays. The story is told exclusively by means of illustrative material, which has its own unique author’s visual language and non-standard presentation. It develops children’s imagination and forms their tastes, non-standard thinking, ability to improvise, and encourages preschoolers’ to play. Books with an interactive narrative are of great interest to children. These are toy books, which stimulate children to create games or to become an author of a book with the help of an interesting story and illustrative material. It is offered to consider a modern children’s book not only as an information source but also as a means of stimulating preschoolers’ artistic and play activities. It is emphasized that the modern children’s book is a symbiosis of three artistic practices and might be used as artistic and game material in the educational process of PEI. The influence of books on the preschoolers’ psycho-emotional, personal-behavioral, artistic-activity development, as well as their creativity formation, is clarified practically.


2018 ◽  
Vol 16 (1) ◽  
pp. 14
Author(s):  
Angela J. Reynolds

I received the 2017 Bechtel Fellowship and spent a month in Gainesville, Florida, from mid-April through mid-May, trekking each day to the University of Florida. There I pored over hundreds of volumes containing the story of Little Red Riding Hood and spent my weekends compiling data or visiting wildlife parks in search of alligators (which were in abundance).The story of Little Red Riding Hood has fascinated me since childhood, and now I am even more intrigued. Intense study of this story has led me to many fine explorations into the tale and has helped me understand the history of children’s book publishing. The Bechtel Fellowship gave me the opportunity to learn a great deal about a specific story, and sharing this knowledge enables me to spread my love of story and children’s books with others. Below is my report from my month of study.


Humanities ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 48
Author(s):  
Vanessa Joosen

In the Netherlands and Flanders, more or less a fifth of all children’s books are translations. The decision of what gets translated and funded is, for the most part, informed by adults’ decisions. This paper offers a first step towards a more participatory approach to the translation of books for young readers by investigating children’s understanding of translation processes and the criteria that they put forward as desirable for the international circulation of children’s books. It presents the findings from interviews and a focus group talk with child members of the “Kinder- en Jeugdjury Vlaanderen”, a children’s jury in which the jurors read both original and translated works. While the children did not always realize which books were translated, they did express clear views on their preferred translation strategies, highlighting the potential to learn about other cultures while also voicing concern about readability. They cared less about exporting their own cultural heritage to other countries, and put the focus on the expansion of interesting stories to read as the main benefit of translations. While this project still involved a fairly high level of adult intervention, it makes clear the potential of children to contribute to decisions about the transnational exchange of cultural products developed for them.


1996 ◽  
Vol 16 (1) ◽  
pp. 25-49 ◽  
Author(s):  
Lisa C. Dierker ◽  
Barbara Sanders

The present study focuses on children's developing ability to categorize real and pretend events, their understanding regarding the permanence of the state of pretense, and the potential effects that emotional tones have on these abilities. Children's involvement in imagination was also assessed as a possible factor contributing to individual differences in reality/fantasy understanding. Sixty male and female children selected from university preschool and kindergarten classes judged happy, neutral, and frightening pictures selected from children's books according to whether they believed that the event could happen in real life. Findings show that kindergartners perform significantly better than preschoolers in distinguishing real from pretend events. Overall, children made significantly fewer correct distinctions between reality and fantasy for the frightening pictures than for both the happy and neutral pictures. Individual difference analyses between children judged to be differentially involved in fantasy did not reveal any differences in their ability to distinguish between real and pretend events. Theoretical and practical implications of these findings are discussed.


Prospects ◽  
1994 ◽  
Vol 19 ◽  
pp. 189-223
Author(s):  
Albert E. Stone

If hiroshima as fact and metaphor marks a turning point of modern secular and spiritual history, what has this fact meant to American children and youth? The thinkable event with the unthinkable implications has, for four decades and more, offered unique challenges and opportunities to all sorts of writers working in popular and esoteric forms with adult audiences. One of the least esoteric but most neglected of these literary forms is children's books, written and illustrated, for the very young and for adolescents. As with works for adults, writings for children are rich sources of cultural information on and attitudes about the nuclear age. They create, vicariously but affectively, informative and imaginative encounters with earthshaking events and their aftershocks long antedating young consciousnesses but present in children's lives as adult conversations, media messsages, and significant silences. Such books often build early imaginal memories on which adult thought and feeling about the Bomb are deeply based.


2014 ◽  
Vol 6 (3) ◽  
pp. 637-640
Author(s):  
Molly Huber

Mnopedia is the recently created, born digital encyclopedia of the state of Minnesota. It is a project of the Minnesota Historical Society (MNHS), the state’s leading cultural heritage institution and one of the largest and oldest historical societies in the nation. The MNHS has been in existence since 1849 and tells the story of Minnesota’s past through exhibitions, extensive libraries and collections, twenty-six historic sites, educational programs, book publishing, and both financial and inkind assistance to county and local historical societies throughout the state. It provides a strong base for an encyclopedia to grow from.


Servis plus ◽  
2017 ◽  
Vol 11 (3) ◽  
pp. 94-99
Author(s):  
Софья Куприянова ◽  
Sofia Kupriyanova

This study describes the practice of lulling in contemporary urban culture and its accompanying speech forms and nonverbal components. The research material included interviews with parents, which were recorded in Saint Petersburg from 2008 to 2015. Thirty-seven such records (33 women and 4 men) were made during the gender study. In was interesting to find out which texts the parents used as lullabies and what they felt when lulling their children to sleep and how the children reacted to it. It was found that various texts and melodies, which the respondents were sung in their childhood, were used as lullabies; these texts and melodies came from different genres and times, including contemporary works. The repertoire is generally based on the personal experience of the performer. Adults sing to their children the things that they themselves learned during their childhood, folk lullabies, which they are familiar with after reading children’s books, popular hits and military songs that they learned while attending the school choir. The choice to use this or that text as a lullaby can be related to the state of emotional comfort and calmness of the performer. Thus, the lullaby is addressed equally to both participants of the process – the child and the performer. Through certain strategies (rocking, humming), parents also access their own feelings and gain the ability to control them. It is worth noting that the textual content of the lullaby is not as important for the child as it is for the adult. Children’s needs primarily come from the rhythm and melody of the performed work. Therefore, it is possible to conclude that the lullaby is a means that allows working with the internal state of the per-former.


Author(s):  
Gundega Ozoliņa ◽  

Historically, children’s literature awards have been established both to improve the quality of children’s literature and to promote the market for children’s books. Today, an international prize for literature can be seen as a socio-political game with the aim of disseminating specific values and sharing various ideas that seem relevant to a society. The Astrid Lindgren Memorial Award (ALMA) is the most generous children’s literature award in monetary terms – and, at the same time, one of the largest literary awards. The study examines the details and choices of ALMA nomination, provides a brief insight into the problems of the awarding phenomenon, as well as considers ALMA in the context of Latvian book publishing.


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