scholarly journals Tatiana Koltochikhina’s batiks: «From the beginning without the end»

2016 ◽  
Author(s):  
И.В. Октябрьская
Keyword(s):  
Space And Time ◽  
The World ◽  
Art Forms ◽  
The Subject

Батик роспись по ткани один из древнейших видов искусства, восходящих к ремеслам, преобразующим вещный мир по законам красоты. Рукотворная природа делает причастным это декоративное творчество к творению. Под руками художника по батику Татьяны Колточихиной пространство ткани превращается в пространство мира. Ее мир не имеет границ в пространстве и времени. Он древний и вечный. Поверхность бытия на полотнах художника растресканная, как поверхность старых картин, напоминает о глубине памяти и непреходящем характере творческих исканий. Batik, the textile painting, is one of the most ancient art forms, dating back to the crafts, transformed the subject world according to the laws of beauty. Manmade nature makes this decorative work involved into creation. At the Tatiana Koltochikhina’s hands, craftsman in batik, the space of textile turns into the space of the world. Her world does not have the borders of space and time. It is ancient and eternal. The surface of the existence on the artist’s canvases is cracked, as the surface of the old pictures, reminds the memory depth and the imperishable nature of the artistic explorations.

scholarly journals Categories of everyday knowledge in German professional discourse

2019 ◽  
Vol 69 ◽  
pp. 00063
Author(s):  
Natalia Shnyakina ◽  
Anna Klyoster
Keyword(s):  
Scientific Knowledge ◽  
Frame Analysis ◽  
Professional Discourse ◽  
Space And Time ◽  
The World ◽  
Categorical Structure ◽  
Cognitive Action ◽  
The Subject ◽  
Subject Of Cognition ◽  
Everyday Knowledge

The study of language as a cognitive phenomenon makes it possible to identify patterns of categorical division of the world. This paper considers the issue of the characteristics of everyday knowledge categories verbalization in professional discourse. On the basis of language fragments, objectifying ideas about the cognitive situation, through frame analysis, surface realizations of significant cognitive categories are investigated, among which are the subject of cognition, the object, the cognitive action, the instrument, the result, space and time. The named semantic nodes form the categorical structure of the frame behind the language fragment. The analysis demonstrates the compatibility of everyday and scientific knowledge division by a speaker; still, it illustrates the specificity of the language expression of frame nodes within the framework of professional discourse.

scholarly journals MF Husain’s Hindi Autobiography Em. Ef. Husain kī kahānī apnī zubānī

2020 ◽  
Author(s):  
Alessandra Consolaro
Keyword(s):  
Public Spaces ◽  
The Body ◽  
The Self ◽  
Imagined Community ◽  
Space And Time ◽  
Cultural Artefact ◽  
The World ◽  
Private And Public ◽  
The Subject

Drawing from Elizabeth Grosz’s notion of the body as a socio-cultural artefact and the exterior of the subject bodies as psychically constructed, and Rosi Braidotti’s concept of nomadic identities, in this article I introduce world-renowned Indian painter MF Husain’s verbal and visual autobiography Em. Ef. Husen kī kahānī apnī zubānī as a series of sketches of a performative self, surfing the world in space and time. Bodies and spaces are envisioned as “assemblages or collections of parts” in constant movement, crossing borders and creating relationships with other selves and other spaces. People and places become a catalyst for manifestations of the self in art – MF Husain being foremost a painter – and eventually also in literature. I look for strategies that MF Husain uses in order to construct or deconstruct the self through crossings and linkages. I try to investigate how the self is performed inside and outside private and public spaces, how the complex (sometimes even contradictory) relationship between self and community is portrayed, and how this autobiography does articulate notions of (imagined) community/ies, nationalism, transnational subjectivity, nostalgia.

scholarly journals “A Multitude of Drops.” David Mitchell’s Cloud Atlas and the Subject between Space and Time

2019 ◽  
Vol 11 (1) ◽  
pp. 49-63
Author(s):  
Noémi Albert
Keyword(s):  
The Novel ◽  
Time And Space ◽  
Fictional World ◽  
Space And Time ◽  
The World ◽  
Constant State ◽  
The Subject ◽  
Cloud Atlas

Abstract David Mitchell’s Cloud Atlas (2004) presents its readers with a “borderless world.” This borderlessness concerns space and time, with complex and interweaving spatiotemporal planes. In this fictional world, the subject will serve as an entity that brings together disparate spatialities and temporalities through an intricate symbolic web that connects the subject’s body to the world it inhabits. Numerous versions of past, present, and future run in parallel, the actual and the virtual coexist, and the text folds upon itself. The novel operates a constant state of liminality, a state that will be embodied by the subject. Seemingly in a paradoxical way, the multiple liminal states identifiable in the novel convey the ultimate sense of borderlessness. It is exactly the work’s heterogeneity, its jumps through time and space, its interrupted chapter structure that lend it a special unity and coherence that erases both geographical and temporal borders. The novel’s structure goes into thematic depths and creates a bridge, a constant interplay between form and content, captured in the metaphor of the concertina. Consequently, Cloud Atlas creates a constantly shifting world where the only fixed entity is the subject and its comet-shaped birthmark.

On the Accessibility of the Thing-in-itself: Kant’s Transcendentalism and Meillassoux’s Speculative Materialism

2021 ◽  
pp. 138-147
Author(s):  
Fedor I. Girenok ◽  
Keyword(s):  
Modern Philosophy ◽  
A Priori ◽  
Space And Time ◽  
The World ◽  
Thing In Itself ◽  
The Subject ◽  
The Absolute ◽  
Positive Knowledge

Modern philosophy has shown an unexpected interest in materialism. Why is materialism attractive? Perhaps because of the simplicity of thought, or be­cause of the direct discernment of the truth? Among the new materialists stands out the figure of Meillassoux, who tried to justify the need to move from transcendental and phenomenological idealism to speculative material­ism. But the interest in materialism is even more unexpected among young russian researchers who became volunteers of speculative materialism without hesitation. What attracts them to materialism? The answer to this question can be obtained by analyzing the philosophy of Meillassoux. This article examines the speculative materialism of Meillassoux. His idea of contingency is com­pared with Kant’s idea of productive imagination a priori. As a result, the author concludes that Meillassoux has not found the answer to the question why laws are constant. The absolutization of factuality, on which Meillassoux insists, does not give positive knowledge about the absolute. The inconsistency of Meillassoux is that the absolute is always preceded by an anthropological process of absolutization. The author concludes that speculative materialism attracts by its theoretical simplicity, which, in turn, is based on the full and merciless deprivation the world of anthropological dimension. In the material­ism of K. Meillassoux, an inescapable longing for the absolute is expressed. The speculative materialists want to restore space and time to nature with the help of the absolute, forgetting that the dif­ference between things in them­selves and things for themselves is not based on the absolutization of time, but on the presence of subjectivity. Meillassoux refused subjectivity. He chose the absolute. For him, the subject of philosophy is not the existence of a per­son, but a certain “may-be”.

scholarly journals THE SPECIFICS OF METAPHYSICAL DEFAMILIARISATION IN SIGIZMUND KRZHIZHANOVSKY’S PROSE

2020 ◽  
pp. 191-197
Author(s):  
Oleg S. Gorelov
Keyword(s):  
Creative Work ◽  
Magic Realism ◽  
The Unconscious ◽  
Space And Time ◽  
Mise En Scene ◽  
The World ◽  
Real Objects ◽  
The Subject ◽  
The Fantastic ◽  
The Invisible

The article analyses the creative work of Sigizmund Krzhizhanovsky with the help of a surrealist code. Associations with magic realism, with imaginism and partly with the literary nonsense naturally arise when considering the elements of the fantastic, the miraculous, the imaginary, the oneiric in Sigizmund Krzhizhanovsky’s aesthetic and artistic system. The surrealistic is present in the work of Sigizmund Krzhizhanovsky implicitly. At the external levels of the structure, the most obvious signs of surrealist writing (nonlinear architectonics of the subject and the world, the representation of the desire of the unconscious, automatism, chains of «stupéfi ant images») either have a circumstantial nature or are not detected at all. However, as shown in the article, those signifi cant elements that appear and are almost obsessively repeated in Sigizmund Krzhizhanovsky’s writing (minimal metaphysic defamiliarisation, framing, contemplation of the invisible, metonymic parallax) can be called minimal surreal gestures. The article analyses the main features and specifi cs of the implementation of the metaphysic defamiliarisation, one of such gestures. This defamiliarisation is realised through complex work with space and time. The metaphysical is not beyond, but appears in this world, imperceptibly changing the perception of real objects, the atmosphere itself, drawing the subject into a strange mise-en-scène of nothingness, which does not violate the general specifi city and immanence of the landscape.

scholarly journals The role of categories of space and time in creation of artistic worldview in the works of Buryat writers (on the example of tales by Baradiĭ Mungonov “Call of the Ancestors and Sounds of the Forthcoming” and Dorji Erdyneev “Toonto”

2020 ◽  
pp. 56-64
Author(s):  
Mariya Danilovna Danchinova
Keyword(s):  
Literary Text ◽  
Value Of Life ◽  
The Other ◽  
Space And Time ◽  
The World ◽  
Artistic Vision ◽  
The Subject ◽  
Artistic Images ◽  
Artistic Image

This article explores the worldview in tales of the Buryat writers. The subject of this research is the role of categories of space and time in the architectonics of artistic image of the world in tales “Call of the Ancestors" by B. Mungonov and “Toonto” by D. Erdyneev. These works have not previously become the object of research in Buryat literary studies from perspective of significance of space-time interrelation. This defines the novelty of this article, and allows revealing other aspects of artistic vision in the works of Buryat writers. The key methods for studying the categories of space and time in a literary text include descriptive, comparative, and mythopoetic. It is demonstrated that the categories of space and time are localized in various artistic images, symbols and meanings, contain the concepts of endlessness, infinity, relativity and discreteness, as well as allow creating a vivid unique palette of artistic vision of the world in tales of the Buryat writers. Analysis is conducted on the artistic architectonics through the prism of correlation between the categories of space and time in tales of B. Mungonov “Call of the Ancestors and Sounds of the Forthcoming” and D. Erdyneev “Toonto”. Peculiarity of the categories of space and time in the artistic picture of Buryat writers is reflected in Eastern outlook upon the world, which is based on the models of cyclicity and substantiality. In the tale of B. Mungonov prevails the category of time. In the artistic worldview, one stems from the other. In the tale of D. Erdyneev “Toonto” dominates the by category of space. Toonto is translated from Buryat as a particular space, birthplace of a man, where him and his ancestors have roots. Tales of B. Mungonov and D. give thoughts on the value of life and chances to repair past mistakes.

Alignment

2016 ◽  
pp. 33-50
Author(s):  
Pier Giuseppe Rossi
Keyword(s):  
Teaching And Learning ◽  
Enactive Approach ◽  
The World ◽  
Strategic Role ◽  
Education Today ◽  
Current Context ◽  
The Subject

The subject of alignment is not new to the world of education. Today however, it has come to mean different things and to have a heuristic value in education according to research in different areas, not least for neuroscience, and to attention to skills and to the alternation framework.This paper, after looking at the classic references that already attributed an important role to alignment in education processes, looks at the strategic role of alignment in the current context, outlining the shared construction processes and focusing on some of the ways in which this is put into effect.Alignment is part of a participatory, enactive approach that gives a central role to the interaction between teaching and learning, avoiding the limits of behaviourism, which has a greater bias towards teaching, and cognitivism/constructivism, which focus their attention on learning and in any case, on that which separates a teacher preparing the environment and a student working in it.

Jalan Kesempurnaan Menurut Jamaah Insan Al-Kamil di Cijati Desa Cikareo Selatan Sumedang

2020 ◽  
Vol 2 (1) ◽  
pp. 23-37
Author(s):  
Syarifudin Syarifudin
Keyword(s):  
Qualitative Method ◽  
Human Beings ◽  
The Core ◽  
The World ◽  
The Subject ◽  
Religious Sect ◽  
Descriptive Qualitative

Each religious sect has its own characteristics, whether fundamental, radical, or religious. One of them is Insan Al-Kamil Congregation, which is in Cijati, South Cikareo Village, Wado District, Sumedang Regency. This congregation is Sufism with the concept of self-purification as the subject of its teachings. So, the purpose of this study is to reveal how the origin of Insan Al-Kamil Congregation, the concept of its purification, and the procedures of achieving its purification. This research uses a descriptive qualitative method with a normative theological approach as the blade of analysis. In addition, the data generated is the result of observation, interviews, and document studies. From the collected data, Jamaah Insan Al-Kamil adheres to the core teachings of Islam and is the tenth regeneration of Islam Teachings, which refers to the Prophet Muhammad SAW. According to this congregation, self-perfection becomes an obligation that must be achieved by human beings in order to remember Allah when life is done. The process of self-purification is done when human beings still live in the world by knowing His God. Therefore, the peak of self-purification is called Insan Kamil. 

FAMILY TRADITIONS: REFLECTION OF SOME FAMILY TRADITIONS IN THE LINGUISTIC PICTURE OF THE WORLD (ON THE BASIS OF ENGLISH AND UZBEK PROVERBS AND IDIOMS)

2020 ◽  
Vol 1 (3) ◽  
pp. 49-56
Author(s):  
Feruza Mamatova ◽  
Keyword(s):  
Cross Cultural ◽  
Cultural Communication ◽  
Cross Cultural Communication ◽  
The World ◽  
Marriage Partner ◽  
The Status ◽  
The Subject

The present paper aims to compare the principles of choosing a marriage partner and analyse the status of being in the marrriage in the frame of family traditions that are totally inherent to the both of the nations: English and Uzbek. It is known that interconnection and cross-cultural communication between the countries of these two nationalities have been recently developed. The purpose to give an idea about these types of family traditions and prevent any misunderstanding that might occur in the communications makes our investigation topical one. The research used phraseological units as an object and the marriage aspects as the subject

De-Finition

2019 ◽  
Vol 95 (2) ◽  
pp. 231-245
Author(s):  
Erik Ode
Keyword(s):  
Educational Research ◽  
The Other ◽  
Political Perspective ◽  
The World ◽  
The Subject ◽  
Scientific Terms

Abstract De-Finition. Poststructuralist Objections to the Limitation of the Other The metaphysic tradition always tried to structure the world by definitions and scientific terms. Since poststructuralist authors like Derrida, Foucault and Deleuze have claimed the ›death of the subject‹ educational research cannot ignore the critical objections to its own methods. Definitions and identifications may be a violation of the other’s right to stay different and undefined. This article tries to discuss the scientific limitations of the other in a pedagogical, ethical and political perspective.

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