scholarly journals Naive artist Korovkin and his glass menagerie

2019 ◽  
Author(s):  
Андрей Анатольевич Бобрихин
Keyword(s):  
Comparative Analysis ◽  
Art Education ◽  
Fine Arts ◽  
Scientific Center ◽  
Scientific Equipment ◽  
The World ◽  
Museum Of Fine Arts ◽  
Glass Menagerie ◽  
Time Of Collection

Альберт Коровкин (1935 г. р.) художник, чье имя вошло во Всемирную энциклопедию наивного искусства (World Encyclopedia of Naive Art). Его произведения поступили в собрание Екатеринбургского музея изобразительных искусств в составе дара Евгения Ройзмана. Среди переданных работ около 50 предметов составляют произведения стеклодувного искусства. А.Н. Коровкин работал стеклодувом в институте Уральского научного центра, где изготавливал научное оборудование, профессионального образования не имел. Поскольку в момент приобретения работ коллекционер не фиксировал атрибуционных данных, актуальной является любая информация о технологии изготовления произведений, а также сравнительный анализ сюжетнообразного ряда живописных и стеклодувных произведений. В статье делается попытка такого анализа. Albert Korovkin (b. 1935) the artist, whose name was included in the World Encyclopedia of Naive Art. His works came to the collection of the Yekaterinburg Museum of Fine Arts as part of the donations of Eugene Roizman. Among the donated works of Albert Korovkin, about 50 items are glassblowing artworks. A.N. Korovkin worked as a glassblower at the Institute of the Ural Scientific Center, where he manufactured scientific equipment, he did not have any professional art education. Since at the time of collection of works, the collector did not record attribution data, any information on the technology of making works as well as a comparative analysis of scenes from paintings and glassblowing works are relevant. The article attempts such an analysis.

scholarly journals Glass Artworks of the Naive Artist Albert Korovkin

2020 ◽  
Author(s):  
Andrey Bobrikhin
Keyword(s):  
Comparative Analysis ◽  
Fine Arts ◽  
Relevant Information ◽  
Scientific Equipment ◽  
The World ◽  
The Gift ◽  
Museum Of Fine Arts

Naïve art is still under-represented in Russian museum and professional art institutions, with the works and heritage by many artists remaining under-exhibited and underresearched. Albert Korovkin (1935) is an artist whose name features in the World Encyclopaedia of Naive Art. His works entered the collection of the Yekaterinburg Museum of Fine Arts as part of the gift from Yevgeny Roizman. Among the donated works, there were about 50 pieces of glass-blowing art. Korovkin worked as a glassblower at the Institute of the Ural Scientific Centre, where he manufactured scientific equipment, but did not have a professional glassblower education. Since the collector did not register attribution data at the time of the acquisition of works, any information on the technology of manufacturing works, as well as a comparative analysis of the series of paintings and glass-blowing works, is relevant. This article presents an attempt of such an analysis providing relevant information on the artist’s background, style and technique. Keywords: amateur art, artistic glass, glass-blowing technique, glass staining

THE TIMURID PERIOD FROM THE HISTORY OF THE FINE ARTS

2019 ◽  
Vol 19 (2) ◽  
pp. 28-33
Author(s):  
Ulug'bek Kuryazov ◽  
Keyword(s):  
Comparative Analysis ◽  
Fine Arts ◽  
The World ◽  
History Of

The article examines the works of scholars in the study of the history of fine arts, in particular miniatures of the Amir Temur era and temurids. Special attention is paid to the history of the creativity of Mirak Nakkosh and the outstanding miniaturist Kamoliddin Behzod. A comparative analysis of several miniature works is given. As well as analyzed some miniatures stored in the collections of museums and libraries of the world

scholarly journals Bernard V. Bothmer: a man of honour

2013 ◽  
Vol 38 (4) ◽  
pp. 50-56
Author(s):  
Diane Bergman
Keyword(s):  
United States ◽  
New York ◽  
Fine Arts ◽  
The United States ◽  
New York University ◽  
The World ◽  
Museum Of Fine Arts ◽  
Brooklyn Museum ◽  
Library Collections

Bernard V. Bothmer left his mark on the world of Egyptology in three of the United States’ great art institutions: the Museum of Fine Arts in Boston, the Brooklyn Museum and the Institute of Fine Arts, New York University. He created gallery displays, developed library collections and founded image collections that continue to influence scholars worldwide. One can wonder how the course of American Egyptology would have developed if circumstances had not driven him out of his native Germany. Despite hardship, fear and a career interrupted, he trained and profoundly influenced at least four generations of historians of Egyptian art. BVB, as he was affectionately known to those close to him, inspired all who worked with him to the highest level of achievement, a standard which came to be known as “Brooklyn Quality”.

Scientific and Methodical Basis of the Modern Fine Arts Lessons in Primary School

2016 ◽  
Vol 4 (6) ◽  
pp. 11-18
Author(s):  
Пожарская ◽  
Alla Pozharskaya
Keyword(s):  
Primary School ◽  
Art Education ◽  
Fine Arts ◽  
Federal State ◽  
Aesthetic Perception ◽  
Educational Standard ◽  
Primary Schoolchildren ◽  
The World ◽  
Methodical Basis ◽  
State Educational

The article considers the problems of the domestic primary school art education in the field of fine arts. The problems of design and construction of modern fine arts lessons at primary school in the context of the requirements of the Federal state educational standard of the second generation are considered. The process of art education of primary schoolchildren is considered on the basis of the conceptual idea of forming of aesthetic perception of the world, the criteria and parameters of measurement are marked out.

The Gospel Truth as Re-enactment

1976 ◽  
Vol 29 (4) ◽  
pp. 311-333
Author(s):  
John Navone
Keyword(s):  
Fine Arts ◽  
The Other ◽  
Other Hand ◽  
The World ◽  
Glass Menagerie ◽  
The Glass Menagerie

The world of the fine arts provides paradigms for explaining the role of the imagination in the development of new theologies and the communication of the Christ-event. Although there is but one definite script for a play or an opera, plays and operas admit of widely diverse representations because the script and its characters are imagined differently. For example: Amanda Wingfield, the mother in The Glass Menagerie, has been represented as a rather high-strung woman in one production, and as a serene and gracious lady in another. The script had remained the same in both productions; however, the spirit of Amanda Wingfield had changed because the directors of these productions had not imagined her in the same way. The written script is static, definite, one; the enacted representations, on the other hand, allow for the dynamics of change, diversity, and imagination.1

On the Method of Practising Concentration and Contemplation

1923 ◽  
Vol 16 (2) ◽  
pp. 109-141
Author(s):  
Chi Ki
Keyword(s):  
English Literature ◽  
Fine Arts ◽  
Philosophy And Literature ◽  
Japanese Art ◽  
The World ◽  
Museum Of Fine Arts

Kakuso Okakura died in Japan September 2, 1913. He was an “Admirable Crichton” in his way, a man of vast learning, which covered both sides of the world. He was graduated from the Tokio University in 1880 with honors in philosophy and English literature, to which he might have added honors in Oriental philosophy and literature had not the drift of education in Japan at that time been all in the direction of the Occident. He always kept in close touch with the Occidental world, and was for ten years the head of the Department of Chinese and Japanese Art at the Boston Museum of Fine Arts.

scholarly journals Emphasizing Observation in a Gallery Program for Blind and Low-Vision Visitors: Art Beyond Sight at the Museum of Fine Arts, Houston

2013 ◽  
Vol 33 (3) ◽  
Author(s):  
Bridget O'Brien Hoyt
Keyword(s):  
Key Words ◽  
Art Education ◽  
Visual Art ◽  
Visually Impaired ◽  
Low Vision ◽  
Fine Arts ◽  
Blind And Visually Impaired ◽  
Audio Description ◽  
History Of ◽  
Museum Of Fine Arts

<p>The article recreates a gallery conversation with blind and low-vision visitors focused on The <em>Judgment of Solomon</em>, (c. 1640) by Matthias Stomer. Rather than passively receiving the interpretations of the facilitator, participants work together to build an understanding of the painting as a whole from the details described. The article goes on to give a history of the program's development including a nuanced evaluation of the merits of handling objects as an aid to comprehension.</p><p>Key words: Museum access for the blind and visually impaired, Museum of Fine Arts, Houston, art education for the blind, verbal descriptions of visual art.&nbsp; Audio description of visual art, guided description.&nbsp;</p><p>&nbsp;</p>

Between Mourning and Desire

2018 ◽  
pp. 6-13
Author(s):  
Victor J. Krebs
Keyword(s):  
Henry James ◽  
Fine Arts ◽  
Stanley Cavell ◽  
Final Version ◽  
Philosophy Department ◽  
Simon Bolivar ◽  
Guggenheim Museum ◽  
The World ◽  
Museum Of Fine Arts ◽  
Chris Marker

During the month of November 1998, Stanley Cavell visited Caracas, Venezuela, invited by the Museum of Fine Arts and the philosophy department of Simon Bolivar University, to hold a three-day seminar on art and philosophy. During those days, Cavell presented and commented on the films Jean Dillman, by Chantal Ackerman and Sans Soleil by Chris Marker, as well as two lectures on material he was working on at that time: “The World as Things: Collecting Thoughts on Collecting,” which was published in a volume by the Guggenheim Museum with the Pompidou Center, where he also read that conference that same year (it later appeared in a final version in 2005 in Philosophy the Day After Tomorrow). The second lecture was “Trials of Praise,” where he talked about Henry James and Fred Astaire.

Russian Policy of Agriculture Support and the Necessity of Its Modification after WTO Accession

2012 ◽  
pp. 132-149 ◽  
Author(s):  
V. Uzun
Keyword(s):  
Comparative Analysis ◽  
World Trade Organization ◽  
Agricultural Production ◽  
World Trade ◽  
The Us ◽  
The World ◽  
Wto Accession ◽  
The Eu ◽  
Agriculture Support

The article deals with the features of the Russian policy of agriculture support in comparison with the EU and the US policies. Comparative analysis is held considering the scales and levels of collective agriculture support, sources of supporting means, levels and mechanisms of support of agricultural production manufacturers, its consumers, agrarian infrastructure establishments, manufacturers and consumers of each of the principal types of agriculture production. The author makes an attempt to estimate the consequences of Russia’s accession to the World Trade Organization based on a hypothesis that this will result in unification of the manufacturers and consumers’ protection levels in Russia with the countries that have long been WTO members.

The World Economic Forum Principles on "Climate Governance on Corporate Boards": can soft law help to face climate change around the world?

2020 ◽  
pp. 37-55
Author(s):  
Sabrina Bruno
Keyword(s):  
Climate Change ◽  
South Africa ◽  
Comparative Analysis ◽  
Boards Of Directors ◽  
Soft Law ◽  
Corporate Boards ◽  
World Economic Forum ◽  
Financial Factor ◽  
The World ◽  
World Economic

Climate change is a financial factor that carries with it risks and opportunities for companies. To support boards of directors of companies belonging to all jurisdictions, the World Economic Forum issued in January 2019 eight Principlescontaining both theoretical and practical provisions on: climate accountability, competence, governance, management, disclosure and dialogue. The paper analyses each Principle to understand scope and managerial consequences for boards and to evaluate whether the legal distinctions, among the various jurisdictions, may undermine the application of the Principles or, by contrast, despite the differences the Principles may be a useful and effective guidance to drive boards' of directors' conduct around the world in handling climate change challenges. Five jurisdictions are taken into consideration for this comparative analysis: Europe (and UK), US, Australia, South Africa and Canada. The conclusion is that the WEF Principles, as soft law, is the best possible instrument to address boards of directors of worldwide companies, harmonise their conduct and effectively help facing such global emergency.

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