Piano Concertos for the Left Hand by Ravel and Prokofiev: Two Answers to One Order

2020 ◽  
pp. 67-91
Author(s):  
В.И. Чернышов
Keyword(s):  
Significant Contribution ◽  
Maurice Ravel ◽  
Musical Language ◽  
Sergei Prokofiev ◽  
Piano Concerto ◽  
Left Hand ◽  
Left Handed ◽  
Piano Literature ◽  
The One ◽  
Piano Concertos

Пианист Пауль Витгенштейн, желая расширить и обновить свой концертный репертуар, внес в XX веке существенный вклад в фортепианную литературу для левой руки. В 1929–1930 годах он заказывает фортепианный концерт сначала Морису Равелю, а затем Сергею Прокофьеву. Это оказалось возможным благодаря наследству, полученному пианистом после смерти отца — сталелитейного магната Карла Витгенштейна. Если Равелю удалось, хоть и не полностью, удовлетворить потребности заказчика, то Прокофьеву было вовсе отказано в исполнении его музыки. Одной из главных причин неудачи Прокофьева можно считать творческий кризис конца зарубежного периода, когда композитор находился в поисках нового музыкального языка — «новой простоты». В статье прослеживается и сравнивается судьба этих произведений; устанавливаются причины сравнительной невостребованности концерта Прокофьева исполнителями; анализируется композиция, фортепианная фактура и техника, оркестровка. Освещены биографические факты из жизни Пауля Витгенштейна, а также непростые отношения между заказчиком и композиторами. In the twentieth century, the one-armed pianist Paul Wittgenstein made a significant contribution to piano literature for the left hand, which was due to his wish to broaden and update his concert repertoire. In 1929–1930 he ordered a left-handed piano concerto first to Maurice Ravel and then to Sergei Prokofiev. It was possible through the inheritance that Wittgenstein received after the death of his father, the steel magnate Karl Wittgenstein. While Ravel was able to meet the client’s needs, though not completely, Prokofiev was completely denied the performance of his music. One of the main reasons for Prokofiev’s failure might be the creative crisis of the end of the foreign period, when the composer was in search of a new musical language — “the new simplicity”. The article traces and compares the destiny of these piano concertos, specifying the reasons for the relative lack of demand for Prokofiev’s left-handed concerto on behalf of performers. The article also analyzes music, piano texture and technique, form, orchestration of the lefthanded concertos. Special attention is paid to biographical facts from Paul Wittgenstein’s life, as well as uneasy relationship between the client and the composers.

Hand Dominance, Attention, and the Choice between Responses

1978 ◽  
Vol 30 (3) ◽  
pp. 407-416 ◽  
Author(s):  
Patrick Rabbitt
Keyword(s):  
Attentional Bias ◽  
Attentional Biases ◽  
Horizontal Line ◽  
Hand Dominance ◽  
Left Hand ◽  
Left Handed ◽  
Hands On ◽  
Repeated Use ◽  
The One ◽  
The Right

Thirty pairs of matched right- and left-handed subjects carried out a serial C.RT task involving reaches between 2.4 cm square contact grids set at 2.4 cm intervals in a horizontal line. In one condition they responded with the right hand alone, in a second with the left and in a third they had to choose between hands on each trial responding to left side grids with the left hand and to right side grids with the right. All subjects took longer to respond when they had to choose between hands than when they used either hand alone. In the one-hand conditions neither group showed any effect of hand dominance. When choices had to be made between hands both groups responded faster with their dominant than with their nondominant hands. Analysis of the results was undertaken in terms of two hypothetical systems of instructions which might control machines designed to carry out similar tasks. It is concluded that in some tasks hand dominance can be described in terms of an attentional bias towards the field of operation of one effector rather than another. In the present task the effects of such possible attentional biases were shown not to interact with other effects, such as the facilitation of successive responses by repeated use of the same limb. These latter effects seem to depend on processes underlying execution of responses rather than choices between responding limbs.

Single molecule optical diffraction: A tool for understanding the structure of triple stranded left-hand helical cellulose

1989 ◽  
Vol 47 ◽  
pp. 1024-1025
Author(s):  
George C. Ruben ◽  
William Krakow
Keyword(s):  
Single Molecule ◽  
Helical Structure ◽  
Optical Diffraction ◽  
Maximum Diameter ◽  
Primary Cell Wall ◽  
Cellulose Synthesis ◽  
Left Hand ◽  
Left Handed ◽  
Freeze Dried ◽  
Diffraction Patterns

Tobacco primary cell wall and normal bacterial Acetobacter xylinum cellulose formation produced a 36.8±3Å triple-stranded left-hand helical microfibril in freeze-dried Pt-C replicas and in negatively stained preparations for TEM. As three submicrofibril strands exit the wall of Axylinum , they twist together to form a left-hand helical microfibril. This process is driven by the left-hand helical structure of the submicrofibril and by cellulose synthesis. That is, as the submicrofibril is elongating at the wall, it is also being left-hand twisted and twisted together with two other submicrofibrils. The submicrofibril appears to have the dimensions of a nine (l-4)-ß-D-glucan parallel chain crystalline unit whose long, 23Å, and short, 19Å, diagonals form major and minor left-handed axial surface ridges every 36Å.The computer generated optical diffraction of this model and its corresponding image have been compared. The submicrofibril model was used to construct a microfibril model. This model and corresponding microfibril images have also been optically diffracted and comparedIn this paper we compare two less complex microfibril models. The first model (Fig. 1a) is constructed with cylindrical submicrofibrils. The second model (Fig. 2a) is also constructed with three submicrofibrils but with a single 23 Å diagonal, projecting from a rounded cross section and left-hand helically twisted, with a 36Å repeat, similar to the original model (45°±10° crossover angle). The submicrofibrils cross the microfibril axis at roughly a 45°±10° angle, the same crossover angle observed in microflbril TEM images. These models were constructed so that the maximum diameter of the submicrofibrils was 23Å and the overall microfibril diameters were similar to Pt-C coated image diameters of ∼50Å and not the actual diameter of 36.5Å. The methods for computing optical diffraction patterns have been published before.

The State Policy towards the Homeless in Moldova between the ‘Left Hand’ and the ‘Right Hand’. The Case of Chișinău Shelter

Südosteuropa ◽  
2019 ◽  
Vol 67 (2) ◽  
pp. 175-195
Author(s):  
Petru Negură
Keyword(s):  
Homeless People ◽  
Severe Disabilities ◽  
The State ◽  
Small Scale ◽  
Left Hand ◽  
Right Hand ◽  
Binary Approach ◽  
The One ◽  
The Right ◽  
Depth Interviews

Abstract The Centre for the Homeless in Chișinău embodies on a small scale the recent evolution of state policies towards the homeless in Moldova (a post-Soviet state). This institution applies the binary approach of the state, namely the ‘left hand’ and the ‘right hand’, towards marginalised people. On the one hand, the institution provides accommodation, food, and primary social, legal assistance and medical care. On the other hand, the Shelter personnel impose a series of disciplinary constraints over the users. The Shelter also operates a differentiation of the users according to two categories: the ‘recoverable’ and those deemed ‘irrecoverable’ (persons with severe disabilities, people with addictions). The personnel representing the ‘left hand’ (or ‘soft-line’) regularly negotiate with the employees representing the ‘right hand’ (‘hard-line’) of the institution to promote a milder and a more humanistic approach towards the users. This article relies on multi-method research including descriptive statistical analysis with biographical records of 810 subjects, a thematic analysis of in-depth interviews with homeless people (N = 65), people at risk of homelessness (N = 5), professionals (N = 20) and one ethnography of the Shelter.

Ehud, Stigma, and the Management of Spoiled Identity

2021 ◽  
Vol 11 (2) ◽  
Author(s):  
David J. Chalcraft
Keyword(s):  
Social Stigma ◽  
The Other ◽  
Social Model ◽  
Erving Goffman ◽  
Self Identity ◽  
Social Model Of Disability ◽  
Left Handedness ◽  
Left Handed ◽  
Moral Career ◽  
The One

The story of Ehud, and his assassination of the Moabite King Eglon (Judges 3: 12–30), continues to entertain readers and hearers alike. The story also perplexes, largely on moral grounds. This paper utilises the sociology of Erving Goffman and insights from disability studies to re-tell the story of Ehud as someone who is doubly stigmatised. That is, Ehud not only carriers the stigma of left-handedness but is also disabled; moreover, the Moabite King is also disabled/immobile because of his obesity. I take the biblical text as conveying that Ehud is left-handed by necessity given the impairment in his right hand/arm. Adopting a social model of disability, I apply Goffman’s account of the management of spoiled identity developed in his book Stigma (1963) to explore how the narrative depicts various dimensions of social stigma and Ehud’s moral career as he attempts to manage his spoiled identity and the degrees of societal acceptance and rejection he experiences in different contexts. The key arguments of Goffman are summarised before I apply central concepts from Goffman to the biblical story. Concepts include “moral career,” the distinction between social, personal and ego (self-) identity, and the key distinction between a person with a stigma being discredited (because the impairment is obvious and seen by all), on the one hand, or bearing a stigma that is discreditable (that is, it would discredit them if found out), on the other.

Nineteenth-Century Music?? The Case of Rachmaninov

2008 ◽  
Vol 31 (3) ◽  
pp. 245-265 ◽  
Author(s):  
Charles Fisk
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Musical Language ◽  
Piano Concerto ◽  
Dreamless Sleep ◽  
Piano Prelude ◽  
Interpretive Reading

Abstract In two of Rachmaninov's last works, the Rhapsody on a Theme of Paganini of 1934 and the first of the Symphonic Dances of 1940, a stylistic contrast between an opulently scored lyrical theme and the more angular, dissonant music that surrounds that theme throws into relief the extent that Rachmaninov's musical language had changed and developed since his first great successes thirty years earlier with the Second Piano Concerto and the Second Symphony. The words that motivate a similar stylistic contrast in the song Son (Sleep), composed in 1917, near the end of his most compositionally productive years, suggest an interpretive reading of such a stylistic contrast: the earlier, lusher style is associated here with dreams, and hence with memories; while the later, sparer, more tonally ambiguous style accompanies an evocation of something more impersonal, in the case of the song the stillness of a dreamless sleep. Some of the developing aspects of Rachmaninov's style revealed in these later examples are already evident even in the more traditional-sounding pieces of the last decade (1907––17) of his Russian period, which is shown in an analysis of the piano Prelude in G## Minor of 1910. Even this seemingly traditional Prelude, but more and more in his later music, Rachmaninov emerges as an indisputably twentieth-century composer.

Mixed Handedness and Achievement Test Scores of Middle School Boys

2008 ◽  
Vol 107 (2) ◽  
pp. 497-506
Author(s):  
P. S. B. Sarma
Keyword(s):  
Middle School ◽  
At Risk ◽  
Test Scores ◽  
Fourth Grade ◽  
Achievement Test ◽  
Normal Curve ◽  
Left Hand ◽  
Left Handed ◽  
Academic Deficits ◽  
The Right

The purpose of the study was to replicate findings of an earlier study of fourth grade boys manifesting mixed handedness with a sample. Among 32 mixed-handed boys in Grades 6 to 8, the right-handed writer, left-handed thrower group obtained low spelling scores (Normal Curve Equivalent Scores) on the California Achievement Test significantly more frequently than the left-handed writer, right-handed thrower group. These findings are consistent with data for Grade 4 boys in the earlier study. Findings strengthen the hypotheses that mixed handedness is not a unitary neuropsychological entity and that boys who write with the right hand and throw with the left hand might be at risk for certain academic deficits.

scholarly journals Hand Preference and Creativity of Papua University Student

2022 ◽  
Vol 8 (1) ◽  
pp. 257-262
Author(s):  
Vionita Putri ◽  
Elda Irma Jeanne Joice Kawulur ◽  
Febriza Dwiranti ◽  
Sabarita Sinuraya ◽  
Sita Ratnawati
Keyword(s):  
Hand Preference ◽  
University Student ◽  
Creative People ◽  
Left Hand ◽  
Adjective Check List ◽  
Left Handed ◽  
Males And Females ◽  
Papua Barat ◽  
The Right ◽  
Descriptive Method

Human has a preference to use their hands for various manual activities. Left-handed preference is people who tend to use their left hand to perform various manual activities, while right-handed people tend to use right-handed. Any researches show that the left-handed preference for more creativity was influenced by the dominant use of the right brain and bigger corpus callosum. The research aims to determine the percentage of left-handed preference and their creativity in Universitas Papua, Manokwari Papua Barat. The method used in this research is the descriptive method. Data collection used a questionnaire to evaluate individual hand preference using Handedness Questionnaire and to determine individual creativity using Adjective Check List. The percentage of left-handed people in UNIPA were 9.3% or lower than right-handed and higher than ambidextrous. Our study supports the statement about selection in handedness in the traditional society which showed a higher percentage of left-hander as advantages related to using hand intensively.  The percentage of left-handed males and females was almost equal and strongly left-handed was higher in females. The percentage of creative people was higher in left-handed, especially in males

The Dissemination of Scottish Theology: T&T Clark

2021 ◽  
pp. 001452462110433
Author(s):  
John Riches
Keyword(s):  
Significant Contribution ◽  
Biblical Studies ◽  
Critical Approach ◽  
Church Dogmatics ◽  
Critical Studies ◽  
The Bible ◽  
German Speaking ◽  
History Of ◽  
Theological Study ◽  
The One

This chapter outlines the history of the Scottish family firm of publishers T&T Clark, which for nearly 200 years made a significant contribution to the development of an historical and critical approach to theological study. This was chiefly effected through a series of publications of mostly German-speaking works of theology and biblical studies. It is suggested that these were principally of a mediating kind, seeking to achieve a complementarity between forms of confessional Protestant belief and theology on the one hand and historical and philosophical studies on the other. This reached a climax in the early twentieth century with the publication of major works by Ritschl and Schleiermacher. Thereafter the firm’s publishing programme became more influenced by confessional forms of theology, particularly through its translation of Karl Barth’s Church Dogmatics. Its legacy, however, remains not only in the form of Barth but of Schleiermacher and historical critical studies of the Bible.

How Stravinsky Stopped Being a Rimsky-Korsakov Pupil

2018 ◽  
pp. 249-275
Author(s):  
Yaroslav Timofeev
Keyword(s):  
Igor Stravinsky ◽  
The Other ◽  
Maurice Ravel ◽  
Other Hand ◽  
Full Stop ◽  
The One

This chapter focuses on a dramatic moment in the life of Igor Stravinsky when he was forced to choose between loyalty to the memory of his beloved teacher Nikolai Rimsky-Korsakov on the one hand, and his new loyalty, both commercial and artistic, to Sergei Diaghilev on the other hand—a choice, in effect, between St. Petersburg and Paris. After Rimsky-Korsakov's death, Stravinsky's opinions on his teacher were rather odd. His comments were contradictory, his evaluations widely diverging, doubtless stemming from the fact that it was not always clear whether he was writing under the influence of Rimsky-Korsakov or in reaction to him. Stravinsky's active departure from his teacher's ways required no more than five years, and the end of this period was marked by a decisive full stop: Rimsky-Korsakov's completion of Modest Musorgsky's unfinished Khovanshchina was pushed aside when Stravinsky, together with Diaghilev and Maurice Ravel, issued a new version designed to correct all of Rimsky-Korsakov's “errors.”

Reformulating Government-Citizen Relations in a Digitally Connected World

2016 ◽  
pp. 75-93
Author(s):  
Helin Alagöz Gessler
Keyword(s):  
Social Media ◽  
Political Participation ◽  
Political Communication ◽  
Significant Contribution ◽  
Government Intervention ◽  
The Other ◽  
Security Dilemma ◽  
Other Hand ◽  
New Type ◽  
The One

This chapter analyses the effects of social media on political communication and the role they play in government-citizen relations by focusing on the Twitter ban phenomenon in Turkey in March 2014. The chapter asks the reasons of government intervention in social media, particularly Twitter. It argues that Twitter makes, on the one hand, a significant contribution to the evolution of political participation as it diversifies the process and methods of political communication. On the other hand, it introduces a new type of security dilemma which encourages governments to consider taking measures against social media to protect their authority.

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