scholarly journals Albanian Myths and Custom Law in Literature

2022 ◽  
Vol 9 (1) ◽  
pp. 22
Author(s):  
Dhurata Lamçja

Mythology plays a very important role in the general culture of the Albanian people, and the influence of the latter is undoubtedly seen in the later literature, developed in different historical periods, while mythology is taken as an important basis for a series of canons both in a structural manner as well as with the inclusion of a number of literary figures. Albanian mythology consists of a complete and diverse catalog of cults and beliefs which together have developed into a rich treasure which from time to time has inspired later Albanian writers, from the Middle Ages to modern ones. This article serves as pamphlet which explains the Albanian mythology in bold lines, including the main constituent elements of this mythology, the impact that this mythology has had on the daily customary life of the Albanian people, as well as the inevitable impact that the latter has had on the literature of the country.

1964 ◽  
Vol 58 (1) ◽  
pp. 23-35 ◽  
Author(s):  
Hans J. Morgenthau

The nuclear age has ushered in a novel period of history, as distinct from the age that preceded it as the modern age has been from the Middle Ages or the Middle Ages have been from antiquity. Yet while our conditions of life have drastically changed under the impact of the nuclear age, we still live in our thoughts and act through our institutions in an age that has passed. There exists, then, a gap between what we think about our social, political, and philosophic problems and the objective conditions which the nuclear age has created.This contradiction between our modes of thought and action, belonging to an age that has passed, and the objective conditions of our existence has engendered four paradoxes in our nuclear strategy: the commitment to the use of force, nuclear or otherwise, paralyzed by the fear of having to use it; the search for a nuclear strategy which would avoid the predictable consequences of nuclear war; the pursuit of a nuclear armaments race joined with attempts to stop it; the pursuit of an alliance policy which the availability of nuclear weapons has rendered obsolete. All these paradoxes result from the contrast between traditional attitudes and the possibility of nuclear war and from the fruitless attempts to reconcile the two.


1970 ◽  
Vol 42 (117) ◽  
pp. 159-174
Author(s):  
Michael Böss

WRITING NATIONAL HISTORY AFTER MODERNISM: THE HISTORY OF PEOPLEHOOD IN LIGHT OF EUROPEAN GRAND NARRATIVES | The purpose of the article is to refute the recent claim that Danish history cannot be written on the assumption of the existence of a Danish people prior to 19th-century nationalism. The article argues that, over the past twenty years, scholars in pre-modern European history have highlighted the limitations of the modernist paradigm in the study of nationalism and the history of nations. For example, modernists have difficulties explaining why a Medieval chronicle such as Saxo Grammaticus’s Gesta Danorum was translated in the mid-1600s, and why it could be used for new purposes in the 1800s, if there had not been a continuity in notions of peoplehood between the Middle Ages and the Modern Age. Of course, the claim of continuity should not be seen as an argument for an identity between the “Danes” of Saxo’s time and the Danes of the 19th-century Danish nation-state. Rather, the modern Danishness should be understood as the product of a historical process, in which a number of European cultural narratives and state building played a significant role. The four most important narratives of the Middle Ages were derived from the Bible, which was a rich treasure of images and stories of ‘people’, ‘tribe’, ‘God’, King, ‘justice’ and ‘kingdom’ (state). While keeping the basic structures, the meanings of these narratives were re-interpreted and placed in new hierarchical positions in the course of time under the impact of the Reformation, 16th-century English Puritanism, Enlightenment patriotism, the French Revolution and 19th-century romantic nationalism. The article concludes that it is still possible to write national histories featuring ‘the people’ as one of the actors. But the historian should keep in mind that ‘the people’ did not always play the main role, nor did they play the same role as in previous periods. And even though there is a need to form syntheses when writing national history, national identities have always developed within a context of competing and hierarchical narratives. In Denmark, the ‘patriotist narrative’ seems to be in ascendancy in the social and cultural elites, but has only partly replaced the ‘ethno-national’ narrative which is widespread in other parts of the population. The ‘compact narrative’ has so far survived due the continued love of the people for their monarch. It may even prove to provide social glue for a sense of peoplehood uniting ‘old’ and ‘new’ Danes.


Author(s):  
Rita Copeland

Rhetoric is an engine of social discourse and the art charged with generating and swaying emotion. The history of rhetoric provides a continuous structure by which we can measure how emotions were understood, articulated, and mobilized under various historical circumstances and social contracts. This book is about how rhetoric in the West from Late Antiquity to the later Middle Ages represented the role of emotion in shaping persuasions. It is the first book-length study of medieval rhetoric and the emotions, coloring in what has largely been a blank space between about 600 CE and the cusp of early modernity. Rhetoric in the Middle Ages, as in other periods, constituted the gateway training for anyone engaged in emotionally persuasive writing. Medieval rhetorical thought on emotion has multiple strands of influence and sedimentations of practice. The earliest and most persistent tradition treated emotional persuasion as a property of surface stylistic effect, which can be seen in the medieval rhetorics of poetry and prose, and in literary production. But the impact of Aristotelian rhetoric, which reached the Latin West in the thirteenth century, gave emotional persuasion a core role in reasoning, incorporating it into the key device of proof, the enthymeme. In Aristotle, medieval teachers and writers found a new rhetorical language to explain the social and psychological factors that affect an audience. With Aristotelian rhetoric, the emotions became political. The impact of Aristotle’s rhetorical approach to emotions was to be felt in medieval political treatises, in poetry, and in preaching.


2020 ◽  
Vol 17 (4) ◽  
pp. 947-967
Author(s):  
Gülcan Yücedağ

After the Second World War in Germany, guest worker migrations came into question. In recent years, the refugee problem in Europe in general and Germany in particular has been attracting attention. However, German history has a much richer content in terms of migration and migrant types. It is possible to say that the content of migration varies according to factors such as the way of migration, the duration of stay in the target country, and distance. Meanwhile, the definition of migrant is also classified in relation to religious, political, national or ethnic identities. This study traces the migration and migrant facts in German history since the Middle Ages. Although Germany received a high rate of migration, until recently it has not called itself as a migration country. Despite that, this paper aims to show that Germany was not independent from the types of migration and migrants also in the past. Therefore, the reflections of migration and migrant facts in German history are researched. In this article, the literature review is done and the data are descriptively analysed. In the Middle Ages, the mobility of the nobility, clergy, students and merchants attracts attention. Forced migration and immigration to America and the impact of industrialization on migration are other important issues. The types of migration and migrants that gained importance during and after the First World War include diversity. Millions of refugees created by the Second World War, guest worker migrations with international treaties after the war, ethnic Germans’ remigration after the Cold War, and the current refugee problem are important reflections in German history related to migration and migrant facts. ​Extended English summary is in the end of Full Text PDF (TURKISH) file. Özet Almanya’da İkinci Dünya Savaşı’ndan sonra misafir işçi göçleri gündeme gelmiştir. Yakın zamanda ise genel olarak Avrupa, özel olarak Almanya’da mülteci sorunu dikkat çekmektedir. Bununla birlikte Alman tarihi, göç ve göçmen türleri açısından çok daha zengin bir içeriğe sahiptir. Göçün içeriğinin göç etme biçimi, hedef ülkede kalış süresi, mesafe gibi faktörlere göre değiştiğini söylemek mümkündür. Buna paralel olarak göçmen tanımı da dini, siyasi, ulusal veya etnik kimliklerle ilişkili olarak sınıflandırılır. Bu çalışma, Ortaçağ’dan günümüze kadar Alman tarihinde göç ve göçmen olgularının izi sürmektedir. Almanya, yüksek oranda göç almasına rağmen, yakın zamana kadar kendisini bir göç ülkesi olarak adlandırmamıştır. Bununla birlikte, bu çalışma Almanya’nın, geçmişte de göçlerden ve göçmenlerden bağımsız olmadığını göstermeyi hedeflemektedir. Bu nedenle, göç ve göçmen olgularının Alman tarihindeki yansımaları incelenmiştir. Bu çalışmada literatür taraması yapılarak veriler betimsel analize tabi tutulmuştur. Ortaçağ’da soyluların, din adamlarının, öğrencilerin ve tüccarların hareketliliği dikkat çekmektedir. Zorunlu göçler ve Amerika’ya yönelen göçler ile sanayileşmenin göçe etkisi önem taşıyan diğer konulardır. Birinci Dünya Savaşı ve sonrasında öne çıkan göç türleri ve göçmenlik hâlleri çeşitlilik içermektedir. İkinci Dünya Savaşı’nın yarattığı milyonlarca mülteci, savaş sonrasında uluslararası anlaşmalarla gerçekleşen misafir işçi göçleri, Soğuk Savaş sonrasında etnik Almanların geri göçü ve günümüz mülteci sorunu, göç ve göçmen olgularının Alman tarihindeki önemli yansımalarıdır.


2020 ◽  
Vol 9 (1) ◽  
pp. 185
Author(s):  
Ahmed Abd Al Awaisheh ◽  
Hala Ghassan Al Hussein

This study examines the history of the development of the doctrine of infallibility of the Pope (Bishop of Rome) in the Catholic Church, from the Middle Ages to its adoption as a dogmatic constitution, to shed light on the impact of the course of historical events on the crystallization of this doctrine and the conceptual structure upon which it was based. The study concluded that the doctrine of infallibility of the Pope was based on the concept of the Peter theory, and it went through several stages, the most prominent of which was the period of turbulence in the Middle Ages, and criticism in the modern era, and a series of historical events in the nineteenth century contributed to the siege of the papal seat, which prompted Pius The ninth to endorsing the doctrine of infallibility of the Pope to confront these criticisms in the first Vatican Council in 1870 AD, by defining the concept of infallibility in the context of faith education and ethics, and this decision was emphasized in the Second Vatican Council in 1964 AD, but in more detail.


ICONI ◽  
2020 ◽  
pp. 6-25
Author(s):  
Alexander I. Demchenko ◽  

The peculiarity of the series of essays published by the magazine is that with the maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in General both from the point of view of the General historical process, and in relation to various types of creativity (literature, fne art, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and the division into separate types of art with the genre specifcation inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in stages: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque, the Enlightenment, Romanticism, Postromanticism, Modern I, Modern II, Modern III, Postmodern, and as an afterword — «The Golden age of Russian artistic culture».


Author(s):  
Anna Boreczky

On the basis of the Chronica Hungarorum of Johannes de Thurocz, the Epitome rerum Hungaricarum of Pietro Ransano, and the Rerum Ungaricarum decades of Antonio Bonfini that were compiled within ten years, between 1488 and 1498, my paper forms a multi-dimensional image of the late 15th-century political and cultural situation in the royal court of Matthias Corvinus, King of Hungary (1458–1490). The three chronicles have come down to us in a number of books: manuscripts, incunabula and early prints alike, and many of them contain lengthy cycles of images. My paper investigates the agency of these books with a special emphasis on their illustrations. Through a study of the traditions they followed and the messages their illustrations conveyed, the primary question my paper seeks to answer is whether the cultural and political polarity of the royal court inherent in the texts of the chronicles is also present in the format, style and iconography of the illustrated books that contain them. The comparison of the early copies of the three chronicles shows that the cultural and political diversity of the royal court had an impact on the books that were made and/or used within its walls. Taking into consideration their circulation and reception as well, my paper discusses the role they played in royal propaganda, and the impact they had on the European image of Hungary and the Hungarians.


Traditio ◽  
2014 ◽  
Vol 69 ◽  
pp. 153-215
Author(s):  
Anthony H. Minnema

The Latin translation of al-Ghazali's Maqās˙id al-falāsifa was one of the works through which scholastic authors became familiar with the Arabic tradition of Aristotelian philosophy after its translation in the middle of the twelfth century. However, while historians have examined in great detail the impact of Avicenna and Averroes on the Latin intellectual tradition, the place of this translation of al-Ghazali, known commonly as the Summa theoricae philosophiae, remains unclear. This study enumerates and describes the Latin audience of al-Ghazali by building on Manuel Alonso's research with a new bibliography of the known readers of the Summa theoricae philosophiae. It also treats Latin scholars' perception of the figure of al-Ghazali, or Algazel in Latin, since their understanding in no way resembles the Ash'arite jurist, Sufi mystic, and circumspect philosopher known in the Muslim world. Latin scholars most commonly viewed him only as an uncritical follower of Avicenna and Aristotle, but they also described him in other ways during the Middle Ages. In addition to tracing the rise, decline, and recovery of Algazel and the Summa theoricae philosophiae in Latin Christendom over a period of four centuries, this study examines the development of Algazel's identity as he shifts from a useful Arab to a dangerous heretic in the minds of Latin scholars.


Author(s):  
Irina Nesen

Purpose of the article is to perform a comparison analysis of reconstructed variants of medieval costumes to discover the main formation patterns. To define strong historical long-term signs in forms and types of outfits. To determine costumes’ architectonics from different periods of the Middle Ages. Methodology. Methodologically author correlated data of practical archeology and art masterpieces. Scientific novelty determes reconstruction of costumes of sideline historical periods from pra-Slavic till the Late Middle Ages allows to discover a chain of permanent and variable signs. Conclusions. Architectonics of pra-Slavic costume had double or probably tipple layered structure which was kept in the Middle Ages as well. The costume basics could be considered a tunic-type outfit. Women had a two-tiered model of breastplate related to German tradition. Also in common is the tradition of embroidering necklaces. The other features of Chernyakhiv and Antes dresses do not match. Corals and amber were used as jewelry since pra-Slavic period. In the outfit of the Ancient Rus two-tiered model is not used. Since the High Middle Ages appeared some elements which after transformation where adopted in Ukrainian folk outfit. In the hat group there were forms of the towel types know as mantles (namitka) or tablecloths (obrus) as well as sewn caps (očipok). In the group of outerwear - the suite (svyta) and the casing (kožuch). These two types of shoulder clothing over the centuries have become buttoned (unlike the old Russian ones).


Sign in / Sign up

Export Citation Format

Share Document