scholarly journals Costume formation specialties on Ukrainian areas during the Middle Ages

Author(s):  
Irina Nesen

Purpose of the article is to perform a comparison analysis of reconstructed variants of medieval costumes to discover the main formation patterns. To define strong historical long-term signs in forms and types of outfits. To determine costumes’ architectonics from different periods of the Middle Ages. Methodology. Methodologically author correlated data of practical archeology and art masterpieces. Scientific novelty determes reconstruction of costumes of sideline historical periods from pra-Slavic till the Late Middle Ages allows to discover a chain of permanent and variable signs. Conclusions. Architectonics of pra-Slavic costume had double or probably tipple layered structure which was kept in the Middle Ages as well. The costume basics could be considered a tunic-type outfit. Women had a two-tiered model of breastplate related to German tradition. Also in common is the tradition of embroidering necklaces. The other features of Chernyakhiv and Antes dresses do not match. Corals and amber were used as jewelry since pra-Slavic period. In the outfit of the Ancient Rus two-tiered model is not used. Since the High Middle Ages appeared some elements which after transformation where adopted in Ukrainian folk outfit. In the hat group there were forms of the towel types know as mantles (namitka) or tablecloths (obrus) as well as sewn caps (očipok). In the group of outerwear - the suite (svyta) and the casing (kožuch). These two types of shoulder clothing over the centuries have become buttoned (unlike the old Russian ones).

2020 ◽  
Vol 23 (2) ◽  
pp. 423-446
Author(s):  
Sylvain Roudaut

Abstract This paper offers an overview of the history of the axiom forma dat esse, which was commonly quoted during the Middle Ages to describe formal causality. The first part of the paper studies the origin of this principle, and recalls how the ambiguity of Boethius’s first formulation of it in the De Trinitate was variously interpreted by the members of the School of Chartres. Then, the paper examines the various declensions of the axiom that existed in the late Middle Ages, and shows how its evolution significantly follows the progressive decline of the Aristotelian model of formal causality.


Author(s):  
Hans Hummer

What meaning did human kinship possess in a world regulated by biblical time, committed to the primacy of spiritual relationships, and bound by the sinews of divine love? In the process of exploring that question, this book offers a searching re-examination of kinship in Europe between late Roman times and the high Middle Ages, the period bridging Europe’s primitive past and its modern present. It critiques the modernist and Western bio-genealogical and functionalist assumptions that have shaped kinship studies since their inception in the nineteenth century, when biblical time collapsed and kinship became a signifier of the essential secularity of history and a method for conceptualizing a deeper prehistory guided by autogenous human impulses. It argues that this understanding of kinship is fundamentally antagonistic to medieval sentiments and is responsible for the frustrations researchers have encountered as they have tried to identify the famously elusive kin groups of medieval Europe. It delineates an alternative ethnographic approach inspired by recent anthropological work that privileges indigenous expressions of kinship and the interpretive potential of native ontologies. The book reveals that kinship in the Middle Ages was not biological, primitive, or a regulator of social mechanisms; nor is it traceable by bio-genealogical connections. In the Middle Ages kinship signified a sociality that flowed from convictions about the divine source of all things and wove together families, institutions, and divinities into an expansive eschatological vision animated by “the most righteous principle of love.”


Curationis ◽  
2002 ◽  
Vol 25 (4) ◽  
Author(s):  
L. Cilliers ◽  
F.P. Retief

The evolution of the hospital is traced from its onset in ancient Mesopotamia towards the end of the 2nd millennium to the end of the Middle Ages. Reference is made to institutionalised health care facilities in India as early as the 5th century BC, and with the spread of Buddhism to the east, to nursing facilities, the nature and function of which are not known to us, in Sri Lanka, China and South East Asia. Special attention is paid to the situation in the Graeco-Roman era: one would expect to find the origin of the hospital in the modem sense of the word in Greece, the birthplace of rational medicine in the 4th century BC, but the Hippocratic doctors paid house-calls, and the temples of Asclepius were visited for incubation sleep and magico-religious treatment. In Roman times the military and slave hospitals which existed since the 1st century AD, were built for a specialized group and not for the public, and were therefore also not precursors of the modem hospital. It is to the Christians that one must turn for the origin of the modem hospital. Hospices, initially built to shelter pilgrims and messengers between various bishops, were under Christian control developed into hospitals in the modem sense of the word. In Rome itself, the first hospital was built in the 4th century AD by a wealthy penitent widow, Fabiola. In the early Middle Ages (6th to 10th century), under the influence of the Benedictine Order, an infirmary became an established part of every monastery. During the late Middle Ages (beyond the 10th century) monastic infirmaries continued to expand, but public hospitals were also opened, financed by city authorities, the church and private sources. Specialized institutions, like leper houses, also originated at this time. During the Golden Age of Islam the Muslim world was clearly more advanced than its Christian counterpart with magnificent hospitals in various countries.


2021 ◽  
Vol 5 (S2) ◽  
pp. 284-302
Author(s):  
Iryna Yu Konovalova

The article is devoted to comprehension of specifics and formation prerequisites of composer’s and musical authorship phenomena historical formation in European culture of the Middle Ages. Genesis of composer’s phenomenon and individual musical authorship model is considered on the basis of historical, socio-cultural and aesthetic-artistic transformations, on awareness about their dynamic’s tendencies and general cultural institutionalization of an authorship phenomenon, as well as on an increasing role of individual creativity in an artistic realm. It is stated that multi-ethnic and anonymous culture of oral tradition, folklore and Christian singing practices, as well as instrumental improvisation’s traditions, became spiritual sources of this phenomena and turn into a strong foundation of musical professionalism and creative impulse for European authorial music evolution. It is emphasized that process of composer’s formation as a creativity subject and musical professionalism carrier was stimulated by the necessity of everyday vocal-choral practice, conditioned by the spiritual context of time, by intention on theocentric world’s picture and religious – Christian outlook dominance. Significant role of secular direction development in the context of music-author’s discourse formation and composer’s figure assertion in the late Middle Ages is highlighted. 


2018 ◽  
Vol 73. (3) ◽  
pp. 409-410
Author(s):  
Mirela Lenković

The Danse Macabre as an iconographic theme appears in the Middle Ages across all of Europe carrying within it a message of the equality among people regardless of their station in life. Medieval artists used the various templates available to them: Biblia pauperum, Meditationes Vitae Christi, Legenda aurea, artistic templates, woodcuts, illuminated manuscripts, and the like. Scenes of the dying and death of ordinary people were not a theme of iconographic content prior to the Late Middle Ages, but rather begin to appear in the 14th century. There emerge at that time several categories of iconographic deaths. The Danse Macabre of the Beram frescoes (in the Chapel of sv. Marija na Škrilinah, 1474) contributes immeasurably to the artistic heritage of the Middle Ages as well as to Croatian cultural heritage.


1991 ◽  
Vol 17 ◽  
pp. 125-158 ◽  
Author(s):  
Eleonore Stump

Aquinas is sometimes taken to hold a foundationalist theory of knowledge. So, for example, Nicholas Wolterstorff says, “Foundationalism has been the reigning theory of theories in the West since the high Middle Ages. It can be traced back as far as Aristotle, and since the Middle Ages vast amounts of philosophical thought have been devoted to elaborating and defending it‥ ‥ Aquinas offers one classic version of foundationalism.” And Alvin Plantinga says, “we can get a better understanding of Aquinas … if we see [him] as accepting some version of classical foundationalism. This is a picture or total way of looking at faith, knowledge, justified belief, rationality, and allied topics. This picture has been enormously popular in Western thought; and despite a substantial opposing ground-swell, I think it remains the dominant way of thinking about these topics.”


Author(s):  
Alexandra Sanmark

This chapter builds further on the idea of the constantly shifting and evolving thing site, examining in detail the modifications that took place in assembly site location and features from the late tenth and eleventh centuries until the end of the Middle Ages in Scandinavia. Alterations in the tenth and eleventh centuries are most clearly seen in the rune-stone rich areas of the Mälaren region of Sweden and most of the evidence presented here relating to this time period is therefore from this area. The changes observed at this time can, however, be expected in other geographical areas too, bearing in mind the major societal shifts, such as urbanisation and Christianisation, that seem to have been driving them forward. Further changes in the following centuries, connected with to building of parish churches and cathedrals as well as urbanisation, are also investigated. The most striking pattern to emerge in the late Middle Ages is the gradual merging of top-level assemblies, trade and episcopal sees in the towns.


1996 ◽  
Vol 47 (4) ◽  
pp. 620-637 ◽  
Author(s):  
David Postles

Choice of place of burial in the Middle Ages was perhaps the most poignant indicator of belief in the efficacy of different sorts of religious intercession. Ariès concluded that the pre-modern response to death was public and communitarian, becoming only latterly private and individualistic. Most recent reconsiderations of notions of death and burial have concentrated on the early modern period. For this period, the distinction made by Ariès between modern, private, individualistic burial practices and earlier public, communitarian rites, has been revised, both in the sense that this change occurred earlier than Ariès would allow and that other influences were at work, in particular the formative consequences of the Reformation. Research into death and burial in the later Middle Ages has tended to confirm the communitarian nature of the rites surrounding death and burial. Burial in the high Middle Ages has been reviewed from a much more pragmatic rather than theoretical perspective, as a consequence of which the wholly communitarian picture depicted by Ariès has hardly been challenged. Presented here, however, is some modification to the Ariès thesis, supported by some very particular evidence, burials of lay persons who were not of patronal status, in religious houses, within the wider context of burial practices in the twelfth and thirteenth centuries in England.


2018 ◽  
Vol 32 (3) ◽  
pp. 465-480 ◽  
Author(s):  
Alessandra Foscati

Abstract Historians call sectio in mortua the act of opening the abdomen of a woman who has died during pregnancy or in childbirth in order to extract a baby. According to recent studies, the sectio is considered to be a routine practice carried out by male surgeons from the end of the Middle Ages, particularly in Italy, where the evidence of the sectio being performed by a midwife is scanty. But was it really such a popular operation at the time, and can the figure of the midwife be seen as secondary? It is also known that the operation was qualified through aspects which went beyond the surgical sphere, such as religion, myth, and especially law. How did these fields interact? This article highlights the complexity of sectio through the interpretation of different sources spanning from the late Middle Ages to the Early Modern period.


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