scholarly journals Features of the discursive environment as a source for creating meaning in online communication (using the example of social networks)

2019 ◽  
Vol 2 (2) ◽  
pp. 25-33 ◽  
Author(s):  
N. A. Yushkina ◽  
M. A. Panarina

With the spread of online communication, more and more attempts are being made to study it as a process occurring in different discursive spaces. In the article, using the example of a single message hosted on several social networks, the discursive conditions and the possibilities of various social media to influence the content of the meanings, created within their environment, have been analyzed. The subject of the research was the discursive characteristics of representations of a single message in various social networks. The purpose of the paper is presentation of a theoretical and methodological approach for cross-platform analysis of social media discourse, which, if desired, can be expanded on a larger data file, taking into account the results of the qualitative critical discourse analysis of the case introduced. The method of critical discourse analysis (CDA) has been used, which allows you to identify and analyze social structures in the framework of dialectical relationships. In the course of the study and analysis, it was revealed, that even in the case, when using the variable capabilities of various social networks to create and transmit meanings is not a deliberate strategy of a single institution, its messages were filled with different semantic content, which means, that they have different convincing and legitimizing opportunities. This was due to the inability to avoid certain conditions of production, creation and distribution of content, set by the policy of social networks. Social network, as a communicative space, creates a mode of production, distribution and consumption of content, and in this mode, communication is already carried out. Due to the specific features of each network, one can say, that they create different discursive spaces.

2015 ◽  
Vol 2 (2) ◽  
pp. 153-166
Author(s):  
Elvi Susanti

Abstract This research is linked with Twitter, as one of social media services on the Internet that are extremely popular in the world, including in Indonesia. This research is important because Twitter is effective in quickly and accurately delivering messages. In fact, everyone can act as a 'reporter' and form quick opinions through this social media. This research is aimed to investigate the emergence of the roots of hegemony based on text analysis that is linked with representation, relation, identity, and transformation of national issues that become trending topics on Twitter. Moreover, the research is to discuss the social media's discourse practice that influences media workers in producing news, and to see how it implicates the research on the study of discourse analysis. By using the Fairclough theory, especially on text analysis that is linked with representation, relation, and identity, the researcher attempts to explore how the roots of hegemony emerge in the national issues that become trending topics on Twitter. The researcher also offers a new function to complete the approach of Fairclough in text analysis on social media: transformation – which is an attempt to see the change in roles of news participants and amateur readers as 'reporters' and participate in forming opinions. Abstrak Penelitian ini berhubungan dengan twitter, sebagai salah satu media sosial di internet yang sangat populer di dunia, termasuk di indonesia. Penelitian ini penting karena twitter efektif dalam menyampaikan pesan dengan cepat dan akurat. Faktanya, semua orang dapat bertindak sebagai "reporter" dan membuat opini yang cepat melalui sosial media tersebut. Penelitian ini bertujuan untuk menyelidiki kemunculan dari akar hagemoni berdasarkan analisis teks yang berhubungan dengan representasi, hubungan, identitas, dan transformasi isu-isu nasional yang menjadi topik yang sedang tren di twitter. Selain itu, penelitian ini juga untuk mendiskusikan praktik wacana media sosial  yang mempengaruhi pekerja media dalam membuat berita, dan untuk melihat bagaimana hal tersebut melibatkan penelitian dalam studi analisis wacana. Dengan menggunakan teori Fairclough, khususnya pada analisis teks yang berhubungan dengan penafsiran, hubungan, identitas, peneliti berupaya untuk menyelidiki bagaimana akar hegemoni muncul yang menjadi topik tren di twitter. Peneliti juga menawarkan sebuah fungsi baru untuk melengkapi pendekatan Fairlclough dalam analisis teks pada sosial media: transformasi - yang merupakan usaha untuk melihat perubahan peran pembuat berita dan pembaca awam sebagai 'reporter' dan berpartisipasi dalam membentuk opini. How to Cite : Susanti, E. (2015). Hegemony of The Social Media Twitter About National Issues in Indonesia and Its Implications to the Discourse Analysis Subject in Colleges. TARBIYA: Journal Of Education In Muslim Society, 2(2), 153-166. doi:10.15408/tjems.v2i2.3180. Permalink/DOI: http://dx.doi.org/10.15408/tjems.v2i2.3180


2020 ◽  
Vol 9 (2) ◽  
pp. 101-126
Author(s):  
Stephen Turton

Abstract This paper furthers the goal of “queering lexicography” (Nossem 2018) by proposing a theoretical approach to analysing dictionary definitions that replaces the traditional descriptive/prescriptive binary with a model of normativity influenced by performativity theory. This is demonstrated by a critical discourse analysis of how entries for lesbian, gay, and homosexual in four contemporary English dictionaries tacitly position homosexual as a neutral term against which lesbian and gay are sociolinguistically marked. The paper also stresses the need for researchers not only to analyse how normativity is embedded in dictionaries, but to recognize the extent to which lay dictionary-users are already aware of the normative potential of lexicography, whether they embrace it or condemn it. This is explored through an incident in which Merriam-Webster’s addition of the word genderqueer to its online dictionary in 2016 became the subject of public scrutiny and contestation on social media.


Author(s):  
Cheryl Brown

Critical discourse analysis (CDA) is a cross-disciplinary methodological and theoretical approach. At its core CDA explores the intersections between discourse, critique, power, and ideology which hold particular values for those teaching in developing contexts. CDA has emerged as a valuable methodological approach in cultural and media studies and has increased in prominence since the 2010s in education research where it is drawn on to explore educational policy, literacy education, and identity. This research has intersected with the field of information systems which has explored the dominant discourses and discursive practice of how information and communication technologies (ICTs) are viewed in policy and the contradictions between rhetoric and reality. It has also been drawn on in research in developing contexts to critique the role of ICTs in education. A brief historical background to CDA and overview of the key components of the approach will be provided. How CDA has been drawn on in educational studies will be examined and research on CDA will be highlighted to explore discursive practices of students and the influence of students’ digital identities on their engagement with and experience of online learning. By focusing on four key constructs of CDA—namely meaning, context, identity, and power—the potential of CDA to critically investigate how students’ are constructing their technological identity in an increasingly digital world will be demonstrated, particularly as examples of research emanating from developing contexts will be drawn.


2020 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Tiia-Lotta Pekkanen ◽  
Visa Penttilä

PurposeThe study examines the responsibilisation of an ethnocentric consumer in commercial, meta-organisational discourses. In addition to nationalistic and patriotic discourses, the focus is on wider conceptualisations of consumer responsibility.Design/methodology/approachThe paper uses critical discourse analysis as a methodological approach to conduct an empirical case study on the texts of two producer-driven labelling campaigns.FindingsThe campaign texts create possibilities for ethnocentric consumption with positioning, argumentative and classificatory discourses. Patriotic responsibilisation is emphasised, together with rationales to take action on environmental concerns.Practical implicationsThe study highlights the responsibility of marketers over their corporate responsibility communication, suggesting that ethnocentric promotions may have the power to alter how consumers take action on various responsibility concerns.Social implicationsThe study surfaces the tensions that responsible consumption can entail for consumers. Indeed, nationalistic and patriotic discourses may alter our understanding of responsibility issues that may seem completely separate from the concepts of nationalism and patriotism.Originality/valueThe paper shows how different organisational texts are deployed to bring about the idea of ethnocentric consumption and how this relates to responsibility discourses, nationalism and patriotism.


2016 ◽  
Vol 25 (3) ◽  
Author(s):  
L P Siziba ◽  
F Wood

Social media has transformed into a space of contest for identity, language and culture. In an attempt to reclaim, redefine and restore their distorted identity, the Ndebele people have taken to the use of social media as a forum to fulfil their quest. Unlike most cultures and identities the concept of Ndebeleness is a fluid ideology, because the concept of Nationalism in this culture involved a unification of various identities which in itself caused an identity divide in the Ndebele ideology. More recently the identity debates are centered on the concept of ‘who is Ndebele and who is an outsider?’ This article reflects on and discusses key ideas and cross-cutting themes around the evolution of ‘cultures’, discursive practices and other ‘language forms’ in Zimbabwe that have in recent years played a significant role in shaping ideas about Ndebele identity and the other. The research analyses these concepts using facets of critical discourse analysis as well as Primordial and Constructivist theories of identity. The article uses data collected from various social media forums for analysis purposes.


2020 ◽  
Vol 202 ◽  
pp. 07037
Author(s):  
M Muzakka ◽  
Suyanto ◽  
Mujid Farihul Amin

This study aims to: (1) describe and explain the knowledge and beliefs of the target study communities of Covid 19 and the corpse of victims of Covid 19 and (2) explains the sociocultural factors that influence the attitudes and behavior of the community regarding Covid 19 and the rejection of the funeral of Covid 19 victims. This study uses the Fairclough model of critical discourse analysis approach with a focus on social practices of the Sewakul community, Semarang District, represented in various mass media and social media. The formal object of this study is the discourse on social media detiknews.com, republika.co.id, and solopost.com and its formal object is the rejection of the funeral of a corpse of Covid 19 victims by the Sewakul community. Data collection uses the method of listening and note taking and in-depth interviews. Data analysis through three stages, namely data reduction, data display, conclusion / verification. The results of the study show that the people of Sewakul generally have undue (low) knowledge of the Covid 19 pandemic and its victims and loss of humanity. The sociocultural factors among the Sewakul people prioritize paternalistic, shyness, and blind social solidarity.


2019 ◽  
Vol 13 (1) ◽  
Author(s):  
Liony Gita ◽  
Cosmas Gatot Haryono

<p>ABSTRACT<br />This study discusses the discourse contained in the Kimi Hime youtube upload which is quite controversial because it is considered too sensual. This research is a research with a critical paradigm which analyzes the Norman Fairclough critical discourse analysis and uses the content commodification theory proposed by Vincent Mosco. The results of this study indicate that the YouTube show made by Kimi Hime is basically a commodification of sensuality by producing the title and content of the show, including reproducing sensual words and sentences that can arouse male biological desires to attract many viewers and visitors from the social media channel Kimi Hime.<br />Keywords: Critical Discourse Analysis, Commodification, Sensuality</p><p> </p><p>ABSTRAK<br />Penelitian ini membahas mengenai wacana yang terkandung dalam unggahan youtube Kimi Hime yang cukup kontroversial karena dianggap terlalu sensual. Penelitian ini merupakan penelitian dengan paradigma kritis yang melakukan analisis dengan menggunakan analisis wacana kritis Norman Fairclough dan menggunakan teori komodifikasi konten yang dikemukanan oleh Vincent Mosco. Hasil dari penelitian ini menunjukkan bahwa tayangan youtube yang dibuat Kimi Hime pada dasarnya merupakan suatu komodifikasi terhadap sensualitas yang dilakukan dengan memproduksi judul dan isi tayangan, termasuk di dalamnya mereproduksi kata dan kalimat yang bersifat sensual serta bisa mengguah hasrat biologis lelaki demi menarik banyak penonton dan pengunjung dari kanal media sosial Kimi Hime.<br />Kata Kunci: Analisis Wacana Kritis, Komodifikasi, Sensualitas</p>


2019 ◽  
Vol 45 (3) ◽  
pp. 326-334
Author(s):  
Helen Brooks ◽  
Kelly Rushton ◽  
Karina Lovell ◽  
Rebecca McNaughton ◽  
Anne Rogers

There is increasing recognition of the role pets play in the management of mental health conditions. Evidence suggests that pets promote social interaction and provide secure and intimate relationships which support the management of symptoms. This paper aimed to extend this evidence by exploring the phenomenological understanding of relationships and relationality with companion animals as therapeutic agents in the context of people’s wider social networks.A qualitative study was undertaken incorporating 35 interviews with 12 participants with a diagnosis of severe mental illness who identified a pet as being important in the management of mental health. Participants took part in three in-depth interviews centred on ego network mapping over a 12-month period (baseline, 6 and 12 months). A critical discourse analysis examined therapeutic relationships with pets in relation to mental health and compared these to other types of support over time. Summative discourse analyses were combined with a cross-case thematic analysis to look for commonalities and differences across individuals.Compared with interactions with other therapeutic agents, relationships with pets were free from the obligations and complexities associated with other types of network members and provided an extension and reinforcement to an individual’s sense of self which militated against the negative experiences associated with mental illness. Relationships with human network members were more variable in terms of consistency and capacity to manage demands (eg, network members requiring support themselves) and the emotions of others associated with fluctuations in mental health.This study adds weight to research supporting the inclusion of companion animals in the lexicon of mental health self-management through the therapeutic value attributed to them by participants within a wide personal network of support. The findings point to how consideration might usefully be given to how relationships with companion animals can be incorporated into healthcare planning and delivery.


2018 ◽  
Vol 21 (6) ◽  
pp. 1290-1310 ◽  
Author(s):  
Kaitlynn Mendes ◽  
Jessalynn Keller ◽  
Jessica Ringrose

In this article, we argue that social media platforms like Tumblr and Twitter have facilitated an emergence of “digitized narratives” of sexual violence. These narratives are rooted in historical ways in which feminists have discursively articulated sexual violence, yet are shaped by distinctive “platform vernacular” or the conventions, affordances, and restrictions of the platforms in which they appear. Drawing on a qualitative content and critical discourse analysis of 450 texts from the Tumblr site Who Needs Feminism? and the hashtag #BeenRapedNeverReported, we argue that digital platforms such as Tumblr and Twitter produce new vernacular practices which shape how “digitized narratives” of sexual violence are not only disclosed and known, but felt and experienced across digital networks.


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