Redefining realness

2020 ◽  
Vol 9 (2) ◽  
pp. 101-126
Author(s):  
Stephen Turton

Abstract This paper furthers the goal of “queering lexicography” (Nossem 2018) by proposing a theoretical approach to analysing dictionary definitions that replaces the traditional descriptive/prescriptive binary with a model of normativity influenced by performativity theory. This is demonstrated by a critical discourse analysis of how entries for lesbian, gay, and homosexual in four contemporary English dictionaries tacitly position homosexual as a neutral term against which lesbian and gay are sociolinguistically marked. The paper also stresses the need for researchers not only to analyse how normativity is embedded in dictionaries, but to recognize the extent to which lay dictionary-users are already aware of the normative potential of lexicography, whether they embrace it or condemn it. This is explored through an incident in which Merriam-Webster’s addition of the word genderqueer to its online dictionary in 2016 became the subject of public scrutiny and contestation on social media.

2015 ◽  
Vol 2 (2) ◽  
pp. 153-166
Author(s):  
Elvi Susanti

Abstract This research is linked with Twitter, as one of social media services on the Internet that are extremely popular in the world, including in Indonesia. This research is important because Twitter is effective in quickly and accurately delivering messages. In fact, everyone can act as a 'reporter' and form quick opinions through this social media. This research is aimed to investigate the emergence of the roots of hegemony based on text analysis that is linked with representation, relation, identity, and transformation of national issues that become trending topics on Twitter. Moreover, the research is to discuss the social media's discourse practice that influences media workers in producing news, and to see how it implicates the research on the study of discourse analysis. By using the Fairclough theory, especially on text analysis that is linked with representation, relation, and identity, the researcher attempts to explore how the roots of hegemony emerge in the national issues that become trending topics on Twitter. The researcher also offers a new function to complete the approach of Fairclough in text analysis on social media: transformation – which is an attempt to see the change in roles of news participants and amateur readers as 'reporters' and participate in forming opinions. Abstrak Penelitian ini berhubungan dengan twitter, sebagai salah satu media sosial di internet yang sangat populer di dunia, termasuk di indonesia. Penelitian ini penting karena twitter efektif dalam menyampaikan pesan dengan cepat dan akurat. Faktanya, semua orang dapat bertindak sebagai "reporter" dan membuat opini yang cepat melalui sosial media tersebut. Penelitian ini bertujuan untuk menyelidiki kemunculan dari akar hagemoni berdasarkan analisis teks yang berhubungan dengan representasi, hubungan, identitas, dan transformasi isu-isu nasional yang menjadi topik yang sedang tren di twitter. Selain itu, penelitian ini juga untuk mendiskusikan praktik wacana media sosial  yang mempengaruhi pekerja media dalam membuat berita, dan untuk melihat bagaimana hal tersebut melibatkan penelitian dalam studi analisis wacana. Dengan menggunakan teori Fairclough, khususnya pada analisis teks yang berhubungan dengan penafsiran, hubungan, identitas, peneliti berupaya untuk menyelidiki bagaimana akar hegemoni muncul yang menjadi topik tren di twitter. Peneliti juga menawarkan sebuah fungsi baru untuk melengkapi pendekatan Fairlclough dalam analisis teks pada sosial media: transformasi - yang merupakan usaha untuk melihat perubahan peran pembuat berita dan pembaca awam sebagai 'reporter' dan berpartisipasi dalam membentuk opini. How to Cite : Susanti, E. (2015). Hegemony of The Social Media Twitter About National Issues in Indonesia and Its Implications to the Discourse Analysis Subject in Colleges. TARBIYA: Journal Of Education In Muslim Society, 2(2), 153-166. doi:10.15408/tjems.v2i2.3180. Permalink/DOI: http://dx.doi.org/10.15408/tjems.v2i2.3180


Author(s):  
Muhammad Sibtain Chohan ◽  
Muhammad Nadeem Anwar

The aim of the study is to analyze Zulfiqar Ali Bhutto’s speech at United Nations’ Security Council on September 22, 1965. The study attempts to uncover the meanings of the words employed to show the core tension of 1965 war between Pakistan and India. There have been different models of CDA presented by scholars like Fairclough, Wodak and Van Dijk, but the most suitable CDA framework for this study case is of Van Dijk. His (1997) framework for critical discourse analysis provides the clear picture of the ideologies expressed in various kinds of structures. Qualitative methodology has been employed for this study and the content of the speech was analyzed qualitatively. The findings of the study elaborate that Bhutto was determined to have a permanent peace in the region. It can also be observed that he was quite confident in buying peace for Pakistani and the neighboring countries. He reinforced the subject matter with multiple instances of the countries that faced the same war-like circumstances and rose again with new zeal and zest. The study has its theoretical as well as practical scope.


Author(s):  
Kamil Fleissner

ABSTRACTThis study aims to analyze the discoursive representation of andalusian collective identity and memory in the television series “La respuesta está en la historia”. I will reflect the theoretical approach of the social construction of identities and I will use the methodology of the critical discourse analysis to identify, classify and explore the basic discoursive strategies that are reproduced by the television series.RESUMENEl propósito general de este estudio es analizar la construcción discursiva de las representaciones de la identidad social y de la memoria colectiva de los andaluces en la serie “La respuesta está en la Historia”. Reflejando las explicaciones teóricas de la construcción de la identidad y los conceptos de la memoria colectiva, y usando la perspectiva teórico-metodológica del análisis crítico del discurso identifico, clasifico y exploro las principales estrategias discursivas usadas en el programa.


2019 ◽  
Vol 38 (2) ◽  
pp. 104-118
Author(s):  
Katie Baker Jones

Discursive practices employed by American Vogue to recontextualize sustainable fashion between 1990 and 2015 were explored through the lens of a discourse-historical approach and multimodal critical discourse analysis. References to sustainably minded values and actions were found throughout the 26 years studied with notable peaks and valleys in coverage that, at times, contradicted changing social interest in the subject. Over time, Vogue recontextualized sustainable fashion discourses and encouraged a passive revolution by moving from a contentious positioning of either/or sustainable fashion to one that embraced a both/and positionality by narrowing focus to lifestyle and product features. Additionally, Vogue celebrated social actors engaged in sustainable behaviors though these were increasingly positioned as lifestyle choices rather than revolutionary collective action. Vogue continuously recontextualized the sustainable fashion discourse as “new” and desirable while neutralizing most negative considerations of fashion consumption through a variety of articulations and by drawing on well-established semiotic resources.


2020 ◽  
Vol 2 (3) ◽  
pp. 121
Author(s):  
Prayudha Prayudha ◽  
Ma’ruf Fawwaz

This paper analyzes the textual aspects in Critical Discourse Analysis (CDA) Norman Fairclough model of CNN news discourse about Uyghur issue. When this research is conducted, there are only at least five articles specifically discussing Uyghur issue that are 29th December 2011, 29th February 2012, 29th February 2012, 30th October 2013, and 5th September 2014 publications. The research focuses on analyzing the text representation and the relation between participants in the discourse. Objectives of the paper are: 1) to analyze the text representation of news in the news channel of CNN related to the Uyghur case, and 2) to analyze the relation between participants in the news channel of CNN related to the Uyghur case. The subject of this paper is Uyghur issue as reflected in the news articles of CNN International. The paper applies qualitative descriptive method. As a consequence: CNN often put formality features and a vague vocabulary to block and obscure the negative value from the readers to China. The relation here is presented by CNN to China rather than CNN to Uyghur. It is reflected by the power of the status of China.


2016 ◽  
Vol 25 (3) ◽  
Author(s):  
L P Siziba ◽  
F Wood

Social media has transformed into a space of contest for identity, language and culture. In an attempt to reclaim, redefine and restore their distorted identity, the Ndebele people have taken to the use of social media as a forum to fulfil their quest. Unlike most cultures and identities the concept of Ndebeleness is a fluid ideology, because the concept of Nationalism in this culture involved a unification of various identities which in itself caused an identity divide in the Ndebele ideology. More recently the identity debates are centered on the concept of ‘who is Ndebele and who is an outsider?’ This article reflects on and discusses key ideas and cross-cutting themes around the evolution of ‘cultures’, discursive practices and other ‘language forms’ in Zimbabwe that have in recent years played a significant role in shaping ideas about Ndebele identity and the other. The research analyses these concepts using facets of critical discourse analysis as well as Primordial and Constructivist theories of identity. The article uses data collected from various social media forums for analysis purposes.


2020 ◽  
Vol 8 (1) ◽  
pp. 51
Author(s):  
Titin Purwaningtyas

The textbook plays an essential role for students in the teaching and learning process. Imagery, combined with texts in the textbook, makes subjects easy to understand. Images are generally used to convey things we can't tell in the text. Visual images help students make sense of output and input around them. This study investigates the representation of the visual image in the EFL textbook proposed by using a multimodal discourse analysis method. The researcher used the framework from Kress van Leeuwen. Information from all visual images consist of 158 images in the Indonesian EFL textbook is collected as the data in this study. The results showed that females (70%) portions were more commonly portrayed than males ( 30%). In terms of social roles, females have the same proportion of occupations as males. In terms of image appearance, the foreign and Indonesian cultures portrayed to show the tolerance culture. This study aims to explore the meaning of the integrated use of semiotic resources, such as visual image representation in the textbook. The researcher expected students and teachers as textbook users could increase their understanding with the subject of teaching and learning by interpreting the visual images effectively. This study recommends to the textbook user that visual images appearances can strengthen the text or written material in the textbook. Also, it suggests textbook publishers be more concerned and synchronize between the written content and the visual representation portrayed not to occur misinterpretation among the textbook users.


2020 ◽  
Vol 202 ◽  
pp. 07037
Author(s):  
M Muzakka ◽  
Suyanto ◽  
Mujid Farihul Amin

This study aims to: (1) describe and explain the knowledge and beliefs of the target study communities of Covid 19 and the corpse of victims of Covid 19 and (2) explains the sociocultural factors that influence the attitudes and behavior of the community regarding Covid 19 and the rejection of the funeral of Covid 19 victims. This study uses the Fairclough model of critical discourse analysis approach with a focus on social practices of the Sewakul community, Semarang District, represented in various mass media and social media. The formal object of this study is the discourse on social media detiknews.com, republika.co.id, and solopost.com and its formal object is the rejection of the funeral of a corpse of Covid 19 victims by the Sewakul community. Data collection uses the method of listening and note taking and in-depth interviews. Data analysis through three stages, namely data reduction, data display, conclusion / verification. The results of the study show that the people of Sewakul generally have undue (low) knowledge of the Covid 19 pandemic and its victims and loss of humanity. The sociocultural factors among the Sewakul people prioritize paternalistic, shyness, and blind social solidarity.


2019 ◽  
Vol 13 (1) ◽  
Author(s):  
Liony Gita ◽  
Cosmas Gatot Haryono

<p>ABSTRACT<br />This study discusses the discourse contained in the Kimi Hime youtube upload which is quite controversial because it is considered too sensual. This research is a research with a critical paradigm which analyzes the Norman Fairclough critical discourse analysis and uses the content commodification theory proposed by Vincent Mosco. The results of this study indicate that the YouTube show made by Kimi Hime is basically a commodification of sensuality by producing the title and content of the show, including reproducing sensual words and sentences that can arouse male biological desires to attract many viewers and visitors from the social media channel Kimi Hime.<br />Keywords: Critical Discourse Analysis, Commodification, Sensuality</p><p> </p><p>ABSTRAK<br />Penelitian ini membahas mengenai wacana yang terkandung dalam unggahan youtube Kimi Hime yang cukup kontroversial karena dianggap terlalu sensual. Penelitian ini merupakan penelitian dengan paradigma kritis yang melakukan analisis dengan menggunakan analisis wacana kritis Norman Fairclough dan menggunakan teori komodifikasi konten yang dikemukanan oleh Vincent Mosco. Hasil dari penelitian ini menunjukkan bahwa tayangan youtube yang dibuat Kimi Hime pada dasarnya merupakan suatu komodifikasi terhadap sensualitas yang dilakukan dengan memproduksi judul dan isi tayangan, termasuk di dalamnya mereproduksi kata dan kalimat yang bersifat sensual serta bisa mengguah hasrat biologis lelaki demi menarik banyak penonton dan pengunjung dari kanal media sosial Kimi Hime.<br />Kata Kunci: Analisis Wacana Kritis, Komodifikasi, Sensualitas</p>


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