scholarly journals Playing with Fire: Analysing the Role of Fire in Architecture

2021 ◽  
Author(s):  
◽  
Joanita Goei

<p>This research addresses the four inherent themes within fire. Fire has an association with myth due to its complexity in nature and existence long before modern science. Even today these myths live on as a way to describe the characteristics of fire as an architectural element. Bachelard’s book The Psychoanalysis of Fire looks at how fire connects with our primitive self through reverie. Fire’s contemplative character allows us to escape the surrounding world, and transport us to a kind of subconscious level. An extension of the reverie of fire is fire’s relation to the primitive. Although we have evolved into advance species, at a basic level we are all still animals. There are certain primal needs inherent within us such as sense of safety and community. Fire fulfils these needs architecturally by providing the setting for ‘primitive experiences.’ The last theme I will look at has to do with fire’s association with living beings. Even though fire is not scientifically a living organism, it is often compared to a living being due to its complexity in character. Moreover, it often symbolises life in many levels of society such as the civic hearth during the Greco-Roman era. Several case studies are looked at to see the application of the ideas represented within the themes of fire. A range of contemporary architecture is chosen to show how the ideals associated with fire are still applicable in architecture even today. In the case studies fire has either been excluded physically but present symbolically, or its presence has been reduced to the bare minimum. The case studies aim to show how fire can be addressed architecturally using other architectural elements that are traditionally associated with fire, such as chimneys and hearth. Due to current issues such as sustainability, having fire physically within a space is becoming more difficult. Many places around the world have banned open fires. An option to continue celebrating fire within architecture is through the symbolic representation of the element. This can be done by using other architectural elements that we traditionally associate with fire ...</p>

2021 ◽  
Author(s):  
◽  
Joanita Goei

<p>This research addresses the four inherent themes within fire. Fire has an association with myth due to its complexity in nature and existence long before modern science. Even today these myths live on as a way to describe the characteristics of fire as an architectural element. Bachelard’s book The Psychoanalysis of Fire looks at how fire connects with our primitive self through reverie. Fire’s contemplative character allows us to escape the surrounding world, and transport us to a kind of subconscious level. An extension of the reverie of fire is fire’s relation to the primitive. Although we have evolved into advance species, at a basic level we are all still animals. There are certain primal needs inherent within us such as sense of safety and community. Fire fulfils these needs architecturally by providing the setting for ‘primitive experiences.’ The last theme I will look at has to do with fire’s association with living beings. Even though fire is not scientifically a living organism, it is often compared to a living being due to its complexity in character. Moreover, it often symbolises life in many levels of society such as the civic hearth during the Greco-Roman era. Several case studies are looked at to see the application of the ideas represented within the themes of fire. A range of contemporary architecture is chosen to show how the ideals associated with fire are still applicable in architecture even today. In the case studies fire has either been excluded physically but present symbolically, or its presence has been reduced to the bare minimum. The case studies aim to show how fire can be addressed architecturally using other architectural elements that are traditionally associated with fire, such as chimneys and hearth. Due to current issues such as sustainability, having fire physically within a space is becoming more difficult. Many places around the world have banned open fires. An option to continue celebrating fire within architecture is through the symbolic representation of the element. This can be done by using other architectural elements that we traditionally associate with fire ...</p>


2013 ◽  
Author(s):  
◽  
Raksha Padaruth

This paper documents and evaluates the use of ceramics as an aesthetic architectural element in Durban from 1914-2012 with special reference to James Hall (1916-2006), Andrew Walford (b.1942) and Jane du Rand (b.1969). These artists were selected because their work demonstrates a wide range of the use of decorative tiles and mosaics as aesthetic elements in Durban architecture over a period of more than fifty years. Reference is made to the historical use of tiles and mosaics as aesthetic architectural elements in Durban from 1914-1955 in order to provide a context to an investigation and evaluation of the contribution of Hall, Walford and du Rand to the use of tiles and mosaics as an aesthetic architectural element in Durban. The paper begins by highlighting the importance of this study, discusses the role of ceramic architectural adornment and defines terminology for the purpose of this research. In addition an explanation of the research methodology used, research questions and literature review is provided. The study is contextualised through an overview of the historical background of the use of ceramics (tiles and mosaics) as an aesthetic element in architecture. The importance of the use of ceramic elements in relation to architecture, as well as the different techniques and methods of production, are highlighted and related to contemporary practice. The overview provides insight into how the use of ceramic elements in the past has influenced the approach of contemporary practice. My contribution to the use of mosaics as an aesthetic architectural element in Durban and my art practice, in the form of an installation titled passage is discussed and evaluated. The paper concludes by noting that the historical use of tiles and mosaics as aesthetic elements in architecture persists in contemporary art practice. However, the methods of tiled mosaic production and tiled mosaic techniques have been revolutionised extensively. It is evident that, the use of ceramics as an aesthetic element in Durban architecture reflects, both a strong European design influence and a distinctive local identity.


2021 ◽  
Author(s):  
Jacob Shank

In the 1987 essay Weak Architecture the Spanish architectural theorist Ignasi de Sola-Morales asked the question “what role is accorded to architecture in the aesthetic system of contemporary weak thought?”(de Sola-Morales, 1996 [1987], p. 57). Given the increasing contemporary influence of weak ontology (thought) within the discipline of philosophy and the resulting spill over into architectural theory, this thesis asks a similar question repositioned from the viewpoint of the designer: What impact does the philosophy of Weak Ontology have on the design of contemporary architecture? By questioning the objective relationship between person and architecture (the ontological and the ontic), the plurality and incompleteness of architectural experience must be addressed. The project uses the relationship of light and architecture to reevaluate three foundational architectural elements: its materiality, its linear existence in time, and its fixed location. The role of light within architecture becomes the focus not of the investigation itself, but a demonstration of the accumulative and pluralized influences that overlay the Euclidean underpinnings of architectural tectonics.


2021 ◽  
Author(s):  
Jacob Shank

In the 1987 essay Weak Architecture the Spanish architectural theorist Ignasi de Sola-Morales asked the question “what role is accorded to architecture in the aesthetic system of contemporary weak thought?”(de Sola-Morales, 1996 [1987], p. 57). Given the increasing contemporary influence of weak ontology (thought) within the discipline of philosophy and the resulting spill over into architectural theory, this thesis asks a similar question repositioned from the viewpoint of the designer: What impact does the philosophy of Weak Ontology have on the design of contemporary architecture? By questioning the objective relationship between person and architecture (the ontological and the ontic), the plurality and incompleteness of architectural experience must be addressed. The project uses the relationship of light and architecture to reevaluate three foundational architectural elements: its materiality, its linear existence in time, and its fixed location. The role of light within architecture becomes the focus not of the investigation itself, but a demonstration of the accumulative and pluralized influences that overlay the Euclidean underpinnings of architectural tectonics.


2019 ◽  
Vol 12 (2) ◽  
pp. 159-179
Author(s):  
H.A.E. (Hub) Zwart

Abstract This paper substantiates why Jung’s psychology is still highly relevant for understanding science today. I explore how his methods and insights allow us to come to terms with the phenomenon of scientific discovery. After outlining core Jungian concepts and insights concerning science, I will focus on the relationship between alchemy and modern science. Also, I will highlight Jung’s understanding of scientific research as a practice of the self, directed at individuation (the integration of various aspects of the self into a coherent whole). Finally, I discuss the role of archetypes in the context of discovery of modern science. Whereas archetypal ideas may function as sources of insight and inspiration, the task for researchers is to come to terms with them, instead of being overwhelmed by them. Besides case studies discussed by Jung himself, I also present more recent examples, taken from molecular life sciences research and climate change research.


1998 ◽  
pp. 43-44
Author(s):  
Anatolii M. Kolodnyi

At the All-Ukrainian Christian Forum "The Fruit of Truth is Sacrified by the Creators of Peace", which took place in Kyiv in May, a section on the role of Christianity in the development of morality and spirituality worked. The section involved scientists, as well as theologians and teachers of eight Christian churches - three Orthodox, Greco-Roman Catholic, as well as Baptist, Adventist, and Pentecostal. At the session of the section were heard 20 reports and messages.


Author(s):  
Sucharita BENIWAL ◽  
Sahil MATHUR ◽  
Lesley-Ann NOEL ◽  
Cilla PEMBERTON ◽  
Suchitra BALASUBRAHMANYAN ◽  
...  

The aim of this track was to question the divide between the nature of knowledge understood as experiential in indigenous contexts and science as an objective transferable knowledge. However, these can co-exist and inform design practices within transforming social contexts. The track aimed to challenge the hegemony of dominant knowledge systems, and demonstrate co-existence. The track also hoped to make a case for other systems of knowledges and ways of knowing through examples from native communities. The track was particularly interested in, first, how innovators use indigenous and cultural systems and frameworks to manage or promote innovation and second, the role of local knowledge and culture in transforming innovation as well as the form of local practices inspired innovation. The contributions also aspired to challenge through examples, case studies, theoretical frameworks and methodologies the hegemony of dominant knowledge systems, the divides of ‘academic’ vs ‘non-academic’ and ‘traditional’ vs ‘non-traditional’.


Author(s):  
Ronald Hoinski ◽  
Ronald Polansky

David Hoinski and Ronald Polansky’s “The Modern Aristotle: Michael Polanyi’s Search for Truth against Nihilism” shows how the general tendencies of contemporary philosophy of science disclose a return to the Aristotelian emphasis on both the formation of dispositions to know and the role of the mind in theoretical science. Focusing on a comparison of Michael Polanyi and Aristotle, Hoinski and Polansky investigate to what degree Aristotelian thought retains its purchase on reality in the face of the changes wrought by modern science. Polanyi’s approach relies on several Aristotelian assumptions, including the naturalness of the human desire to know, the institutional and personal basis for the accumulation of knowledge, and the endorsement of realism against objectivism. Hoinski and Polansky emphasize the promise of Polanyi’s neo-Aristotelian framework, which argues that science is won through reflection on reality.


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