scholarly journals Re-imagining the museum

2021 ◽  
Author(s):  
◽  
Laura Marsh
Keyword(s):  
New Zealand ◽  
Large Scale ◽  
Circulatory System ◽  
Circulation System ◽  
National Museum ◽  
Concept Design ◽  
The Public ◽  
Museum Architecture ◽  
Alternate Reality ◽  
Frank Gehry

<p>Twentieth-century museums have become more than displays of art and history. Unlike their nineteenth century origins, museums today are a centre of culture, education and entertainment.  Designing a circulation system that connects the transitions between exhibits is like forming a riddle for a visitor to enter, experience, solve and remember.  The museum reflects every asset, flaw, scar, crease, emotion, and sole of whom has time to stand and observe. For one to observe, one has to navigate. Seeking the key principles into designing a successful circulation between architecture and visitor will allow a large-scale building to be read effortlessly and seamlessly like a well-written novel.  In the late 1980’s a design brief was revealed to the public requesting proposals for a National Museum of New Zealand. 10 years later the doors opened to Te Papa Tongarewa on Wellington’s waterfront. Among the submitted proposals, was a concept design by Ian Athfield and Frank Gehry. Their proposal did not make it past the conceptual stage, thus offering the opportunity to explore its potential interiority and circulation.  This thesis engages with the great museums that initiated 21st Century architecture such as the Guggenheim of Bilbao, the Jewish Museum of Berlin and most importantly, investigation into the design of Te Papa Tongarewa to analyse their method of circulation. For these museums both encapsulate the heritage of their location as well as defining future possibilities for museum architecture.  This thesis re-imagines the possibilities of the National Museum of New Zealand. This will be investigated through the tools of circulation and the experiential qualities that the architecture initiates as our bodies and the way we move are in continuous dialogue with our architecture.  This thesis investigates the importance and functionality of atrium designs, as well as the influence it has on the structures circulatory system. Exploring the potential of an Athfield / Gehry design will inspire an alternate reality to what could have been.</p>

scholarly journals Re-imagining the museum

2021 ◽  
Author(s):  
◽  
Laura Marsh
Keyword(s):  
New Zealand ◽  
Large Scale ◽  
Circulatory System ◽  
Circulation System ◽  
National Museum ◽  
Concept Design ◽  
The Public ◽  
Museum Architecture ◽  
Alternate Reality ◽  
Frank Gehry

<p>Twentieth-century museums have become more than displays of art and history. Unlike their nineteenth century origins, museums today are a centre of culture, education and entertainment.  Designing a circulation system that connects the transitions between exhibits is like forming a riddle for a visitor to enter, experience, solve and remember.  The museum reflects every asset, flaw, scar, crease, emotion, and sole of whom has time to stand and observe. For one to observe, one has to navigate. Seeking the key principles into designing a successful circulation between architecture and visitor will allow a large-scale building to be read effortlessly and seamlessly like a well-written novel.  In the late 1980’s a design brief was revealed to the public requesting proposals for a National Museum of New Zealand. 10 years later the doors opened to Te Papa Tongarewa on Wellington’s waterfront. Among the submitted proposals, was a concept design by Ian Athfield and Frank Gehry. Their proposal did not make it past the conceptual stage, thus offering the opportunity to explore its potential interiority and circulation.  This thesis engages with the great museums that initiated 21st Century architecture such as the Guggenheim of Bilbao, the Jewish Museum of Berlin and most importantly, investigation into the design of Te Papa Tongarewa to analyse their method of circulation. For these museums both encapsulate the heritage of their location as well as defining future possibilities for museum architecture.  This thesis re-imagines the possibilities of the National Museum of New Zealand. This will be investigated through the tools of circulation and the experiential qualities that the architecture initiates as our bodies and the way we move are in continuous dialogue with our architecture.  This thesis investigates the importance and functionality of atrium designs, as well as the influence it has on the structures circulatory system. Exploring the potential of an Athfield / Gehry design will inspire an alternate reality to what could have been.</p>

scholarly journals Hybrid Environmental-Media Facades

2017 ◽  
Vol 2 (2) ◽  
pp. 190 ◽  
Author(s):  
Jules Moloney ◽  
Anastasia Globa ◽  
Rui Wang
Keyword(s):  
Large Scale ◽  
Energy Performance ◽  
Added Value ◽  
Concept Design ◽  
Worker Productivity ◽  
Environmental Media ◽  
The Public ◽  
Control Interface ◽  
Time Simulation ◽  
And Control

<p>There is significant potential for responsive sun screening systems to improve the energy performance of large scale public and commercial buildings. However there has been minimal uptake, primarily due to the capital and maintenance costs. We propose that these costs can be offset by providing added value in three ways. (1) Development of a finer grained control interface for occupants to enhance individual comfort, which has been shown to improve worker productivity. (2) With a high granularity of panels and a control system that enables individual movement of each panel, the system can be re-purposed as a low resolution media screen to foster social interactions in urban settings. (3) Enabling a new movement-aesthetic for architecture of indeterminate states that coalesce and shift during the daily and seasonal cycles, thus enlivening the public face of architecture. To evaluate the feasibility of such hybrid responsive facades we are developing physical prototypes calibrated to real time simulation and control software. A initial proof-of-concept design explores the optimal configuration and geometry of the kinetic panels to enable the granularity required for a range of graphic and textural information, along with development of the actuator. We document progress to date on this research into hybrid environmental-media façades’.</p>

scholarly journals MEMBANGUN VIRTUAL TRAVELING KABUPATEN KUTAI KARTANEGARA (KUKAR) SEBAGAI MEDIA WISATA VIRTUAL DI MASA PANDEMI

2021 ◽  
Vol 23 (1) ◽  
pp. 60-68
Author(s):  
Siti Lailiyah ◽  
Jundro Daud Hasiholan ◽  
Muhammad Jahriansyah
Keyword(s):  
Large Scale ◽  
Capital City ◽  
Concept Design ◽  
The Public ◽  
Interactive Applications ◽  
Virtual Tourism ◽  
Social Restriction ◽  
The Media ◽  
Life Cycle Development ◽  
The City

large-scale social restriction make tourists no longer able to visit tourist objects freely like they used to. Research to develop Virtual Traveling of Kutai Kartanegara is one of the media that will be used to support tourism in Kutai district during the Covid-19 pandemic, in a fun way so that it will attract millennials to get to know tourism in Kutai Kartanegara (KUKAR) so it is hoped that tourism objects that will become candidates for the new capital city of Indonesia which is better known in the archipelago. Virtual Traveling is an alternative for traveling without having to go far to the city. Virtual tourism can be an interesting medium to introduce various tourist objects in KUKAR through interactive applications. The purpose of establishing Kutai Kartanegara Virtual Traveling is that KUKAR tourism will be easily introduced to the public with interactive and interesting media. In this research, the method used to build a tourism application is multimedia life-cycle development, starts from concept, design, materials collecting, assembly, testing, and distribution. The result, this virtual tourism application can be used as promotional media for the KUKAR Tourism Department

The Hector Library, Museum of New Zealand Te Papa Tongarewa

1999 ◽  
Vol 24 (4) ◽  
pp. 31-38
Author(s):  
Nicola Woodhouse
Keyword(s):  
New Zealand ◽  
Natural History ◽  
Contemporary Art ◽  
Research Library ◽  
National Museum ◽  
Art Gallery ◽  
The Public ◽  
Global Art

The Hector Library started life in 1867 as a science library with a strong geological bent. The establishment of Te Papa, New Zealand’s new national museum, in 1992 led to a merger with the erstwhile National Art Gallery Research Library, renowned for its resources on contemporary art. The enlarged Hector, with dual specialities in art and natural history, is part of the re-designed information package servicing Te Papa visitors (both in person and distant) at the Museum’s new waterfront site which opened to the public in February 1998. This paper outlines the package, focusing on the Hector’s collections and services, and also posits the relevance of its resources in the context of global art documentation.

Is economic inequality a universal evil?

2019 ◽  
pp. 91-106 ◽  
Author(s):  
Rostislav I. Kapeliushnikov
Keyword(s):  
Quantitative Data ◽  
Large Scale ◽  
Economic Inequality ◽  
The State ◽  
Fair Play ◽  
Left Wing ◽  
Ordinary People ◽  
The Public ◽  
Discursive Power ◽  
A Current

Using published estimates of inequality for two countries (Russia and USA) the paper demonstrates that inequality measuring still remains in the state of “statistical cacophony”. Under this condition, it seems at least untimely to pass categorical normative judgments and offer radical political advice for governments. Moreover, the mere practice to draw normative conclusions from quantitative data is ethically invalid since ordinary people (non-intellectuals) tend to evaluate wealth and incomes as admissible or inadmissible not on the basis of their size but basing on whether they were obtained under observance or violations of the rules of “fair play”. The paper concludes that a current large-scale ideological campaign of “struggle against inequality” has been unleashed by left-wing intellectuals in order to strengthen even more their discursive power over the public.

Partnerships Generate Co-Benefits in Agricultural Stream Restoration (Canterbury, New Zealand)

2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Catherine M. Febria ◽  
Maggie Bayfield ◽  
Kathryn E. Collins ◽  
Hayley S. Devlin ◽  
Brandon C. Goeller ◽  
...  
Keyword(s):  
New Zealand ◽  
Large Scale ◽  
Agricultural Land ◽  
Indigenous Rights ◽  
Freshwater Ecosystem ◽  
Reduced Pressure ◽  
Ecosystem Integrity ◽  
Riparian Management ◽  
Scale Change ◽  
Large Scale Change

In Aotearoa New Zealand, agricultural land-use intensification and decline in freshwater ecosystem integrity pose complex challenges for science and society. Despite riparian management programmes across the country, there is frustration over a lack in widespread uptake, upfront financial costs, possible loss in income, obstructive legislation and delays in ecological recovery. Thus, social, economic and institutional barriers exist when implementing and assessing agricultural freshwater restoration. Partnerships are essential to overcome such barriers by identifying and promoting co-benefits that result in amplifying individual efforts among stakeholder groups into coordinated, large-scale change. Here, we describe how initial progress by a sole farming family at the Silverstream in the Canterbury region, South Island, New Zealand, was used as a catalyst for change by the Canterbury Waterway Rehabilitation Experiment, a university-led restoration research project. Partners included farmers, researchers, government, industry, treaty partners (Indigenous rights-holders) and practitioners. Local capacity and capability was strengthened with practitioner groups, schools and the wider community. With partnerships in place, co-benefits included lowered costs involved with large-scale actions (e.g., earth moving), reduced pressure on individual farmers to undertake large-scale change (e.g., increased participation and engagement), while also legitimising the social contracts for farmers, scientists, government and industry to engage in farming and freshwater management. We describe contributions and benefits generated from the project and describe iterative actions that together built trust, leveraged and aligned opportunities. These actions were scaled from a single farm to multiple catchments nationally.

ON EVALUATION OF THE ROLE OF THERMAL AND WIND FACTORS FOR A PHYSICAL MODEL OF THE WORLD OCEAN GENERAL CIRCULATION SYSTEM

2019 ◽  
Vol 47 (3) ◽  
pp. 80-91
Author(s):  
V. G. Neiman
Keyword(s):  
Physical Model ◽  
Ocean Circulation ◽  
General Circulation ◽  
World Ocean ◽  
Circulation System ◽  
The Public ◽  
The World ◽  
Almost All ◽  
Conceptual Foundations

The main content of the work consists of certain systematization and addition of longexisting, but eventually deformed and partly lost qualitative ideas about the role of thermal and wind factors that determine the physical mechanism of the World Ocean’s General Circulation System (OGCS). It is noted that the conceptual foundations of the theory of the OGCS in one form or another are contained in the works of many well-known hydrophysicists of the last century, but the aggregate, logically coherent description of the key factors determining the physical model of the OGCS in the public literature is not so easy to find. An attempt is made to clarify and concretize some general ideas about the two key blocks that form the basis of an adequate physical model of the system of oceanic water masses motion in a climatic scale. Attention is drawn to the fact that when analyzing the OGCS it is necessary to take into account not only immediate but also indirect effects of thermal and wind factors on the ocean surface. In conclusion, it is noted that, in the end, by the uneven flow of heat to the surface of the ocean can be explained the nature of both external and almost all internal factors, in one way or another contributing to the excitation of the general, or climatic, ocean circulation.

KETERTINDASAN MELAYU DALAM CERPEN “SUKU POMPONG” KARYA FEDLI AZIS DAN CERPEN “RUMAH DI UJUNG KAMPUNG” KARYA HANG KAFRAWI

2017 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Marlina Marlina
Keyword(s):  
Short Stories ◽  
Large Scale ◽  
Social Aspects ◽  
Land Conversion ◽  
The Public ◽  
Historical Reality ◽  
Sociological Approach ◽  
The Social ◽  
Imaginative Literature ◽  
The Village

Reading short stories “Suku Pompong” (Pompong Tribe) and “Rumah di Ujung Kampung” (House at the End of the Village) is like reading a historical reality that is happening on the ground of Riau Malay. The exploitation of forest resources on a large scale in recent decades in Riau Province has changed the land use of the area of intact forest into plantation area. The exploitation process causes friction in the community. The friction is eventually lead to conflict between communities and plantation companies. Their struggle to resolve conflicts and maintain their ancestral land, the strength of the company that has the license to the land and sadness when the public finally has always been on the losing side. This study objected to describe the objective reality of the Malay community in terms of land conversion, the communal land into plantations and reality of imaginative literature contained in the short stories “Suku Pompong” dan “Rumah di Ujung Kampung”. This study applied the sociology of literature approach, while the sociological approach to literature is a literary approach that specializes in reviewing literature by considering the social aspects. Based on these approaches, it can be concluded that short stories Suku Pompong and Rumah di Ujung Jalan are short stories that raised the reality of the Malay community.AbstrakMembaca cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung” seperti membaca sebuah realita sejarah yang terjadi di tanah Melayu Riau. Ekploitasi sumber daya hutan secara besar-besaran pada beberapa dekade terakhir di Provinsi Riau telah mengubah tata guna lahan dari kawasan hutan yang utuh menjadi kawasan perkebunan. Proses eksploitasi tersebut menimbulkan gesekan-gesekan dalam masyarakat. Gesekan-gesekan inilah yang akhirnya menimbulkan konflik antara masyarakat dengan pihak perusahaan perkebunan. Perjuangan masyarakat dalam menyelesaikan konflik dan mempertahankan tanah leluhur mereka, kekuatan pihak perusahaan yang memiliki surat izin atas tanah tersebut, dan kesedihan ketika masyarakat akhirnya selalu berada di pihak yang kalah. Penelitian ini bertujuan untuk mendeskripsikan realitas objektif masyarakat Melayu Riau dalam hal alih fungsi lahan, dari lahan tanah ulayat menjadi lahan perkebunan, dan realititas imajinatif sastra yang terdapat dalam cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung”. Penelitian ini menggunakan pendekatan sosiologi sastra, yaitu suatu pendekatan sastra yang mengkhususkan diri dalam menelaah karya sastra dengan mempertimbangkan segi-segi sosial kemasyarakatan. Dari pendekatan tersebut dapat diambil kesimpulan bahwa cerpen “Suku Pompong” dan cerpen “Rumah di Ujung Kampung” memang merupakan cerpen yang mengangkat realitas masyarakat Melayu Riau.

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