scholarly journals This is Wellington: The Representation of Wellington in New Zealand Tourism Film from 1912 to 2017

2021 ◽  
Author(s):  
◽  
Diego Bonelli

<p>This thesis analyses the representation of Wellington in tourism films between 1912, the year in which the first New Zealand tourism film depicting Wellington was released, until 2017, the production year of the last case study. It also aims to trace both the dynamics of formal, stylistic and narrative development and the contexts of circulation of New Zealand tourism film. This thesis relies on the textual analysis of case studies conceived for different distribution platforms, selected according to their stylistic, formal, thematic and narrative relevance and to the availability of related archival documents; on the analysis of archival material related to New Zealand film production; on interviews with key informants involved in local tourism film production and tourism marketing; on the analysis of scholarly sources. This research argues that the depiction of Wellington has been regularly underpinned by a set of economic, social and political factors that changed throughout time and that determined shifts and turning points in its representation. More broadly, it observes how New Zealand tourism film was on the one hand characterised by a tendency towards formal, stylistic and narrative experimentation while on the other it was constantly subjected to forms of institutional planning and control. This thesis aims to contribute to film studies in different ways. First, it defines tourism film as a subject of study, identifying its characteristics and recognizing its importance and persistence in the context of New Zealand film production. Secondly, it proposes a research methodology for tourism film based on the combined examination of different types of primary and secondary sources that can be potentially applied in different geographic contexts. Finally, it sheds light on the shifts and turning points in the representation of Wellington and New Zealand urban and suburban space throughout over a century of national tourism promotion and tourism film production. In this research, the term ‘tourism film’ has been used in its broadest sense and it is meant to include the variety of technologies and media texts that emerged throughout the analysed 105 years time frame covered in this thesis.</p>

2021 ◽  
Author(s):  
◽  
Diego Bonelli

<p>This thesis analyses the representation of Wellington in tourism films between 1912, the year in which the first New Zealand tourism film depicting Wellington was released, until 2017, the production year of the last case study. It also aims to trace both the dynamics of formal, stylistic and narrative development and the contexts of circulation of New Zealand tourism film. This thesis relies on the textual analysis of case studies conceived for different distribution platforms, selected according to their stylistic, formal, thematic and narrative relevance and to the availability of related archival documents; on the analysis of archival material related to New Zealand film production; on interviews with key informants involved in local tourism film production and tourism marketing; on the analysis of scholarly sources. This research argues that the depiction of Wellington has been regularly underpinned by a set of economic, social and political factors that changed throughout time and that determined shifts and turning points in its representation. More broadly, it observes how New Zealand tourism film was on the one hand characterised by a tendency towards formal, stylistic and narrative experimentation while on the other it was constantly subjected to forms of institutional planning and control. This thesis aims to contribute to film studies in different ways. First, it defines tourism film as a subject of study, identifying its characteristics and recognizing its importance and persistence in the context of New Zealand film production. Secondly, it proposes a research methodology for tourism film based on the combined examination of different types of primary and secondary sources that can be potentially applied in different geographic contexts. Finally, it sheds light on the shifts and turning points in the representation of Wellington and New Zealand urban and suburban space throughout over a century of national tourism promotion and tourism film production. In this research, the term ‘tourism film’ has been used in its broadest sense and it is meant to include the variety of technologies and media texts that emerged throughout the analysed 105 years time frame covered in this thesis.</p>


Author(s):  
Diego Bonelli

This paper focuses on the representation of Wellington in New Zealand tourism films in the decades preceding the establishment of the National Film Unit (NFU) in 1941. While critically engaging with current discourses about early New Zealand film production, New Zealand film history, New Zealand human geography and the cinematic city, it performs the textual analysis of eight case studies also examining archival materials related to their production, circulation and reception. This article aims to demonstrate how the cinematic depiction of New Zealand’s capital city in the analysed time frame was a complex and multi-layered process driven and characterised by the coexistence and intertwining of tourism marketing, national publicity and colonial agenda.


2005 ◽  
Vol 11 (1) ◽  
pp. 90-112 ◽  
Author(s):  
Lincoln Dahlberg

Much communications research is in agreement about the failure of mass media to adequately facilitate a public sphere of open and reflexive debate necessary for strong democratic culture. In contrast , the internet's decentralised, two-way communication is seen by many commentators to be extending such debate. However, there is some ambivalence among critical theorists as to the future role of the internet in advancing the public sphere. On the one hand, the internet is providing the means fot the voicing of positions and identities excluded from the mass media. On the other hand, a number of problem are limiting the extensiveness and effetivness of this voicing. One of the most significant problems is the corporate colonisation of cyberspace, and subsequent marginalisation rational-critical communication. It is this problem that i will focus on in this article, with reference to examples from what I refer to as the 'New Zealand online public sphere'. I show how online corporate portals and media sites are gaining the most attention orientated to public communication, including news, information, and discussion. These sites generally support conservative discourse and consumer practices. The result is a marginalisation online of the very voices marginalised offline, and also of the critical-reflexive form of communication that makes for a strong public sphere. I conclude by noting that corporate colonisation is as yet only partial, and control of attention and media is highly contested by multiple 'alternative' discursive spaces online.


2020 ◽  
Vol 4 (2) ◽  
pp. 30
Author(s):  
Novi Swandari Budiarso ◽  
Winston Pontoh

The manufacturing firms have implicit and explicit goals and objectives. In order to achieve these goal and objective then manager needs accounting information. The accounting information created and used by management is intended primarily for planning and control decisions. One of the accounting information is cost accounting that can be used as a tool for planning the profit as the objective of the companies. Manufacturing costs are identified as variable costs or fixed costs under cost behavior analysis. Regression analysis is the one of the cost estimation methods in term to estimate the fixed costs and variable costs where the results of estimation are used to calculate the contribution margin.


2021 ◽  
Vol 9 (1) ◽  
pp. 43-58 ◽  
Author(s):  
Diego Bonelli

Since its inception, New Zealand film production has often been characterized by a strong focus on the promotion and marketing of local scenic locations. However, over the last few decades and simultaneously with New Zealand’s rapidly increasing urbanization rates, urban narratives have gained prominence in the cinematic representation of the country, gradually becoming important aspects of national tourism marketing campaigns. This article first provides an overview of New Zealand tourism film’s dynamics of production and recurring themes and narratives from the early twentieth century to the 1960s. It then focuses on Toehold on a Harbour and This Auckland – tourism films produced by the government-led New Zealand National Film Unit and released respectively in 1967 and 1966 – and identifies a turning point in the manufacturing of local urban narratives and in New Zealand urban tourism marketing. My critical and textual analysis of these two case studies notably relies on the examination of archival documents related to their production and on an interview with This Auckland’s director Hugh Macdonald. It ultimately shows how the emergence of ‘cities with a character’ as a tourism marketing tool was in fact a carefully planned, articulated and years-long government-driven strategy.


2012 ◽  
Vol 1 (2) ◽  
pp. 47-56
Author(s):  
Suzanne Wilkinson

Effective information technology use can be a key cause of the success of a construction project. Technology used for project management in the New Zealand construction industry is discussed in this paper. The results reveal on many levels a lack of understanding of current available information technology to assist with overall management and control of the construction projects in New Zealand. This paper discusses the results of a survey to construction companies in the New Zealand which profess to offer project management as one of their main services. Amongst others, the findings suggest an awareness of the technology available, but a reluctance to invest time and money in it. The paper will assess the reasons for this reservation and provide advice for use of alternative methods for project management planning and control for the New Zealand construction industry. Valuable lessons from this research are translated to the international construction industry.


2019 ◽  
Vol 68 (3) ◽  
pp. 222-250
Author(s):  
Wilfried Boroch

Abstract There are several ideas about health policy. The purpose of this article is to describe the health-specific guiding ideas, planning and control mechanisms and objectives that explain the main thrust of thinking and action of the two currently most important policy conceptions. On the one hand, this is the conception of health policy as economic policy, and on the other hand the health sciences approach of health policy as health-based intervention policy. The differences between both concepts are not trivial and show fundamentally different ideas of the allocation and distribution of health goods and services. When choosing “for or against” the “right” health policy approach, these systemic differences must be adequately taken into account.


2008 ◽  
pp. 13-17
Author(s):  
Md. Zakir Hossain ◽  
Md. Ibrahim Hossain ◽  
Md. Ruhul Amin

The study is planned to evaluate the financial strengths and weaknesses and to make suggestions to improve its financial position. The data are collected from secondary sources. To analyze financial performance some key variables are selected like liquidity Ratios, Solvency Ratios, Profitability Ratios and Activity Ratios. From the analysis and interpretation of data it was observed that the company’s managerial performance, profit earning capability etc. are in very good position. The reasons for these positions were due to proper management, planning and control of working capital, operational efficiency, adequate credit policy, high labor efficiency, good quality raw materials, good marketing forces, adequate and good storage facilities etc.


Author(s):  
Olena Fomina

Trade is of great importance for the national economy and society as a whole. Trade enterprises act as providers between producers of consumer goods and consumers, focused on meeting customer demand, account for a significant share in the formation of gross domestic product. Environmental factors affect the conditions and results of the trade enterprise (e.g., pandemic, hostilities, sanctions, etc.). Society's demands for the social responsibility of trade enterprises are changing and becoming more stringent. All this strengthens the responsibility of enterprise management and leads to the introduction of effective management tools. Such a modern management tool is controlling. The views of scientists on defining the essence and meaning of controlling differ. The study is based on the definition of controlling, according to which controlling is considered as a complete, cyclical, comprehensive process of goal setting, planning and control of activities in conjunction with various management systems. Controllers mainly perform two roles in the enterprise: on the one hand, they are internal consultants and management partners and, thus, responsible for achieving goals. On the other hand, controllers are service providers in which they are responsible for providing accurate and relevant information for consulting. As a result, requests for reliable, timely and relevant information are increasing. Information for management decisions is formed in the system of accounting controlling. The political, economic and social course of the country to meet the goals of sustainable development leads to a radical rethinking of management and the transition from a systemic to a process approach to management. In the main processes, the actual added value is generated at the enterprise. They are defined as directly meeting the needs of consumers and include, for example, research and development, production and sales. The set of all major controlling processes can be represented as a model. The formation of accounting support for controlling is appropriate to carry out on the basis of certain basic processes.


2021 ◽  
Vol 8 (11) ◽  
Author(s):  
Rachelle N. Binny ◽  
Michael G. Baker ◽  
Shaun C. Hendy ◽  
Alex James ◽  
Audrey Lustig ◽  
...  

New Zealand responded to the COVID-19 pandemic with a combination of border restrictions and an Alert Level (AL) system that included strict stay-at-home orders. These interventions were successful in containing an outbreak and ultimately eliminating community transmission of COVID-19 in June 2020. The timing of interventions is crucial to their success. Delaying interventions may reduce their effectiveness and mean that they need to be maintained for a longer period. We use a stochastic branching process model of COVID-19 transmission and control to simulate the epidemic trajectory in New Zealand's March–April 2020 outbreak and the effect of its interventions. We calculate key measures, including the number of reported cases and deaths, and the probability of elimination within a specified time frame. By comparing these measures under alternative timings of interventions, we show that changing the timing of AL4 (the strictest level of restrictions) has a far greater impact than the timing of border measures. Delaying AL4 restrictions results in considerably worse outcomes. Implementing border measures alone, without AL4 restrictions, is insufficient to control the outbreak. We conclude that the early introduction of stay-at-home orders was crucial in reducing the number of cases and deaths, enabling elimination.


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