scholarly journals In Pursuit of Visibility: Queer Space Approach to Community Architecture in Jamaica

2021 ◽  
Author(s):  
◽  
Maya St Juste

<p>Public space is a site of contestation where people enact their identities and exercise their citizenship. Often non-conforming individuals and communities are not given this opportunity, existing solely on the fringes of these spaces. Queer, especially Trans-identified, people are members of multi-marginalised groups grappling with the realities of discrimination in Jamaica’s (public) spaces. This thesis will explore queer spaces, specifically, how architecture can be used to create safe spaces for the inclusion of the displaced Trans* youth of Jamaica. While queer space has been explored conceptually in architecture, there is now a pressing need to bring physicality to this corporeal subject. How can the experience of this community be translated into architectural expression? Playing on the theme of visibility, this research aims to develop a design of physical space through the analysis of various visual media, along with other experimental participatory design techniques. With input from members of the community, the architectural intervention will remain relevant to its target user community and grounded in its users’ Jamaican context.</p>

2021 ◽  
Author(s):  
◽  
Maya St Juste

<p>Public space is a site of contestation where people enact their identities and exercise their citizenship. Often non-conforming individuals and communities are not given this opportunity, existing solely on the fringes of these spaces. Queer, especially Trans-identified, people are members of multi-marginalised groups grappling with the realities of discrimination in Jamaica’s (public) spaces. This thesis will explore queer spaces, specifically, how architecture can be used to create safe spaces for the inclusion of the displaced Trans* youth of Jamaica. While queer space has been explored conceptually in architecture, there is now a pressing need to bring physicality to this corporeal subject. How can the experience of this community be translated into architectural expression? Playing on the theme of visibility, this research aims to develop a design of physical space through the analysis of various visual media, along with other experimental participatory design techniques. With input from members of the community, the architectural intervention will remain relevant to its target user community and grounded in its users’ Jamaican context.</p>


Author(s):  
Sam Miles

AbstractDevelopments in mobile digital technologies are disrupting conventional understandings of space and place for smartphone users. One way in which location-based media are refiguring previously taken-for-granted spatial traditions is via GPS-enabled online dating and hook-up apps. For sexual minorities, these apps can reconfigure any street, park, bar, or home into a queer space through a potential meeting between mutually attracted individuals, but what does this signify for already-existing queer spaces? This chapter examines how smartphone apps including Grindr, Tinder, and Blued synthesize online queer encounter with offline physical space to create a new hybrid terrain predicated on availability, connection, and encounter. It is also a terrain that can sidestep established gay neighborhoods entirely. I explore how this hybridization impacts on older, physically rooted gay neighborhoods and the role that these neighborhoods have traditionally played in brokering social and sexual connection for sexual minorities. Few would deny that location-based apps have come to play a valuable role in multiplying opportunities for sexual minorities. However, the stratospheric rise of these technologies also provokes questions about their impact on embodied encounter, queer community, and a sense of place. A decade on from Grindr’s release, this chapter evaluates the impact of location-based media on gay spaces and reflects on what the increasing hybridization of online and offline spaces for same-sex encounter might mean for queer lives of the future.


Author(s):  
Alison James

This book studies the documentary impulse that plays a central role in twentieth-century French literature. Focusing on nonfiction narratives, it analyzes the use of documents—pieces of textual or visual evidence incorporated into the literary work to relay and interrogate reality. It traces the emergence of an enduring concern with factual reference in texts that engage with current events or the historical archive. Writers idealize the document as a fragment of raw reality, but also reveal its constructed and mediated nature and integrate it as a voice within a larger composition. This ambivalent documentary imagination, present in works by Gide, Breton, Aragon, Yourcenar, Duras, and Modiano (among others), shapes the relationship of literature to visual media, testimonial discourses, and self-representation. Far from turning away from realism in the twentieth century, French literature often turns to the document as a site of both modernist experiment and engagement with the world.


Author(s):  
Jenna Ward ◽  
Allan Watson

The music industry is characterized by stereotypical images of excess, pleasure, intensity, and play that have given rise to folklore of “sex, drugs, and rock ’n’ roll.” Through a qualitative study of sound engineers this chapter explores two main questions: To what extent is the lived reality of working in studio contexts with creative artists reflected in the stereotypical representations of “rock ’n’ roll”? To what extent is the “rock ’n’ roll vibe” an organic, voluntary state of creativity or facilitated “emotional FX” elicited by studio staff to enhance particular musical performances? The chapter demonstrates ways in which engineers and producers manage their emotions to influence and support performances from artists. These emotional labor performances aim to recast the technological, and often stark, physical space of the recording studio as a site of autonomy and play, turning work spaces into sites of pleasure and excess in sometimes uncomfortable working conditions.


10.1068/a3237 ◽  
2000 ◽  
Vol 32 (4) ◽  
pp. 599-616 ◽  
Author(s):  
Elizabeth A Gagen

At the turn of the 20th century, children's play came under new and heightened scrutiny by urban reformers. As conditions in US cities threatened traditional notions of order, reformers sought new ways to direct urban-social development. In this paper I explore playground reform as an institutional response that aimed to produce and promote ideal gender identities in children. Supervised summer playgrounds were established across the United States as a means of drawing children off the street and into a corrective environment. Drawing from literature published by the Playground Association of America and a case study of playground management in Cambridge, MA, I explore playground training as a means of constructing gender identities in and through public space. Playground reformers asserted, drawing from child development theory, that the child's body was a conduit through which ‘inner’ identity surfaced. The child's body became a site through which gender identities could be both monitored and produced, compelling reformers to locate playgrounds in public, visible settings. Reformers' conviction that exposing girls to public vision threatened their development motivated a series of spatial restrictions. Whereas boys were unambiguously displayed to public audiences, girls' playgrounds were organised to accommodate this fear. Playground reformers' shrewd spatial tactics exemplify the ways in which institutional authorities conceive of and deploy space toward the construction of identity.


Author(s):  
И.Г. Федченко

В статье представлен обзор тематики выпускных квалификационных работ по градостроительству, представленных на Международный смотр-конкурс дипломных проектов архитектурных вузов, проводимый Межрегиональной общественной организацией содействия архитектурному образованию (МООСАО) в 2018 и 2019 годах. Проведенный анализ позволил сформулировать современные направления развития градостроительного знания по смысловым категориям проектов: технологические проекты; стратегические проекты различных уровней; проекты развития урбанизированных территорий; проекты уникальных тематик (освоение космоса, Арктики, концепции города будущего, проекты на территориях зарубежных государств). The article provides an overview of the topics of diploma works on urban planning submitted to the International Review Competition of architectural projects of university graduates held by the Interregional Public Organization for the Promotion of Architectural Education in 2018 and 2019. The analysis made it possible to formulate a generalization of topics into semantic categories: technological projects (technologies for urban planning, environmental-friendly planning, participatory design); strategic projects of various levels (the development of agglomerations and resettlement systems, strategies for the development of cities and historical centers, the modernization of transport systems, as well as projects to form the “nuclei” of economic growth); urban development projects (reconstruction of existing buildings, renovation of communal and warehouse areas of the city, development of disturbed territories, public space projects under the federal program “Formation of a comfortable urban environment”); projects of unique topics (space exploration, the Arctic, the concept of the city of the future, projects in foreign countries).


2018 ◽  
Vol 61 (2-3) ◽  
pp. 159-177
Author(s):  
Marcel Paret

How do insecure layers of the working class resist when they lack access to power and organization at the workplace? The community strike represents one possible approach. Whereas traditional workplace strikes target employers and exercise power by withholding labor, community strikes focus on the sphere of reproduction, target the state, and build power through moral appeals and disruptions of public space. Drawing on ethnography and interviews in the impoverished Black townships and informal settlements around Johannesburg, I illustrate this approach by examining widespread local protests in South Africa. Insecurely employed and unemployed residents implemented community strikes by demanding public services, barricading roads and destroying property, and boycotting activities such as work and school. Within these local revolts, community represented both a site of struggle and a collective actor. While community strikes enabled economically insecure groups to mobilize and make demands, they also confronted significant limits, including tensions between protesters and workers.


2014 ◽  
Vol 69 (1) ◽  
pp. 37-48 ◽  
Author(s):  
B. Etzold

Abstract. The paper discusses street vendors' spatial appropriations and the governance of public space in Dhaka, the capital of Bangladesh. The much debated question in social geography how people's position in social space relates to their position in physical space (and vice versa) stands at the centre of the analysis. I use Bourdieu's Theory of Practice to discuss this dialectic relation at two analytical levels. On a micro-political level it is shown that the street vendors' social positions and the informal rules of the street structure their access to public space and thus determine their "spatial profits". At a macro-political level, it is not only the conditions inside the "field of street vending" that matter for the hawkers, but also their relation to the state-controlled "field of power". The paper demonstrates that Bourdieu's key ideas can be linked to current debates about spatial appropriation and informality. Moreover, I argue that Bourdieu's theory builds an appropriate basis for a relational, critical, and reflexive social geography in the Urban South.


Author(s):  
Nieves De Mingo Izquierdo

What happens when a woman, housewife and mother, decides to take to her room and stay in bed for a whole year? This scarcely plausible proposition opens the last published work by the late British author Sue Townsend. This paper aims to explain the main coordinates of the narrative by using Foucault’s concept of heterotopia; an effective, theoretical tool when applied to the analysis of a contained, physical space which is eventually turned into a site of contestation by means of the protagonist’s self-imposed confinement. This implies further questioning on the degree of agency she displays within her environment and, in addition, raises doubts about whether the novel responds to a feminist stance on the part of the author or to a literary depiction of her unavoidable withdrawal from the outside world due to her personal circumstances.


Author(s):  
Aaron D. Knochel

In this chapter I explore satellite seeing in the convergence of global visual culture as a human-satellite co-figuration. Satellites, Global Positioning Systems, and mobile devices are engaged as prosthetic extensions of an embodied experience that can augment the potential of place-based learning. I engage this co-figuration through Mirzoeff's (2000/2006) notion of intervisuality and diaspora, the work of contemporary artists Trevor Paglen and Jeremy Wood, and my experiences with graduate students in Helsinki, Finland in an intensive course that developed understandings of the city as a site of geographic and cultural identity while exploring ideas of public space and performative interventionist practices in art making. The relations of the human-satellite co-figuration give insight as to the convergence of the local as a scale of the global, imprinted with transcultural pathways for understanding how we are located in the world.


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