scholarly journals Heritage and Post-Heritage: Investigating the Style, Form and Genre of Period Drama in 2010s British Television

2021 ◽  
Author(s):  
◽  
William Abbiss
Keyword(s):  
Case Studies ◽  
Economies Of Scale ◽  
Soap Opera ◽  
Point Of View ◽  
Traumatic Experience ◽  
Television Drama ◽  
Theoretical Concepts ◽  
The Past ◽  
The Impact

<p>This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post-heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history. This aesthetic discussion leads to theoretical concepts of identity and culture, which informs the case study analyses that follow in chapters 1 and 2. Chapter 1 concerns the BBC/Masterpiece revival of Upstairs Downstairs (2010-12), identifying its more developed post-heritage point of view in comparison to Downton Abbey (ITV/Masterpiece, 2010-15) and the original Upstairs, Downstairs (ITV, 1971-75). It also considers the circumstances that hindered the production of the BBC series’ second season and contributed to its cancellation, establishing the impact of these on the programme’s representation of the past. Chapter 2’s case study is Dancing on the Edge (BBC, 2013), the interwar narrative of which allows the part’s themes of identity and culture to be explored. The project’s second part analyses televisual form, assessing the increasing hybridity between series and serial forms in twenty-first century television. The theoretical focus of part II is narratives of trauma, influenced by the dichotomy between Cathy Caruth and Dominick LaCapra’s concepts of the traumatic experience. Chapter 3’s analysis of The Crown (Netflix, 2016-present) reveals a Caruthian approach to trauma, its narrative impact recurring endlessly and allowing the British monarchy’s tenuous position from the 1950s to reflect upon the present day. Chapter 4, meanwhile, considers the LaCaprian trauma expressed in The Living and the Dead (BBC/BBC America, 2016), suggesting a process of ‘working through’ that can find a resolution. These diverse approaches to trauma are connected to The Crown and The Living and the Dead’s grounding in serial and series form respectively, asserting the continued importance of this distinction. The third and final part of the project turns to the analysis of television genre, with innovative works of literary adaptation used to explore the relationship between generic hybridity and a post-heritage approach to depictions of the past. The introduction to part III outlines the history of ‘classic serial’ adaptations on the BBC and the innovations to the genre apparent since the 1990s. Following this, chapter 5 uses the case study of Dickensian (BBC, 2015-16) to identify the potential of soap opera characteristics in establishing a work of adaptation. Dickensian takes advantage of the soap genre’s economies of scale, while also establishing the difficulties this creates at a narrative level. Lastly, chapter 6 analyses the generic features of comedy within Parade’s End (BBC/HBO, 2012), asserting its use of televisual features to offer both a revised reading of Ford Madox Ford’s novels and a realisation of their literary characteristics on screen. The thesis concludes by placing the post-heritage critical framework in the context of broader trends in television drama of the 2010s, justifying its place in the field of television studies.</p>

scholarly journals Heritage and Post-Heritage: Investigating the Style, Form and Genre of Period Drama in 2010s British Television

2021 ◽  
Author(s):  
◽  
William Abbiss
Keyword(s):  
Case Studies ◽  
Economies Of Scale ◽  
Soap Opera ◽  
Point Of View ◽  
Traumatic Experience ◽  
Television Drama ◽  
Theoretical Concepts ◽  
The Past ◽  
The Impact

<p>This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post-heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history. This aesthetic discussion leads to theoretical concepts of identity and culture, which informs the case study analyses that follow in chapters 1 and 2. Chapter 1 concerns the BBC/Masterpiece revival of Upstairs Downstairs (2010-12), identifying its more developed post-heritage point of view in comparison to Downton Abbey (ITV/Masterpiece, 2010-15) and the original Upstairs, Downstairs (ITV, 1971-75). It also considers the circumstances that hindered the production of the BBC series’ second season and contributed to its cancellation, establishing the impact of these on the programme’s representation of the past. Chapter 2’s case study is Dancing on the Edge (BBC, 2013), the interwar narrative of which allows the part’s themes of identity and culture to be explored. The project’s second part analyses televisual form, assessing the increasing hybridity between series and serial forms in twenty-first century television. The theoretical focus of part II is narratives of trauma, influenced by the dichotomy between Cathy Caruth and Dominick LaCapra’s concepts of the traumatic experience. Chapter 3’s analysis of The Crown (Netflix, 2016-present) reveals a Caruthian approach to trauma, its narrative impact recurring endlessly and allowing the British monarchy’s tenuous position from the 1950s to reflect upon the present day. Chapter 4, meanwhile, considers the LaCaprian trauma expressed in The Living and the Dead (BBC/BBC America, 2016), suggesting a process of ‘working through’ that can find a resolution. These diverse approaches to trauma are connected to The Crown and The Living and the Dead’s grounding in serial and series form respectively, asserting the continued importance of this distinction. The third and final part of the project turns to the analysis of television genre, with innovative works of literary adaptation used to explore the relationship between generic hybridity and a post-heritage approach to depictions of the past. The introduction to part III outlines the history of ‘classic serial’ adaptations on the BBC and the innovations to the genre apparent since the 1990s. Following this, chapter 5 uses the case study of Dickensian (BBC, 2015-16) to identify the potential of soap opera characteristics in establishing a work of adaptation. Dickensian takes advantage of the soap genre’s economies of scale, while also establishing the difficulties this creates at a narrative level. Lastly, chapter 6 analyses the generic features of comedy within Parade’s End (BBC/HBO, 2012), asserting its use of televisual features to offer both a revised reading of Ford Madox Ford’s novels and a realisation of their literary characteristics on screen. The thesis concludes by placing the post-heritage critical framework in the context of broader trends in television drama of the 2010s, justifying its place in the field of television studies.</p>

scholarly journals Bringing Space Back in: Organizing the Generative Building

2004 ◽  
Vol 25 (7) ◽  
pp. 1095-1114 ◽  
Author(s):  
Martin Kornberger ◽  
Stewart R. Clegg
Keyword(s):  
Organization Theory ◽  
Spatial Organization ◽  
Point Of View ◽  
Positive Power ◽  
The Past ◽  
The Impact

In this article, we re.ect on architecture and management and organization theory, in terms of their mutual implications. We focus especially on a tacit implication in mainstream organization theory, which has an architectural genesis. In the past, management has been largely undergirded by a Cartesian rationality, one seen most clearly in the argument that structure follows strategy. Architecturally, this Cartesianism is present in the injunction that form follows function. Criticizing this point of view, we argue that organizations should be thought of as material, spatial ensembles — not just cognitive abstractions writ large. Linking space and organization in this way, we re.ect on the power that every spatial organization necessarily implies, both in negative and positive terms. After examining existing approaches to this issue, we discuss some positive power implications for management. We introduce the concept of the generative building that, instead of being a merely passive container for actions happening in it, contributes positively towards an organization’s capacities. We conclude with a re.ection on the impact of the generative building on management and processes of organizing.

Time-Lapse Seismic for Reservoir Management: Case Studies From Offshore Niger Delta, Nigeria

2016 ◽  
Vol 19 (03) ◽  
pp. 391-402
Author(s):  
Sunday Amoyedo ◽  
Emmanuel Ekut ◽  
Rasaki Salami ◽  
Liliana Goncalves-Ferreira ◽  
Pascal Desegaulx
Keyword(s):  
Case Studies ◽  
Niger Delta ◽  
Reservoir Management ◽  
Time Lapse ◽  
Seismic Survey ◽  
Elastic Model ◽  
Field Development ◽  
4D Seismic ◽  
The Impact

Summary This paper presents case studies focused on the interpretation and integration of seismic reservoir monitoring from several fields in conventional offshore and deepwater Niger Delta. The fields are characterized by different geological settings and development-maturity stages. We show different applications varying from qualitative to quantitative use of time-lapse (4D) seismic information. In the first case study, which is in shallow water, the field has specific reservoir-development challenges, simple geology, and is in phased development. On this field, 4D seismic, which was acquired several years ago, is characterized by poor seismic repeatability. Nevertheless, we show that because of improvements from seismic reprocessing, 4D seismic makes qualitative contributions to the ongoing field development. In the second case study, the field is characterized by complex geological settings. The 4D seismic is affected by overburden with strong lateral variations in velocity and steeply dipping structure (up to 40°). Prestack-depth-imaging (PSDM) 4D seismic is used in a more-qualitative manner to monitor gas injection, validate the geologic/reservoir models, optimize infill injector placement, and consequently, enhance field-development economics. The third case study presents a deep offshore field characterized by a complex depositional system for some reservoirs. In this example, good 4D-seismic repeatability (sum of source- and receiver-placement differences between surveys, dS+dR) is achieved, leading to an increased quantitative use of 4D monitoring for the assessment of sand/sand communication, mapping of oil/water (OWC) front, pressure evolution, and dynamic calibration of petro-elastic model (PEM), and also as a seismic-based production-logging tool. In addition, 4D seismic is used to update seismic interpretation, provide a better understanding of internal architecture of the reservoirs units, and, thereby, yield a more-robust reservoir model. The 4D seismic in this field is a key tool for field-development optimization and reservoir management. The last case study illustrates the need for seismic-feasibility studies to detect 4D responses related to production. In addition to assessing the impact of the field environment on the 4D- seismic signal, these studies also help in choosing the optimum seismic-survey type, design, and acquisition parameters. These studies would possibly lead to the adoption of new technologies such as broad-band streamer or nodes acquisition in the near future.

scholarly journals IMPACT OF MEMENTO VALUE ON THE PERCEPTION OF CULTURAL HERITAGE: CASE STUDY OF THE MODERN MOVEMENT AND DIALECT OF KAUNAS / ATMINTIES VERTĖ SUVOKIANT KULTŪROS PAVELDĄ: MODERNIZMO JUDĖJIMO IR JO KAUNIETIŠKOJO DIALEKTO ATVEJO TYRIMAS

2018 ◽  
Vol 10 (0) ◽  
pp. 1-7
Author(s):  
Huriye Armagan DOGAN
Keyword(s):  
Built Environment ◽  
Cultural Heritage ◽  
Empirical Approach ◽  
The Past ◽  
Space And Time ◽  
The Impact ◽  
Modern Movement

Memento value in heritage is one of the most essential characteristics facilitating the association between the environment and its users, by connecting structures with space and time, moreover, it helps people to identify their surroundings. However, the emergence of the Modern Movement in the architectural sphere disrupted the reflection of memory and symbols which serve to root the society in its language. Furthermore, it generated an approach that stood against the practice of referring to the past and tradition, which led to the built environment becoming homogeneous and deprived of memento value. This paper focuses on the impact of memento value on the perception and evaluation of cultural heritage. Furthermore, it investigates the notions which are perceived to influence the appraisal of cultural heritage by applying them to the Kaunas dialect of the Modern Movement with an empirical approach.

scholarly journals Blockchain in Health Care Innovation: Literature Review and Case Study From a Business Ecosystem Perspective (Preprint)

2020 ◽  
Author(s):  
Shuchih Ernest Chang ◽  
YiChian Chen
Keyword(s):  
Health Care ◽  
Life Cycle ◽  
Literature Review ◽  
Case Studies ◽  
Paradigm Shift ◽  
Potential Health ◽  
Business Ecosystem ◽  
Blockchain Technology ◽  
The Impact

BACKGROUND Blockchain technology is leveraging its innovative potential in various sectors and its transformation of business-related processes has drawn much attention. Topics of research interest have focused on medical and health care applications, while research implications have generally concluded in system design, literature reviews, and case studies. However, a general overview and knowledge about the impact on the health care ecosystem is limited. OBJECTIVE This paper explores a potential paradigm shift and ecosystem evolution in health care utilizing blockchain technology. METHODS A literature review with a case study on a pioneering initiative was conducted. With a systematic life cycle analysis, this study sheds light on the evolutionary development of blockchain in health care scenarios and its interactive relationship among stakeholders. RESULTS Four stages—birth, expansion, leadership, and self-renewal or death—in the life cycle of the business ecosystem were explored to elucidate the evolving trajectories of blockchain-based health care implementation. Focused impacts on the traditional health care industry are highlighted within each stage to further support the potential health care paradigm shift in the future. CONCLUSIONS This paper enriches the existing body of literature in this field by illustrating the potential of blockchain in fulfilling stakeholders’ needs and elucidating the phenomenon of coevolution within the health care ecosystem. Blockchain not only catalyzes the interactions among players but also facilitates the formation of the ecosystem life cycle. The collaborative network linked by blockchain may play a critical role on value creation, transfer, and sharing among the health care community. Future efforts may focus on empirical or case studies to validate the proposed evolution of the health care ecosystem.

E pluribus unum? Language diversity and the harmonization of company law in the European Union

2019 ◽  
Vol 26 (5) ◽  
pp. 669-690
Author(s):  
Federico M Mucciarelli
Keyword(s):  
European Union ◽  
Case Studies ◽  
Company Law ◽  
Language Diversity ◽  
The European Union ◽  
Freedom Of Establishment ◽  
First Case ◽  
Definition Of ◽  
The Impact

This work addresses the impact of language diversity and nation-specific doctrinal structures on harmonized company law in the EU. With this aim, two emblematic case studies will be analysed. The first case study is related to the definition of ‘merger’ adopted in the Company Law Directive 2017/1132 (originally in the Third Company Law Directive and the Cross-Border Merger Directive); by relying on the example of the SEVIC case decided by the Court of Justice of the European Union (CJEU), it will be shown that scholars’ and courts’ conception of the definition of ‘merger’ varies according to own domestic doctrinal structures. The second case study is related to the notion of ‘registered office’, which is key for establishing the scope of several harmonizing provisions and the freedom of establishment; this paper analyses terminological fluctuations across language versions of EU legislation and the impact of domestic taxonomies and legal debates upon the interpretation of these notions. These case studies show that company law concepts, despite their highly technical nature, are influenced by discourse constructions conducted within national interpretative communities, and by the language used to draft statutory instruments and discuss legal issues. The task of the CJEU is to counterbalance these local tendencies, and yet it is unlikely that doctrinal structures, rooted in national languages and legal cultures, will disappear.

Environmental education in libraries – theoretical foundations and practical implementation

2020 ◽  
Vol 41 (4/5) ◽  
pp. 279-293 ◽  
Author(s):  
Małgorzata Fedorowicz-Kruszewska
Keyword(s):  
Sustainable Development ◽  
Environmental Education ◽  
Case Studies ◽  
New Paradigm ◽  
Professional Literature ◽  
Content Type ◽  
Multiple Case ◽  
Main Components ◽  
The Impact

PurposeThe purpose of this paper is to explain the concepts related to environmental education in the context of sustainable development, to indicate the links between them as well as to identify and organize elements of library activities that have the potential to implement environmental education.Design/methodology/approachThe method of analysis and criticism of scientific and professional literature and research reports was used. The multiple case study method was also used.FindingsAn analysis of literature and multiple case studies confirms the assumption that sustainable development is now a new paradigm of librarianship. Among the goals of sustainable development are environmental goals, which in libraries can be achieved through environmental education. A broad approach to environmental education has been proposed, which is implemented not only by using library services but also by building green collections, contacts with environmentally involved librarians, using ecological library infrastructure, observing sustainable management methods in libraries, cooperation between the library and the external environment in terms of the natural environment.Research limitations/implicationsAn analysis of 20 case studies was carried out regarding the implementation of pro-environmental measures in libraries. Examination of a larger number of case studies would probably give a more complete picture of this area of activity in libraries. The next stage of research should be the development of standards/guidelines in the field of environmental education in libraries, and then the development of methods and techniques for assessing the quality of library activities in this area and methods for assessing the impact of libraries on society and the environment in the field of environmental education.Practical implicationsThe paper indicates – based on case study analyses – those library elements that have potential in the field of environmental education. They were ordered in categories that were assigned to the three main components of a library: people, artefacts and processes.Social implicationsSustainable development is a new library paradigm. The paper focuses on the environmental area, specifically environmental education. It has been recognized that libraries have considerable potential for environmental education and should be seen as socially responsible organizations that take responsibility for the impact of their decisions and actions on society and the environment.Originality/valueThe paper explains the basic concepts of environmental education and the relationships between them. It defines the area of environmental education in libraries in terms of library activity elements that can be used to organize them according to the three main components of a library, which are people, artefacts and processes. The paper also indicates that sustainable development should be treated as a new paradigm of librarianship, and environmental education as a new research field of library and information science.

GUIDELINES FOR REUSING ONTOLOGIES ON THE SEMANTIC WEB

2010 ◽  
Vol 04 (02) ◽  
pp. 239-283 ◽  
Author(s):  
ELENA SIMPERL
Keyword(s):  
Semantic Web ◽  
Development Strategy ◽  
Large Scale ◽  
Point Of View ◽  
Ontology Development ◽  
The Poor ◽  
Ontology Reuse ◽  
The Impact ◽  
Do So

The ability to efficiently and effectively reuse ontologies is commonly acknowledged to play a crucial role in the large scale dissemination of ontologies and ontology-driven technology, being thus a pre-requisite for the ongoing realization of the Semantic Web. In this article, we give an account of ontology reuse from a process point of view. We present a methodology that can be utilized to systematize and monitor ontology engineering processes in scenarios reusing available ontological knowledge in the context of a particular application. Notably, and by contrast to existing approaches in this field, our aim is to provide means to overcome the poor reusability of existing resources — rather than to solve the more general issue of building new, more reusable knowledge components. To do so we investigate the impact of the application context of an ontology — in terms of tasks this ontology has been created for and will be utilized in — has on the feasibility of a reuse-oriented ontology development strategy and provide guidelines that take these aspects into account. The applicability of the methodology is demonstrated through a case study performed in collaboration with an international eRecruitment solution provider.

Developing a residential programme for children in response to trauma-related behaviours

2004 ◽  
Vol 29 (3) ◽  
pp. 22-29 ◽  
Author(s):  
Suzanne Jenkins
Keyword(s):  
Clinical Experience ◽  
Theoretical Framework ◽  
Traumatic Experience ◽  
Intervention Plan ◽  
Children's Home ◽  
The Impact

This paper describes the development by Parkerville Children's Home, WA, of a therapeutic residential programme, based on current research and clinical experience, relating to the impact of traumatic experience. It describes the theoretical framework, its incorporation into an intervention plan and the process of implementation. A case study is used to illustrate the process of assessment and implementation.

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