scholarly journals Niematerialny świat Dul-dul at. O procesie zanurzania w świat Innych, o relacjach, ludziach i innych bytach

Author(s):  
Sylwia Pietrowiak

This essay is a non-linear record of memories from the author’s anthropological field- work in southern Kyrgyzstan. The research concerns a place called Dul-dul at, a site of petroglyphs with a dominant motif of animals interpreted as a pair of horses. The area at the foot of the rock with petroglyphs is also a pilgrimage and ritual site for healing and spiritual practices. The narrative of memories shows the transformation not only of the place of research, but also of the researcher: between the first stay (in 2006) to the last (in 2019). Subsequent studies reveal the dependencies of people involved in social rela- tions on the material and non-material world of Dul-dul at. Consecutive memories reveal layers of knowledge and ignorance, and how the researcher penetrates the community of the Others and the way they perceive the world.

2008 ◽  
Vol 2 (2) ◽  
pp. 160-176
Author(s):  
Mikael Rothstein

This article explores ornithology as a hidden resource in anthropological field work. Relating experiences among the Penan forest nomads of Sarawak, Borneo, the author describes how his personal knowledge of bird life paved the way for good working relations, and even friendship, with the Penan. Representing two very different cultures simple communication between the scholar on duty and the Penan community was difficult indeed, but the birds provided a common ground that enabled the two parties to exchange experiences, knowledge and skills. In certain ways the author's fieldwork-based project relates to the Penan’s religious interpretation of birds, but the article is primarily concerned with the fact that a mutual understanding was created from this common ground, and that our thoughts on fieldwork preparations may be taken further by such experiences.


Multilingua ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Jenanne Ferguson

Abstract This article investigates contemporary uses of the Sakha language algys (blessing poems) and reveals the “old” and “new” types of language materiality present in this genre of ritual poetry. Focusing primarily on one example of algys shared online in 2018, I discuss how performing algys has always involved close interconnection between language and the material world and present the changing contexts and forms of algys transmission that highlight both fixity and fluidity in the way speakers conceive of language and materiality. Despite the new mobilities and technologies that build upon the previously established written textual forms of this poetry—and contribute to its continued circulation and transmission—certain elements of traditional algys remains salient for speakers, reinforced by ideologies or ontologies of language that foreground the power of the (spoken) word. This is connected to the production of qualia and the invocation of chronotopes. Thus, while textual forms further enable processes of citationality as they are circulated online; the written words alone do not constitute an algys. Rather, here the importance of embodied, spoken language materiality is at the fore.


Author(s):  
Lambros Malafouris ◽  
Maria Danae Koukouti

Merging notions of materiality and intercorporeality is becoming increasingly important in archaeology and anthropology, as material culture has brought the materiality of bodies and the materiality of things back to the center of attention. Material Engagement Theory (MET) offers a new approach to the study of the nature of interactions and relational transactions of people and things as well as understanding their role in shaping the mind. Using the example of pottery making, this paper explores how the material world now becomes an inseparable component of the way we think; mind and matter are one and must be studied as such. This is a new emphasis on the priority of material engagement as a prereflexive, preverbal capacity for basic thought through, with, and about things which emerges from our bodily engagement with the world. It resonates, extends, and complements the concept of “intercorporeality” (intercorporéité) as advanced by French philosopher Maurice Merleau-Ponty.


Text Matters ◽  
2011 ◽  
pp. 145-152
Author(s):  
Małgorzata Poks

The scientific consciousness which broke with the holistic perception of life is credited with "unweaving the rainbow," or disenchanting the world. No longer perceived as sacred, the non-human world of plants and animals became a site of struggle for domination and mastery in implementing humankind's supposedly divine mandate to subdue the earth. The nature poetry of Denise Levertov is an attempt to reverse this trend, reaffirm the sense of wonder inherent in the world around us, and reclaim some "holy presence" for the modern sensibility. Her exploratory poetics witnesses to a sense of relationship existing between all creatures, both human and non-human. This article traces Levertov's "transactions with nature" and her evolving spirituality, inscribing her poetry within the space of alternative—or romantic—modernity, one that dismantles the separation paradigm. My intention throughout was to trace the way to a religiously defined faith of a person raised in the modernist climate of suspicion, but keenly attentive to spiritual implications of beauty and open to the epiphanies of everyday.


2012 ◽  
Vol 17 (3) ◽  
pp. 211-215
Author(s):  
Ruth Hawkins

This paper describes the background and development of a sound installation which, over a period of time, brings together site-specific field recordings, and acoustic and amplified sounds in a complex of natural and technological sources. During the installation diverse genres of recording and territories of sound become potentially, transiently available as local birdsong, background noises and the sounds of recordings and audio technologies are realised through enculturated experiences of recordings and ambient modes of listening. The work has closely evolved out of an existing field recording practice and the version described here remains a proposal – at the time of writing – to be completed in spring 2011. The way in which the installation has contingently emerged has become a critical part of the work which – instead of being conceived of as a untransferable ‘new reality’ essentially related to a site – will be used to open and connect recorded sound to the prolific wider circulation of mediated sound and – across different milieux – to the world ‘itself’.


2016 ◽  
Vol 17 (3) ◽  
pp. 205-213 ◽  
Author(s):  
Luca Scacchi ◽  
Angelo Benozzo ◽  
Domenico Carbone ◽  
Maria Grazia Monaci

Neo-liberalism has spread throughout the world in tandem with globalization. This article attempts to address the way in which neo-liberalism has operated in the Italian university system, an academic context that has its own history, values, and traditions. A brief overview of the consequences of neo-liberalism in Italy is followed by a description of the stages in the neo-liberal university reforms that have characterized the Italian academic world since the end of the 1980s. Finally, three forms of resistance that hinder the process of neo-liberalization and make it non-linear are examined in depth.


2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.


2006 ◽  
pp. 126-134
Author(s):  
L. Evstigneeva ◽  
R. Evstigneev

“The Third Way” concept is still widespread all over the world. Growing socio-economic uncertainty makes the authors revise the concept. In the course of discussion with other authors they introduce a synergetic vision of the problem. That means in the first place changing a linear approach to the economic research for a non-linear one.


2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.


The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.


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