scholarly journals Nostalgia as a means to overcome trauma: the case of Yoshimoto Banana’s “Sweet Hereafter”

Author(s):  
Veronica De Pieri

The natsukashisa (nostalgia) is a common key to interpretation of novels written by the Japanese author Yoshimoto Banana. Considered as the desire for a replay of life, nostalgia is evaluated as a solution for the sensation of emptiness and solitude attributed to modern life; a gap that can be bridged by memory, recollection and flash-backs of the protagonists in Yoshimoto’s novels. As a representation for something gone, the objects of this nostalgic feeling assume different forms in Yoshimoto’s works: a faraway house, a lost person, a feeling perceived and then missed; dreams, hallucinations, images and paintings: everything is transformed by the author in a vehicle to allow the reader to sympathize with the protagonists and share the same nostalgic feeling. Author’s attempt is to encourage the young readers to keep on seeking the lost self in the past in order to not betray one’s identity. This is the main topic one can also recognise in her novel called Sweet Hereafter, a publication in which nostalgia for a self lost in a car accident is compared to the one felt by the hisaisha of Tōhoku region who lost everything after the earthquake and tsunami that hit Japan on 11th March 2011. Here Yoshimoto suggests natsukashisa as the possible way to overcome the traumatic experience of witnessing Japanese Daishinsai. This brief investigation proposes a literary case study that highlights the relations between trauma and memory, with a particular focus on nostalgia considered as a positive means for overcoming traumatic experience.

2002 ◽  
Vol 2 ◽  
pp. 255-260 ◽  
Author(s):  
Simone Bastianoni

So-called orientors have been introduced at the interface between ecology and thermodynamics. Two have been chosen here to compare the characteristics of five ecological systems: exergy, which is related to the degree of organization of a system and represents the biogeochemical energy of a system, and emergy, which is defined as the total amount of solar energy directly or indirectly required to generate a product or a service. They represent two complementary aspects of a system: the actual state and the past work needed to reach that state. The ratio of exergy to the emergy flow indicates the efficiency of an ecosystem in producing or maintaining its organization.The main system under study is a portion of the Venice Lagoon, which is used as a fish farming basin. Four other aquatic ecosystems were considered for comparison. Results show that the ecosystem within the Venice Lagoon is the one with the highest efficiency in transforming the available inputs in organization of the system. This fact is due to human intervention, which is very limited but also very effective.


1981 ◽  
Vol 26 (2) ◽  
pp. 171-201 ◽  
Author(s):  
Jeffrey Hill

The grass-roots activities of the Independent Labour Party have been the subject of increased scrutiny from historians over the past few years, especially in the pages of this journal. Consequently we can now be a little surer about the contribution of the party to the development of an independent labour movement in Britain at the end of the nineteenth century, though with every fresh case-study a different local strategy seems to come to light. The one outstanding profile in this field is the closely observed account of the ILP in Bradford by J. Reynolds and K. Laybourn, who identify several key features in the party's growth in that city, notably the reformist nature of ILP socialism and the close associations with local trade unionism. “From the outset”, they tell us, “Bradford trade unionism and the Bradford ILP were seen as two aspects of a single homogeneous labour movement aimed at the emancipation of the working class from poverty and exploitation.”


2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Seyda Emekci

AbstractThe housing affordability problem in Turkey is not new. With the pandemic increasing pressure on the economy, the issue of housing affordability problem has reached an alarming level. The problem has been deepened not only as a result of the pandemic but also due to the incomplete and wrong policies from the past. This paper on the one hand aims to examine how the pandemic has exacerbated the problem; on the other hand, it purposes to reveal that the problem has been handled incorrectly and how weaknesses in the policy strategies contribute to this problem through a case study of the low-income group. The article also focuses on how architects can contribute to solving this problem.


2013 ◽  
Vol 20 (2) ◽  
pp. 6 ◽  
Author(s):  
Mariagrazia Santagati

O artigo apresenta os resultados de uma pesquisa qualitativa, que reconstrói biografias de jovens brasileiros que são descendentes de italianos, com a cidadania italiana ou à espera de retorno ou de partida para a Itália. A análise propõe uma exploração dos múltiplos sentidos, instrumentais e simbólicos, da cidadania e aprofunda o relacionamento dos oriundi com o seus antepassados: por um lado, os jovens entrevistados são colocados em um "mercado da cidadania", dirigido por profissionais mais ou menos competentes e honestos, que se propõem buscar a documentação necessária para a aquisição da cidadania, vendendo a um preço elevado o "sonho italiano". Por outro lado, eles pretendem viajar para a Itália em busca de suas raízes, impulsionados pela memória e lembranças de família, em uma mobilidade facilitada por redes transnacionais de familiares e amigos. O estudo de caso mostra que as migrações nunca são definitivas, mas são viagens de ida e volta: o caminho para a Itália destes jovens é um caminho oposto aos avós e bisavós, que vieram no passado do Brasil, e caracteriza a trajetória de pessoas que, ao mesmo tempo, reivindicam um vínculo formal e emocional com a terra de seus antepassados, mas estão procurando melhores oportunidades de vida na Itália e na Europa.Palavras-chave: Jovens. Cidadania. Migrações. Redes transnacionais.YOUNG BRAZILIANS WITH ITALIAN ORIGINS: transnational relationships and meanings of dual citizenshipAbstract: The article presents the outcomes of a qualitative investigation whose objective was to write the biography of young Brazilians with Italian origins, young Brazilians waiting for or already possessing Italian citizenship and young Brazilians waiting to get back to Italy. The study examines the multiple meanings of citizenship and analyzes the relationship of Italian Oriundi Brazilians with the country of their ancestors:on the one hand, the interviewees live in a sort of "market of citizenship", managed by officers with variable levels of expertise and honesty. These officers are responsible for searching the documents required to obtain Italian citizenship and sell the "Italian dream" at great cost. On the other hand, young Brazilians consider their journey to Italy as a way back to their origins, guided by their memories and those of their family and supported by transnational networks of relatives and friends. The case study here presented highlights how migrations are actually endless. These are instead more similar to round trips: young Brazilians'way back to Italy is opposite to that of their grandparents and great grandparents travelling to Brazil in the past; furthermore, it is a way for them to restore an emotional bond as well as a formal link with the land of their ancestors, but also to search for better opportunities in Italy and in Europe.Keywords: Youngs. Citizenship. Migrations. Transnational networks.JÓVENES BRASILEÑOS, DESCENDIENTES DE ITALIANOS: relaciones transnacionales y sentido de la doble ciudadaníaResumen: Este artículo presenta los resultados de una investigación cualitativa, que ha tenido el objetivo principal de recoger algunas biografías de jóvenes brasileños, descendientes de italianos, con ciudadanía italiana o en espera de obtenerla, sino también de regreso o en espera de la partida hacia Italia. El análisis ofrece una exploración de una moltitud de sentidos, instrumentales y simbólicos, de la ciudadanía y profundiza la relación de los oriundi con el país de sus ancestros: por una parte, los jóvenes entrevistados se colocan en un "mercado de la ciudadanía", administrado por expertos más o menos eficientes y honestos, que se proponen lograr la documentación necesaria a la adquisición de la ciudadanía, vendiendo a precios altos el "sueño italiano". Por la otra, ellos miran al viaje hacia Italia como a un recorrido para encontrar sus orígenes, acompañados por la memoria y los recuerdos familiares, facilitados en la movilidad gracias a las redes transnacionales de familiares y conocidos. A través del caso examinado, se ve que las migraciones nunca son definitivas, sino viajes de ida y vuelta: el recorrido hacia Italia de estos jóvenes representa un camino inverso respecto a lo de los abuelos y bisabuelos que han llegado en pasado a Brasil y caracteriza la trayectoria de personas que, en el mismo tiempo, reclaman una relación afectiva y formal con la tierra de los ancestros, pero buscan también mejores oportunidades de vida en Italia y Europa.Palabras clave: Jóvenes. Ciudadanía. Migraciones. Redes transnacionales.


Author(s):  
Susan Helft

Scholarship on the ancient Near East has not yet considered how the formation of a discrete set of objects and monuments has shaped our understanding of Anatolian civilizations. This chapter explores this issue by “testing” the canon of ancient Anatolian art and archaeology, with a focus on art. What is the canon, how was it formed, and does it meet the needs of today’s art historians and archaeologists? This exercise makes clear that the lists of Anatolian objects and sites chosen for modern consumption are the result of Mesopocentric viewpoints on the one hand, and of Turkish nationalist agendas on the other. For the canon of ancient Anatolia to more accurately represent the diversity of Anatolian cultures, the current canon needs to shed its Mesopotamian baggage and be more geographically and typologically inclusive. This chapter also advocates for a move away from comparisons between canons (which have contributed to a derivative view of ancient Anatolian art) and toward a thematic view. A case study on the topos of the hunt is meant to reset the relationship between the Anatolian and Mesopotamian canons and demonstrate the potential for more conceptual approaches to reinvigorate the canon for the future.


2021 ◽  
pp. 39-56
Author(s):  
Korinna Schönhärl

It is often noted that people remember the past to better manage the present. One major driving force of economic behaviour is expectations of the future or ‘imagined futures’, as the sociologist Jens Beckert calls them. But whereas these expectations are oriented towards the future, the frames in which they arise are strongly influenced by the past. During economically difficult situations, economic crises of the past were especially intensively remembered and discussed. The thesis of this chapter is that actors in the public sphere remember crises in alarming situations to orient themselves, construct fictional expectations of the future, and legitimize decisions that have to be taken in the present. The Greek debt crisis from 2009 onwards is used as a case study. The past crisis most recalled in collective memory in this period is the one that followed the Greek bankruptcy of 1893.


2020 ◽  
Vol 4 (4) ◽  
pp. 37-51
Author(s):  
A.K. Kirillov ◽  

For the first time in the history of the study of volost courts in pre-revolutionary Russia, a rare phenomenon is taken for study – a chain of interconnected claims considered by one court during the year. The use of a chain of claims makes it possible to solve the problem of excessive conciseness of the protocols of the volost courts, which arises during the transition from their mass processing to the study by the method of case study. Six investigated lawsuits, filed in 1914 in the Tulinsky volost court of the Tomsk province, were related to the departure of the peasant woman A. E. Borozdina, who complained about her husband’s abuse. The judges supported one part of her claims and ruled that the husband should give her the woman’s property and return the money for the cow he sold after his wife left. Another part of the claims related to the payment of money “for food” was rejected. As a result of studying these materials, it has been proved that Aleksandra Borozdina perceived the lawsuit as a tool in a multi-step game; each time adjusting the content of the claim to the needs of this struggle, taking into account rapidly changing circumstances. For their part, the volost court judges were pragmatic about the claims being filed, building the queue of their consideration not according to the chronology of filing, but according to the degree of their importance for the restoration of violated justice. In general, the above facts and the conclusions drawn work to reject the perception of the volost court of the early XX century as a relic of the past, which tried to put modern life in the mainstream of patriarchal customs. The peasants who came into contact with the volost court treated it in a businesslike manner, creatively using the opportunities given to them by law to fight for their interests (as long as we are talking about the plaintiffs) or (if we mean volost court judges) for adopting the correct (from their point of view) solutions.


Phonology ◽  
1988 ◽  
Vol 5 (1) ◽  
pp. 21-71 ◽  
Author(s):  
René Kager ◽  
Ellis Visch

Over the past few years, research in metrical phonology has witnessed a shift in its main topic of investigation. Originally, attention was focused on the representation of prominence patterns of words (for example, Liberman & Prince 1977; Kiparsky 1979; Selkirk 1980; Hayes 1981), but more recently interest has arisen in several sorts of ‘rhythmic’ stress phenomena in larger domains (Prince 1983; Hayes 1984; Selkirk 1984; Hammond 1984; Giegerich 1985). One way of explaining this shift is by noting that the issue of the treatment of prominence patterns proper seems to have reached a stage where both grid-only (i.e. tree-less) theory and variants of tree-fulltheories, whether or not they employ grids as well, are capable of explaining the prominence patterns of words (see, for instance, Prince 1983; van der Hulst 1984). In this situation, investigation of rhythmic stress phenomena may offer the possibility of evaluating these theories because, as currently perceived, this area typically deals with the issue of whether metrical tree structure is needed at all, or whether grid structure by itself is capable of explaining rhythmic adjustments: on the one hand, grid-only theory claims that any constituency relevant to rhythmic adjustment is adequately encoded in the grid; on the other, tree theory holds that more detailed, or perhaps different, constituent information is required, as expressed in the metrical tree.


2021 ◽  
Author(s):  
◽  
William Abbiss

<p>This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post-heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history. This aesthetic discussion leads to theoretical concepts of identity and culture, which informs the case study analyses that follow in chapters 1 and 2. Chapter 1 concerns the BBC/Masterpiece revival of Upstairs Downstairs (2010-12), identifying its more developed post-heritage point of view in comparison to Downton Abbey (ITV/Masterpiece, 2010-15) and the original Upstairs, Downstairs (ITV, 1971-75). It also considers the circumstances that hindered the production of the BBC series’ second season and contributed to its cancellation, establishing the impact of these on the programme’s representation of the past. Chapter 2’s case study is Dancing on the Edge (BBC, 2013), the interwar narrative of which allows the part’s themes of identity and culture to be explored. The project’s second part analyses televisual form, assessing the increasing hybridity between series and serial forms in twenty-first century television. The theoretical focus of part II is narratives of trauma, influenced by the dichotomy between Cathy Caruth and Dominick LaCapra’s concepts of the traumatic experience. Chapter 3’s analysis of The Crown (Netflix, 2016-present) reveals a Caruthian approach to trauma, its narrative impact recurring endlessly and allowing the British monarchy’s tenuous position from the 1950s to reflect upon the present day. Chapter 4, meanwhile, considers the LaCaprian trauma expressed in The Living and the Dead (BBC/BBC America, 2016), suggesting a process of ‘working through’ that can find a resolution. These diverse approaches to trauma are connected to The Crown and The Living and the Dead’s grounding in serial and series form respectively, asserting the continued importance of this distinction. The third and final part of the project turns to the analysis of television genre, with innovative works of literary adaptation used to explore the relationship between generic hybridity and a post-heritage approach to depictions of the past. The introduction to part III outlines the history of ‘classic serial’ adaptations on the BBC and the innovations to the genre apparent since the 1990s. Following this, chapter 5 uses the case study of Dickensian (BBC, 2015-16) to identify the potential of soap opera characteristics in establishing a work of adaptation. Dickensian takes advantage of the soap genre’s economies of scale, while also establishing the difficulties this creates at a narrative level. Lastly, chapter 6 analyses the generic features of comedy within Parade’s End (BBC/HBO, 2012), asserting its use of televisual features to offer both a revised reading of Ford Madox Ford’s novels and a realisation of their literary characteristics on screen. The thesis concludes by placing the post-heritage critical framework in the context of broader trends in television drama of the 2010s, justifying its place in the field of television studies.</p>


1965 ◽  
Vol 8 (1) ◽  
pp. 78-109 ◽  
Author(s):  
Renée C. Fox ◽  
Willy de Craemer ◽  
Jean-Marie Ribeaucourt
Keyword(s):  
The Past ◽  
A Chain ◽  

The particular rebellion in the Congo with which we are concerned in this article is the one that began in the Kwilu Province in January 1964 and, as such, was the first in a chain of rebellions that have erupted in the Congo in the course of the past year.


Sign in / Sign up

Export Citation Format

Share Document