Das Internet der Tiere: Natur 4.0 und die conditio humana

2016 ◽  
Vol 7 (2) ◽  
pp. 111-124
Author(s):  
Alexander Pschera

"Neben der Industrie hat die Digitalisierung auch die Natur ergriffen. Die Tatsache, dass Tausende von Tieren mit GPS-Sendern aus- gerüstet und überwacht werden, erlaubt, analog zur Industrie 4.0 auch von einer Natur 4.0 zu sprechen. Dieses Internet der Tiere verändert den Begriff, den der Mensch von der Natur hat. Er transformiert die Wahrnehmung vor allem der Natur als etwas fundamental An- deren. Neben den vielen kulturellen Problematisierungen, die das Internet der Tiere mit sich bringt, lassen sich aber auch die Umrisse einer neuen, ganz und gar nicht esoterischen planetarisch-post-digitalen Kultur aufzeigen, die die conditio humana verändert. In addition to industry, digitalization has also taken hold of nature. The fact that thousands of animals are provided and monitored with GPS transmitters allows to speak of nature 4.0 by way of analogy to industry 4.0. This internet of animals changes our idea of nature. Most of all, it transforms the perception of nature as something fundamentally other. Beside the many cultural problems that the internet of animals implies, it can also outline a new, not at all esoteric planetary post-digital culture that is about to change the human condition. "

1997 ◽  
Vol 31 (1) ◽  
pp. 103-114 ◽  
Author(s):  
M. J. HEALE

Christopher Lasch completed this book under “trying circumstances,” which presumably included the knowledge that he was dying from leukemia. Its final sardonic section is entitled “The Dark Night of the Soul,” and contemplates the pitiable plight of modern and secularized man, who denies himself the discipline of religion and is compelled to seek security in the easier and probably falser gods of science or therapy or identity politics. Lasch's last, racking examination of the human condition as it is displayed in the United States is not exactly despairing, because the human agency means that there is always hope, but his subjects are unfulfilled beings in a dysfunctional society. In short, Lasch has not used his farewell address to reprieve his fellow intellectuals of the charges he has previously levelled against them; rather, the indictment has been intensified. In many ways this a perfect Parthian shaft, gathering together and synthesising into one compelling critique the many misgivings that Lasch had long been developing about American life.


Author(s):  
Synthia Sydnor

This chapter argues that digital culture is a recent addition to myriad forms of expression and expressiveness that have occurred since time immemorial. Digital media then, “are tools that enable humans to continue doing what has always been at the core of the human condition: living in community, communicating, consuming, gathering, playing.” The chapter also develops a treatise on the nature of sport that takes into account both the digital era and theories of play, ritual, and culture. Cyber activities around sport, including “fantasy league play; social and individual memories of sports performance; video/computer games; the seemingly infinite growth of sport performances/stunts showcased on YouTube, tweets, and the colossal transglobal economy associated with sport,” replicate the “fun, thrills, danger, gravity play” and other affective sensations surrounding participation in sport itself. Ultimately, the digital revolution confirms the formal, symbolic ritualistic nature of sport more than it transforms.


2021 ◽  
Vol 65 (4) ◽  
pp. 767-772
Author(s):  
Jason W. Alvis ◽  
Ludger Hagedorn ◽  

How we use our own victimhood and that of others has been changing in recent years. Today it may be used to decry an injustice of violence, to garner attention to our causes, to command a unique moral and ecclesial authority, or even to gain advantage over other groups. The many possible uses of victimhood lead us to study phenomenologically its influence upon our human condition, considering especially its cultural manifestations, and religious underpinnings. The contributions investigate the topic through four sections: 1) Blame, Liability, Ressentiment, 2) Christianity, Atonement, Scapegoating, 3) Trauma, Survivor Guilt, Exile, and 4) Culture, Globalization Media.


2011 ◽  
Vol 14 (1) ◽  
pp. 71-88 ◽  
Author(s):  
Suzi Adams

The article reconstructs the unfinished dialogue between Arnason and Castoriadis, with a particular emphasis on the problematic of world articulation. Arnason’s thought is situated as reconfiguring classical sociological constellations, especially as they pertain to the revitalization of the civilizational problematic and the emphasis on the philosophical dimension of sociological investigation. His interpretative framework is located within the nascent field of post-transcendental phenomenology, which he elaborates via the overlapping problematics of cultural articulations of the world as an inter-cultural horizon, and the human condition as various modes of being-in-the-world. Arnason’s encounter with Castoriadis is considered. Despite the many points of fruitful contact, Castoriadis’ neglect of the phenomenological question of the world as a ‘shared horizon’ is, in Arnason’s view, too great to overcome; Arnason looks instead to Weber, Merleau-Ponty and, more recently, Patočka for interpretative resources. Although Castoriadis’ elucidation of the world proceeds ‘in fragments’, the article contends that hermeneutical reconstruction of his thought reveals openings onto the problematic of elemental world orders that can further the dialogue with Arnason.


2022 ◽  
Author(s):  
Jennifer Gibson

What if we could start all over again? Knowing what we know now, about the needs for research and the opportunities to improve the human condition, about the power of the Internet, and about the importance of the global village, what would we want publishing to look like? ...


Mind Shift ◽  
2021 ◽  
pp. 340-357
Author(s):  
John Parrington

This chapter assesses how much novels can reveal about the various mechanisms underlying human consciousness. Some might say, very little, and argue that only scientific study can uncover such mechanisms. However, because language plays such a key role in shaping human consciousness, the fictional explorations of the human condition that we find in novelistic literature can greatly add to our scientific understanding by concretizing that condition in its diverse forms. The chapter also explores a related question: how much do novels draw on new insights about the nature of consciousness, so increasing their ability to inform us about the human condition, and its relationship to changing forms of society? The best novels have a complexity and ambiguity of meaning that itself reflects the many contradictions in society and the individual psyche within that society. Importantly, this means there can be multiple readings of great novels, with different readers interpreting them in various ways. The chapter then examines several novels that have multiple interpretations and which also illuminate and enhance our understanding of different aspects of consciousness. These include Emily Brontë’s Wuthering Heights (1847), Henry James’s The Turn of the Screw (1898), William Golding’s Pincher Martin (1956), and Kazuo Ishiguro’s The Unconsoled (1995).


2019 ◽  
Vol 7 (1) ◽  
pp. 72-95
Author(s):  
Liina Keevallik ◽  
Indrek Ibrus

AbstractCloud Opera or The Dido Problem (Vaba Lava, Tallinn, Feb-Mar 2019) is a theatrical performance investigating, through artistic means, the human condition in the datafied world. The play was created in collaboration between Vaba Lava theatre and Tallinn University’s Centre of Excellence in Media Innovation and Digital Culture (MEDIT). In terms of its representations, the play combined references to man-made data ‘clouds’ with knowledge on atmospheric clouds and suggested that the former are just as unpredictable and uncontrollable as the latter. In this article, Liina Keevallik, the author and the scenographer of the performance together with Indrek Ibrus, a media researcher, discuss the uses of the media archaeological approach both in artistic practice and in creating “Cloud Opera”. We also discuss what media archaeological “findings” we could glean from the scenic elements of the play.


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