Rethinking Victimhood: Phenomenology, Religion, and the Human Condition

2021 ◽  
Vol 65 (4) ◽  
pp. 767-772
Author(s):  
Jason W. Alvis ◽  
Ludger Hagedorn ◽  
Keyword(s):  
Human Condition ◽  
Survivor Guilt ◽  
Trauma Survivor ◽  
The Many ◽  
The Human Condition

How we use our own victimhood and that of others has been changing in recent years. Today it may be used to decry an injustice of violence, to garner attention to our causes, to command a unique moral and ecclesial authority, or even to gain advantage over other groups. The many possible uses of victimhood lead us to study phenomenologically its influence upon our human condition, considering especially its cultural manifestations, and religious underpinnings. The contributions investigate the topic through four sections: 1) Blame, Liability, Ressentiment, 2) Christianity, Atonement, Scapegoating, 3) Trauma, Survivor Guilt, Exile, and 4) Culture, Globalization Media.

Das Internet der Tiere: Natur 4.0 und die conditio humana

2016 ◽  
Vol 7 (2) ◽  
pp. 111-124
Author(s):  
Alexander Pschera
Keyword(s):  
Industry 4.0 ◽  
Industrie 4.0 ◽  
Human Condition ◽  
Digital Culture ◽  
The Internet ◽  
Conditio Humana ◽  
The Many ◽  
The Human Condition

"Neben der Industrie hat die Digitalisierung auch die Natur ergriffen. Die Tatsache, dass Tausende von Tieren mit GPS-Sendern aus- gerüstet und überwacht werden, erlaubt, analog zur Industrie 4.0 auch von einer Natur 4.0 zu sprechen. Dieses Internet der Tiere verändert den Begriff, den der Mensch von der Natur hat. Er transformiert die Wahrnehmung vor allem der Natur als etwas fundamental An- deren. Neben den vielen kulturellen Problematisierungen, die das Internet der Tiere mit sich bringt, lassen sich aber auch die Umrisse einer neuen, ganz und gar nicht esoterischen planetarisch-post-digitalen Kultur aufzeigen, die die conditio humana verändert. In addition to industry, digitalization has also taken hold of nature. The fact that thousands of animals are provided and monitored with GPS transmitters allows to speak of nature 4.0 by way of analogy to industry 4.0. This internet of animals changes our idea of nature. Most of all, it transforms the perception of nature as something fundamentally other. Beside the many cultural problems that the internet of animals implies, it can also outline a new, not at all esoteric planetary post-digital culture that is about to change the human condition. "

The Revolting American Elites: Christopher Lasch and his Enemies

1997 ◽  
Vol 31 (1) ◽  
pp. 103-114 ◽  
Author(s):  
M. J. HEALE
Keyword(s):  
United States ◽  
Identity Politics ◽  
Human Agency ◽  
The United States ◽  
Human Condition ◽  
Dark Night ◽  
American Life ◽  
Christopher Lasch ◽  
The Many ◽  
The Human Condition

Christopher Lasch completed this book under “trying circumstances,” which presumably included the knowledge that he was dying from leukemia. Its final sardonic section is entitled “The Dark Night of the Soul,” and contemplates the pitiable plight of modern and secularized man, who denies himself the discipline of religion and is compelled to seek security in the easier and probably falser gods of science or therapy or identity politics. Lasch's last, racking examination of the human condition as it is displayed in the United States is not exactly despairing, because the human agency means that there is always hope, but his subjects are unfulfilled beings in a dysfunctional society. In short, Lasch has not used his farewell address to reprieve his fellow intellectuals of the charges he has previously levelled against them; rather, the indictment has been intensified. In many ways this a perfect Parthian shaft, gathering together and synthesising into one compelling critique the many misgivings that Lasch had long been developing about American life.

Arnason and Castoriadis’ unfinished dialogue: Articulating the world

2011 ◽  
Vol 14 (1) ◽  
pp. 71-88 ◽  
Author(s):  
Suzi Adams
Keyword(s):  
Transcendental Phenomenology ◽  
Human Condition ◽  
The World ◽  
The Many ◽  
Interpretative Framework ◽  
The Human Condition

The article reconstructs the unfinished dialogue between Arnason and Castoriadis, with a particular emphasis on the problematic of world articulation. Arnason’s thought is situated as reconfiguring classical sociological constellations, especially as they pertain to the revitalization of the civilizational problematic and the emphasis on the philosophical dimension of sociological investigation. His interpretative framework is located within the nascent field of post-transcendental phenomenology, which he elaborates via the overlapping problematics of cultural articulations of the world as an inter-cultural horizon, and the human condition as various modes of being-in-the-world. Arnason’s encounter with Castoriadis is considered. Despite the many points of fruitful contact, Castoriadis’ neglect of the phenomenological question of the world as a ‘shared horizon’ is, in Arnason’s view, too great to overcome; Arnason looks instead to Weber, Merleau-Ponty and, more recently, Patočka for interpretative resources. Although Castoriadis’ elucidation of the world proceeds ‘in fragments’, the article contends that hermeneutical reconstruction of his thought reveals openings onto the problematic of elemental world orders that can further the dialogue with Arnason.

Fact and Fiction

Mind Shift ◽  
2021 ◽  
pp. 340-357
Author(s):  
John Parrington
Keyword(s):  
Scientific Understanding ◽  
Related Question ◽  
Human Condition ◽  
Scientific Study ◽  
Human Consciousness ◽  
Wuthering Heights ◽  
The Many ◽  
The Individual ◽  
The Human Condition

This chapter assesses how much novels can reveal about the various mechanisms underlying human consciousness. Some might say, very little, and argue that only scientific study can uncover such mechanisms. However, because language plays such a key role in shaping human consciousness, the fictional explorations of the human condition that we find in novelistic literature can greatly add to our scientific understanding by concretizing that condition in its diverse forms. The chapter also explores a related question: how much do novels draw on new insights about the nature of consciousness, so increasing their ability to inform us about the human condition, and its relationship to changing forms of society? The best novels have a complexity and ambiguity of meaning that itself reflects the many contradictions in society and the individual psyche within that society. Importantly, this means there can be multiple readings of great novels, with different readers interpreting them in various ways. The chapter then examines several novels that have multiple interpretations and which also illuminate and enhance our understanding of different aspects of consciousness. These include Emily Brontë’s Wuthering Heights (1847), Henry James’s The Turn of the Screw (1898), William Golding’s Pincher Martin (1956), and Kazuo Ishiguro’s The Unconsoled (1995).

Costumes and Choreography from Bodenwieser's Trunk: The Coat as Affective Memory

2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham
Keyword(s):  
Modern Dance ◽  
Human Condition ◽  
Personal Life ◽  
Creative Thought ◽  
Cain And Abel ◽  
Embodied Research ◽  
The Many ◽  
The One ◽  
Material Evidence ◽  
Selection Of

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.

An Adolescent Girl Experiments with Sexuality: Rain (Christine Jeffs, 2001)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
New Zealand ◽  
Adolescent Girl ◽  
Emotional Problems ◽  
Human Condition ◽  
The Core ◽  
Parental Neglect ◽  
The Human Condition

The analysis in this chapter focuses on Christine Jeffs’s Rain as evidence of a shift that had occurred in New Zealand society whereby puritan repression is no longer perceived as the source of emotional problems for children in the process of becoming adults, but rather its opposite – neoliberal individualism, hedonism, and the parental neglect and moral lassitude it had promoted. A comparison with Kirsty Gunn’s novel of the same name, upon which the adaptation is based, reveals how Jeffs converted a poetic meditation on the human condition into a cinematic family melodrama with a girl’s discovery of the power of her own sexuality at the core.

Deadly Mirrors: Animal Death in Tommaso Landolfi and Stefano D'Arrigo

Paragraph ◽  
2019 ◽  
Vol 42 (1) ◽  
pp. 76-90
Author(s):  
Damiano Benvegnù
Keyword(s):  
Short Story ◽  
Killer Whale ◽  
Human Condition ◽  
Nonhuman Animal ◽  
Western Philosophy ◽  
Mise En Abyme ◽  
The Human Condition

From Hegel to Heidegger and Agamben, modern Western philosophy has been haunted by how to think the connections between death, humanness and animality. This article explores how these connections have been represented by Italian writers Tommaso Landolfi (1908–79) and Stefano D'Arrigo (1919–92). Specifically, it investigates how the death of a nonhuman animal is portrayed in two works: ‘Mani’, a short story by Landolfi collected in his first book Il dialogo dei massimi sistemi (Dialogue on the Greater Harmonies) (1937), and D'Arrigo's massive novel Horcynus Orca (Horcynus Orca) (1975). Both ‘Mani’ and Horcynus Orca display how the fictional representation of the death of a nonhuman animal challenges any philosophical positions of human superiority and establishes instead animality as the unheimlich mirror of the human condition. In fact, in both stories, the animal — a mouse and a killer whale, respectively — do die and their deaths represent a mise en abyme that both arrests the human narrative and sparks a moment of acute ontological recognition.

Dreams of a Black Commons on Turtle Island

2021 ◽  
Vol 14 (2) ◽  
pp. 454-473
Author(s):  
Rachel Zellars
Keyword(s):  
Twentieth Century ◽  
Indigenous Peoples ◽  
Human Condition ◽  
Wild Mushrooms ◽  
Black Migration ◽  
Black Freedom ◽  
Indigenous Sovereignty ◽  
Black Land ◽  
The Human Condition

This essay opens with a discussion of the Black commons and the possibility it offers for visioning coherence between Black land relationality and Indigenous sovereignty. Two sites of history – Black slavery and Black migration prior to the twentieth century – present illuminations and challenges to Black and Indigenous relations on Turtle Island, as they expose the “antagonisms history has left us” (Byrd, 2019a, p. 342), and the ways antiblackness is produced as a return to what is deemed impossible, unimaginable, or unforgivable about Black life.While the full histories are well beyond the scope of this paper, I highlight the violent impossibilities and afterlives produced and sustained by both – those that deserve care and attention within a “new relationality,” as Tiffany King has named, between Black and Indigenous peoples. At the end of the essay, I return briefly to Anna Tsing’s spiritual science of foraging wild mushrooms. Her allegory about the human condition offers a bridge, I conclude, between the emancipatory dreams of Black freedom and Indigenous sovereignty.  

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