scholarly journals RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”

2014 ◽  
Vol 2 (3SE) ◽  
pp. 1-4
Author(s):  
Sonika
Keyword(s):  
Pure Form ◽  
New Mineral ◽  
Art World ◽  
Indian People ◽  
14Th Century ◽  
Art Form ◽  
Miniature Painting ◽  
History Of ◽  
Great Merit ◽  
Palm Leaf

Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details. The artists of these miniatures used bright colours with tempera effect and display an unusual understanding of colour combinations.Miniature art form made its debut in the 10th century. The earliest of miniatures are found painted on palm-leaves and their themes relating to Jainism and Buddhism. The palm-leaf paintings seem to have developed between 10th to 12th centuries. In the 14th century, palm leaf was replaced by paper and to earlier colours were added new mineral colours and pigments. Paper, with its tougher, smoother and better pigments absorbing surface almost revolutionized the entire art scenario2.

scholarly journals Interactive Media Art: the Institution Tells a Story. The Center for Art and Media Karlsruhe

2014 ◽  
Vol 12 (2) ◽  
pp. 181-205 ◽  
Author(s):  
Sónia Alves
Keyword(s):  
Interactive Media ◽  
Art World ◽  
Clear Definition ◽  
Media Art ◽  
Institutional Investment ◽  
Art Form ◽  
History Of ◽  
Interactive Media Art

Abstract: Interactive Media Art has been scrutinized under several approaches.  It is though hard to achieve consensually a clear definition or conceptualization of this term.  What I propose here is to follow a case study of an institution, the Center for Art and Media Karlsruhe, whose contributions for the development of this art form are unique and represent a continuous and profound achievement to the art world. At the same time this research calls the attention for another way to look at the developments of Interactive Media Art by considering the institutional investment in the production of art. Simultaneously I will show that there is a pragmatical, educational and pedagogical line of research in the history of Interactive Media Art that has not received much attention until now.

scholarly journals The Dislocations and Transgressions in Bhajju Shyam’s The London Jungle Book (2004)

2021 ◽  
Vol 13 (2) ◽  
Author(s):  
Shikha Singh ◽  
Keyword(s):  
Cultural History ◽  
Contemporary Art ◽  
Personal Experience ◽  
Border Crossings ◽  
Art World ◽  
Contemporary World ◽  
Art Form ◽  
The Social ◽  
History Of ◽  
Visual Literature

The paper explores the multiple transgressions and border-crossings elaborated in the visual travelogue The London Jungle Book (2004), by Bhajju Shyam, a Pardhan-Gond artist and produced by Tara Books, an independent artists’ collective specialising in experimental visual literature. The paper discusses the cultural history of “Pardhan-Gond art” and the dislocations and relocations of the art form in the contemporary art world. The paper argues that the personal experience of the artist appears to reflect these shifting categorizations, movements and locations of performance of the art form. The images and metaphors of displacement and transgression have varied connotations in the visual travelogue as they reveal the complex mechanisms of travel and mobility in the contemporary world. The text also articulates the response of the artist to the social, political and economic conditions surrounding the production and circulation of his art, through reimagining his homeland, his cultural ties and his own identity. In a paradoxical sense, the experience of travel and mobility does not symbolise the uprootedness or detachment of the artist, but it brings into effect, with more immediacy, the cultural identity and ties of the artist, as a Pardhan-Gond artist, in the contemporary art world. Furthermore, the materiality of the crossover text challenges the notions of media, genre and readership, associated with the picturebook format, destabilising the categories and assumptions associated with the literary genre.

scholarly journals Two Armenian Bibles with Arabic Influences of miniature painting (Gregor Tatevatsi 1346-1410)

2016 ◽  
Vol 4 (8) ◽  
pp. 72-100
Author(s):  
Mahmoud Ahmed Darwish
Keyword(s):  
Analytical Study ◽  
Illuminated Manuscripts ◽  
14Th Century ◽  
15Th Century ◽  
Miniature Painting ◽  
History Of ◽  
First Time

About a century ago, Armenian illuminated manuscripts attracted the attention of scholars and lovers of art. Since that time intensive studies of medieval Armenian art had been conducted a unique historical panorama of the art of illumination, embracing more than thirteen centuries has been given.The heritage of a number of miniature schools and their outstanding representatives has been studied; the significance of medieval Armenian painting in the history of world art has been revealed. Although, most of them illuminated, many have not yet been published. Among the best examples of medieval Armenian illumination are those of the following two manuscripts, where the researcher published (28 miniatures) from the Gospel of folios paper in Matenadaran of Mashtots, for the first time: 13th, dated (1297) and (1378), the miniatures were executed by Grigor Tatevatsi and his pupil in (1378), and15th, dated in the end of 14th century and beginning of 15th century, the scribe is Grigor Tatevatsi and the anonymous painter of Syuniq. The research deals two Armenian bibles with Arab Influences by Grigor Tatevatsi (1346–1410), it begins with an introduction for Armenia with a focus on Syuniq which produced the two manuscripts, and includes three sections:1st. Study of Armenian miniatures with a focus on Grigor Tatevatsi school, where the proportion of miniature paintings, his pupil or anonymous painter of Syuniq.2nd. Analytical study.3ed. The influences of the Arabic miniature painting.

Moment's Monument

2017 ◽  
Author(s):  
Sharon Hecker
Keyword(s):  
Art World ◽  
Self And Other ◽  
Single Culture ◽  
Modern Sculpture ◽  
The World ◽  
History Of ◽  
Critical Account ◽  
Modern Experience ◽  
Artistic Heritage

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

Beraunite and Its Team: the History of Discovery of a New Mineral Eleonorite

Priroda ◽  
2018 ◽  
pp. 12-20
Author(s):  
R. Rastsvetaeva ◽  
◽  
S. Aksenov ◽  
Keyword(s):  
New Mineral ◽  
History Of

Cinema Expanded

2020 ◽  
Author(s):  
Jonathan Walley
Keyword(s):  
New Media ◽  
Film History ◽  
Video Art ◽  
Experimental Film ◽  
Art World ◽  
Film Culture ◽  
Moving Image ◽  
Avant Garde ◽  
Expanded Cinema ◽  
History Of

Cinema Expanded: Avant-Garde Film in the Age of Intermedia is a comprehensive historical survey of expanded cinema from the mid-1960s to the present. It offers an historical and theoretical revision of the concept of expanded cinema, placing it in the context of avant-garde/experimental film history rather than the history of new media, intermedia, or multimedia. The book argues that while expanded cinema has taken an incredible variety of forms (including moving image installation, multi-screen films, live cinematic performance, light shows, shadow plays, computer-generated images, video art, sculptural objects, and texts), it is nonetheless best understood as an ongoing meditation by filmmakers on the nature of cinema, specifically, and on its relationship to the other arts. Cinema Expanded also extends its historical and theoretical scope to avant-garde film culture more generally, placing expanded cinema in that context while also considering what it has to tell us about the moving image in the art world and new media environment.

scholarly journals RADIOCARBON DATES FROM THE MONASTERY ON KOM H IN OLD DONGOLA (SUDAN) AND THE CHRONOLOGY OF MEDIEVAL NUBIAN POTTERY

Radiocarbon ◽  
2021 ◽  
pp. 1-21
Author(s):  
Dorota Dzierzbicka ◽  
Katarzyna Danys
Keyword(s):  
Historical Research ◽  
Crucial Importance ◽  
Radiocarbon Dates ◽  
14Th Century ◽  
15Th Century ◽  
History Of

ABSTRACT The paper presents and discusses a series of radiocarbon (14C) dates from a medieval Nubian monastery found on Kom H of Old Dongola, the capital of the kingdom of Makuria located in modern-day Sudan. The monastery was founded in the 6th–7th century AD and although it probably ceased to function in the 14th century, the site remained occupied until the beginning of the 15th century. The investigated courtyard of the monastery was in use from the 11th to the 14th century, as indicated by the ceramics and 14C analysis results presented here. The dates under consideration are the first published series of 14C dates from this site, which is of crucial importance for historical research on medieval Nubian Christianity and monasticism. They permit to begin building an absolute chronological framework for research on the archaeological finds from the site and region. A group of finds in particular need of such a framework are ceramics, and the implications of the 14C dates for pottery assemblages found in the dated contexts are discussed. The conclusions summarize the significance of the datings for the history of the site.

scholarly journals Art. XVII.—The Nāgas. A Contribution to the History of Serpent-Worship

1901 ◽  
Vol 33 (3) ◽  
pp. 461-473
Author(s):  
C. F. Oldham
Keyword(s):  
The Sun ◽  
Indian People ◽  
Social Customs ◽  
The People ◽  
History Of ◽  
Vedic Period ◽  
Epic Poems

It is well known that between the Vedic period, and that described in the epic poems, great modifications occurred in the religion and social customs of the Indian people. Since the Epic period, further changes have taken place; so that the orthodox Hinduism, of the present day, differs much from that represented in the Mahābhārata. Religious vicissitudes have also occurred outside the Brahmanic pale. The Buddhist religion has become extinguished in India. Vast numbers of the people, too, have been converted—many of them forcibly—to the faith of Islām. Notwithstanding all this, however, many of the old deities still live. The Nāga rajas are worshipped as demigods; the sun, the cedar, and the serpent are held sacred; and Indra and his Devas have still their worshippers and their temples, as they had in the days described in the Mahābharāta.

History of Azerbaijani carpets with classical composition

2021 ◽  
Vol 66 (05) ◽  
pp. 149-153
Author(s):  
Nigar Səfxan qızı Məhərrəmova ◽  
Keyword(s):  
Key Words ◽  
Golden Age ◽  
Historical Review ◽  
16Th Century ◽  
Color Palette ◽  
Miniature Painting ◽  
History Of

The article provides information about the historical review of Azerbaijani carpets and examines its stages. The 16th century is characterized as the Golden Age of Azerbaijani history and culture. The carpet weaving of that time combined the subtlety and wonder of miniature painting, the decorative-plan solution of traditional motifs, a magnificent color palette reflecting all the colors and diversity of nature. Key words: carpet, pattern, color, Islam, miniature painting, sufism, seljuk, component

THE HARD FATE OF THE DEFENDERS OF NATIONAL VALUES

2019 ◽  
Vol 19 (4) ◽  
pp. 213-220
Author(s):  
Umida Kuranbaeva ◽  
Keyword(s):  
Scientific Literature ◽  
Primary Sources ◽  
Indian People ◽  
National Values ◽  
History Of

This article is devoted to the history, unique culture and traditions of the Indian people, described in the writings of Abu Rayhan Biruni “Athar al-Baqiyah”, “Tafhim” and “India”, which are the primary sources on the history of India. It analyzes and classifies information that is collected from scientific literature on the works of Abu Rayhan Biruni. To date, the works of Abu Rayhan Beruni on the history, ethnography, chronology, toponymy, calendars, holidays and religious events of the above-mentioned peoples occupy one of the main places in research works.

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