The Role of Contemplative Prayer In Self Discovery According To Thomas Merton

1998 ◽  
Author(s):  
Saba H. LEE
2022 ◽  
Vol 7 (1) ◽  
pp. 243-263
Author(s):  
Mohd Fadhli Shah Khaidzir ◽  
Ruzy Suliza Hashim ◽  
Noraini Md. Yusof

Background and Purpose: The absence of psychogeographical awareness is a critical factor contributing to the lackadaisical attitudes towards the place and its environment. As a result, it enables an individual to fully experience a location, both physically and intellectually, while also gaining a feeling of self-discovery and self-realisation.   Methodology: The purpose of this study was to examine the responses of a group of individuals who participated in a field observation. 40 participants from a Malaysian university's foundation level were brought to Malacca to experience the environment's geographical scenery at their own leisure. The survey data was then manually transcribed and analysed in accordance with the study's aim.   Findings: Interactions with individuals and observation of features in the countryside and urban surroundings enabled participants to go on a psychogeographical journey that influenced their way of thinking and behaving. All participants felt that the journey had influenced their experiences and perspectives on their thinking and behaviour, highlighting the critical role of this notion in establishing the connection between place and self.   Contributions:  The findings of this study provide a solid foundation for future research in the field of psychogeography. The data may be used as a baseline for future studies to determine whether a comparable impact exists in other locations, with or without significant features like those found in Malacca.   Keywords: Psychogeography, place attachment, place meaning, self-discovery, Malacca.   Cite as: Khaidzir, M. F. S., Hashim, R. S., & Md. Yusof, N. (2022). Psychogeographical experience between the self and the place.  Journal of Nusantara Studies, 7(1), 243-263. http://dx.doi.org/10.24200/jonus.vol7iss1pp243-263


Open Theology ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 212-227
Author(s):  
Christopher Pramuk

Abstract During his address to the US Congress in 2015, Pope Francis lifted up the Trappist monk and famed spiritual writer Thomas Merton as one of four “great” Americans who “offer us a way of seeing and interpreting reality” that is life-giving and brings hope. Drawing from Merton and gesturing to Pope Francis’s 2015 encyclical Laudato Si’, the author explores the epistemological roots of the environmental crisis, arguing that while intellectual conversion to the crisis is crucial, Merton’s witness suggests a deeper kind of transformation is required. Reading Merton schools the imagination in the way of wisdom, or sapientia, a contemplative disposition that senses its kinship with Earth through the eyes of the heart, illuminating what Pope Francis has called “an integral ecology.” The author considers the impact of two major influences on Merton’s thought: the Russian Wisdom school of theology, or sophiology, and French theologian Jacques Ellul, whose 1964 book “The Technological Society” raises prescient questions about the role of technology in education and spiritual formation. Arguing that our present crisis is both technological and spiritual, epistemological and metaphysical, the author foregrounds Merton’s contributions to a sapiential theology and theopoetics while asking how the sciences and humanities might work together more intentionally toward the transformation of the personal and collective human heart.


2000 ◽  
Vol 94 (4) ◽  
pp. 875-889 ◽  
Author(s):  
Jacob Howland

Xenophon'sAnabasis, a military adventure interwoven with a story of philosophical self-discovery, is a companion piece to Plato'sRepublic. TheAnabasistakes up in deed the two great political problems treated in speech in theRepublic, namely, how a just community can come into being and how philosophy and political power may be brought to coincide. In addressing the first of these problems, Xenophon makes explicit a lesson about the limits of politics that is implicit in theRepublic. He speaks to the second problem by clarifying the essential role of philosophicalerôsin his emergence, at the moment of crisis, as the founder and leader of a well-ordered community. Xenophon‘s self-presentation in theAnabasis, which makes clear his debt to Socrates, illuminates the nature of philosophical courage as well as the saving integrity of the philosophical soul.


2019 ◽  
Vol 10 (1) ◽  
Author(s):  
Michael W. Higgins

The presentation examined the role of Thomas Merton, Henri Nouwen and Donald Nicholl as pilgrims of wisdom and peace, their ministry of prayer grounded in contemplation, their commitment as peacemakers, their role as spiritual diarists of compelling relevance, their deep and perduring ecumenical, indeed interfaith, appeal well into our own century and their personal integrity or holiness of life. All three were Roman CatholicsThomas Merton was a Trappist monk, Henri Nouwen a priest of the Archdiocese of Utrecht, and Donald Nicholl, a married layman and father and professor of History and Religious Studiesbut their breadth of vision, their deep understanding of faith as the science of the heart, and their inexhaustible openness to the world all combined to make them genuinely extra-territorial spiritual figures.


2020 ◽  
Vol 7 (1) ◽  
pp. 147-177
Author(s):  
Caroline Pedler

To self-author means to have the capacity to make coherent and informed decisions based on one’s internal beliefs and to not rely on, or be swayed by, external sources; to trust one’s internal voice and identity. In this article, I look to self-authorship as a framework to enable the illustrator to better understand personal engagement and experience of practice and visual identity through critically informed decision-making based on one’s internal beliefs; using self-authorship as a phenomenological approach to practice, encouraging the exploration of and reflection on the individual facets of process and self with a more reflective and critical eye. Two case studies set the foundation of this article, and in case study one, I reflect on using personal sketchbooks created on a master’s degree and later during a period of great personal distress. As an established illustrator, I explore the way these sketchbooks have revealed the lengthy steps of redefinition of my practice over the past decade or more. Presenting a renewed ‘sense of identity’ for me as practitioner and for the work I create. Case study two is a prelude to the conclusion and sets in place a context for my own self-authorship as a picturebook maker. Building on Fauchon and Gannon’s Manifesto for Illustration Pedagogy, through personal exploration of self-authorship and the role of the sketchbook, this article presents the use and analysis of the sketchbook and mark making as a route to 'visual self-discovery' towards a more authentic picturebook practice.


Nature ◽  
1964 ◽  
Vol 202 (4938) ◽  
pp. 1154-1155
Author(s):  
GERARD PIEL
Keyword(s):  

2020 ◽  
Vol 1 (2) ◽  
pp. 73-84
Author(s):  
Maryam Raza ◽  
Athar Tahir

The aim of this study is to explore the Jungian Electra complex in Kanza Javed’s Ashes, Wine and Dust. This is a qualitative research. Electronic media including reviews and interviews form the secondary source of this study. The researcher substantiates that Javed’s young protagonist Mariam Ameen is father-fixated for her beloved grandfather, who is simply known as Dadda. The concealed unconscious desire for her grandfather is unveiled by dint of establishing the fact that Dadda is the true father figure for Mariam. He overshadows the role of the biological father, taking up the position of an immediate father for Mariam. This accentuates the underlying Electra complex in Mariam’s heart. Moreover, the use of double roles is also deciphered as a leitmotif in Javed’s novel. Mariam serves as the doppelganger of Parakneeti which further aids the prevalence of the Electra complex. Dadda’s incessant influence in Mariam’s life even after his death and her self-imposed spinsterhood is discerned in terms of her infatuation for her grandfather. This study also analyses Mariam’s journey to the land of her grandfather as a metaphorical voyage of regression to the phallic stage which renders in a metaphysical union of the lover and the beloved. As a result, it is a journey of self-discovery in terms of love. The significance of this critical study is that it broadens the research horizons on Javed’s work as a psychoanalytic novel. It also enables the researchers to explore theories by other psychoanalysts, since only Freud and Jung share the limelight in the field of psychoanalytic research.


2020 ◽  
Vol 20 (1) ◽  
pp. 93-111
Author(s):  
Francisco José Cortés Vieco

Katherine Mansfield and Virginia Woolf nourished a peculiar stream of parallel foreignness and kinship with each other as coetaneous writers. This article explores the likenesses and dialogues between Mansfield’s story “The Garden Party” and Woolf’s Mrs. Dalloway to detect and depict how bourgeois women, like Laura Sheridan and Clarissa Dalloway, albeit from two different generations, are indoctrinated by social etiquette, class consciousness and the prevailing archetype of domestic femininity inherited from Victorian times. Integrated into their compulsory roles as angelic daughters and wives, Laura and Clarissa gladly perform the role of the hostess to organise (im)perfect parties at home until death knocks at the door. Paradoxically that uninvited guest precipitates escapades of self-discovery and mental emancipation, leading to transient or enduring transformations in the lives of these two women.


2020 ◽  
Vol 76 (4) ◽  
Author(s):  
Christina Landman ◽  
Tanya Pieterse

This article presents the findings of research conducted on ‘forgiveness’ as a spiritual construct, religious survival strategy and meaning-giving tool during incarceration. The research was conducted with 30 men serving long-term sentences in Zonderwater, a correctional centre outside Pretoria, South Africa. A review of literature showed that forgiveness has mainly been seen as something the perpetrator owed the victim and that asking for and granting forgiveness were religious imperatives. However, this study shows that offenders, in the troubled space of incarceration, survived by putting themselves in control of forgiveness. They found peace of mind by granting forgiveness to those who caused them to be incarcerated, whilst at the same time taking responsibility for their own actions. Semi-structured interviews were conducted with the participants. Applying an interpretative phenomenological analysis methodology, the collected data were analysed and the following themes were identified: (1) forgiving those who transgressed against me; (2) the role of politics in forgiveness; (3) God’s role in forgiveness; and (4) the effects of forgiveness on the self.Contribution: This article contributes to an understanding of the construction of forgiveness as experienced by offenders, independent from the traditional victim-offender relations. Living in a troubled, unforgiving space, these men are expected to practice forgiveness by set standards. From their shared narratives, it is illustrated that their spiritual navigation with this phenomenon is not a chronological, time dependent process, but a multi-dimensional, personal journey to self-discovery.


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